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Contributors

Meet the contributors of Horror Press!

Luis Pomales-Diaz

‘Black Phone 2’ Review: Colder, Meaner, Faster—But Is It Better?

Brendan Jesus

‘The Innkeepers’ (2011) Review: Ti West’s Horror Gem

Sharai Bohannon

Is Night Flight Plus Your Next Favorite Streamer?

Tiffany Taylor

The Woman Behind the Creature from the Black Lagoon

Brennan Klein

‘Silver Bullet’ Should Be Just As Popular As ‘The Lost Boys’

Alex Warrick

‘Jurassic World: Rebirth’ Review: Show Me Your Teeth

Samantha McLaren

NYCC 2025 Horror Highlights: A Sneak Peek at ‘The Lost Boys’ Musical, ‘Resident Evil: Requiem,’ and More!

James-Michael Fleites

A Note From the EIC of Horror Press

Abigail Waldron

Stuffed with Fear: How Taxidermy Haunts the Horror Genre

Julian Martin

‘Noroi: The Curse’ Review: A Paranormal, J-Horror Mind-Trip

Eli BadCritic

Fantasia Film Festival 2025: A Powerhouse Year Wraps Up

Amanda Nevada DeMel

‘Saint Maud’ Review: A Sinner’s Ecstasy

Ian Carlos Crawford

‘Slayers: A Buffyverse Story’ is the Comeback We’ve All Been Waiting For

Bash Ortega

Best Transhumanism Horror and Sci-Fi Films to Watch for Transgender Day of Visibility

Jenika McCrayer

Aquatic Horror Brought to the Tabletop FLOAT: FROM THE DEEP Review

Maya Capasso

The Top 10 Most Disturbing Traps from the Saw Franchise — Ranked

Xero Gravity

‘The Toxic Avenger’ Review: Now That’s What I Call Brainrot

Frederick Hare

Review: ‘The Deep House’ An Aquatic Ghost Experience

Horror Press

Recruiting All Horror Fans Giveaway

Brucker Nourse

‘I Know What You Did Last Summer’: And the Impact of Slasher Sequel Trends

Beyza Ozer

Here to Slay: A Queer Horror Movie Viewing Guide

Mike Lefton

Mia from ‘Evil Dead’ – A New Kind of Final Girl

Jester LeRoux

The Evolution of Female Cannibals in Horror Films and TV

Chloé Harper Gold

[Tribeca Film Festival 2025] ‘Man Finds Tape’: A Sinister Mockumentary With Something For Everyone

Jazzmin Crawley

[INTERVIEW] Celebrating ‘The Coffee Table’ on Father’s Day with Caye Casas

Damian Hex

Interview with the Vampire: Queer Love & Vampires on TV

Ryan Kinney

The Ending of ‘Talk To Me’ Explained

Tori Potenza

Our Favorite Bi Coded Characters in Horror

Bee Delores

‘Alice, Sweet Alice’: Unmasking the Protoslasher From New Jersey

Michael Varrati

Queer the Walking Dead: The Rise of the “Gay Zombie” Subgenre

Kristina Kersey

Say Their Names: ‘Candyman’ and the Horrors of Youth Court

Christopher Ikonomou

Everything You Need to Know About ‘The Texas Chain Saw Massacre’ Game

Joe Chencharik

New Jersey’s Most Iconic Urban Legends

Brian Finnerty

How ‘Butcher, Baker, Nightmare Maker’ Redefines LGBT+ Representation

Kimberly Leszak

‘Are You Afraid of the Dark?’ Top 10 Episodes of All Time, Ranked

DeVaughn Taylor

The Covenant: A Queer-Coded Paradox

Aileen Clark

It Came From Streaming: Hispanic Heritage Month

Michael Ahern

Mean Ghouls: When Does Queer Horror Get To Sit At The Table?

Evan Benner

Finding Radical Queer Pride in ‘Tetsuo: The Iron Man’ (1989)

Avery Coffey

The Evolution of Black Religion & Spirituality in Horror

John Hernandez

A Look at Queer Representation in Mainstream Horror

E.L. King

Embracing Ellen Ripley and Alien’s Genderfluid Motifs

Aliya Hall

Hannibal: A Queer Love Story

Jae Hoole

Asexuality in Horror: Levi in ‘Something in the Dirt’ (2022)

Matthew Fulton

Finding Unexpected Empowerment in “Poor Things”

Tyrone Williams

Why Do We Giggle At The Ghastly?

Jillian Kristina

The Ferocity and Necessity of Shapeshifting with ‘Perpetrator’ (2023)

Bryn Wolanski

‘Silent Hill’ (2006): A Love Letter to Cybil Bennett

Gab Hernandez

Blood, Guts, and Gender Dysphoria in Manga

Valenti Govantes

‘Bride of Frankenstein’ at 90: Why Universal’s Horror Classic Still Haunts and Inspires

Miles Mendoza

Choosing the Wilderness: The Fantasy of Escape in ‘Let the Right One In’

Xanthe Pajarillo

Gatekeeping in Gateway Horror: Why We Need to Reevaluate What the Subgenre Means 

Christian Flynn

All My Homies Love Cronenberg

Mo Moshaty

The Hidden Curriculum: Microaggressions and Resistance in ‘MASTER’ (2022)

Jason Stein

‘Tales from the Crypt’ Top 10 Episodes of All-Time, Ranked

Mikey Peralta Jr.

Why ‘Kilometer 31’ (2006) Is An Unconventional La Llorona Film

Kristie Felice

Revisiting This Obscure Black Exorcist Film 50 Years Later

C.J. Arellano

The Scariest Episode from Every Season of ‘The X-FILES’

Jonathan Atkinson

It Came From Streaming Hispanic Heritage Month II

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