Movies
Everything You Need to Know About Jason Voorhees
Though Summer has ended, the things we did over the summer will never leave us. The cookouts, the drinks by the fire, that masked guy who put an axe in our friend’s spine. Have you ever wondered why that happened? Well, today’s article is for you. We’ll be going through the history of one of horror cinema’s most famous slashers, Jason Voorhees, explaining how he does it, what makes him tick, and perhaps even answering what’s going on in that lumpy giant brain behind the hockey mask.
Welcome back to Horror 101, a series of articles where we explain horror movie legends and their lore. For beginners, the confused, or just those who need a refresher, these articles are for you.
The usual rules apply for this type of article: I will not be taking into consideration any comics, books, or television shows. We’re strictly doing the official films, beginning with Friday the 13th (1980) and ending chronologically with Jason X.
We’ll also consider the 2009 reboot for one crucial detail.
So, let’s make like a machete and cut right to it.
WHO IS JASON VOORHEES?
It all begins with Camp Crystal Lake, a campground (in New Jersey!) owned by the Christy family. Born to Pamela Voorhees, the cook at Camp Crystal Lake, Jason was born disabled, which led to being bullied as a child. Often mocked and teased by younger campgoers and ignored by irresponsible camp counselors, Jason lived a short and miserable “first” life.
While swimming in Crystal Lake in 1957, the counselors left Jason alone and surrounded by cruel children who chased him down and threw him off the dock. A panicked Jason drowned, which caused the camp to be closed temporarily when his body was never recovered.
Unbeknownst to Pamela and the rest of the world, Jason survived drowning and wandered the woods surrounding Crystal Lake until adulthood, surviving in an old shack. Pamela was nonetheless struck with grief and became bitter and resentful, murdering two of Camp Crystal Lake’s counselors in 1958. She would go on to set several fires and sabotage the camp’s many reopenings, leaving the Christy family destitute.
In 1980, the eldest son of the Christy family, Steve, attempted to reopen the camp and ended up drawing the ire of Pamela, who began murdering to tarnish the camp once more. Her spree ended when she was killed in self-defense by camp counselor Alice Hardy. Jason would recover her remains and create a shrine for his mother’s head, soon mirroring her habits as he became full of rage and resentment.
Taking up a machete as his weapon of choice, and later donning his iconic hockey mask in Friday the 13th Part III, Jason Voorhees became a menacing killer, whose legacy would span decades and even extend outside of the camp to places like Manhattan, and eventually the stars themselves.
WHY DOES JASON VOORHEES KILL?
The two most prominent reasons for Jason’s bloodlust are to seek vengeance for drowning and to get revenge for his mother’s murder. In the 2009 reboot, we see it explicitly. Still, it’s only implied a grown Jason saw Alice killing his mother and started targeting teens because of it.
While it’s lampshaded that Jason hates drug use and premarital sex in a couple of films in some very funny ways, that was really Pamela’s gripe about the counselors. I think it’s safe to say those concepts are probably lost on him, given that he’s not very smart.
Respectfully, of course.
HOW DOES JASON VOORHEES DIE?
After years and dozens of kills, Jason Voorhees had become the stuff of nightmares. But he was still human, and after suffering wounds throughout the first 3 films, was eventually weak enough to be killed during the events of Friday the 13th: The Final Chapter, where his skull was cleaved with his own machete.
The person who took him out was Tommy Jarvis, a young boy, and special effects hobbyist living at Crystal Lake. His traumatic experience with the killer and legends of his uncanny survival made him believe Jason would return. This fear was only exacerbated when Roy Burns took up Jason’s mantle and terrorized a teenage Tommy at Pinehurst Halfway House.
WHO IS ROY BURNS?
He’s the replacement “Jason” after Tommy Jarvis killed Voorhees the first time. He was a paramedic who went mad when his son, Joey, was murdered by a disgruntled member of Pinehurst. He got thrown on a wall of spikes and died.
I like Roy, but he’s not the focus of this article, so let’s move on!
HOW DOES JASON VOORHEES KEEP RETURNING FROM THE DEAD?
After Tommy Jarvis’ encounter with Roy Burns, he becomes especially paranoid and goes to dig up his nemesis during a thunderstorm, intending to destroy his body. In the process, Jason’s corpse is struck by lightning, and he inexplicably returns from the dead. This raises many questions, and the Friday films have spent a lot of time explaining why that happened.
Throughout the series, it’s stated that Jason has an unrivaled regenerative capability. In Jason X, it’s shown that the U.S. government was keeping him in cryostasis specifically to study that ability. The rules are vague, but we can make a few assumptions about how this ability works.
Jason Voorhees can take just about any amount of physical punishment as long as his body is still mostly intact. For instance, the ending of Jason Takes Manhattan shows him being dissolved in a flood of toxic waste and drowned, but he still keeps going. If his body is blown apart or significantly dismembered though, as seen in Jason Goes to Hell and Jason X, he can’t return without assistance. In Jason X, a swarm of nanites accelerates his natural healing and turns him into Uber Jason.
In Jason Goes to Hell, we see he has one last trick up his sleeve to evade death: transferring his spirit into another person. In the film, Jason is described as an entity that wears bodies like suits; this degrades anyone he possesses, filling them with disease and slowly melting them from the inside out. From there, he can return to his complete form by possessing another Voorhees blood relative, which allows him to regain his hulking zombie body.
And his mask… For some reason?
SO…IS JASON VOORHEES A DEMON THEN?
There are two schools of thought on this question:
1. Jason Voorhees himself is a demon who can naturally regenerate his body, or
2. The Voorhees bloodline is cursed, and that forces Jason to keep coming back.
In Jason Goes to Hell, Professional Jason hunter Creighton Duke says Jason is something humankind has never seen before but doesn’t actually explain what he is, or why only Voorhees blood relatives can take him out. A scrapped effect for the film showed Jason in a much more demonic form, implying it’s the former, but this never actually made it to the screen.
Some people say he may be a demon of another kind. Jason being a deadite is an idea popularized by director Adam Marcus for the film Jason Goes to Hell. It’s still only a fan theory with very little backing outside the props Marcus borrowed for the film.
Jason doesn’t explicitly enjoy causing suffering; instead, he seems to do it mostly out of sheer rage. His eyes aren’t white, he never verbally mocks his victims, no one ever calls him a deadite, and they never call the weapon that destroys him a Kandarian dagger. Most importantly, the Necronomicon is never read in any of the movies to summon his spirit. He just gets struck by lightning and comes back.
So regardless of whether he’s a demon or not, he most definitely isn’t a deadite.
HOW DOES JASON VOORHEES MOVE SO FAST?
Among Jason’s abilities, post-resurrection are superhuman strength, durability, and speed. Most instances of Jason “teleporting” result from his victims getting disoriented (as they’re often running through a forest and may or may not be intoxicated). This, combined with Jason’s athletic ability and bad film editing, creates the illusion of teleportation.
In the case of Jason Takes Manhattan, it’s a lot of bad editing.
CAN ANYTHING ACTUALLY KILL JASON VOORHEES?
The answer is yes, but also, no! Satisfying, I know.
Creighton Duke says there’s only one real way for Jason to be destroyed: “Through a Voorhees was he born, through a Voorhees may he be reborn. And only by the hands of a Voorhees will he die”.
This is true in the short term, as he is killed by his niece, Jessica Kimble, using a…mystical Voorhees dagger that she stakes his heart with. Eventually, Jason would be freed by Freddy Krueger, using the last traces of power he had to pull the Voorhees out of hell in Freddy vs. Jason.
Meaning there is no surefire way to put him down permanently.
And as a fan of the Friday the 13th films, that’s quite alright by me. I prefer my nonsensical super-zombies erring on the side of completely unkillable. The only hell Jason Voorhees has to worry about now is the legal hell his film and character rights are in. And with the new Crystal Lake series still in development, it’s anybody’s guess as to when we will see our soggy rotten boy again.
…SO YOU’RE SURE JASON ISN’T A DEADITE?
Oh my god, no. Stop trying to make deadite Jason happen. It’s not going to happen.
***
And that will be it for today’s Horror 101 lesson. See you in the next class and stay tuned to Horror Press’s social media feeds for more content on horror movies, television, and everything in between!
When I think of Gothic horror, I typically imagine haunted and decaying castles, ghosts from the past, and arguments of morality. The colors are usually dark, often cool-toned, and shadowy. Part of this might be due to German Impressionism bleeding into classic American Horror films. Many of the early horror films naturally incorporated gothic elements such as fighting supernatural forces, big old houses, and religion. According to the New York Public Library, gothic fiction was established after Horace Walpole’s The Castle of Otranto was published in 1764. The subgenre was named after the gothic castles that were often featured in earlier gothic works, such as Frankenstein and Dracula.
The aesthetic of death and decay around Gothic horror is reinforced with retellings of the most impactful gothic tales. There are countless remakes and retellings of Dracula. We just saw a new adaptation of Frankenstein from Guillermo Del Toro within the last four months. Additionally, the Hammer films from the 50’s-70’s focused on Gothic stories and helped to bolster the box we tend to place the subgenre in.
Gothic Horror Turned Southern Black Gothic
It’s easy to associate the subgenre with dread and gloom inside a Victorian mansion. However, Gothic horror has evolved with the times. There might not be an old haunted castle, but there might be an abandoned school from the 80’s. The elements of dread and decay remain, but have spread to other eerie buildings or maybe a forest. The same themes of sanity (or losing one’s sanity), death, morality, and the supernatural are still being explored, but updated and expanded with time. Gothic horror has even branched off to have its own subgenres like Gothic romance, Southern Gothic, and Urban Gothic.
Being a southern girl, I am fascinated with the Southern Gothic flavor of the subgenre. Britannica characterizes Southern Gothic as stories set in the American South with elements of the macabre and grotesque. The stories frequently tie into American history, which is riddled with ghost stories and tragedy, especially in the South. Many of the classic Gothic stories are set in Europe and take place over 100 years ago, so they feel distant to me. I haven’t been to a single decaying castle, but I have been to plenty of plantations.
Southern Gothic horror brings gloom and doom, but the color palette feels warmer. The terrors feel close to home. Black Southern Gothic films take a step closer to my heart by shifting the subgenre to a Black lens. The movies can feel like warm hugs, although they often explore America’s very dark past and present. Here are some excellent Black Southern Gothic Films you should watch right now!
Southern Black Gothic Films and Where To Stream Them
Sinners (2025)
Where to Stream: HBO Max
The world is going to have to pry Sinners from my cold, dead hands! It follows two brothers who come back home to start a business. It takes place in Clarksdale, Mississippi. The movie is dripping in Blues and Black history while incorporating so many Gothic horror elements. Instead of a big haunted Victorian house, there’s a juke joint with an implied violent past. The building is foreboding and dark against the sunny sky. The inside is old and worn. Before anything supernatural plays out, the brothers mention how they will handle the very real threat of violence from the Klan. Sinners also displays how poverty affected people and what it could drive them to do.
Religion also plays a big part in the story. We start and end the movie at church. The discussion of music and the devil is very prevalent in Black churches. Christianity isn’t the only religion included. I love the use of folk magic and the idea of “the other side.” If Sinners didn’t have enough Gothic flavor, it adds a supernatural threat with Remmick. Sinners is a must-see film!
Read our review of Sinners here!
Sugar Hill (1974)
Where to Stream: Tubi & Pluto
A lot of people might not think about Sugar Hill (1974) when they’re thinking about Gothic horror. It’s one of the first movies that comes to mind when I think of Blaxploitation films, but it has plenty of Gothic elements. The story follows Diana “Sugar” Hill as she seeks revenge on the men who killed her man. Sugar Hill takes place in Texas, AND there is an old dark house. We don’t spend a lot of time in the house, but when Sugar walks through the webs and dust, it feels like it’s straight out of a classic Gothic horror movie. She ends up going through the woods, and eventually, the dead begin to rise from the ground. It is a scene full of death and decay, and the zombies slowly rise (and I mean slowly) for revenge.
There’s also a taste of religion with Baron Samedi from Haitian Vodou. As Sugar gets her revenge, she encounters plenty of racism along the way, because is it really American without a little racism? If you’re in the mood for something fun, Sugar Hill is the way to go.
Spell (2020)
Where to Stream: Amazon Prime
Spell crept under the radar because it was released during the pandemic. The film follows Marquis (Omari Hardwick) after a plane crash in the Kentucky Appalachians, which lands him in the care of Ms. Eloise (Loretta Devine). Spell displays the use of folk magic for sinister reasons. In place of the decaying castle, there’s an isolated farmhouse creaking with age. Marquis quickly learns that his caretaker has sinister plans. He recognizes her magic, because he grew up in the area. He denounced parts of his culture that end up being integral to his salvation. As Marquis tries to escape, he tours all of the shadowy parts of the old dark house to keep the Gothic flavor intact. There are also some NASTY foot scenes that bring the grotesqueness to the screen.
Beloved (1998)
Where to Stream: VOD
Beloved is such a haunting movie. It follows Sethe, who lives with her daughter, after she takes in an old friend. A new stranger appears in the trio’s life, and strange things begin to happen. First of all, read Beloved by Toni Morrison! It is a great book, but a heavy story. While the story takes place in Ohio, which is above the Mason-Dixon line, the ghosts from the past have moved north with Sethe. Beloved demonstrates the dark decisions people will make to escape the circumstances of enslavement. The wailing ghosts are a classic staple. The dreadful atmosphere keeps you feeling uneasy. In many ways, Beloved feels like a classic Gothic horror film. It has an isolated haunted house, a ghost from the past, and discussions of morality.
Eve’s Bayou (1997)
Where to Stream: Peacock, AMC+, Shudder
I usually have to come out swinging in order to prove that Eve’s Bayou is a horror movie in the first place. There are ghosts, people die, and people use dark magic. That’s enough for me! Eve’s Bayou centers on the Baptiste family and their turmoil. The sound of the swamp and nature is woven throughout the film. This movie feels so much like home that it feels like a grandmother’s prayer. I can nearly smell the summer air. The brightness, humor, and youth in the film are contrasted by the constant fear of loss that drives many of the characters’ actions.
There’s an entire plot point that involves the mom, Roz, keeping her kids inside, because their clairvoyant auntie saw a deadly vision. One of the most haunting scenes is when Mozelle tells the story of her curse and the fate of her husbands. It feels surreal and sad, but it still has the warmth of a southern summer. You can see her telling the story while it plays out in the mirror. Her voice is doubled with the voices of her past lovers, making the monologue more eerie. This movie is Black horror homework.
Wake (2010)
Where to Stream: YouTube
If you don’t have much time, Wake is only 20 minutes long, and it’s free on YouTube! The story follows a woman, after the death of her father, who uses rootwork to get what she wants, and she wants a man. The use of folk magic and the consequences of practicing but not understanding the magic almost plays out like a warning. Wake touches on repression and how far one would go to be free themselves. It also shows how societal standards can be a prison that people put themselves in. There’s a supernatural force, and an old house, two of the primary ingredients of Gothic horror. It is an underseen, but readily available, Southern Gothic film.
If you already enjoy Gothic horror, now is a great time to explore Black Southern Gothic films. The dark themes blend well with the warm hues. Although the dive into American history can feel heavy, it’s worth the weight. These are stories that need to be told.
‘Tis February, and because of 2025’s Heart Eyes, we now celebrate Valentine’s Day. While many outlets are going to list romantic horror movies featuring the ultimate horror couples, we’re doing something different at Horror Press. We’re highlighting horror movie red flags. That way, you don’t waste your time this Hallmark season with duds who watch crap. These movies are grounds for automatic swipes to the left and leaving messages on read. Read this list to see the ultimate film filter to help you focus on more sustainable hookups, dates, and cuffing season partners.
8 Horror Movies That Are Dating Red Flags
A Serbian Film (2010)
An old pornstar agrees to do an art film only to discover it’s a snuff film. A Serbian Film is possibly the reddest of the red flags. The pedophilia and necrophilia make it a hard watch, so anyone who revisits it often should probably raise all your alarms. We try not to judge people, but this is definitely a title that will get you some bombastic side eye if you try to bring it to movie night. Would definitely not recommend spending the night after being shown this hellish title.
Any Eli Roth Movie
They’re all the same, and that’s why Eli Roth movies are the free space on this red flag bingo board. Whether it’s taking place in a cabin, a hostel, or during Thanksgiving, there is something inherently gross about a Roth film. I need a shower whenever some guy tries to convince me Roth has made any movies of note. Only people who want to be ghosted are suggesting these movies, and you should respect their wishes this February.
Alone in the Dark (2005)
A paranormal investigator looks into mysterious events that connect to his past. There is nothing nice to say about this Uwe Boll movie. It’s actually one of the few movies where I can’t even count on the design team when searching for compliments. While Christian Slater, Tara Reid, and Stephen Dorff have the misfortune of being the faces we associate with this shit fest, I’m not even letting the colorist and craft service off for their parts in this dud. When we talk about how we all love an occasional bad movie, no one means this one. This makes Alone in the Dark a red flag and alerts you that someone might not have taste.
Fear Street: Prom Queen (2025)
A 1988 prom queen race turns deadly when a killer begins slaying the candidates. Fear Street: Prom Queen is another huge red flag because it has no redeeming qualities. People who like this movie are being contrarians and should immediately lose the right to recommend movies. From the lack of energy to the unserious kills, there is no reason to swipe right on anyone pretending this movie is good. Save yourself some time and probably more ridiculously bad watches and shut it down immediately.
I’ll Always Know What You Did Last Summer (2006)
When a Fourth of July Prank goes wrong, someone dies, and their friend circle finds themselves stalked by a mysterious figure. No matter what we think of any other installment/iteration of this story, this one is the worst. This is not my franchise, but this steep decline in quality is not like the others. Anyone who likes this movie is a walking red flag and possibly the most chaotic individual you have ever met.
Men (2022)
A woman heads to the English countryside to work through trauma and discovers more horrors are awaiting her. Men should have been my last straw with Alex Garland. However, I am a damn fool and suffered through Civil War, too. Which is why I can confidently say most Garland films are a red flag for me, but Men specifically underscores all of my problems with his work. If someone likes this movie, I will need them to explain it to me like I am five years old.
Skinamarink (2022)
Two kids wake up in the middle of the night and find that all of their doors and windows are gone. Skinamarink is the embodiment of “Girl, What?” The grainy footage gives many people headaches, and too much time is dedicated to the ceiling. Listening to people suggest watching it in closets, under blankets, with headphones to fully “get it” is weird and extremely unsexy. Which is why the movie and the people forcing the mood onto it are all red flags. I don’t want to kink shame but if someone is that into ceilings then maybe we’re not a good match.
Red Christmas (2016)
A family Christmas Eve gathering is interrupted by a killer seeking revenge. I cannot think of a bigger red flag than an anti-choice Christmas movie. I like my horror to be on the correct side of feminism, and this mess feels gross from a distance. That’s why this Dee Wallace title is a huge red flag and a festive horror mood killer. I know people like to talk about the great kills in this movie, but I insist on not hooking up with guys who like this one. If for no other reason, it probably tells you where they land on Roe v. Wade and we do not have time for that.
So these are some horror red flags from our team to your group chats. Now you can’t say no one warned you about the Eli Roth filmbros, or A Serbian Film fanatics.
Happy hookups and potential dating now that you know what to be on the lookout for! Never forget that it’s okay to swipe left, force close the app, and watch better horror movies than the ones listed above.
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