Luis Pomales-Diaz

[REVIEW] ‘Beetlejuice Beetlejuice’ Is An Enjoyable But Scatterbrained Revival Of The World’s Best Bio-Exorcist

Brendan Jesus

[REVIEW] Another Perspective of ‘Coraline’ (2009)

Tiffany Taylor

Get Your Milk and Cookies: The Terrifier 3 Trailer Just Dropped

Alex Warrick

What If…? Your Favorite Final Girls Became Final Boys?

James-Michael Fleites

Our Road Trip Themed Giveaway Starts Now!

Brennan Klein

[REVIEW] It’s Showtime: A First-Time-Watch ‘Beetlejuice’ (1988)

Abigail Waldron

Alexis Arquette: Portrait of a Scream Queen

Sharai Bohannon

Why ‘The Changeling’ Is a Better Horror Movie Than Stephen King’s ‘The Shining’

Amanda Nevada DeMel

Review: ‘Saint Maud’ A Sinner’s Ecstasy

Ian Carlos Crawford

‘Slayers: A Buffyverse Story’ is the Comeback We’ve All Been Waiting For

Maya Capasso

The Top 10 Most Disturbing Traps from the Saw Franchise — Ranked

Jenika McCrayer

Aquatic Horror Brought to the Tabletop FLOAT: FROM THE DEEP Review

Eli BadCritic

[REVIEW] Fantasia Fest 2024: The Adams Family Are Back to Haunt You With ‘Hell Hole’

Bash Ortega

Queer Sexuality in Clive Barker’s ‘Hellraiser’ (1987)

Samantha McLaren

How to Prepare for Halloween Horror Nights: The Ultimate Guide

Frederick Hare

Review: ‘The Deep House’ An Aquatic Ghost Experience

Xero Gravity

What Are Some of the Best Beheadings in Horror?

Horror Press

Fantasia International Film Festival 2024: 10 Films We Can’t Wait To See

Beyza Ozer

Here to Slay: A Queer Horror Movie Viewing Guide

Brucker Nourse

Revealer (2022): Using Neon Lights to Reveal the Hypocrisy of Those Holier Than Thou

Mike Lefton

Mia from ‘Evil Dead’ – A New Kind of Final Girl

Scaredycast

Edibles and Horror – Scaredycast Episode 250

Michael Varrati

Queer the Walking Dead: The Rise of the “Gay Zombie” Subgenre

Justin Moritz

3 Modern Horror Films With Classic Giallo Influences

Ryan Kinney

The Ending of ‘Talk To Me’ Explained

Tori Potenza

Our Favorite Bi Coded Characters in Horror

Chloé Harper Gold

We Love a Baddie: A Celebration of Sapphic Villains

Christopher Ikonomou

Everything You Need to Know About ‘The Texas Chain Saw Massacre’ Game

John Hernandez

A Look at Queer Representation in Mainstream Horror

DeVaughn Taylor

The Covenant: A Queer-Coded Paradox

Jillian Kristina

The Ferocity and Necessity of Shapeshifting with ‘Perpetrator’ (2023)

Evan Benner

Finding Radical Queer Pride in ‘Tetsuo: The Iron Man’ (1989)

E.L. King

Embracing Ellen Ripley and Alien’s Genderfluid Motifs

Jason Stein

‘Tales from the Crypt’ Top 10 Episodes of All-Time, Ranked

Kristina Kersey

Say Their Names: ‘Candyman’ and the Horrors of Youth Court

Gab Hernandez

Blood, Guts, and Gender Dysphoria in Manga

Aileen Clark

It Came From Streaming: Hispanic Heritage Month

Michael Ahern

Mean Ghouls: When Does Queer Horror Get To Sit At The Table?

Bryn Wolanski

‘Silent Hill’ (2006): A Love Letter to Cybil Bennett

Aliya Hall

Hannibal: A Queer Love Story

Xanthe Pajarillo

Gatekeeping in Gateway Horror: Why We Need to Reevaluate What the Subgenre Means 

Christian Flynn

All My Homies Love Cronenberg

Jonathan Atkinson

It Came From Streaming Hispanic Heritage Month II

Miles Mendoza

Choosing the Wilderness: The Fantasy of Escape in ‘Let the Right One In’