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THE 12 SLAYS OF CHRISTMAS: The Best Holiday Horror Movie Kills

Happy Holidays, Horror Press reader! Whether you’re sitting down to celebrate Christmas, Hanukkah, Kwanzaa, or just flat-out enjoying the winter season with friends and family, chances are some of you are doing that through horror films. After all, what goes better with milk and cookies than a television playing your favorite holiday horror movies to share with your people? It’s cold out, so cozy up!

Today, we’ve assembled an assortment of gifts for you: a comprehensive list of the best holiday horror movie kills, and the films they come from, for you to watch. Needless to say, a good deal of these kills are spoilers for the movies they’re from, so spoilers ahead.

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Happy Holidays, Horror Press reader! Whether you’re sitting down to celebrate Christmas, Hanukkah, Kwanzaa, or just flat-out enjoying the winter season with friends and family, chances are some of you are doing that through horror films. After all, what goes better with milk and cookies than a television playing your favorite holiday horror movies to share with your people? It’s cold out, so cozy up!

Today, we’ve assembled an assortment of gifts for you: a comprehensive list of the best holiday horror movie kills, and the films they come from, for you to watch. Needless to say, a good deal of these kills are spoilers for the movies they’re from, so spoilers ahead.

Honorable Mention: Everything In Treevenge

Jason Eisener, you absolute madman. What would we do without you? Treevenge is a now infamous short film by the V/H/S veteran and Hobo With A Shotgun director you all know and love. It follows Christmas trees getting their vengeance on an unsuspecting public after years of abuse. However bloody you’re expecting it to be, expect more.

You might be thinking, “It’s a Christmas Tree exploitation short film! How bad could it be?” My answer is you have NO idea how much worse it gets. Proceed with caution, as the squeamish will squirm and the faint of heart might just faint with how bad the climax of this is! Like all those Christmas tree fire safety PSAs, you have been warned!

12. The Mason Family Dinner (Santa’s Slay)

Santa’s Slay is a horror film that proves first impressions are everything. While David Steiman’s feature about Santa Claus’s demonic origins is weak in many places, its action is not one of those, and the opening scene lets you know upfront.

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The sleazy Mason Family’s Christmas dinner is interrupted by the arrival of an enraged Santa Claus (played by the wrestler Goldberg of all people), who proceeds to go to town on all the misbehaved and money-hungry family members. He does this via carving forks, turkey legs, and in one of the most realistically gross kills I’ve maybe ever seen, a massive bowl of eggnog. His thousand years of servitude are up, and he’s going to get his revenge, even if it means taking out a few cameo appearances by James Caan and Fran Drescher.

11. An Explosive End To Christmas Eve (P2)

Given it takes place in a location that is 90% concrete and asphalt, it’s easy to forget it’s a Christmas film in the first place. But the tale of sadistic security guard Thomas (played by Wes Bentley) and his victim Angela (played by Rachel Nichols) is capped off with a much more satisfying result than just wishing all a good night.

Wes Bentley is a character actor at the top of his game when he plays a weasely, nasty villain, so his death here is just beyond cathartic. As he whines and begs Angela to forgive him for the nightmare before Christmas he put her through, Angela ignites a trail of gasoline to the car he’s handcuffed to, resulting in a fiery end to her insufferable enemy. She even wishes him a Merry Christmas while doing it. Come on, that’s classic!

10. A Very Chipper Christmas (Silent Night, 2012)

Silent Night is a very loose remake of the original Silent Night, Deadly Night, which has gotten a lot of flak over the years. Following the aftermath of a mad Santa going on a spree with a flamethrower, a new killer rises to take his place decades later as a cop hunts him down. The killer certainly isn’t as memorable as our good old Billy Chapman was (with or without his transparent skull), and the film is much meaner than the previous five films.

Perhaps the best example of how well that meanness works is its use of a woodchipper during the film’s second act, where a chase into a grove of Christmas trees spells an untimely end for one of Santa’s victims.

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9. Santa, Is That You? (Christmas Bloody Christmas)

Between Bliss, Jimmy and Stiggs, and Christmas Bloody Christmas, Joe Begos remains on the nice list here at Horror Press…even if the content of his films are particularly naughty with their foul-mouthed scripts and the grisly ends he puts his characters through. Christmas Bloody Christmas is no different, and we wouldn’t have it any other way.

For the approval of the Christmas Society, Begos presents a three-part kill that shows what he can do when he has a budget: our killer robot Santa goes after the neighbors of our main character, Tori, before he goes after her. What results is a heavy metal murder spree (pun slightly intended), with the youngest member of the family discovering that being naughty or nice doesn’t really matter when the man giving out the presents is a malfunctioning military android who is willing to throw your dad through a window.

8. Santa’s Least Favorite Cookies (Black Christmas, 2006)

Smack dab in the middle of the Black Christmas franchise, Black Christmas (2006) is an odd duck of a remake just like Silent Night (2012). In a just and honest world, Black Christmas’s spot on the list would be the teased “Christmas lights dragging someone into a snowblower kill” from the trailer for the film (left on the cutting room floor for reasons no one knows).

Instead, the film delivers on a much grosser visual: after Billy gets revenge on his abusive family, he makes meaty Christmas cookies out of them. How that even works, nobody knows! But what we do know is that the effects by Steve Collins and Co. are absolutely sickening and too gooey to erase from your brain.

7. No Tree Topper For You (Sint)

A gift from the Netherlands to the rest of the world, Sint is how director Dick Maas (of Amsterdamned fame) spreads the joy of the Dutch saint Sinterklaas to us all, albeit, this rendition is a burnt, undead monster who leads an army of zombie black peters, and wields a crosier that is more Dark Souls weapon than it is staff. Maas makes a horror comedy for the holiday season that most people don’t know about, but that more should. So, consider this spot a showcase if we don’t get around to reviewing it on the website.

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That crosier Sinterklaas uses throughout the film, by the way, grants us one of the best moments in the movie, where our Sinterklaas uses its razor-sharp edge to take the Christmas tree topper (head) off an unfortunate pine (SWAT officer who never stood a chance). It’s a simple death, but the way it happens is one of a kind.

6. The Home Alone Theory (Better Watch Out)

I’m going to take the coward’s route here and let you know once more: Better Watch Out is an instant cult classic for a reason, and its reputation mostly comes from viewers going in blind on your typical home invasion horror film. If you haven’t seen it, SPOILERS AHEAD once more.

The big reveal of Luke’s villainous intentions and conniving ways was only the beginning of making him a villain you love to hate. But what really punctuates his seedy character’s transformation going into the latter half of the film is the absolutely brutal kill he has planned for Ashley‘s boyfriend: testing whether or not Home Alone is scientifically accurate in its brutalities against Marv and Harry. And how does he do that? By swinging a filled paint can like a pendulum, and smashing it directly into Ricky‘s head. Its mostly offscreen nature is surprisingly subdued but still incredibly effective.

5. Open Your Presents! (Silent Night, Deadly Night 5: The Toymaker)

The fifth entry in the Silent Night series is one of my yearly mandated watches at Christmas time, simply because of how strange it is. A bizarre story that follows a disgruntled toymaker is carried by the good if not kind of weird performance coming from aged movie star Mickey Rooney, which makes this movie a must see. That’s not even mentioning the ending, which is equal parts creepy and hilarious it has in store.

The film’s best kills come in a pair, as a couple are attacked by a swarm of automated toys, with nasty surprises ranging from buzzsaws to bullets. The practicals by horror effects royalty Screaming Mad George still hold up to this day as bloody fun.

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4. A Messy Christmas Meal (Gremlins)

Gremlins’ spot on the list is certainly the best effects-wise, thanks to the work of the legendary FX master and creature designer Chris Walas. A gateway horror for many of us, and likely the first Christmas horror movie you ever saw, Gremlins has its most memorable kills in the demise of its creatures rather than its protagonists.

We are of course talking about the very slimy kitchen confrontation, the climax to a scene in which Peltzer matriarch Lynn takes out a trio of attacking Gremlins who have transformed in her home. While one is taken out by blender, and another via kitchen knife, it’s the last one that explodes in the microwave and leaves its impact. Gooey, nasty chunks splattering the inside of the oven is a visual many fans will carry with them forever.

3. Rudolph’s Big Moment (Silent Night, Deadly Night)

You might be annoyed there is no mention of the iconic “Garbage Day” kill from Silent Night, Deadly Night 2 yet on this list. It’s a scene-turned-meme that tore through the internet in the 2010s like wildfire. But given that movie is mostly a clip show of the first film, I needed to give love to the actual most iconic kill from the franchise: Billy Chapman hoisting the unlucky Denise onto a pair of deer antlers mounted on the wall, spine first.

Denise’s demise isn’t just the most iconic kill in the Silent Night, Deadly Night franchise, it’s an all-time great horror movie kill in general. And in horror history terms, it’s the kill that made Linnea Quigley a scream queen icon, in a role she believes got her a spot as Trash in Return of the Living Dead. Who would have known a pair of antlers could do so much with so little?

2. The Shower Scene (Terrifier 3)

Look. We all knew this would be here on this list. It couldn’t have been anywhere else. It’s the scene that shocked people in theaters across the world, and that’s saying something given it’s the Terrifier films; people are to expect the complete depravity of Damien Leone, and every time he outdoes himself. You might even be mad that it’s not at number one, given how iconic the scene became by virtue of Terrifier 3’s firestorm of a release.

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Rivaling Terrifier 2’s bedroom scene is no easy feat, but Art the Clown’s work with a chainsaw in the shower scene of Terrifier 3 manages to do it. If you haven’t seen it, you want to know if it’s really that bad. If you have seen it, you know how legendarily gory it is. Ending with Art making snow angels in the blood of his targets, it is an irreverent and wild scene that goes on and on, displaying some of the best practical effects in slasher history. The Shower Scene is a grotesque and unending sequence that will shock any crowd, large or small.

1. The Glass Unicorn (Black Christmas, 1974)

One of the most iconic, if not one of the best slashers of all time, Bob Clark’s Black Christmas is an eerie holiday mystery that burns itself into your brain. From the iconic voice of our killer on those harassing phone calls, to the slow and frightening point-of-view shots that will send more shivers up your spine than a winter wind, it’s a film you can’t forget.

And the most iconic kill from the film is that of the unfortunate Barb (Margot Kidder). A collector of glass figurines, the mysterious killer Billy wields her glass unicorn and uses it as a weapon to take her out. Only seen framed in shadow with one maniacal eye in the light, it’s the scene that defines the film. The sequence is shot in slow motion and intercut with a group of carolers who drown out the attack by singing an incredible rendition of “Come All Ye Faithful”, adding an eerie calm to things. While most of the entries here are plainly entertaining, few horror movie kills have ever been able to match this kind of chilling tone as well.

And that’s our list! Do you agree with the rankings? Do you think there are more deserving kills we’ve left behind that should have been highlighted? Let us know on Twitter and Instagram, @HorrorPressLLC! And for more of everything horror, holidays and otherwise, stay tuned to HorrorPress.com!

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Luis Pomales-Diaz is a freelance writer and lover of fantasy, sci-fi, and of course, horror. When he isn't working on a new article or short story, he can usually be found watching schlocky movies and forgotten television shows.

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‘Ready or Not’ and the Cathartic Cigarette of a Relatable Final Girl

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I was late to the Radio Silence party. However, I do not let that stop me from being one of the loudest people at the function now. I randomly decided to see Ready or Not in theaters one afternoon in 2019 and walked out a better person for it. The movie introduced me to the work of a team that would become some of my favorite current filmmakers. It also confirmed that getting married is the worst thing one can do. That felt very validating as someone who doesn’t buy into the needing to be married to be complete narrative.

Ready or Not is about a fucked up family with a fucked up tradition. The unassuming Grace (Samara Weaving) thinks her new in-laws are a bit weird. However, she’s blinded by love on her wedding day. She would never suspect that her groom, Alex (Mark O’Brien), would lead her into a deadly wedding night. So, she heads downstairs to play a game with the family, not knowing that they will be hunting her this evening. This is one of the many ways I am different from Grace. I watch enough of the news to know the husband should be the prime suspect, and I have been around long enough to know men are the worst. I also have a commitment phobia, so the idea of walking down the aisle gives me anxiety. 

Grace Under Fire

Ready or Not is a horror comedy set on a wealthy family’s estate that got overshadowed by Knives Out. I have gone on record multiple times saying it’s the better movie. Sadly, because it has fewer actors who are household names, people are not ready to have that conversation. However, I’m taking up space this month to talk about catharsis, so let me get back on track. One of the many ways this movie is better than the latter is because of that sweet catharsis awaiting us at the end.

This movie puts Grace through it and then some. Weaving easily makes her one of the easiest final girls to root for over a decade too. From finding out the man she loves has betrayed her, to having to fight off the in-laws trying to kill her, as she is suddenly forced to fight to survive her wedding night. No one can say that Grace doesn’t earn that cigarette at the end of the film. As she sits on the stairs covered in the blood of what was supposed to be her new family, she is a relatable icon. As the unseen cop asks what happened to her, she simply says,In-laws.It’s a quick laugh before the credits roll, andLove Me Tenderby Stereo Jane makes us dance and giggle in our seats. 

Ready or Not Proves That Maybe She’s Better Off Alone

It is also a moment in which Grace is one of many women who survives marriage. She comes out of the other side beaten but not broken. Grace finally put herself, and her needs first, and can breathe again in a way she hasn’t since saying I do. She fought kids, her parents-in-law, and even her husband to escape with her life. She refused to be a victim, and with that cigarette, she is finally free and safe. Grace is back to being single, and that’s clearly for the best.

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This Guy Busick and R. Christopher Murphy script is funny on the surface, even before you start digging into the subtext. The fact that Ready or Not is a movie where the happy ending is a woman being left alone is not wasted on me, though. While Grace thought being married would make her happy, she now has physical and emotional wounds to remind her that it’s okay to be alone. 

One of the things I love about this current era of Radio Silence films is that the women in these projects are not the perfect victims. Whether it’s Ready or Not, Abigail, or Scream (2022), or Scream VI, the girls are fighting. They want to live, they are smart and resourceful, and they know that no one is coming to help them. That’s why I get excited whenever I see Matt Bettinelli-Olpin and Tyler Gillett’s names appear next to a Guy Busick co-written script. Those three have cracked the code to give us women protagonists that are badasses, and often more dangerous than their would-be killers when push comes to shove. 

Ready or Not Proves That Commitment is Scarier Than Death

So, watching Grace run around this creepy family’s estate in her wedding dress is a vision. It’s also very much the opposite of what we expect when we see a bride. Wedding days are supposed to be champagne, friends, family, and trying to buy into the societal notion that being married is what we’re supposed to aspire to as AFABs. They start programming us pretty early that we have to learn to cook to feed future husbands and children.

The traditions of being given away by our fathers, and taking our husbands’ last name, are outdated patriarchal nonsense. Let’s not even get started on how some guys still ask for a woman’s father’s permission to propose. These practices tell us that we are not real people so much as pawns men pass off to each other. These are things that cause me to hyperventilate a little when people try to talk to me about settling down.

Marriage Ain’t For Everybody

I have a lot of beef with marriage propaganda. That’s why Ready or Not speaks to me on a bunch of levels that I find surprising and fresh. Most movies would have forced Grace and Alex to make up at the end to continue selling the idea that heterosexual romance is always the answer. Even in horror, the concept that “love will save the day” is shoved at us (glares at The Conjuring Universe). So, it’s cool to see a movie that understands women can be enough on their own. We don’t need a man to complete us, and most of the time, men do lead to more problems. While I am no longer a part-time smoker, I find myself inhaling and exhaling as Grace takes that puff at the end of the film. As a woman who loves being alone, it’s awesome to be seen this way. 

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Ready or Note cigarette

The Cigarette of Singledom

We don’t need movies to validate our life choices. However, it’s nice to be acknowledged every so often. If for no other reason than to break up the routine. I’m so tired of seeing movies that feel like a guy and a girl making it work, no matter the odds, is admirable. Sometimes people are better when they separate, and sometimes divorce saves lives. So, I salute Grace and her cathartic cigarette at the end of her bloody ordeal.

I cannot wait to see what single shenanigans she gets into in Ready or Not 2: Here I Come. I personally hope she inherited that money from the dead in-laws who tried her. She deserves to live her best single girl life on a beach somewhere. Grace’s marriage was a short one, but she learned a lot. She survived it, came out the other side stronger, richer, and knowing that marriage isn’t for everybody.

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The Best Horror You Can Stream on Shudder in January 2026

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My New Year’s resolution is to spend more time watching my favorite app. Luckily, Shudder is not taking it easy on us this holiday season, so I may meet my quota this January. The streamer is bringing in the new year with quite a few bangers. We have classics from icons, a new title from the first family of indie horror, and a couple of lesser-known films that have finally found a home. So, I am obviously living for this month’s programming and think most of you will too. I have picked the five films that I believe deserve our collective attention the most. Get into each of them and start your 2026 off on the right foot. 

The Best Movies to Stream on Shudder This Month

Carrie (1976)

A sheltered teen finally unleashes her telekinetic powers after being humiliated for the last time. Carrie is the reason I thought proms might be cool when I was a kid. This Brian De Palma adaptation is one of my favorite Stephen King adaptations. It is also an important title in the good-for-her subgenre. I cannot help rooting for Carrie White (Sissy Spacek) when I watch her snap at this prom and then head home to accidentally deal with her mom. The only tragedy of this evening is that Carrie had to die, too. I said what I said, and I will be hitting play again while it is on Shudder. This recommendation goes out to the other recovering sheltered girls who would be the problem if they had powers. I see you because I am you.

You can watch Carrie on January 1st.

Marshmallow (2025)

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A shy 12-year-old gets sent to summer camp and finds himself in a living nightmare. While Marshmallow did not land for me, I know plenty of people who love it. Which makes this the perfect addition to the Shudder catalogue. I am actually excited to see more folks fall in love with this movie when it hits the streamer. If nothing else, it will help a few folks cross off another 2025 title if they are still playing catch-up with last year’s movies. It also gets cool points from me for not taking the easy route with the mystery it built. I hope you all dig it more than I did, and tell your friends about it. Perhaps you could even encourage them to sign up for the app.

You can watch Marshmallow on January 1st.

Chain Reactions (2024)

Tobe Hooper’s The Texas Chain Saw Massacre cemented his horror legacy over fifty years ago. So, it is long overdue for a documentary where horror royalty can discuss its impact on them and their careers. I have been waiting for a couple of years to hear Karyn Kusama and Takashi Miike talk about Hooper’s work and how he inspired them. So, I am super geeked that Shudder is finally giving me the chance to see this film. The streamer is also helping the nerds out by adding The Texas Chain Saw Massacre (1974) and The Texas Chain Saw Massacre 2 (1986) this month. If you are also an overachieving couch potato, I will see you at the finish line next week.

You can watch Chain Reactions on January 9th.

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In the Mouth of Madness (1994)

An insurance investigator discovers the impact a horror writer’s books have on people. I love chaos, and John Carpenter chaos happens to be one of my favorite kinds of chaos. While we talk about The Thing and Halloween all the time, this maestro has given us plenty of horror to celebrate. In the Mouth of Madness is very much one of those titles vying for a top spot among the best of his filmography. To sweeten the batshit pot, this movie features Sam Neill. You know that he only shows up in our genre if the movie is going to be legendary. You cannot tell me this is not a Shudder priority this month.

You can watch In the Mouth of Madness on January 10th.

Mother of Flies (2025)

A terminally ill young woman and her dad head to the woods to seek out a recluse who claims she can cure her cancer. The Adams Family has been holding court on Shudder for years, so it feels right that Mother of Flies is a Shudder Original. More importantly, this fest favorite has one of the best performances of 2025. Which makes it a great time for people to finally get to see it and get in line to give Toby Poser her flowers. Whatever you think your favorite Poser role is, it is about to change when you see her as Solveig. I am being serious when I say that this movie might be the first family of indie horror at their best.

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You can watch Mother of Flies on January 23rd.

New year, but same Shudder. I would not want to go into 2026 any other way, personally. I hope these horrific recommendations bring you the good kind of anxiety.  Or at least distract you from the state of the world for a bit.

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