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‘The Belko Experiment’ Review: A Wasted Workplace Horror Movie
‘Lee Cronin’s The Mummy’ Review: A Reboot With Mixed Results
The Best Horror You Can Stream on Shudder in May 2026
The Woman Behind the Creature from the Black Lagoon
The 10 Scariest Horror Movie Cars
‘Jurassic World: Rebirth’ Review: Show Me Your Teeth
Fear, Feminism, and Fava Beans: ‘The Silence of the Lambs’ at 35
The Horror Press Podcast Episode 60: Joe Bob & Aughts
Midsummer Scream 2026 Announces This Years Theme and Guests
Stuffed with Fear: How Taxidermy Haunts the Horror Genre
Cabane à Sang 2026: Inside Montreal’s Wildest Trash Horror Film Festival
‘Saint Maud’ Review: A Sinner’s Ecstasy
Overlook Film Festival: ‘Leviticus’ Review
‘Slayers: A Buffyverse Story’ is the Comeback We’ve All Been Waiting For
Best Transhumanism Horror and Sci-Fi Films to Watch for Transgender Day of Visibility
Aquatic Horror Brought to the Tabletop FLOAT: FROM THE DEEP Review
The Top 10 Most Disturbing Traps from the Saw Franchise — Ranked
A Note From the EIC of Horror Press
Review: ‘The Deep House’ An Aquatic Ghost Experience
Brooklyn Horror Film Festival: 10 Years of Genre, Community, and Growth
‘I Know What You Did Last Summer’: And the Impact of Slasher Sequel Trends
Mia from ‘Evil Dead’ – A New Kind of Final Girl
The Evolution of Female Cannibals in Horror Films and TV
Here to Slay: A Queer Horror Movie Viewing Guide
Southern Black Gothic Films and Where To Find Them
Cronenberg and Cults: Science, Technology, and the Horror of Absolute Thinking
The Joy & Catharsis of ‘Halloween H20’
Ten Years Later, ‘Green Room’ Feels More Relevant Than Ever
When Gore Meets Guffaws: What Makes a Horror-Comedy Tick?
Interview with the Vampire: Queer Love & Vampires on TV
Queer the Walking Dead: The Rise of the “Gay Zombie” Subgenre
What Does Modern Black Horror Say About The 2020s?
The Ending of ‘Talk To Me’ Explained
Asexuality in Horror: Levi in ‘Something in the Dirt’ (2022)
Finding Unexpected Empowerment in “Poor Things”
The Ferocity and Necessity of Shapeshifting with ‘Perpetrator’ (2023)
All My Homies Love Cronenberg
Choosing the Wilderness: The Fantasy of Escape in ‘Let the Right One In’
The Final Girl Was Never Me, Rewriting Survival in Black Horror
Horror and Laughter: Why Do We Giggle At The Ghastly?
The Hidden Curriculum: Microaggressions and Resistance in ‘Master’ (2022)
‘Bride of Frankenstein’ at 90: Why Universal’s Horror Classic Still Haunts and Inspires
‘Tales from the Crypt’ Top 10 Episodes of All-Time, Ranked
Everything You Need to Know About ‘The Texas Chain Saw Massacre’ Game
Why ‘Kilometer 31’ (2006) Is An Unconventional La Llorona Film
It Came From Streaming Hispanic Heritage Month II
How ‘Child’s Play’ Helped Shape LGBTQ+ Horror Fans
How ‘Butcher, Baker, Nightmare Maker’ Redefines LGBT+ Representation
Revisiting ‘Abby’: The Obscure Black Exorcist Film
New Jersey’s Most Iconic Urban Legends
Gatekeeping in Gateway Horror: Why We Need to Reevaluate What the Subgenre Means
Say Their Names: ‘Candyman’ and the Horrors of Youth Court
‘The Covenant’: A Queer-Coded Paradox
Mami Wata and the Untapped Stories of Water Spirits in Horror
It Came From Streaming: Hispanic Heritage Month
‘Are You Afraid of the Dark?’ Top 10 Episodes of All Time, Ranked
Finding Radical Queer Pride in ‘Tetsuo: The Iron Man’ (1989)
Embracing Ellen Ripley and Alien’s Genderfluid Motifs
Hannibal: A Queer Love Story
In Horror, We Want to Win: Why Slasher Movies Still Give Us Hope
A Look at Queer Representation in Mainstream Horror
‘Silent Hill’ (2006): A Love Letter to Cybil Bennett
Blood, Guts, and Gender Dysphoria in Manga
