Luis Pomales-Diaz

’28 Years Later’ Review: Boyle’s Bold Return Falls Just Short of Greatness

Brendan Jesus

‘Shadow of God’ Review: A Bold Indie Horror That Falls Short

Tiffany Taylor

The Woman Behind the Creature from the Black Lagoon

Sharai Bohannon

The Best Horror You Can Stream on Shudder in July 2025

Brennan Klein

The ‘I Know What You Did Last Summer’ Franchise, Ranked

Alex Warrick

‘Jurassic World: Rebirth’ Review: Show Me Your Teeth

James-Michael Fleites

A Note From the EIC of Horror Press

Abigail Waldron

Stuffed with Fear: How Taxidermy Haunts the Horror Genre

Samantha McLaren

Universal’s Dark Universe: A Monster Lover’s Review

Amanda Nevada DeMel

Review: ‘Saint Maud’ A Sinner’s Ecstasy

Ian Carlos Crawford

‘Slayers: A Buffyverse Story’ is the Comeback We’ve All Been Waiting For

Eli BadCritic

‘Black Swan’ Is One of the Rare Horror Films to Be Recognized by the Academy Awards – So Why Do I Hate It?

Bash Ortega

Best Transhumanism Horror and Sci-Fi Films to Watch for Transgender Day of Visibility

Jenika McCrayer

Aquatic Horror Brought to the Tabletop FLOAT: FROM THE DEEP Review

Maya Capasso

The Top 10 Most Disturbing Traps from the Saw Franchise — Ranked

Xero Gravity

‘Dangerous Animals’ Review: Summertime Horror Is So Back

Julian Martin

Mark Duplass and More Added to Cast of A24’s ‘The Backrooms’

Frederick Hare

Review: ‘The Deep House’ An Aquatic Ghost Experience

Brucker Nourse

‘I Know What You Did Last Summer’: And the Impact of Slasher Sequel Trends

Horror Press

Fantasia International Film Festival 2024: 10 Films We Can’t Wait To See

Mike Lefton

Mia from ‘Evil Dead’ – A New Kind of Final Girl

Jester LeRoux

The Evolution of Female Cannibals in Horror Films and TV

Chloé Harper Gold

[Tribeca Film Festival 2025] ‘Man Finds Tape’: A Sinister Mockumentary With Something For Everyone

Beyza Ozer

Here to Slay: A Queer Horror Movie Viewing Guide

Jazzmin Crawley

[INTERVIEW] Celebrating ‘The Coffee Table’ on Father’s Day with Caye Casas

Ryan Kinney

The Ending of ‘Talk To Me’ Explained

Michael Varrati

Queer the Walking Dead: The Rise of the “Gay Zombie” Subgenre

Damian Hex

Interview with the Vampire: Queer Love & Vampires on TV

Tori Potenza

Our Favorite Bi Coded Characters in Horror

Aileen Clark

It Came From Streaming: Hispanic Heritage Month

Jae Hoole

Asexuality in Horror: Levi in ‘Something in the Dirt’ (2022)

Matthew Fulton

Finding Unexpected Empowerment in “Poor Things”

E.L. King

Embracing Ellen Ripley and Alien’s Genderfluid Motifs

Tyrone Williams

Why Do We Giggle At The Ghastly?

Avery Coffey

The Evolution of Black Religion & Spirituality in Horror

Jillian Kristina

The Ferocity and Necessity of Shapeshifting with ‘Perpetrator’ (2023)

Valenti Govantes

‘Bride of Frankenstein’ at 90: Why Universal’s Horror Classic Still Haunts and Inspires

Aliya Hall

Hannibal: A Queer Love Story

Miles Mendoza

Choosing the Wilderness: The Fantasy of Escape in ‘Let the Right One In’

Gab Hernandez

Blood, Guts, and Gender Dysphoria in Manga

Xanthe Pajarillo

Gatekeeping in Gateway Horror: Why We Need to Reevaluate What the Subgenre Means 

Bryn Wolanski

‘Silent Hill’ (2006): A Love Letter to Cybil Bennett

Mo Moshaty

The Hidden Curriculum: Microaggressions and Resistance in ‘MASTER’ (2022)

Jason Stein

‘Tales from the Crypt’ Top 10 Episodes of All-Time, Ranked

Mikey Peralta Jr.

Why ‘Kilometer 31’ (2006) Is An Unconventional La Llorona Film

Kristie Felice

Revisiting This Obscure Black Exorcist Film 50 Years Later

Christian Flynn

All My Homies Love Cronenberg

Kristina Kersey

Say Their Names: ‘Candyman’ and the Horrors of Youth Court

Jonathan Atkinson

It Came From Streaming Hispanic Heritage Month II

Bee Delores

Finding Gender Freedom in ‘The Curse of the Cat People’ (1944)

Kimberly Leszak

‘Are You Afraid of the Dark?’ Top 10 Episodes of All Time, Ranked

Christopher Ikonomou

Everything You Need to Know About ‘The Texas Chain Saw Massacre’ Game

Brian Finnerty

How ‘Butcher, Baker, Nightmare Maker’ Redefines LGBT+ Representation

Michael Ahern

Mean Ghouls: When Does Queer Horror Get To Sit At The Table?

DeVaughn Taylor

The Covenant: A Queer-Coded Paradox

John Hernandez

A Look at Queer Representation in Mainstream Horror

Evan Benner

Finding Radical Queer Pride in ‘Tetsuo: The Iron Man’ (1989)