Movies
The 11 Most Disturbing Horror Movies Ever, According to an Actual Horror Fan
What is it about disturbing horror films that divide the community? Nearly every list of “top 10 most disturbing horror films” is met with a barrage of comments saying, “THAT’S not a disturbing movie,” or, “Wow, you thought Cannibal Holocaust was disturbing? Have you ever seen a horror film before?” Gatekeeping is a real issue within the genre, and the discourse behind disturbing/grotesque films might be one of the most toxic conversations you can have with genre fans. So here is our list of most disturbing horror movies of all time!

What is it about disturbing horror films that divide the community? Nearly every list of “top 10 most disturbing horror films” is met with a barrage of comments saying, “THAT’S not a disturbing movie,” or, “Wow, you thought Cannibal Holocaust was disturbing? Have you ever seen a horror film before?” Gatekeeping is a real issue within the genre, and the discourse behind disturbing/grotesque films might be one of the most toxic conversations you can have with genre fans (it somehow beats out conversations on the DGG Halloween movies). Recently I stumbled upon a Buzzfeed article on “The 11 Grossest Horror Movies Ever,” and I started to feel the keys jingle in my pocket…that gate needed keeping.
Why Disturbing Horror Films Spark Controversy
Digging through the respective Buzzfeed author’s page, I noticed they had 149 pages of articles since joining Buzzfeed in 2021. Their final article was in September 2021, so within the 92 days this author wrote for Buzzfeed, their average daily output was two articles a day. Going through every single article this author had written brought two things to the surface. Firstly, Buzzfeed is abhorrently negligent with the mental health of their writers to expect an output of that nature. Secondly, this author covered an obscene array of topics, posing as a fanatic of each. I’m not saying someone can’t be a fan of multiple things, but using context clues throughout their articles helped me piece together this author’s estimated age. Someone who is the age I’ve estimated them to be shows me that it’s nearly impossible to deeply know, inside and out, the lore of Lost, Desperate Housewives, Game of Thrones, Friends, The Office, and many many others that they claim to. There are only 24 hours in a day. Something reeks of journalistic disintegrity.
Besides this author’s laughably googled disturbing movies list, I got to thinking, is there a consensus on the most disturbing movie? While this is a noble quest to embark on, it is also one for a madman. And my name isn’t Marz. Rather than going through EVERY SINGLE disturbing movie list and video out there, I picked fifteen different lists from places like Screenrant, Nylon, Mubi, and many others. I wanted to cast a wide net between all types of publications to see if there was a consensus on the most disturbing horror film ever made.
Spoiler alert: there was not.
Some Disturbing Films That Get an Honorable Mention
Before we get into our list of disturbing films, I wanted to discuss what I came to notice on my weeklong quest. For starters, there were a lot of lists that had The Human Centipede (First Sequence) fairly high on the list. This is how it became clear which lists were formed from randomly picking movies from other lists and which were genuine. If you’re making a list of disturbing horror movies and one of your picks is the first film of a franchise, you might want to watch the rest of the films in the franchise, too. First Sequence is a well-made and exquisitely thought-out film. Tom Sixx tapped into something special with that film, and it’s not that graphic. The idea of stitching three people together in an ass-to-mouth configuration was more disturbing than First Sequence was. As someone who has seen all three films, I know it’s far from the most graphic of the series. If the Buzzfeed author took a quick gander into the parental guide for The Human Centipede 2 (Full Sequence) they’d see how someone is raped by a man who has barbed wire wrapped around his penis, and a woman gives birth in a car and proceeds to step on the baby’s head. The Human Centipede 3 (Final Sequence) has scenes of castration (which you see), waterboarding with boiling water (which you see), and a damn 500-person centipede. Get real. First Sequence being listed on any of these lists is laughable. Among all of the lists I found, First Sequence comes averaging in as the 10th most disturbing movie of all time.
For some reason, the 1999 Takashi Miike film Audition was on quite a few of these lists. Audition is a brilliant and incredibly effective horror film. There’s no question about that. But should it be on these lists because of one specific scene? The scene doesn’t even go on for an extended period of time. The average ranking for Audition was seventh. A single list ranked Oldboy as the 9th most disturbing movie ever. I didn’t realize Brian Regan was making disturbing movie rankings.
Contradicting myself a bit here, there was an entry I wasn’t surprised to see: Gaspar Noe’s Irreversible. Noe’s seizure-inducing opus is a sight to behold, and every person who makes it through deserves an award. Irreversible is less of a disturbing film and more of an exercise in mental fortitude. In my eyes, Audition does not deserve its spot on the list for the pin scene alone, but Irreversible does, at least, deserve an honorable mention for the incredibly horrific 10-minute one-shot rape scene. Noe’s Irreversible averaged in at the 12th rank. Lastly, one of the few films deserving of a spot on all of these lists, which most had, was the incredibly effed-up Martyrs. Averaging as the third most disturbing film, Martyrs is genuinely a one-of-a-kind film.
The last note I want to make before giving my list is the films that were just truly laughable in some of these rankings: The Exorcist, Maniac, Tusk, Possessor, I Saw The Devil, and The Devil’s Rejects.
11 Most Disturbing Horror Films to Watch… If You Dare
Now, without further ado, it’s time for “Buzzfeed’s Top 11 Most Disturbing Horror Films, By Someone Who’s Seen More Than 11 Disturbing Films.” (And for those wondering, Sweet Movie will not be on this list, as it’s not categorized as horror, but if it were then it would take the 11th spot).
11. Kuso (2017)
FlyLo is one of those artists who has a specific vision. I don’t know what that vision is, but it’s damn impressive. His music is like whiplash for your brain, and his films are like…whiplash for your brain. Kuso is the definition of a midnight movie; it’s best viewed in a packed theater of inebriated people on a Friday night. This shit-slinging apocalypse film doesn’t garner groans of discomfort from sexual violence or inhumane acts of violence. If you watch Kuso, you will see a man getting his erect penis stabbed multiple times, a camera crawling out of someone’s butt, countless pulsating and dripping boils, and lots of fecal matter. And that’s just scraping the surface.
What makes Kuso so intriguing as a disturbing film is how impressive it truly is. If FlyLo were a hack filmmaker who just wanted to make something gross, for gross’s sake, this film would have been a septic slog to sit through. Instead, FlyLo’s impressive vision and great direction turn this film into something beyond art. Can we talk about the cast too? You have Hannibal Buress, Tim Heidecker, funk icon George Clinton, Salad Fingers himself, David Firth, musician Busdriver (!), and even porn star Lexington Steele. That’s a wild cast. Kuso is genuinely a wild film that delivers the goods and makes its exit before overstaying its welcome.
10. Megalomaniac (2022)
Megalomaniac is not just a disturbing film, it’s a part of a larger whole. There’s a Newer Extremity Movement in horror spearheaded by films like Megalomaniac, Repulse (2021), and Beaten to Death (2022). Just like the New French Extremity movement in the early to mid-aughts, we are in a world of political upheaval and widespread violence. Disturbing horror has existed for a long time, but it’s clear there’s a correlation between an influx of disturbing horror and worldwide unrest. The Newer Extremity Movement is just getting started.
Unlike Kuso, Megalomaniac is extremely graphic. When it comes to graphic horror films, there is just an imbalance between story and violence. Look at the Terrifier franchise. The first film has no story, while the second film tries so hard to force a story that doesn’t work. Damien Leone took the criticism of Terrifier having no story and tried course correcting. Only he hydroplaned in the process. Megalomaniac tells a heartwrenching story of a brother and sister who live in the shadow of their father’s serial killings, only they might be closer to the person he is than they’d like to admit. Brutally unflinching, Megalomaniac is a darkly tragic tale of nihilism, pain, and family.
9. Inside (2007)
This entry will most likely be the only Christmas film on the list, those are some weird wires to cross. Collaborators Maury and Bustillo sliced their way into the scene with their debut feature, Inside, which helped bring more eyes to the New French Extremity movement. As with the films of this movement, Inside is steeped in social commentary. Where Inside differs from films of this ilk is how it doesn’t compromise its commentary for the sake of violence. There’s a haunting juxtaposition between what the film tries to say and how it handles the extreme violence. The biggest example of this comes to light with the use of a riot gun later in the film. This mirrors the use of extreme force by French police against protestors (which is still going on today).
I would wager to say the majority of viewers picked this film up based on the brutal Dimension Extreme cover art. Walking through the aisles of a Blockbuster and seeing the title with the word “UNRATED” in blood-red text overtop a pair of bloody and rusty scissors hovering over a pregnant stomach was enough to catch my attention, although not in a positive way. I distinctly remember being scared to walk past this film whenever I went to Blockbuster as a kid. Well, I was 13, but still. Once Inside kicks off, it doesn’t stop. The film is relentlessly grotesque with impressively stomach-churning practical effects. And who can forget the staircase scene?
8. A Serbian Film (2010)
Like Cannibal Holocaust, A Serbian Film is the only other film I found on every list I researched. Through disturbing horror threads I’ve taken part in from Twitter, to Facebook, to Reddit, A Serbian Film is the most hotly contested. For some reason, half of the people in these threads say it’s the most disturbing film ever, while the other half think it shouldn’t be on the list at all. Personally, I don’t understand how it can’t be on a list like this.
Let’s just go over a few things: eye-hole copulation, beheadings, graphic sexual assault on an adult, graphic sexual assault on a child (both alive and dead), and double murder-suicide. I know I made a joke earlier about being all gatekeepy when it comes to what can/can’t be described as disturbing horror, but I really draw the line here. Sure, films like American Guinea Pig and August Underground are disgusting. Still, there’s something about the high production value of A Serbian Film that brings a higher sense of validity and terror that these other films don’t have. Not saying August Underground or American Guinea Pig hide behind lower production quality. All I’m saying is it’s easier to hide behind film grain and low-budget cameras to sell your product.
7. We Are The Flesh (2016)
We Are The Flesh is one of a handful of films to receive a D certification in Mexico, a rating typically reserved for pornography. The mid-teens were fraught with highly sexually explicit films. This was [possibly] kicked off by the hypersexual Under the Skin. Films like Heli and The Untamed took the idea of hypersexuality and amped it up tenfold. We Are The Flesh, and Love took that tenfold and amped THAT up tenfold. Both of these films had the audacity to include unsimulated sex, something that is pretty taboo in the film world.
While Love is more of a drama, lacking any true disturbing elements, We Are The Flesh is 80 minutes of unadulterated unsimulated sex…between siblings…at the request of an older man in exchange for food and shelter. If the sexual acts were implied, this would have been a bit more palatable, but the obscenely intense and frequent sex scenes with visible penetration, again between siblings, make We Are The Flesh a truly disturbing film.
6. Slaughtered Vomit Dolls
This is definitely where subjectivity comes into play, as Lucifer Valentine sort of spearheaded, what he calls, the vomit gore subgenre. And vomit is not my thing. Now this is not me equating anyone who has a vomit fetish to being gross or disturbing, it’s just not for me. Now, you might be saying SVD isn’t even the most disturbing film in the subgenre’s subgenre, but watching one of them was more than enough for me.
*Exasperated sigh* If you’re looking for vomit, face skinnings, more vomit, screwdriver eyeball removals, and bloody vomit then Slaughtered Vomit Dolls is for you. Moving on.
5. Grotesque (2009)
Sometimes, disturbing films don’t need a second viewing, and for me, Grotesque is one of those films. When a film has something to say, like the New French Extremity movement, it makes the gore and viscera a bit easier to digest. The story within Grotesque is barebones and is a story in the sense that Terrifier has a story because it follows Art the Clown killing people. Shiraishi was elated with the backlash from his film stating his intent with the film was to upset moralists. I think that tells you all you need to know about the film. His intent behind it wasn’t to tell a story about love and its boundlessness; instead, he just wanted to shock, and that’s where the disturbing horror subgenre gets a bad name from.
4. Nekromantik (1988)
Banned in multiple countries and labeled, “the first ever erotic film for necrophiliacs,” by John Waters, Nekromantik isn’t a film to shake a stick at. Graphic depictions of necrophilia carry the disturbing torch of this film. Crazily enough, when this film was released in 1988, it was met with surprisingly favorable reviews. I think this shows how disturbing horror can be done right and well. Nekromantik blends commentary and shock to tell an effectively ghastly tale.
It’s full of exactly what you’re thinking, and it’s pretty graphic. But the scenes of sexuality aren’t the only disturbing elements. There is some violent brutality within the film, though that’s definitely not where the film gets its notoriety from. There is a point to this film, and I find it surprising how many of the films in my top 11 are well-made films. Maybe that’s because I shy away from the type of disturbing films that serve no purpose as films and have no point of existence (looking at you Slaughtered Vomit Dolls). I tend to avoid films that are purposefully intended to make you hate yourself for taking the time to watch them.
3. The Angels’ Melancholia (2009)
Get this. A woman gives a man oral sex. Then she vomits it up while simultaneously cutting herself. And that’s tame compared to the rest of the film.
Thank you, next.
2. The Human Centipede (First Sequence)
SIKE.
2. Martyrs (2008)
So, 2015’s Martyrs…just kidding. Two jokes in a row! I’m just honestly drained at this point. Writing this has been hell. The films I’ve watched in short succession to write this piece have made me a shell of a human. What are we talking about? Oh yeah, Martyrs.
Martyrs is a disturbingly accessible horror film. It’s on many respectable top 100 horror film lists and is the film that gets a lot of gore hounds into the subgenre. Unlike most films on this list, Martyrs has a truly interesting and deep story, which is used to exacerbate the on-screen atrocities. Full of realistic practical effects that push the boundaries of depravity, this film is one of a kind. If you haven’t seen it you really must. Fair warning: it will set the bar incredibly high for disturbing horror films.
1. Philosophy of a Knife (2008)
Well, here’s number one. We have Andrey Iskanov’s docu-drama Philosophy of a Knife. Intent and application don’t always go hand in hand when making a film. Philosophy of a Knife has possible good intentions behind it, bringing light to wartime atrocities, but whether or not they pulled it off is questionable. This film, like Grotesque, does not need a revisit. A mixture of documentary footage and near-accurate recreations of torture, this film isn’t one to scoff at. The reason it’s number one on this list is just for the fact it is based on real-life events.
The story behind Philosophy is incredible as it brings the story of Manshu Detachment 731 to light, something much of the world might not be too knowledgeable about. If you’re unfamiliar, here is the TL;DR: during World War II, the Imperial Japanese Army had two prisons where they committed acts of brutality and torture in pursuit of “research.” Unit 731 has an estimated 200,000 to 300,000 deaths on their hands. Is this film necessary? Debatable. Is it poignant, and does it open our eyes to how awful the human race is? Absolutely.
If you want to see decapitation, white phosphorous to the face, and forcible fetus removal, then this film is for you. My only question is, why do you want to see that?
So what do you think about our list? Are we missing any crazy disturbing movies? Care to tell us how soft we are? Let us know in the comments!
Movies
The Best Horror You Can Stream on Shudder in July 2025

Looks like another July will be spent getting cozy with Shudder in this house. Between all the new (to me) international titles and the conclusion of Hell Motel on July 29th, the app has filled my calendar for the month. Hold my texts, keep your emails in the draft folder, and don’t look for me outside. My TV and I are on a mission, and we’re prioritizing the five titles below. I hope they grab your attention and make it into your Shudder viewings this summer as well. However, I’ll be too busy watching them to know what anyone else is doing, so happy streaming whatever you decide to get into.
While we have you here, you should consider joining us for Bloody Brunches! Every Sunday at 11 AM CST / 12 PM EST, we’ll be livestreaming a new episode of Hell Motel. Who know’s who you’ll see, sometimes Ian Carpenter and crew stop by!
The Best Movies to Stream on Shudder This Month
Lake Placid (1999)
A small group of people try to capture a gigantic crocodile terrorizing the people of Black Lake, Maine. I am not an aquatic horror girl, and I am usually unimpressed with 90s action horror titles. I make a special exception for Lake Placid though. Sure, it stars Bridget Fonda, Bill Pullman, and Oliver Platt. However, real film buffs know that it’s really the late Betty White who carries this movie. Her foul-mouthed character stood on business and is the reason most of us revisit this title during the summer.
You can watch Lake Placid on July 1st.
Nyi Blorong (1982)
The South Sea Queen’s daughter rises to take a human lover. I have a long history of disliking snakes and movies about snakes. However, I’m leaning into this 1982 film because I deserve a retro Indonesian horror fantasy moment. I am also excited because it stars the late Suzzanna, the queen of Indonesian horror. I only learned about her a few years ago and wanted to spend some time with her work. As usual, Shudder is making it too easy to become a better cinephile.
You can watch Nyi Blorong on July 7th.
The Housemaid (2018)
An orphaned girl is hired as a housemaid at a haunted rubber plantation in 1953 French Indochina. Once there, she falls in love with the landowner, which sends the ghost of his dead wife into a jealous rage. I was excited to watch this just because it sounds chaotic, and I do not see enough Vietnamese horror for my liking. However, I recently discovered it is also an IFC Midnight title, so now my expectations are through the roof. IFC has been the home of upsetting, weird, and unique horror since 2010. I have a date with Shudder on July 14th, because I want this movie in my eyeballs the second it becomes available.
You can watch The Housemaid on July 14th.
Swallow (2020)
A pregnant housewife is compelled to eat dangerous objects, leading her husband and in-laws to become more controlling. Swallow had the misfortune of debuting during the top of the pandemic, so many people missed it. I found it on accident during Thanksgiving back when Showtime still had its own app. It’s quiet chaos that surprised me in a good way. I have been trying to make everyone I know watch it, and Shudder is making that so much easier this month. I am overdue for a rewatch myself, so I will also be hitting play while it’s available this July.
You can watch Swallow on July 21st.
Monster Island (2024)
A Japanese ship transporting prisoners of war and a British POW are stranded on an island where a mythical creator hunts them. Can they work together now that their very survival depends on it? I was bummed I missed this movie at Overlook Film Fest this year because all my friends loved it. So, obviously, I am thrilled Monster Island (also known as Orang Ikan) is hitting the Shudders streets so soon. I do not know what the other monster movies are doing this July because my heart belongs to this baby.
You can watch Monster Island on July 25th.
So, as usual, I will be hiding in my apartment and trying to make Shudder Saturdays my personality. I’m running at their international titles like it’s my job and revisiting a few movies I never spend enough time with. I hope your Shudder watches spark as much joy for you as I expect mine will this July.
Movies
‘Bride of Frankenstein’ at 90: Why Universal’s Horror Classic Still Haunts and Inspires

In the 90 years since its release, The Bride of Frankenstein is still the Universal Monsters franchise’s strongest film.
I first watched The Bride of Frankenstein on cable around 15 years ago. Director James Whale’s fable of a misunderstood creature’s quest for a bride really stayed with me after subsequent viewings. Speaking of The Bride, she’s the Universal Monster with the most potential for a gripping and modern reimagining that hasn’t been fully tapped into yet. Universal’s newest theme park Epic Universe, opening back in May, inspired a deeper dive into The Bride of Frankenstein, the titular role and its legacy.
Unveiling The Bride: The Plot and Power of the 1935 Classic
Immediately following 1931’s Frankenstein, The Bride of Frankenstein centers on Henry Frankenstein (Colin Clive) as the sinister Dr. Pretorius (Ernest Thesiger) urges him to collaborate on creating a mate for The Monster (Boris Karloff). In the meantime, The Monster travels across the countryside, learns to speak, and meets Pretorius. When both scientists complete and unveil The Bride (Elsa Lanchester), she rejects The Monster, motivating him to pull a lever and famously say, “We belong dead.” Pulling the lever ignites an explosion, killing The Monster, The Bride, and Pretorius.
Just as it took two scientists’ minds to create her onscreen, two individuals gave life to The Bride’s characterization and look: Lanchester and makeup master Jack Pierce, who designed nearly all the original Universal Monsters.
The Bride’s Hiss: How Lanchester Stole the Show with Limited Screentime
The Bride not being the film’s main protagonist is ironic since she’s the title character. Making the most of her brief performance, Lanchester’s swan-like mannerisms as The Bride sharply contrast with the humanity Karloff brings out of The Monster. After her dual role as The Bride and author Mary Shelley herself in the film, Lanchester took on more horror film roles like Henrietta Stiles in Willard (1971). It’s not hard to imagine what could’ve been for her career if she reprised her role in The Bride of Frankenstein’s sequels Son of Frankenstein and Ghost of Frankenstein. If a lab explosion couldn’t kill The Monster, wouldn’t it be the same for The Bride?
Besides the white streaks, Lanchester surprisingly didn’t wear a wig to portray The Bride since Pierce shaped her red hair to look the way it does. Pierce’s work on The Bride is just as iconic if not more so than Lanchester’s performance, ensuring the character became inseparable from her intended suitor in pop culture’s eyes. Case in point: There’s so much officially licensed merchandise playing up a romance between the two characters, even though The Bride can’t stand her intended mate. Beyond Lanchester and Pierce, there is one man responsible for how the film itself would come out.
James Whale’s Masterpiece: Directing The Bride of Frankenstein
Whale stitched great set designs, fantastic performances and composer Franz Waxman’s eerie score together to create a masterpiece.
Having Frankenstein, The Old Dark House and The Invisible Man under his belt by the mid-‘30s, it’s clear Whale creatively peaked while working on The Bride of Frankenstein. Although so much about Whale’s talents has been said, there’s a reason why his work on the film stands out across his filmography: He really went wild when directing it. Every character is practically cartoony, the sets are more elaborate and the plot is thematically richer than the original’s. Being an openly gay filmmaker, he cranked up The Bride of Frankenstein’s camp to legendary heights.
The Bride of Frankenstein is the final horror movie Whale directed. The novel Father of Frankenstein and its film adaptation Gods and Monsters, starring actor Ian McKellen as Whale, dramatize his life after directing the film. According to the reference book Universal Horrors by Tom Weaver, Michael Brunas and John Brunas, he initially didn’t want to direct his horror work’s apex. Just like Henry Frankenstein’s relationship with the monster he created, The Bride of Frankenstein’s production is a case of life imitating art. The Monster’s in-universe infamy further parallels Whale’s Frankenstein duology’s lasting popularity.
How The Bride of Frankenstein Shaped Horror Sequels and Adaptations
The Bride of Frankenstein’s influence can be seen across other horror films and Frankenstein adaptations.
Having “Bride of” in a horror sequel’s title is synonymous with including the main character’s female counterpart, leading to Bride of Re-Animator, Bride of Chucky, etc. The similarities go further than the titles, with The Bride of Frankenstein inspiring the former’s plot and furthering Tiffany’s arc in the latter. The Bride of Frankenstein inevitably shaped Frankenstein’s future adaptations as well.
Directed by Kenneth Branagh, Mary Shelley’s Frankenstein from 1994 closely follows the original novel. Breaking away from the novel’s narrative, its third act pays homage to The Bride of Frankenstein when Victor brings Elizabeth back to life with similarly brief screentime. Mia Goth’s seemingly red hair on the set of Guillermo Del Toro’s upcoming Frankenstein may hint at her character similarly becoming The Bride.
The Bride’s Untapped Potential for a Modern Horror Remake
With Warner Bros. releasing its own take on the character with The Bride! in 2026, it makes Universal’s reluctance to make a new remake downright egregious.
The Bride is still the literally redheaded stepchild among the Universal Monsters. When it comes to being neglected by Universal, The Creature From the Black Lagoon is the only character who rivals The Bride, but that’s another story. Universal did plan a remake directed by Bill Condon, who helmed Gods and Monsters, for its aborted Dark Universe film franchise.
The Bride’s Absence in Epic Universe’s Monsters Unchained Ride
Looking at Epic Universe, the Monsters Unchained: The Frankenstein Experiment ride apparently leaves The Bride out, even though she makes more sense to be in it than The Phantom of the Opera. However, The Bride does make meet-and-greet appearances across Dark Universe’s grounds.
Several ideas can be incredible for when Universal finally releases a remake of The Bride of Frankenstein someday. Based on what I’ve heard about 2023’s Poor Things, it’s exploration of a mad scientist’s creation’s experiences in a restrictive society is closer to what a modern reimagining should be. Having a woman behind the camera can lead to a feminist vision, delving into The Bride questioning her life’s purpose.
Until the day a proper remake debuts, the original 1935 film remains The Bride of Frankenstein’s definitive incarnation.