Jane Schoenbrun’s Teenage Sex and Death at Camp Miasma is a piece of visual candy that everyone needs to get a taste of. Fitting, considering candy...
Eli Roth’s Ice Cream Man is the curled finger on the monkey’s paw that someone wished for “more original horror” with. It isn’t a reboot of...
At an 80-minute runtime barring credits, Sion Sono’s Tag is a Japanese splatter film that is bursting at the seams. Which, if you’re familiar with the...
Brandon Cronenberg’s Infinity Pool has aged like fine wine. Sour, very dry, sickening wine. That’s not a crack on its quality, mind you. It’s moreover an...
A compliment first: once Evil Dead Burn’s first act ends, the film is cut loose to go wild like Sam Raimi running around with a camera...
From its very first scenes, The Summer Hikaru Died cemented itself as the best anime series to drop in 2025. And that’s saying something given the...
Sometimes it feels borderline ridiculous to gush about John Carpenter’s The Thing as much as I do. It’s gotten to the point where when I’m asked...
There are few pieces of experimental film I love as much as Tetsuo: The Iron Man. It’s a sensory shocking 67 minutes that doesn’t just present...
Steven Spielberg’s Disclosure Day is a film so close to greatness, but one leashed by itself from attaining it. The first science fiction film from Spielberg...
The Host (2006) may not be director Bong Joon Ho’s most acclaimed film, but it’s certainly the one that I find myself revisiting the most. At...