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Brooklyn Horror Film Festival 2025: ‘Slayed’ LGBTQ+ Shorts Block

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A Note From the EIC of Horror Press

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Stuffed with Fear: How Taxidermy Haunts the Horror Genre

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‘The Snake Woman’ Review: Politics and Schlock in British Horror

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‘Saint Maud’ Review: A Sinner’s Ecstasy

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‘Slayers: A Buffyverse Story’ is the Comeback We’ve All Been Waiting For

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Best Transhumanism Horror and Sci-Fi Films to Watch for Transgender Day of Visibility

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The Top 10 Most Disturbing Traps from the Saw Franchise — Ranked

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‘I Know What You Did Last Summer’: And the Impact of Slasher Sequel Trends

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Brooklyn Horror Film Festival: 10 Years of Genre, Community, and Growth

Mike Lefton

Mia from ‘Evil Dead’ – A New Kind of Final Girl

Jester LeRoux

The Evolution of Female Cannibals in Horror Films and TV

Beyza Ozer

Here to Slay: A Queer Horror Movie Viewing Guide

Jazzmin Crawley

[INTERVIEW] Celebrating ‘The Coffee Table’ on Father’s Day with Caye Casas

Ryan Kinney

The Ending of ‘Talk To Me’ Explained

Tori Potenza

Our Favorite Bi Coded Characters in Horror

Bee Delores

‘Alice, Sweet Alice’: Unmasking the Protoslasher From New Jersey

Michael Varrati

Queer the Walking Dead: The Rise of the “Gay Zombie” Subgenre

Damian Hex

Interview with the Vampire: Queer Love & Vampires on TV

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The Covenant: A Queer-Coded Paradox

Aileen Clark

It Came From Streaming: Hispanic Heritage Month

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Mean Ghouls: When Does Queer Horror Get To Sit At The Table?

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Finding Radical Queer Pride in ‘Tetsuo: The Iron Man’ (1989)

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The Evolution of Black Religion & Spirituality in Horror

John Hernandez

A Look at Queer Representation in Mainstream Horror

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Embracing Ellen Ripley and Alien’s Genderfluid Motifs

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Hannibal: A Queer Love Story

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Asexuality in Horror: Levi in ‘Something in the Dirt’ (2022)

Matthew Fulton

Finding Unexpected Empowerment in “Poor Things”

Tyrone Williams

Why Do We Giggle At The Ghastly?

Jillian Kristina

The Ferocity and Necessity of Shapeshifting with ‘Perpetrator’ (2023)

Bryn Wolanski

‘Silent Hill’ (2006): A Love Letter to Cybil Bennett

Gab Hernandez

Blood, Guts, and Gender Dysphoria in Manga

Valenti Govantes

‘Bride of Frankenstein’ at 90: Why Universal’s Horror Classic Still Haunts and Inspires

Miles Mendoza

Choosing the Wilderness: The Fantasy of Escape in ‘Let the Right One In’

Vanessa Guerrero

How ‘Child’s Play’ Helped Shape LGBTQ+ Horror Fans

Christian Flynn

All My Homies Love Cronenberg

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The Hidden Curriculum: Microaggressions and Resistance in ‘MASTER’ (2022)

Xanthe Pajarillo

Gatekeeping in Gateway Horror: Why We Need to Reevaluate What the Subgenre Means 

Jason Stein

‘Tales from the Crypt’ Top 10 Episodes of All-Time, Ranked

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Why ‘Kilometer 31’ (2006) Is An Unconventional La Llorona Film

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The Scariest Episode from Every Season of ‘The X-FILES’

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Kristina Kersey

Say Their Names: ‘Candyman’ and the Horrors of Youth Court

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Everything You Need to Know About ‘The Texas Chain Saw Massacre’ Game

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