Luis Pomales-Diaz

Revisiting the Incomprehensible Silent Night, Deadly Night Series: Which Is the Best, Which Is the Worst, and Are Any of Them Actually Good?

Alex Warrick

Edging Tomorrow: The Boulet Brothers’ Dragula: Titans Ep 3 “Science-Fiction (Horror) Double Feature” Recap

Tiffany Taylor

Christmas Horror Parody ‘The Mean One’ Successfully Converts Christmas Classic ‘The Grinch’ into a Scary Story

Amanda Nevada DeMel

Review: ‘Saint Maud’ A Sinner’s Ecstasy

Maya Capasso

The Top 10 Most Disturbing Traps from the Saw Franchise — Ranked

Abigail Waldron

I Love You, E.T.: A Lifelong Friendship

Bash Ortega

It Came From Shudder: November Edition

James-Michael Fleites

It Came From Shudder: December Edition

Jenika McCrayer

Thoughts and Takeaways on Experiencing Brooklyn Horror Film Festival 2022

Frederick Hare

Ellen Ripley, the Undisputed Queen of the Final Girls

Ian Carlos Crawford

REVIEW: Who’s Watching ‘The Watcher’?

Eli BadCritic

An Aging Millennial Horror Nerd Watched The Twilight Saga and This Is What Happened

Mike Lefton

Mia from ‘Evil Dead’ – A New Kind of Final Girl

Brucker Nourse

Revealer (2022): Using Neon Lights to Reveal the Hypocrisy of Those Holier Than Thou

Horror Press

Movies We’re Most Excited To See At Brooklyn Horror Film Festival

Kristina Kersey

Say Their Names: ‘Candyman’ and the Horrors of Youth Court

Miles Mendoza

Choosing the Wilderness: The Fantasy of Escape in ‘Let the Right One In’