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The 11 Most Disturbing Horror Movies Ever, According to an Actual Horror Fan

What is it about disturbing horror films that divide the community? Nearly every list of “top 10 most disturbing horror films” is met with a barrage of comments saying, “THAT’S not a disturbing movie,” or, “Wow, you thought Cannibal Holocaust was disturbing? Have you ever seen a horror film before?” Gatekeeping is a real issue within the genre, and the discourse behind disturbing/grotesque films might be one of the most toxic conversations you can have with genre fans. So here is our list of most disturbing horror movies of all time!

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What is it about disturbing horror films that divide the community? Nearly every list of “top 10 most disturbing horror films” is met with a barrage of comments saying, “THAT’S not a disturbing movie,” or, “Wow, you thought Cannibal Holocaust was disturbing? Have you ever seen a horror film before?” Gatekeeping is a real issue within the genre, and the discourse behind disturbing/grotesque films might be one of the most toxic conversations you can have with genre fans (it somehow beats out conversations on the DGG Halloween movies). Recently I stumbled upon a Buzzfeed article on “The 11 Grossest Horror Movies Ever,” and I started to feel the keys jingle in my pocket…that gate needed keeping. 

Jack of All Trades Master of None

Digging through the respective Buzzfeed author’s page, I noticed they had 149 pages of articles since joining Buzzfeed in 2021. Their final article was in September 2021, so within the 92 days this author wrote for Buzzfeed, their average daily output was two articles a day. Going through every single article this author had written brought two things to the surface. Firstly, Buzzfeed is abhorrently negligent with the mental health of their writers to expect an output of that nature. Secondly, this author covered an obscene array of topics, posing as a fanatic of each. I’m not saying someone can’t be a fan of multiple things, but using context clues throughout their articles helped me piece together this author’s estimated age. Someone who is the age I’ve estimated them to be shows me that it’s nearly impossible to deeply know, inside and out, the lore of LostDesperate HousewivesGame of ThronesFriendsThe Office, and many many others that they claim to. There are only 24 hours in a day. Something reeks of journalistic disintegrity. 

Besides this author’s laughably googled disturbing movies list, I got to thinking, is there a consensus on the most disturbing movie? While this is a noble quest to embark on, it is also one for a madman. And my name isn’t Marz. Rather than going through EVERY SINGLE disturbing movie list and video out there, I picked fifteen different lists from places like Screenrant, Nylon, Mubi, and many others. I wanted to cast a wide net between all types of publications to see if there was a consensus on the most disturbing horror film ever made. 

Spoiler alert: there was not. 

Some Disturbing Films That Get an Honorable Mention

Before we get into our list of disturbing films, I wanted to discuss what I came to notice on my weeklong quest. For starters, there were a lot of lists that had The Human Centipede (First Sequence) fairly high on the list. This is how it became clear which lists were formed from randomly picking movies from other lists and which were genuine. If you’re making a list of disturbing horror movies and one of your picks is the first film of a franchise, you might want to watch the rest of the films in the franchise, too. First Sequence is a well-made and exquisitely thought-out film. Tom Sixx tapped into something special with that film, and it’s not that graphic. The idea of stitching three people together in an ass-to-mouth configuration was more disturbing than First Sequence was. As someone who has seen all three films, I know it’s far from the most graphic of the series. If the Buzzfeed author took a quick gander into the parental guide for The Human Centipede 2 (Full Sequence) they’d see how someone is raped by a man who has barbed wire wrapped around his penis, and a woman gives birth in a car and proceeds to step on the baby’s head. The Human Centipede 3 (Final Sequence) has scenes of castration (which you see), waterboarding with boiling water (which you see), and a damn 500-person centipede. Get real. First Sequence being listed on any of these lists is laughable. Among all of the lists I found, First Sequence comes averaging in as the 10th most disturbing movie of all time. 

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For some reason, the 1999 Takashi Miike film Audition was on quite a few of these lists. Audition is a brilliant and incredibly effective horror film. There’s no question about that. But should it be on these lists because of one specific scene? The scene doesn’t even go on for an extended period of time. The average ranking for Audition was seventh. A single list ranked Oldboy as the 9th most disturbing movie ever. I didn’t realize Brian Regan was making disturbing movie rankings. 

Contradicting myself a bit here, there was an entry I wasn’t surprised to see: Gaspar Noe’s Irreversible. Noe’s seizure-inducing opus is a sight to behold, and every person who makes it through deserves an award. Irreversible is less of a disturbing film and more of an exercise in mental fortitude. In my eyes, Audition does not deserve its spot on the list for the pin scene alone, but Irreversible does, at least, deserve an honorable mention for the incredibly horrific 10-minute one-shot rape scene. Noe’s Irreversible averaged in at the 12th rank. Lastly, one of the few films deserving of a spot on all of these lists, which most had, was the incredibly effed-up Martyrs. Averaging as the third most disturbing film, Martyrs is genuinely a one-of-a-kind film. 

The last note I want to make before giving my list is the films that were just truly laughable in some of these rankings: The ExorcistManiacTuskPossessorI Saw The Devil, and The Devil’s Rejects

11 Most Disturbing Horror Films to Watch… If You Dare

Now, without further ado, it’s time for “Buzzfeed’s Top 11 Most Disturbing Horror Films, By Someone Who’s Seen More Than 11 Disturbing Films.” (And for those wondering, Sweet Movie will not be on this list, as it’s not categorized as horror, but if it were then it would take the 11th spot). 

11. Kuso (2017) 

FlyLo is one of those artists who has a specific vision. I don’t know what that vision is, but it’s damn impressive. His music is like whiplash for your brain, and his films are like…whiplash for your brain. Kuso is the definition of a midnight movie; it’s best viewed in a packed theater of inebriated people on a Friday night. This shit-slinging apocalypse film doesn’t garner groans of discomfort from sexual violence or inhumane acts of violence. If you watch Kuso, you will see a man getting his erect penis stabbed multiple times, a camera crawling out of someone’s butt, countless pulsating and dripping boils, and lots of fecal matter. And that’s just scraping the surface. 

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What makes Kuso so intriguing as a disturbing film is how impressive it truly is. If FlyLo were a hack filmmaker who just wanted to make something gross, for gross’s sake, this film would have been a septic slog to sit through. Instead, FlyLo’s impressive vision and great direction turn this film into something beyond art. Can we talk about the cast too? You have Hannibal Buress, Tim Heidecker, funk icon George Clinton, Salad Fingers himself, David Firth, musician Busdriver (!), and even porn star Lexington Steele. That’s a wild cast. Kuso is genuinely a wild film that delivers the goods and makes its exit before overstaying its welcome. 

10. Megalomaniac (2022)

Megalomaniac is not just a disturbing film, it’s a part of a larger whole. There’s a Newer Extremity Movement in horror spearheaded by films like MegalomaniacRepulse (2021), and Beaten to Death (2022). Just like the New French Extremity movement in the early to mid-aughts, we are in a world of political upheaval and widespread violence. Disturbing horror has existed for a long time, but it’s clear there’s a correlation between an influx of disturbing horror and worldwide unrest. The Newer Extremity Movement is just getting started. 

Unlike KusoMegalomaniac is extremely graphic. When it comes to graphic horror films, there is just an imbalance between story and violence. Look at the Terrifier franchise. The first film has no story, while the second film tries so hard to force a story that doesn’t work. Damien Leone took the criticism of Terrifier having no story and tried course correcting. Only he hydroplaned in the process. Megalomaniac tells a heartwrenching story of a brother and sister who live in the shadow of their father’s serial killings, only they might be closer to the person he is than they’d like to admit. Brutally unflinching, Megalomaniac is a darkly tragic tale of nihilism, pain, and family.

9. Inside (2007) 

This entry will most likely be the only Christmas film on the list, those are some weird wires to cross. Collaborators Maury and Bustillo sliced their way into the scene with their debut feature, Inside, which helped bring more eyes to the New French Extremity movement. As with the films of this movement, Inside is steeped in social commentary. Where Inside differs from films of this ilk is how it doesn’t compromise its commentary for the sake of violence. There’s a haunting juxtaposition between what the film tries to say and how it handles the extreme violence. The biggest example of this comes to light with the use of a riot gun later in the film. This mirrors the use of extreme force by French police against protestors (which is still going on today). 

I would wager to say the majority of viewers picked this film up based on the brutal Dimension Extreme cover art. Walking through the aisles of a Blockbuster and seeing the title with the word “UNRATED” in blood-red text overtop a pair of bloody and rusty scissors hovering over a pregnant stomach was enough to catch my attention, although not in a positive way. I distinctly remember being scared to walk past this film whenever I went to Blockbuster as a kid. Well, I was 13, but still. Once Inside kicks off, it doesn’t stop. The film is relentlessly grotesque with impressively stomach-churning practical effects. And who can forget the staircase scene? 

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8. A Serbian Film (2010)

Like Cannibal HolocaustA Serbian Film is the only other film I found on every list I researched. Through disturbing horror threads I’ve taken part in from Twitter, to Facebook, to Reddit, A Serbian Film is the most hotly contested. For some reason, half of the people in these threads say it’s the most disturbing film ever, while the other half think it shouldn’t be on the list at all. Personally, I don’t understand how it can’t be on a list like this. 

Let’s just go over a few things: eye-hole copulation, beheadings, graphic sexual assault on an adult, graphic sexual assault on a child (both alive and dead), and double murder-suicide. I know I made a joke earlier about being all gatekeepy when it comes to what can/can’t be described as disturbing horror, but I really draw the line here. Sure, films like American Guinea Pig and August Underground are disgusting. Still, there’s something about the high production value of A Serbian Film that brings a higher sense of validity and terror that these other films don’t have. Not saying August Underground or American Guinea Pig hide behind lower production quality. All I’m saying is it’s easier to hide behind film grain and low-budget cameras to sell your product. 

7. We Are The Flesh (2016) 

We Are The Flesh is one of a handful of films to receive a D certification in Mexico, a rating typically reserved for pornography. The mid-teens were fraught with highly sexually explicit films. This was [possibly] kicked off by the hypersexual Under the Skin. Films like Heli and The Untamed took the idea of hypersexuality and amped it up tenfold. We Are The Flesh, and Love took that tenfold and amped THAT up tenfold. Both of these films had the audacity to include unsimulated sex, something that is pretty taboo in the film world. 

While Love is more of a drama, lacking any true disturbing elements, We Are The Flesh is 80 minutes of unadulterated unsimulated sex…between siblings…at the request of an older man in exchange for food and shelter. If the sexual acts were implied, this would have been a bit more palatable, but the obscenely intense and frequent sex scenes with visible penetration, again between siblings, make We Are The Flesh a truly disturbing film. 

6. Slaughtered Vomit Dolls

This is definitely where subjectivity comes into play, as Lucifer Valentine sort of spearheaded, what he calls, the vomit gore subgenre. And vomit is not my thing. Now this is not me equating anyone who has a vomit fetish to being gross or disturbing, it’s just not for me. Now, you might be saying SVD isn’t even the most disturbing film in the subgenre’s subgenre, but watching one of them was more than enough for me. 

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*Exasperated sigh* If you’re looking for vomit, face skinnings, more vomit, screwdriver eyeball removals, and bloody vomit then Slaughtered Vomit Dolls is for you. Moving on. 

5. Grotesque (2009)

Sometimes, disturbing films don’t need a second viewing, and for me, Grotesque is one of those films. When a film has something to say, like the New French Extremity movement, it makes the gore and viscera a bit easier to digest. The story within Grotesque is barebones and is a story in the sense that Terrifier has a story because it follows Art the Clown killing people. Shiraishi was elated with the backlash from his film stating his intent with the film was to upset moralists. I think that tells you all you need to know about the film. His intent behind it wasn’t to tell a story about love and its boundlessness; instead, he just wanted to shock, and that’s where the disturbing horror subgenre gets a bad name from. 

4. Nekromantik (1988)

Banned in multiple countries and labeled, “the first ever erotic film for necrophiliacs,” by John Waters, Nekromantik isn’t a film to shake a stick at. Graphic depictions of necrophilia carry the disturbing torch of this film. Crazily enough, when this film was released in 1988, it was met with surprisingly favorable reviews. I think this shows how disturbing horror can be done right and well. Nekromantik blends commentary and shock to tell an effectively ghastly tale. 

It’s full of exactly what you’re thinking, and it’s pretty graphic. But the scenes of sexuality aren’t the only disturbing elements. There is some violent brutality within the film, though that’s definitely not where the film gets its notoriety from. There is a point to this film, and I find it surprising how many of the films in my top 11 are well-made films. Maybe that’s because I shy away from the type of disturbing films that serve no purpose as films and have no point of existence (looking at you Slaughtered Vomit Dolls). I tend to avoid films that are purposefully intended to make you hate yourself for taking the time to watch them.

3. The Angels’ Melancholia (2009)

Get this. A woman gives a man oral sex. Then she vomits it up while simultaneously cutting herself. And that’s tame compared to the rest of the film. 

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Thank you, next.

2. The Human Centipede (First Sequence

SIKE.

2. Martyrs (2008) 

So, 2015’s Martyrs…just kidding. Two jokes in a row! I’m just honestly drained at this point. Writing this has been hell. The films I’ve watched in short succession to write this piece have made me a shell of a human. What are we talking about? Oh yeah, Martyrs

Martyrs is a disturbingly accessible horror film. It’s on many respectable top 100 horror film lists and is the film that gets a lot of gore hounds into the subgenre. Unlike most films on this list, Martyrs has a truly interesting and deep story, which is used to exacerbate the on-screen atrocities. Full of realistic practical effects that push the boundaries of depravity, this film is one of a kind. If you haven’t seen it you really must. Fair warning: it will set the bar incredibly high for disturbing horror films. 

1. Philosophy of a Knife (2008) 

Well, here’s number one. We have Andrey Iskanov’s docu-drama Philosophy of a Knife. Intent and application don’t always go hand in hand when making a film. Philosophy of a Knife has possible good intentions behind it, bringing light to wartime atrocities, but whether or not they pulled it off is questionable. This film, like Grotesque, does not need a revisit. A mixture of documentary footage and near-accurate recreations of torture, this film isn’t one to scoff at. The reason it’s number one on this list is just for the fact it is based on real-life events. 

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The story behind Philosophy is incredible as it brings the story of Manshu Detachment 731 to light, something much of the world might not be too knowledgeable about. If you’re unfamiliar, here is the TL;DR: during World War II, the Imperial Japanese Army had two prisons where they committed acts of brutality and torture in pursuit of “research.” Unit 731 has an estimated 200,000 to 300,000 deaths on their hands. Is this film necessary? Debatable. Is it poignant, and does it open our eyes to how awful the human race is? Absolutely. 

If you want to see decapitation, white phosphorous to the face, and forcible fetus removal, then this film is for you. My only question is, why do you want to see that? 

So what do you think about our list? Are we missing any crazy disturbing movies? Care to tell us how soft we are? Let us know in the comments!

Brendan is an award-winning author and screenwriter rotting away in New Jersey. His hobbies include rain, slugs, and the endless search for The Mothman.

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The Best Horror You Can Stream on Shudder in February 2025

The Shudder February lineup is after my heart. Obviously, the app is adding more 2024 titles like The Dead Thing and Little Bites. However, they are also adding so many cool movies I have been dying to make my friends watch these last few years. There are some films guaranteed to make some heads roll alongside some cute vampire rom-coms hitting the horror streamer this month, and I cannot wait to revisit each title. Check out the five movies I’m highlighting this year, and I hope you enjoy them as much as I do! So here are the best movies to stream on Shudder this February!

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The Shudder February lineup is after my heart. Obviously, the app is adding more 2024 titles like The Dead Thing and Little Bites. However, they are also adding so many cool movies I have been dying to make my friends watch these last few years. There are some films guaranteed to make some heads roll alongside some cute vampire rom-coms hitting the horror streamer this month, and I cannot wait to revisit each title. Check out the five movies I’m highlighting this year, and I hope you enjoy them as much as I do! 

The Best Movies to Stream on Shudder This Month

The Coffee Table (2022)

A couple of new parents experiencing a rough patch decide to buy a coffee table, not knowing that the decision will alter their lives forever. The Coffee Table was one of my favorite movies of last year, and it is one of those titles you want to know as little as possible when you hit play. It is the bleakest and most stressful comedy I have seen in years, and I love it. This one goes out to my fellow sickos (complimentary). Please watch it the day it hits Shudder before the internet can ruin it for you.

You can watch The Coffee Table on February 24th.

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Humanist Vampire Seeking Consenting Suicidal Person (2024)

A young vampire who is too sensitive to kill for her supper meets a young loner with suicidal tendencies. What starts as a transactional relationship soon blossoms into an unexpected friendship. This movie is much cuter than I like my vampire movies. However, it is still a nice time for those looking to fill the void left by What We Do in the Shadows ending. It’s also not the worst romantic horror movie we have ever seen. I had very few notes for it in my review, and I know it made it onto quite a few top 10 lists of last year. 

You can watch Humanist Vampire Seeking Consenting Suicidal Person on February 10th.

My Animal (2023)

An outcast falls for a new girl in her small town, which makes it difficult to keep her darkest secret hidden. My Animal is a severely overlooked lesbian werewolf tale. It has been stuck in streamer purgatory for years, so finally finding a streaming home is a big deal. This moody story stars Bobbi Salvör Menuez and Amandla Stenberg and deserves your attention. It belongs somewhere between Ginger Snaps and Good Manners in the women werewolves we must celebrate. Make this feral love story a date night this winter, preferably during a full moon. 

You can watch My Animal on February 1st.

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Nightsiren (2022)

A woman returns to her birthplace, searching for answers to questions about her childhood. However, she is met with ancient superstitions and a community accusing her of witchcraft and murder. Nightsiren has been on my radar for a couple of years and is the only movie I have not seen. I love that Shudder is letting me find out if it’s as good as it looks this February. Worst-case scenario, I can say that I watched a Slovak-Czech feminist psychological horror this month, and that feels like a win.

You can watch Nightsiren on February 10th.

Tiger Stripes (2024)

An 11-year-old discovers the body horror of puberty as her body begins to change. Gothic horror is out, and menstruation is in because Tiger Stripes is the kind of period horror we need more of in the world. I fell for this cute little movie during a festival a couple of years ago and am so glad it has finally made its way to Shudder. It’s funny and very relatable. It is also a new genre entry destigmatizing the menses, and we need more movies in this subgenre. So, while you should watch it with as many people as possible, it’s also a delightful brunch body horror moment. 

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You can watch Tiger Stripes on February 24th.

It seems like Shudder has read my diary and added titles that I need the rest of you to see. I hope you check out these tales of lesbian werewolves, fun period horror, and everything between this February. You truly deserve cool new stories by cool new filmmakers, and that is exactly what the streamer is giving us almost weekly this month. What a time to be a subscriber! 

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Revisiting The Stepfather Films (And The Insane Real Crime Spree That Inspired Them)

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We all have one person in our lives who carries everything on their backs. It could be a family member whose work ethic shocks everyone around them or a friend juggling dozens of projects at once and still managing to get everything done just right. Thankless individuals who go unrecognized, but sometimes, that person ends up getting the spotlight they deserve.

To me, the Stepfather series is the perfect example of that in cinematic terms.  

The Stepfather, directed by Joseph Ruben in 1987, is the first in a small franchise of horror films that feels pretty forgotten in the grand scheme of 80s slashers and thrillers. But the film is a really interesting study of how one actor can take a role and make it their own, in a way that’s so compelling it makes you want to see more of that character even when the movies he’s in are kind of mediocre.

ODDLY MEMORABLE FOR A FORGOTTEN FRANCHISE

As the cultural conversation of the era has turned into a lot of circular discourse about how much better effects were back then and how unproven concepts made it to the screen more often, it should be easy to forget a psychological horror film with such a simple premise: what if your stepfather you hated was actually a freaky serial killer who was going to take your family out? From that premise sprung an unexpectedly great film, carried entirely by its lead actor.

I have a weird connection to The Stepfather because it was written by Richard Stark, who wrote one of my favorite crime stories of all time: The Hunter. I didn’t even know Richard Stark was only a pseudonym until I watched The Stepfatherand discovered it was writer Donald E. Westlake’s pen name. And Westlake’s proficiency with crime fiction translates here smoothly, because he took a horrifying real-life story of absolute evil (straight out of Westfield, New Jersey) and brought it to the screen with a true-to-life character.

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THE CRIMINAL BEHIND THE STEPFATHER SERIES

The real-life killer behind The Stepfather films was John List. To most people, he was a family man, living the dream with his wife and three children. He was a banker, hard-working and clean living, on the outside at least. He had a close relationship with many of the people in the Lutheran church he attended every Sunday, and was well-liked. But in reality, List was about to become one of the most infamous mass murderers in American history.

Behind the scenes, List was struck with financial trouble after financial trouble that exacerbated his already worsening mental health problems. A number of layoffs and setbacks left him and his family teetering on the brink of poverty despite the fact they lived in a 19-room mansion (I couldn’t even begin to explain how that works, don’t ask). List’s relationship with his wife was damaged by her spending habits, alcoholism, and deteriorating mental state due to untreated syphilis.  

He was left to “raise” three children, whom he was verbally and physically abusive to; his daughter Patricia even warned her drama coach that she was certain her father was going to kill her. Then her father actually sat all the kids down and told them they should prepare to die. And eventually, Patricia, her mother and grandmother, and both of her brothers became List’s victims in 1971.

List left his car in long-term parking at JFK International and disappeared with almost nothing in his name. Leaving a confession for his pastor behind in the form of a letter, it took weeks for neighbors to report the family’s disappearance, thanks to List’s meticulous planning. He had already slipped through the hands of the police by running from state to state, before eventually settling down into a new persona: Robert Clark. He eventually “fell in love” with a woman named Delores Miller, and the two moved to Virginia together soon after that.

Their relationship ended abruptly after an episode of America’s Most Wanted aired, in which famous forensic artist Frank Bender made an incredibly accurate sculpt of what List looked like at the time. After years of close calls and narrow captures, List was discovered. It took 17 and a half years for List to be caught. He was sentenced to five consecutive life sentences and died in jail in 2008.

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THE ACTOR WHO GAVE LIFE TO THE STEPFATHER SERIES

Now, I mention all of this above to punctuate one thing: The Stepfather isn’t the only fictionalized retelling of List’s story, but it is the most effective. Its opening scene is a gruesome recounting of List’s disaffected disappearance, how he slipped off to freedom, to an alternate life of his own design for nearly two decades, with little emotion at all. It opens on a mystery—what kind of man is he, if he is human at all? How does one simply walk away from a crime scene so calm and collected?

Because at the heart of the List case is the intensely intriguing and horrifying persona that is John List. To adapt that kind of personality, that deeply unhinged and deceptive person, is the kind of acting challenge many actors would pounce on immediately. And for horror fans, an unlikely hero stepped up to the plate: Terry O’Quinn. He’s best known for playing John Locke on the show Lost, but he’s also a quintessential “that one guy” character actor; he’s been in so many films and television shows you can probably throw a dart in any direction and hit his filmography.

I don’t know if I’d go so far as to call the first two Stepfather movies iconic (entertaining, definitely). Still, our main man Terry O’Quinn is incredibly iconic in his performance of Jerry Blake. O’Quinn really does enthrall you, and he’s an actor to beat when it comes to depicting someone slowly unraveling and releasing bursts of madness along the way like solar flares on a star’s surface. And I don’t just say that because he bears a bizarre resemblance to an older Anthony Starr.

He even almost tricks you into thinking Jerry’s moments of manufactured sweetness and maudlin family-man aesthetic are genuine, but then you remember what you’re watching and go right back to hating him with a passion. He is a quintessential horror movie villain because you despise him, but you’re transfixed by him.

He’s an emotionally disturbed con man, a parasite who can worm his way into a new skin with sociopathic ease. And when it all comes crashing down, to the point where even he isn’t sure what role he’s supposed to play for his fake family, its fantastic. With a line as simple as, “Wait a minute, who am I here?”, O’Quinn cemented himself as the definitive depiction of the character.

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WHY EACH OF THE STEPFATHER FILMS IS WORTH WATCHING

As I said, these films are far from perfect, but each one brings something a little new and different to the table. It’s fun to see O’Quinn return to the role in Stepfather 2, playing opposite of the legendary Caroline Williams and Meg Foster; a psycho-slasher finale at a wedding is just hard to beat. Stepfather 3 brings a surprisingly good changing of hands to the title role, though, since despite O’Quinn being replaced by Robert Wightman, Wightman brings just the right kind of energy to the role; he’s the perfect fit for the much campier and goofier tone of the 3rd film, and I was honestly very impressed with how he brought the role to life. But be warned: don’t bother with the remake. It is borderline bloodless, and incredibly boring. You can put a million Penn Badgley’s in that film, I’m not watching it again.

The Stepfather films aren’t anyone’s favorite of the many horror fans I’ve met and spoken with. But they are a capsule of how one artist can have enough staying power to keep them in your mind. So, for all my people out there who are going to check the trilogy out now thanks to this article: happy watching horror fans, and have fun!

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