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‘Bride of Frankenstein’ at 90: Why Universal’s Horror Classic Still Haunts and Inspires

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In the 90 years since its release, The Bride of Frankenstein is still the Universal Monsters franchise’s strongest film.

I first watched The Bride of Frankenstein on cable around 15 years ago. Director James Whale’s fable of a misunderstood creature’s quest for a bride really stayed with me after subsequent viewings. Speaking of The Bride, she’s the Universal Monster with the most potential for a gripping and modern reimagining that hasn’t been fully tapped into yet. Universal’s newest theme park Epic Universe, opening back in May, inspired a deeper dive into The Bride of Frankenstein, the titular role and its legacy.

Unveiling The Bride: The Plot and Power of the 1935 Classic

Immediately following 1931’s Frankenstein, The Bride of Frankenstein centers on Henry Frankenstein (Colin Clive) as the sinister Dr. Pretorius (Ernest Thesiger) urges him to collaborate on creating a mate for The Monster (Boris Karloff). In the meantime, The Monster travels across the countryside, learns to speak, and meets Pretorius. When both scientists complete and unveil The Bride (Elsa Lanchester), she rejects The Monster, motivating him to pull a lever and famously say, “We belong dead.” Pulling the lever ignites an explosion, killing The Monster, The Bride, and Pretorius.

Just as it took two scientists’ minds to create her onscreen, two individuals gave life to The Bride’s characterization and look: Lanchester and makeup master Jack Pierce, who designed nearly all the original Universal Monsters.

The Bride’s Hiss: How Lanchester Stole the Show with Limited Screentime

The Bride not being the film’s main protagonist is ironic since she’s the title character. Making the most of her brief performance, Lanchester’s swan-like mannerisms as The Bride sharply contrast with the humanity Karloff brings out of The Monster. After her dual role as The Bride and author Mary Shelley herself in the film, Lanchester took on more horror film roles like Henrietta Stiles in Willard (1971). It’s not hard to imagine what could’ve been for her career if she reprised her role in The Bride of Frankenstein’s sequels Son of Frankenstein and Ghost of Frankenstein. If a lab explosion couldn’t kill The Monster, wouldn’t it be the same for The Bride?

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Besides the white streaks, Lanchester surprisingly didn’t wear a wig to portray The Bride since Pierce shaped her red hair to look the way it does. Pierce’s work on The Bride is just as iconic if not more so than Lanchester’s performance, ensuring the character became inseparable from her intended suitor in pop culture’s eyes. Case in point: There’s so much officially licensed merchandise playing up a romance between the two characters, even though The Bride can’t stand her intended mate. Beyond Lanchester and Pierce, there is one man responsible for how the film itself would come out.

James Whale’s Masterpiece: Directing The Bride of Frankenstein

Whale stitched great set designs, fantastic performances and composer Franz Waxman’s eerie score together to create a masterpiece.

Having Frankenstein, The Old Dark House and The Invisible Man under his belt by the mid-‘30s, it’s clear Whale creatively peaked while working on The Bride of Frankenstein. Although so much about Whale’s talents has been said, there’s a reason why his work on the film stands out across his filmography: He really went wild when directing it. Every character is practically cartoony, the sets are more elaborate and the plot is thematically richer than the original’s. Being an openly gay filmmaker, he cranked up The Bride of Frankenstein’s camp to legendary heights.

The Bride of Frankenstein is the final horror movie Whale directed. The novel Father of Frankenstein and its film adaptation Gods and Monsters, starring actor Ian McKellen as Whale, dramatize his life after directing the film. According to the reference book Universal Horrors by Tom Weaver, Michael Brunas and John Brunas, he initially didn’t want to direct his horror work’s apex. Just like Henry Frankenstein’s relationship with the monster he created, The Bride of Frankenstein’s production is a case of life imitating art. The Monster’s in-universe infamy further parallels Whale’s Frankenstein duology’s lasting popularity.

How The Bride of Frankenstein Shaped Horror Sequels and Adaptations

The Bride of Frankenstein’s influence can be seen across other horror films and Frankenstein adaptations.

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Having “Bride of” in a horror sequel’s title is synonymous with including the main character’s female counterpart, leading to Bride of Re-Animator, Bride of Chucky, etc. The similarities go further than the titles, with The Bride of Frankenstein inspiring the former’s plot and furthering Tiffany’s arc in the latter. The Bride of Frankenstein inevitably shaped Frankenstein’s future adaptations as well.

Directed by Kenneth Branagh, Mary Shelley’s Frankenstein from 1994 closely follows the original novel. Breaking away from the novel’s narrative, its third act pays homage to The Bride of Frankenstein when Victor brings Elizabeth back to life with similarly brief screentime. Mia Goth’s seemingly red hair on the set of Guillermo Del Toro’s upcoming Frankenstein may hint at her character similarly becoming The Bride.

The Bride’s Untapped Potential for a Modern Horror Remake

With Warner Bros. releasing its own take on the character with The Bride! in 2026, it makes Universal’s reluctance to make a new remake downright egregious.

The Bride is still the literally redheaded stepchild among the Universal Monsters. When it comes to being neglected by Universal, The Creature From the Black Lagoon is the only character who rivals The Bride, but that’s another story. Universal did plan a remake directed by Bill Condon, who helmed Gods and Monsters, for its aborted Dark Universe film franchise.

The Bride’s Absence in Epic Universe’s Monsters Unchained Ride

Looking at Epic Universe, the Monsters Unchained: The Frankenstein Experiment ride apparently leaves The Bride out, even though she makes more sense to be in it than The Phantom of the Opera. However, The Bride does make meet-and-greet appearances across Dark Universe’s grounds.

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Several ideas can be incredible for when Universal finally releases a remake of The Bride of Frankenstein someday. Based on what I’ve heard about 2023’s Poor Things, it’s exploration of a mad scientist’s creation’s experiences in a restrictive society is closer to what a modern reimagining should be. Having a woman behind the camera can lead to a feminist vision, delving into The Bride questioning her life’s purpose.

Until the day a proper remake debuts, the original 1935 film remains The Bride of Frankenstein’s definitive incarnation.

Valenti Govantes is a culture journalist who’s been writing about film for five years. After completing his master’s degree in journalism at Northwestern University, Valenti continues discussing horror cinema on his Substack. Horror is his ride or die film genre, but he loves to watch anything that’s pure cult classic material. He is always up to talk about slasher film lore on his Twitter and Instagram.

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The Best Horror You Can Stream on Shudder in July 2025

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Looks like another July will be spent getting cozy with Shudder in this house. Between all the new (to me) international titles and the conclusion of Hell Motel on July 29th, the app has filled my calendar for the month. Hold my texts, keep your emails in the draft folder, and don’t look for me outside. My TV and I are on a mission, and we’re prioritizing the five titles below. I hope they grab your attention and make it into your Shudder viewings this summer as well. However, I’ll be too busy watching them to know what anyone else is doing, so happy streaming whatever you decide to get into. 

While we have you here, you should consider joining us for Bloody Brunches! Every Sunday at 11 AM CST / 12 PM EST, we’ll be livestreaming a new episode of Hell Motel. Who know’s who you’ll see, sometimes Ian Carpenter and crew stop by!

The Best Movies to Stream on Shudder This Month

Lake Placid (1999)

A small group of people try to capture a gigantic crocodile terrorizing the people of Black Lake, Maine. I am not an aquatic horror girl, and I am usually unimpressed with 90s action horror titles. I make a special exception for Lake Placid though. Sure, it stars Bridget Fonda, Bill Pullman, and Oliver Platt. However, real film buffs know that it’s really the late Betty White who carries this movie. Her foul-mouthed character stood on business and is the reason most of us revisit this title during the summer.

You can watch Lake Placid on July 1st.

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Nyi Blorong (1982)

The South Sea Queen’s daughter rises to take a human lover. I have a long history of disliking snakes and movies about snakes. However, I’m leaning into this 1982 film because I deserve a retro Indonesian horror fantasy moment. I am also excited because it stars the late Suzzanna, the queen of Indonesian horror. I only learned about her a few years ago and wanted to spend some time with her work. As usual, Shudder is making it too easy to become a better cinephile. 

You can watch Nyi Blorong on July 7th.

The Housemaid (2018)

An orphaned girl is hired as a housemaid at a haunted rubber plantation in 1953 French Indochina. Once there, she falls in love with the landowner, which sends the ghost of his dead wife into a jealous rage. I was excited to watch this just because it sounds chaotic, and I do not see enough Vietnamese horror for my liking. However, I recently discovered it is also an IFC Midnight title, so now my expectations are through the roof. IFC has been the home of upsetting, weird, and unique horror since 2010. I have a date with Shudder on July 14th, because I want this movie in my eyeballs the second it becomes available.

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You can watch The Housemaid on July 14th.

Swallow (2020)

A pregnant housewife is compelled to eat dangerous objects, leading her husband and in-laws to become more controlling. Swallow had the misfortune of debuting during the top of the pandemic, so many people missed it. I found it on accident during Thanksgiving back when Showtime still had its own app. It’s quiet chaos that surprised me in a good way. I have been trying to make everyone I know watch it, and Shudder is making that so much easier this month. I am overdue for a rewatch myself, so I will also be hitting play while it’s available this July. 

You can watch Swallow on July 21st.

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Monster Island (2024)

A Japanese ship transporting prisoners of war and a British POW are stranded on an island where a mythical creator hunts them. Can they work together now that their very survival depends on it? I was bummed I missed this movie at Overlook Film Fest this year because all my friends loved it. So, obviously, I am thrilled Monster Island (also known as Orang Ikan) is hitting the Shudders streets so soon. I do not know what the other monster movies are doing this July because my heart belongs to this baby.

You can watch Monster Island on July 25th.

So, as usual, I will be hiding in my apartment and trying to make Shudder Saturdays my personality. I’m running at their international titles like it’s my job and revisiting a few movies I never spend enough time with. I hope your Shudder watches spark as much joy for you as I expect mine will this July. 

 

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The Best Horror You Can Stream on Netflix in July 2025

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I love telling people what to watch so much that Horror Press is allowing me to try out another column. I will be strongly encouraging you to hit play on fantastic horror movies on Netflix every month moving forward. We all love to give Netflix crap for never having anything good, but I have come to realize they have some pretty great genre titles. They just never advertise any of it. Specifically when it comes to the international genre movies that I will be introducing you to over the next few months. However, I wanted to capture summer’s energy by going big for this initial column. Let’s dive into some bloody, haunting, and occasionally sincere horror movies this July!

The Best Movies to Stream on Netflix This Month

Heart Eyes (2025)

Two single pringles catch the attention of the Heart Eyes Killer on Valentine’s Day. This forces them to work together to avoid becoming his latest victims. You should know two things about me. I love a Josh Ruben (Scare Me, Werewolves Within) horror movie with my oxygen, and I am a slasher connoisseur. So, I should not have been surprised by the hold that Heart Eyes had on me. Or that it would still be one of my favorite movies of 2025 this late into the year. Yet, here I am, just a simple girl, standing in front of my favorite new slasher, asking him to kill again. 

His House (2020)

A refugee couple escapes war-torn South Sudan and attempts to build a new life. However, they find themselves subjected to the racist systems of an English town and the evil haunting them in their new home. Wunmi Mosaku (Sinners, Lovecraft Country) never misses, but this is possibly my favorite performance of hers so far. She gives Rial a vulnerability and strength while clueing us into there being so much more weighing on this character’s soul. His House is one of my favorite movies of 2020. Not nearly enough people have watched this Netflix gem for my liking.

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Talk To Me (2022)

A group of friends use an embalmed hand to communicate with spirits. However, the thrills soon turn to chills when a supernatural force infects their group. Talk to Me is that girl! Danny and Michael Philippou (Bring Her Back) gave us a fun and terrifying rollercoaster while gleefully adding to the Fuck Those Kids horror category. Everyone on screen was in demonic danger, and that is part of the reason this movie is so chilling. The first time I watched it, I kept forgetting to breathe. Which is how I knew I was in love. It is mindboggling that the film was only streaming on Kanopy until a couple of months ago. Please take advantage of its time on Netflix while you still can.

Train to Busan (2016)

A man and his estranged daughter find themselves trapped on a speeding train that is overrun with zombies. I initially laughed at this premise and wrote it off as a Snakes on a Plane kind of movie. So, I was late to discover this South Korean film is one of the best zombie movies of the millennium (so far). The acting, SFX makeup, script – literally everything about Train to Busan is too good to fit into one blurb. It is vicious, funny, sad, and feels like a shot of adrenaline straight to the heart. Which makes it the perfect Netflix watch for July. 

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Us (2019)

A family takes a vacation to the matriarch’s childhood home, where they are shocked to discover they have deadly doppelgangers. Jordan Peele (Get Out, Nope) never misses. Anyone who says they do not understand Us needs to rewatch it immediately. Not only does this film give us two different award-caliber performances by Lupita Nyong’o, but it is also pure cinema. Us lives at the intersection of summer vibes and Black excellence. Even the score is an event as it takes you on a nightmarish journey. Real horror fans know that clocking all the horror references is also a good time. Once you get past all the other stunning components of this film, of course.

Netflix is also getting the second season of Yellowjackets, if you are still playing catchup with the cannibal gang. So, there is plenty for everyone at all the tiers. I had to fight the urge to make this a list of 20 because there are so many wild, unsettling, fun, and (quite a few) underrated gems on the streamer. I will be back with a list of international horror for August. In the meantime, feast your eyes on these recommendations, then let us know if you are as obsessed with them as I am.

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