Luis Pomales-Diaz

‘Iron Lung’ Review: Exceptionally Atmospheric Cosmic Horror

Brendan Jesus

‘Re-Animator’ Review: The Lasting Legacy of a Horror Comedy

Sharai Bohannon

‘Ready or Not’ and the Cathartic Cigarette of a Relatable Final Girl

Tiffany Taylor

The Woman Behind the Creature from the Black Lagoon

Brennan Klein

The 10 Most Satisfying Deaths in Horror Movies

Alex Warrick

‘Jurassic World: Rebirth’ Review: Show Me Your Teeth

Samantha McLaren

[INTERVIEW] Tucking Into ‘Hannibal Lecter: A Life’ with Author Brian Raftery

Horror Press

The Horror Press Podcast Episode 54: Heated Rivalry & Yahtzee

Abigail Waldron

Stuffed with Fear: How Taxidermy Haunts the Horror Genre

Julian Martin

‘The Snake Woman’ Review: Politics and Schlock in British Horror

Eli BadCritic

Fantasia Film Festival 2025: A Powerhouse Year Wraps Up

Amanda Nevada DeMel

‘Saint Maud’ Review: A Sinner’s Ecstasy

Ian Carlos Crawford

‘Slayers: A Buffyverse Story’ is the Comeback We’ve All Been Waiting For

Bash Ortega

Best Transhumanism Horror and Sci-Fi Films to Watch for Transgender Day of Visibility

Jenika McCrayer

Aquatic Horror Brought to the Tabletop FLOAT: FROM THE DEEP Review

Maya Capasso

The Top 10 Most Disturbing Traps from the Saw Franchise — Ranked

Xero Gravity

‘The Toxic Avenger’ Review: Now That’s What I Call Brainrot

James-Michael Fleites

A Note From the EIC of Horror Press

Frederick Hare

Review: ‘The Deep House’ An Aquatic Ghost Experience

Brucker Nourse

‘I Know What You Did Last Summer’: And the Impact of Slasher Sequel Trends

Chloé Harper Gold

Brooklyn Horror Film Festival: 10 Years of Genre, Community, and Growth

Mike Lefton

Mia from ‘Evil Dead’ – A New Kind of Final Girl

Jester LeRoux

The Evolution of Female Cannibals in Horror Films and TV

Beyza Ozer

Here to Slay: A Queer Horror Movie Viewing Guide

Jazzmin Crawley

[INTERVIEW] Celebrating ‘The Coffee Table’ on Father’s Day with Caye Casas

Michael Ahern

No, Cult Cinema Isn’t Dead

Ryan Kinney

The Ending of ‘Talk To Me’ Explained

Tori Potenza

Our Favorite Bi Coded Characters in Horror

Bee Delores

‘Alice, Sweet Alice’: Unmasking the Protoslasher From New Jersey

Michael Varrati

Queer the Walking Dead: The Rise of the “Gay Zombie” Subgenre

Damian Hex

Interview with the Vampire: Queer Love & Vampires on TV

Aileen Clark

It Came From Streaming: Hispanic Heritage Month

Evan Benner

Finding Radical Queer Pride in ‘Tetsuo: The Iron Man’ (1989)

Avery Coffey

The Evolution of Black Religion & Spirituality in Horror

John Hernandez

A Look at Queer Representation in Mainstream Horror

E.L. King

Embracing Ellen Ripley and Alien’s Genderfluid Motifs

Aliya Hall

Hannibal: A Queer Love Story

Jae Hoole

Asexuality in Horror: Levi in ‘Something in the Dirt’ (2022)

Matthew Fulton

Finding Unexpected Empowerment in “Poor Things”

Tyrone Williams

Horror and Laughter: Why Do We Giggle At The Ghastly?

Jillian Kristina

The Ferocity and Necessity of Shapeshifting with ‘Perpetrator’ (2023)

Bryn Wolanski

‘Silent Hill’ (2006): A Love Letter to Cybil Bennett

Gab Hernandez

Blood, Guts, and Gender Dysphoria in Manga

Valenti Govantes

‘Bride of Frankenstein’ at 90: Why Universal’s Horror Classic Still Haunts and Inspires

Miles Mendoza

Choosing the Wilderness: The Fantasy of Escape in ‘Let the Right One In’

Vanessa Guerrero

How ‘Child’s Play’ Helped Shape LGBTQ+ Horror Fans

Christian Flynn

All My Homies Love Cronenberg

Mo Moshaty

The Hidden Curriculum: Microaggressions and Resistance in ‘Master’ (2022)

Xanthe Pajarillo

Gatekeeping in Gateway Horror: Why We Need to Reevaluate What the Subgenre Means 

Jason Stein

‘Tales from the Crypt’ Top 10 Episodes of All-Time, Ranked

Mikey Peralta Jr.

Why ‘Kilometer 31’ (2006) Is An Unconventional La Llorona Film

Kristie Felice

Revisiting ‘Abby’: The Obscure Black Exorcist Film

C.J. Arellano

The Scariest Episode from Every Season of ‘The X-FILES’

Jonathan Atkinson

It Came From Streaming Hispanic Heritage Month II

Kristina Kersey

Say Their Names: ‘Candyman’ and the Horrors of Youth Court

Christopher Ikonomou

Everything You Need to Know About ‘The Texas Chain Saw Massacre’ Game

Joe Chencharik

New Jersey’s Most Iconic Urban Legends

Brian Finnerty

How ‘Butcher, Baker, Nightmare Maker’ Redefines LGBT+ Representation

Kimberly Leszak

‘Are You Afraid of the Dark?’ Top 10 Episodes of All Time, Ranked

DeVaughn Taylor

‘The Covenant’: A Queer-Coded Paradox