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HORROR 101: Everything You Need to Know About Jason Voorhees

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Welcome back to Horror 101, a series of articles where we explain horror movie legends and their lore. For beginners, the confused, or just those who need a refresher, these articles are for you. 

Though Summer has ended, the things we did over the summer will never leave us. The cookouts, the drinks by the fire, that masked guy who put an axe in our friend’s spine. Have you ever wondered why that happened? Well, today’s article is for you. We’ll be going through the history of one of horror cinema’s most famous slashers, Jason Voorhees, explaining how he does it, what makes him tick, and perhaps even answering what’s going on in that lumpy giant brain behind the hockey mask.

The usual rules apply for this type of article: I will not be taking into consideration any comics, books, or television shows. We’re strictly doing the official films, beginning with Friday the 13th (1980) and ending chronologically with Jason X

We’ll also consider the 2009 reboot for one crucial detail. 

So, let’s make like a machete and cut right to it.

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WHO IS JASON VOORHEES?

It all begins with Camp Crystal Lake, a campground (in New Jersey!) owned by the Christy family. Born to Pamela Voorhees, the cook at Camp Crystal Lake, Jason was born disabled, which led to being bullied as a child. Often mocked and teased by younger campgoers and ignored by irresponsible camp counselors, Jason lived a short and miserable “first” life. 

While swimming in Crystal Lake in 1957, the counselors left Jason alone and surrounded by cruel children who chased him down and threw him off the dock. A panicked Jason drowned, which caused the camp to be closed temporarily when his body was never recovered. 

Unbeknownst to Pamela and the rest of the world, Jason survived drowning and wandered the woods surrounding Crystal Lake until adulthood, surviving in an old shack. Pamela was nonetheless struck with grief and became bitter and resentful, murdering two of Camp Crystal Lake’s counselors in 1958. She would go on to set several fires and sabotage the camp’s many reopenings, leaving the Christy family destitute.

In 1980, the eldest son of the Christy family, Steve, attempted to reopen the camp and ended up drawing the ire of Pamela, who began murdering to tarnish the camp once more. Her spree ended when she was killed in self-defense by camp counselor Alice Hardy. Jason would recover her remains and create a shrine for his mother’s head, soon mirroring her habits as he became full of rage and resentment.  

Taking up a machete as his weapon of choice, and later donning his iconic hockey mask in Friday the 13th Part III, Jason Voorhees became a menacing killer, whose legacy would span decades and even extend outside of the camp to places like Manhattan, and eventually the stars themselves. 

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WHY DOES JASON VOORHEES KILL?

The two most prominent reasons for Jason’s bloodlust are to seek vengeance for drowning and to get revenge for his mother’s murder. In the 2009 reboot, we see it explicitly. Still, it’s only implied a grown Jason saw Alice killing his mother and started targeting teens because of it.

While it’s lampshaded that Jason hates drug use and premarital sex in a couple of films in some very funny ways, that was really Pamela’s gripe about the counselors. I think it’s safe to say those concepts are probably lost on him, given that he’s not very smart. 

Respectfully, of course.

HOW DOES JASON VOORHEES DIE?

After years and dozens of kills, Jason Voorhees had become the stuff of nightmares. But he was still human, and after suffering wounds throughout the first 3 films, was eventually weak enough to be killed during the events of Friday the 13th: The Final Chapter, where his skull was cleaved with his own machete.

The person who took him out was Tommy Jarvis, a young boy, and special effects hobbyist living at Crystal Lake. His traumatic experience with the killer and legends of his uncanny survival made him believe Jason would return. This fear was only exacerbated when Roy Burns took up Jason’s mantle and terrorized a teenage Tommy at Pinehurst Halfway House. 

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WHO IS ROY BURNS?

He’s the replacement “Jason” after Tommy Jarvis killed Voorhees the first time. He was a paramedic who went mad when his son, Joey, was murdered by a disgruntled member of Pinehurst. He got thrown on a wall of spikes and died. 

I like Roy, but he’s not the focus of this article, so let’s move on!

HOW DOES JASON VOORHEES KEEP RETURNING FROM THE DEAD?

After Tommy Jarvis’ encounter with Roy Burns, he becomes especially paranoid and goes to dig up his nemesis during a thunderstorm, intending to destroy his body. In the process, Jason’s corpse is struck by lightning, and he inexplicably returns from the dead. This raises many questions, and the Friday films have spent a lot of time explaining why that happened. 

Throughout the series, it’s stated that Jason has an unrivaled regenerative capability. In Jason X, it’s shown that the U.S. government was keeping him in cryostasis specifically to study that ability. The rules are vague, but we can make a few assumptions about how this ability works. 

Jason Voorhees can take just about any amount of physical punishment as long as his body is still mostly intact. For instance, the ending of Jason Takes Manhattan shows him being dissolved in a flood of toxic waste and drowned, but he still keeps going. If his body is blown apart or significantly dismembered though, as seen in Jason Goes to Hell and Jason X, he can’t return without assistance. In Jason X, a swarm of nanites accelerates his natural healing and turns him into Uber Jason.

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In Jason Goes to Hell, we see he has one last trick up his sleeve to evade death: transferring his spirit into another person. In the film, Jason is described as an entity that wears bodies like suits; this degrades anyone he possesses, filling them with disease and slowly melting them from the inside out. From there, he can return to his complete form by possessing another Voorhees blood relative, which allows him to regain his hulking zombie body.

And his mask… For some reason? 

SO…IS JASON VOORHEES A DEMON THEN?

There are two schools of thought on this question: 

1. Jason Voorhees himself is a demon who can naturally regenerate his body, or 

2. The Voorhees bloodline is cursed, and that forces Jason to keep coming back.

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In Jason Goes to Hell, Professional Jason hunter Creighton Duke says Jason is something humankind has never seen before but doesn’t actually explain what he is, or why only Voorhees blood relatives can take him out. A scrapped effect for the film showed Jason in a much more demonic form, implying it’s the former, but this never actually made it to the screen.

Some people say he may be a demon of another kind. Jason being a deadite is an idea popularized by director Adam Marcus for the film Jason Goes to Hell. It’s still only a fan theory with very little backing outside the props Marcus borrowed for the film. 

Jason doesn’t explicitly enjoy causing suffering; instead, he seems to do it mostly out of sheer rage. His eyes aren’t white, he never verbally mocks his victims, no one ever calls him a deadite, and they never call the weapon that destroys him a Kandarian dagger. Most importantly, the Necronomicon is never read in any of the movies to summon his spirit. He just gets struck by lightning and comes back. 

So regardless of whether he’s a demon or not, he most definitely isn’t a deadite. 

HOW DOES JASON VOORHEES MOVE SO FAST?

Among Jason’s abilities, post-resurrection are superhuman strength, durability, and speed. Most instances of Jason “teleporting” result from his victims getting disoriented (as they’re often running through a forest and may or may not be intoxicated). This, combined with Jason’s athletic ability and bad film editing, creates the illusion of teleportation. 

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In the case of Jason Takes Manhattan, it’s a lot of bad editing. 

CAN ANYTHING ACTUALLY KILL JASON VOORHEES?

The answer is yes, but also, no! Satisfying, I know. 

Creighton Duke says there’s only one real way for Jason to be destroyed: “Through a Voorhees was he born, through a Voorhees may he be reborn. And only by the hands of a Voorhees will he die”. 

This is true in the short term, as he is killed by his niece, Jessica Kimble, using a…mystical Voorhees dagger that she stakes his heart with. Eventually, Jason would be freed by Freddy Krueger, using the last traces of power he had to pull the Voorhees out of hell in Freddy vs. Jason

Meaning there is no surefire way to put him down permanently. 

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And as a fan of the Friday the 13th films, that’s quite alright by me. I prefer my nonsensical super-zombies erring on the side of completely unkillable. The only hell Jason Voorhees has to worry about now is the legal hell his film and character rights are in. And with the new Crystal Lake series still in development, it’s anybody’s guess as to when we will see our soggy rotten boy again.

…SO YOU’RE SURE JASON ISN’T A DEADITE? 

Oh my god, no. Stop trying to make deadite Jason happen. It’s not going to happen. 

***

And that will be it for today’s Horror 101 lesson. See you in the next class and stay tuned to Horror Press’s social media feeds for more content on horror movies, television, and everything in between!

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Luis Pomales-Diaz is a freelance writer and lover of fantasy, sci-fi, and of course, horror. When he isn't working on a new article or short story, he can usually be found watching schlocky movies and forgotten television shows.

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Misc

Get Ready for the HPTV ‘Blue Velvet’ Giveaway!

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Now that we’ve wrapped up season 1 of Twin Peaks, taken a short break, and returned with a special episode covering Blue Velvet, it’s time to have a small giveaway.

If you haven’t been keeping up with HPTV, now is the perfect time to binge all of season 1, before we head into season 2 of Twin Peaks! Check it out here!

Last weekend, while walking the grounds of the Horror Press estate, I came across a severed ear. I was surprised because I hadn’t noticed if any writers were missing any. Instead of picking it up and bringing it to the cops, I decided to bring it inside and use it like a paperweight. Jeffrey Beaumont, eat your heart out.

Anyway, this inspired me to check our walk-in Blu-ray closet and pick something special to giveaway.

Enter Our Blue Velvet Giveaway!

For this special giveaway, we have a copy of Blue Velvet (1986) on Blu-ray. This copy happens to be the Criterion Collection version.

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Blue Velvet is a psychological thriller directed by David Lynch. It follows Jeffrey Beaumont, played by the legendary Kyle McLachlan, who makes a grim discovery in his quaint suburban town. This leads him down a seedy path that exposes him to the dark underbelly of his hometown.

HOW TO ENTER

Entering is easy. Just follow the steps below!

Step 1. Make sure to FOLLOW US ON INSTAGRAM!
Step 2. LIKE the giveaway post!
Step 3. Tag a friend who loves all things David Lynch!
Step 4. Leave HPTV a review and DM us a screenshot! 

Seriously, no review, no entry!

The giveaway will begin on Friday, 05/03/24, and end on Monday, 05/13/24.

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When the winner is selected, we will reach out via DM. If the winner does not respond within 24 hours, we will randomly select another winner.

WHAT YOU’LL WIN

The winner of our giveaway will receive a brand-new, Blu-ray copy of Blue Velvet (1986) from the Criterion Collection. This edition contains several special features, such as:

  • New 4K digital restoration, with 5.1 surround DTS-HD Master Audio soundtrack on the Blu-ray, both supervised by director David LynchA
  • lternate original 2.0 surround sound­track T
  • The Lost Footage, fifty-three minutes of deleted scenes and alternate takes assembled by Lynch
  • Blue Velvet’ Revisited, a feature-length meditation on the making of the movie by Peter Braatz, filmed on-set during the production
  • Mysteries of Love, a seventy-minute documentary from 2002 on the making of the film
  • Interview from 2017 with composer Angelo Badalamenti
  • Lynch reading from Room to Dream, a 2018 book he coauthored with Kristine McKenna
  • PLUS: Excerpts by McKenna from Room to Dream

So head over to our Instagram, follow our account, like our giveaway post, tag a friend who loves Lynch, and make sure you leave us a review for your chance to win!

**Giveaway entries are limited to addresses in the United States.**

**All entries must be 18 or older to enter**

 

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Misc

‘Saw the Musical’ and Putting the Queerness of ‘Saw’ Into Words (and Songs)

Saw the Musical’s very existence makes me happy. It’s nice to see a horror movie that was initially dismissed as mindless “torture porn” by many critics be reimagined as something silly and joyous and, most importantly, unabashedly, unquestioningly queer. It’s the thing many queer people already knew Saw to be, even if we didn’t quite have the words to articulate it. Saw the Musical: The Unauthorized Parody of Saw is playing in Los Angeles through April 7 and New York City through June 23, with a national tour kicking off in April. For tickets and tour dates, visit the website.

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I was guesting on an episode of my friends’ podcast, It Came from the Midwest, recently when one of the hosts, Aryn, asked me to talk about the queerness of the Saw franchise. I’m not going to lie: I fudged it. My mind went blank. Despite writing for a living, I momentarily lost the ability to translate a deeply held belief into words. If it had been Jigsaw asking me the question against the clock, I would have lost my test. Game over, bitch.

Aryn, thankfully, is more benevolent than Jigsaw. After listening to me waffle for several minutes, she stepped in to voice what I was struggling to communicate.

“I don’t even think you have to say it necessarily, because I feel it,” she said. “It’s there. You can sense it. You just know it’s different.” 

Saw is a Queer Franchise, IYKYK

Aryn is right: the Saw franchise is different, as are the most memorable characters from its world. Take the angry, apathetic loner Adam Faulkner-Stanheight (Leigh Whannell in Saw), an artsy boy on the outskirts of society who puts his trust in all the wrong men and gets attacked by a monster in the closet. Or what about that monster herself, Amanda Young (Shawnee Smith in Saw 1–3 and Saw X), who steps into her full lesbian power (and haircuts) after having a major reawakening? And how can anyone watch Dr. Lawrence Gordon (Cary Elwes) putting his hand on Adam’s cheek during the climax of Saw — Adam sobbing uncontrollably, their faces inches apart, lips quivering, Dr. Gordon making a solemn promise to come back for him — and not see it as the tragic conclusion of an enemies-to-lovers arc? (Cue Elle Woods throwing chocolates at the screen with a cry of “Liar!” How could you, Larry?) 

There’s just something about the Saw franchise that speaks to the queer community, and the franchise has taken notice. When Jigsaw hit theaters in 2017, the team promoting the tie-in blood drive — a tradition dating back to the very first film — ran an ad campaign called “All Types Welcome” to protest the Food and Drug Administration’s discriminatory abstinence rule for LBGTQ+ blood donors (a rule that wouldn’t be revised for another six years). By the time Saw X rolled around last year, the iconic Billy puppet was announcing “yes I stun” from Saw’s official Twitter profile. Over on TikTok, meanwhile, fans were speculating why the Lionsgate account would post a video featuring Jigsaw killer John Kramer (Tobin Bell) framed in the colors of the Bisexual Pride flag

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Of course, we don’t need the marketing team to tell us that Saw is queer, because as Aryn so sagely articulated, we just know. The fic writers know it. The fan artists know it. And the creators of Saw the Musical: The Unauthorized Parody of Saw most definitely know it, too. 

Saw the Musical : A Play Where the Subtext Can Become Text

Created and produced by Cooper Jordan, from a book by Zoe Ann Jordan and with music and lyrics by Anthony De Angelis and Patrick Spencer, Saw the Musical wastes no time letting us know that Adam and Dr. Gordon would be in one another’s pants immediately if only those darn chains weren’t keeping them apart. Adam is recast as a slutty himbo twink with a pocket full of condoms and a head full of cotton wool and dirty thoughts. As for Dr. Gordon, he’s no longer just a distant father with a penchant for stepping out on his marriage. Now, he’s a horny closeted bisexual who cares more about his furniture than his family and who won’t pass up an opportunity to bend over a resident, portrayed by a blow-up sex doll.

Chain these versions of Adam and Dr. Gordon together in a bathroom and the sexual tension doesn’t so much build as explode. It’s camp, it’s raunchy, and it can only end in — spoilers, but duh — a surprisingly sweet on-stage kiss. Perhaps if the bathroom set didn’t look like hepatitis waiting to happen, it might have gone even further. Then again, Dr. Gordon is bleeding out at the time. It is based on Saw, after all. 

I was front and center for Saw the Musical off-Broadway in New York City around Halloween 2023. My editor asked me if I wanted to write something about it not long after and I agreed, but whenever I opened my laptop to do so, the words just wouldn’t come. 

It was the podcast all over again. Sometimes something is just so obvious that you can’t find the queer forest for all the gay trees. 

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I think that what I most wanted to say but didn’t know how was that Saw the Musical’s very existence makes me happy. It’s nice to see a horror movie that was initially dismissed as mindless “torture porn” by many critics be reimagined as something silly and joyous and, most importantly, unabashedly, unquestioningly queer. It’s the thing many queer people already knew Saw to be, even if we didn’t quite have the words to articulate it. 

As director and choreographer Stephanie Rosenberg told NPR, the musical is “a love story that… people have wanted for 20 years.” We felt it. We could sense it. Saw the Musical just turns our intuition (and the film’s subtext) into text. Sometimes in the form of funny songs. 

Saw the Musical: The Unauthorized Parody of Saw is playing in New York City through June 23. The national tour kicked off in April. For tickets and tour dates, visit their website.

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