Luis Pomales-Diaz

[REVIEW] Demon Knight (1995) Is A Delightful Character Actor and Special Effects Extravaganza

Brendan Jesus

[Review] ‘Mother!’ (2017) Is the Greatest Movie of the 21st Century

Tiffany Taylor

Get Your Milk and Cookies: The Terrifier 3 Trailer Just Dropped

Alex Warrick

Horror 101: Gene Mapping the Legacy of Jurassic Park

Sharai Bohannon

[REVIEW] SXSW 2025: ‘Drop’ It’s Hard Not to Fall for This One

Brennan Klein

10 of the Most Important Women in Slasher History

James-Michael Fleites

[REVIEW] Final Girls Berlin Film Festival 2025: ‘Hollywood 90028’ (1973)

Abigail Waldron

Healing Powers: Elizabeth Sankey’s ‘Witches’ (2024)

Samantha McLaren

[REVIEW] The ‘Slayed’ LGBTQ+ Shorts Block at BHFF 2024 Tapped Into Queer Nightmares and Daydreams

Amanda Nevada DeMel

Review: ‘Saint Maud’ A Sinner’s Ecstasy

Ian Carlos Crawford

‘Slayers: A Buffyverse Story’ is the Comeback We’ve All Been Waiting For

Eli BadCritic

‘Black Swan’ Is One of the Rare Horror Films to Be Recognized by the Academy Awards – So Why Do I Hate It?

Maya Capasso

The Top 10 Most Disturbing Traps from the Saw Franchise — Ranked

Jenika McCrayer

Aquatic Horror Brought to the Tabletop FLOAT: FROM THE DEEP Review

Bash Ortega

[INTERVIEW] Can AI Consent? An Interview With the Crew Behind ‘Black Eyed Susan’

Xero Gravity

[REVIEW] ‘Heart Eyes’ Hits You In The Honeymoon Phase

Frederick Hare

Review: ‘The Deep House’ An Aquatic Ghost Experience

Horror Press

Fantasia International Film Festival 2024: 10 Films We Can’t Wait To See

Scaredycast

Art The Clown Figure Gets Soaked – Scaredycast Episode 253

Mike Lefton

Mia from ‘Evil Dead’ – A New Kind of Final Girl

Beyza Ozer

Here to Slay: A Queer Horror Movie Viewing Guide

Brucker Nourse

Revealer (2022): Using Neon Lights to Reveal the Hypocrisy of Those Holier Than Thou

Chloé Harper Gold

We Love a Baddie: A Celebration of Sapphic Villains

Tori Potenza

Our Favorite Bi Coded Characters in Horror

Julian Martin

‘House of Wax’ (2005) Is Secretly a 2000s Alternative Time Capsule, and a Masterwork of Horror Atmosphere

Justin Moritz

3 Modern Horror Films With Classic Giallo Influences

Ryan Kinney

The Ending of ‘Talk To Me’ Explained

Michael Varrati

Queer the Walking Dead: The Rise of the “Gay Zombie” Subgenre

Bryn Wolanski

‘Silent Hill’ (2006): A Love Letter to Cybil Bennett

Aliya Hall

Hannibal: A Queer Love Story

Kristina Kersey

Say Their Names: ‘Candyman’ and the Horrors of Youth Court

Christian Flynn

All My Homies Love Cronenberg

Jonathan Atkinson

It Came From Streaming Hispanic Heritage Month II

Michael Ahern

Mean Ghouls: When Does Queer Horror Get To Sit At The Table?

Jazzmin Crawley

5 Great Horror Movies That Depict Black Childhood & Adolescence

Christopher Ikonomou

Everything You Need to Know About ‘The Texas Chain Saw Massacre’ Game

DeVaughn Taylor

The Covenant: A Queer-Coded Paradox

Tyrone Williams

Why Do We Giggle At The Ghastly?

John Hernandez

A Look at Queer Representation in Mainstream Horror

Miles Mendoza

Choosing the Wilderness: The Fantasy of Escape in ‘Let the Right One In’

Evan Benner

Finding Radical Queer Pride in ‘Tetsuo: The Iron Man’ (1989)

Xanthe Pajarillo

Gatekeeping in Gateway Horror: Why We Need to Reevaluate What the Subgenre Means 

Jillian Kristina

The Ferocity and Necessity of Shapeshifting with ‘Perpetrator’ (2023)

Mo Moshaty

The Hidden Curriculum: Microaggressions and Resistance in ‘MASTER’ (2022)

E.L. King

Embracing Ellen Ripley and Alien’s Genderfluid Motifs

Mikey Peralta Jr.

Why ‘Kilometer 31’ (2006) Is An Unconventional La Llorona Film

Gab Hernandez

Blood, Guts, and Gender Dysphoria in Manga

Aileen Clark

It Came From Streaming: Hispanic Heritage Month

Jason Stein

‘Tales from the Crypt’ Top 10 Episodes of All-Time, Ranked

Avery Coffey

The Evolution of Black Religion & Spirituality in Horror

Kristie Felice

Revisiting This Obscure Black Exorcist Film 50 Years Later