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’28 Years Later’ Review: Boyle’s Bold Return Falls Just Short of Greatness

‘Shadow of God’ Review: A Bold Indie Horror That Falls Short

The Woman Behind the Creature from the Black Lagoon

The Best Horror You Can Stream on Shudder in July 2025

The ‘I Know What You Did Last Summer’ Franchise, Ranked

‘Jurassic World: Rebirth’ Review: Show Me Your Teeth

A Note From the EIC of Horror Press

Stuffed with Fear: How Taxidermy Haunts the Horror Genre

Universal’s Dark Universe: A Monster Lover’s Review

Review: ‘Saint Maud’ A Sinner’s Ecstasy

‘Slayers: A Buffyverse Story’ is the Comeback We’ve All Been Waiting For

‘Black Swan’ Is One of the Rare Horror Films to Be Recognized by the Academy Awards – So Why Do I Hate It?

Best Transhumanism Horror and Sci-Fi Films to Watch for Transgender Day of Visibility

Aquatic Horror Brought to the Tabletop FLOAT: FROM THE DEEP Review

The Top 10 Most Disturbing Traps from the Saw Franchise — Ranked

‘Dangerous Animals’ Review: Summertime Horror Is So Back

Mark Duplass and More Added to Cast of A24’s ‘The Backrooms’

Review: ‘The Deep House’ An Aquatic Ghost Experience

‘I Know What You Did Last Summer’: And the Impact of Slasher Sequel Trends

Fantasia International Film Festival 2024: 10 Films We Can’t Wait To See

Mia from ‘Evil Dead’ – A New Kind of Final Girl

The Evolution of Female Cannibals in Horror Films and TV

[Tribeca Film Festival 2025] ‘Man Finds Tape’: A Sinister Mockumentary With Something For Everyone

Here to Slay: A Queer Horror Movie Viewing Guide

[INTERVIEW] Celebrating ‘The Coffee Table’ on Father’s Day with Caye Casas

The Ending of ‘Talk To Me’ Explained

Queer the Walking Dead: The Rise of the “Gay Zombie” Subgenre

Interview with the Vampire: Queer Love & Vampires on TV

Our Favorite Bi Coded Characters in Horror

It Came From Streaming: Hispanic Heritage Month

Asexuality in Horror: Levi in ‘Something in the Dirt’ (2022)

Finding Unexpected Empowerment in “Poor Things”

Embracing Ellen Ripley and Alien’s Genderfluid Motifs

Why Do We Giggle At The Ghastly?

The Evolution of Black Religion & Spirituality in Horror

The Ferocity and Necessity of Shapeshifting with ‘Perpetrator’ (2023)

‘Bride of Frankenstein’ at 90: Why Universal’s Horror Classic Still Haunts and Inspires

Hannibal: A Queer Love Story

Choosing the Wilderness: The Fantasy of Escape in ‘Let the Right One In’

Blood, Guts, and Gender Dysphoria in Manga

Gatekeeping in Gateway Horror: Why We Need to Reevaluate What the Subgenre Means

‘Silent Hill’ (2006): A Love Letter to Cybil Bennett

The Hidden Curriculum: Microaggressions and Resistance in ‘MASTER’ (2022)

‘Tales from the Crypt’ Top 10 Episodes of All-Time, Ranked

Why ‘Kilometer 31’ (2006) Is An Unconventional La Llorona Film

Revisiting This Obscure Black Exorcist Film 50 Years Later

All My Homies Love Cronenberg

Say Their Names: ‘Candyman’ and the Horrors of Youth Court

It Came From Streaming Hispanic Heritage Month II

Finding Gender Freedom in ‘The Curse of the Cat People’ (1944)

‘Are You Afraid of the Dark?’ Top 10 Episodes of All Time, Ranked

Everything You Need to Know About ‘The Texas Chain Saw Massacre’ Game

How ‘Butcher, Baker, Nightmare Maker’ Redefines LGBT+ Representation

Mean Ghouls: When Does Queer Horror Get To Sit At The Table?

The Covenant: A Queer-Coded Paradox

A Look at Queer Representation in Mainstream Horror

Finding Radical Queer Pride in ‘Tetsuo: The Iron Man’ (1989)
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