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In Memoriam: 8 Defining Films to Remember Roger Corman

From westerns to gladiator exploitation films to post-apocalyptic action movies (and of course, plenty of horror), Corman didn’t just make off-the-wall genre films, he made them viable and rarely lost a dime on them. And above all else, he made them fun, and he gave them a spirit of enjoyability that was contagious. So, to honor Roger Corman, we here at Horror Press have compiled a list of 8 films that best embody his indelible influence on horror and science fiction. 

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As many Horror Press readers already know, we lost genre film legend Roger Corman last Thursday, May 9th. One of the all-time greats in Hollywood, he was known for spinning straw budgets into gold pictures, and Corman’s influence is embedded into modern filmmaking thanks to the hundreds and hundreds of films he worked on. 

Starting as a production assistant turned story analyst at the bottom rungs of 20th Century Fox, Corman became the face of independent filmmaking in Hollywood from the 1950s on. With an innate vision for what gets people engaged with film, Corman was a mentalist at reading audiences and producing films that got watchers going. Corman knew what you wanted to see, sometimes before you even knew it; he wasn’t part of the genre film zeitgeist. He was the zeitgeist outright. 

8 Roger Corman Movies Every Horror Fan Should Watch

From westerns to gladiator exploitation films to post-apocalyptic action movies (and of course, plenty of horror), Corman didn’t just make off-the-wall genre films, he made them viable and rarely lost a dime on them. And above all else, he made them fun, and he gave them a spirit of enjoyability that was contagious. So, to honor Roger Corman, we here at Horror Press have compiled a list of 8 films that best embody his indelible influence on horror and science fiction. 

SHARKTOPUS VS PTERACUDA (2014)

It seems fair to visit one of Corman’s later works in life, since it’s a very good example of how he had the juice to make great b-movies long after he had made himself a household name. Before The Asylum and its cohorts were a gleam in the eye of the SyFy channel, Roger Corman had paved the way for them perfectly, and eventually joined them in the sharksploitation resurrection of the 2000s and 2010s.

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I remember seeing Sharktopus on SyFy semi-regularly when I was younger, but its sequel is a strictly better version, with two apex predators seeing which celebrity cameos they can eat faster (Conan O’Brien gets annihilated in this one!). Vs. Pteracuda is, in a weird way, also a step up in terms of effects, even if the CGI looks rougher than sandpaper. Beyond that, it’s one of those rare gems that can laugh at itself and manages to walk the intentionally so-bad-its-good tightrope without falling into a pit of forced self-awareness. 

ATTACK OF THE CRAB MONSTERS (1957) & IT CONQUERED THE WORLD (1956)

Okay, I know. I cheated, technically this makes 9 films. But I just couldn’t deny a double header of quintessential “goofy-looking monster movies”. Some of Corman’s earliest horror contributions are drive-thru shlock through and through. And that’s quite alright with me because we get giant telepathic crabs out of it! 

These two feel like the best example of Corman’s ability to challenge bigger studios with smaller production values; they’re on par with contemporaries like Creature From The Black Lagoon and The Monster that Challenged the World, and every bit as enjoyable. It Conquered the World boasts one of my favorite monster designs with its strange demonic traffic cone aesthetic. It was also one of the earlier collaborations between Corman and famed character actor Dick Miller, who would reappear three years later in…

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A BUCKET OF BLOOD (1959)

If there’s one way to get logged into the annals of horror history, making one of the first really solid original horror comedies is it. The film follows schmuck Walter Paisley (one of many as the name became a regular Corman movie easter egg), who struggles to find friends while surrounded by hipster artists, but discovers he excels at sculpting— but only when the clay is being molded and shaped around dead people. 

Entrenched in the film’s dark humor is a solid satire about American countercultural movements, poking fun at beatniks and small, insular art scenes in a way that feels evergreen decades later. It’s a charming film about desperately seeking approval, something that Corman clearly enjoyed poking fun at given he often had to go against the grain to get his films made, and never let himself get chained up in hunting for recognition. 

GALAXY OF TERROR (1981)

When we talk about Roger Corman giving life to Hollywood and creating other film legends, the example everyone will undoubtedly remember is Corman’s relationship with James Cameron. Cameron got his start as a miniatures artist while working on two films for Corman in particularBattle Beyond the Starsand the much more well-known Galaxy of Terror.

Galaxy of Terror is often referred to as a rip-off of Alien, mainly for its body horror and some insectoid alien motifs its got going on. But what it actually ends up being is a weird, heady, high-concept space fantasy of death that tortures its cast of characters more brutally than a xenomorph could. It’s also got some strange, nasty creature effectsand an even stranger ending. While it certainly started as an attempt to seize the popularity of Ridley Scott’s seminal sci-fi horror, Galaxy of Terror evolved into an indescribable touchstone in Corman’s filmography.

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CHOPPING MALL (1986)

Another film that has Dick Miller, albeit this time in a smaller role, Chopping Mall was produced by Roger’s wife, Julie Corman. Still, his spirit is very much in this one with all the camp it has to offer. The premise? An enterprising mall tries to move into the 21st century early and employs a series of cutting-edge security robots to keep it clear. They, of course, promptly short-circuit during a thunderstorm and begin to murder teenage stragglers who stayed in the mall after hours. 

B-movie juggernaut Jim Wynorski directed this one and actually got his start as a publicist for Corman before moving up in the film world of the 1980s and 90s. Wynorski once said that Corman “taught [him] all the lessons on how to make a film and how to make it look expensive when you don’t have a lot of money”, which is as good a praise as any filmmaker can get.

SLUMBER PARTY MASSACRE II (1987)

When Deborah Brock approached Roger Corman with a proposal for a Slumber Party Massacre follow-up, he recognized the need to get a sequel off the ground after the first film’s success. What he financed was a fun rock-and-roll slasher film and a cult classic that’s easy to fall in love with. 

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This time around, the dead killer from part 1 has reincarnated into a greaser ghost with a giant drill guitar, prone to giving his victim’s hallucinations. Some crazy visuals like being attacked by a raw undead chicken, the world’s nastiest pimple effect, and the movie pausing to do an honest-to-God, full-on music video starring the killer are only a few of the delightful samplings the film has to share. It’s an off-kilter slasher that demands to be seen, and one of those ventures that had his distinct brand of equal parts sleaze and spirit ingrained in it.  

THE RAVEN (1963)

Among Corman’s many horror endeavors, his Edgar Allan Poe adaptations with American International Pictures left some of the biggest impacts. Among them, The Raven holds a special place in my heart. Corman “extrapolates” Poe’s poem to tell a story about dueling wizards in a gothic castle, complete with dinky rotoscoped spell effects and hilarious dialogue. It also has ace performances from Boris Karloff and Peter Lorre, the latter being a mainstay of the producer’s films. 

The Raven also stands as a testament to Corman’s uncanny ability to “thin the paint” as he phrased it, spreading resources between movies; it was one of three films that were all shot on the same set, and all within the same month according to Jack Nicholson, alongside The Terror and The Haunted Palace.

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MASQUE OF THE RED DEATH (1964)

That being said, there is only one choice for his ACTUAL best Poe adaptation, and for that matter what I would qualify is his best film on a technical level. Masque of the Red Death is undoubtedly the most visually striking film he’s ever directed. It’s a colorful, evocative piece that perfectly captures the nature of the original short story it’s based on, in which a mysterious guest terrorizes medieval nobles trying to weather a plague as peasants suffer outside the castle walls. 

Unfortunately for the lecherous Prince Prospero, death comes for everyone, and Corman makes it look incredible (especially when he’s terrorizing Hazel Court as the villainous Juliana). All of the cinematography here comes together to make the perfect storm of gothic atmosphere you need to pull off this story: the lighting, the costuming, and the set design, in particular, are off the charts, and that’s all capped off by the performance of a prime Vincent Price. Keep an eye out for repertory screenings of the film as we move into late May and June, because theatres ought to be playing Masque to pay homage. It’s wholly worth the price of admission, even 60 years after the fact.  

*** 

Rest in peace, Roger Corman. Thanks for making the world a more campy, more silly, more fun, and when you really wanted to, more beautiful place. You will be missed, by friends and fans the world across. And, as always, happy watching horror fans.

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Luis Pomales-Diaz is a freelance writer and lover of fantasy, sci-fi, and of course, horror. When he isn't working on a new article or short story, he can usually be found watching schlocky movies and forgotten television shows.

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The Conjuring Movies, Ranked

The theme for this month here at Horror Press is “Based on a True Story,” and in my eyes, no franchise better encapsulates the core tenet of that corner of the horror genre than The Conjuring Universe. Let me be very clear: the tenet in question is “This is based on abject lies made by charlatans, but someone wrote a book about it, so it counts,” but nothing wields that approach with quite as much gusto as James Wan’s 2013 movie The Conjuring and the nine-film franchise it spawned. Eight-film franchise, if you don’t count The Curse of La Llorona. But Annabelle is in it, and the guy who directed it somehow conned his way into helming two of the three proper Conjuring movies that followed, meaning he has directed more of these things than James Wan himself.

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The theme for this month here at Horror Press is “Based on a True Story,” and in my eyes, no franchise better encapsulates the core tenet of that corner of the horror genre than The Conjuring Universe. Let me be very clear: the tenet in question is “This is based on abject lies made by charlatans, but someone wrote a book about it, so it counts,” but nothing wields that approach with quite as much gusto as James Wan’s 2013 movie The Conjuring and the nine-film franchise it spawned. Eight-film franchise, if you don’t count The Curse of La Llorona. But Annabelle is in it, and the guy who directed it somehow conned his way into helming two of the three proper Conjuring movies that followed, meaning he has directed more of these things than James Wan himself, so I say it counts, dammit.

Anyway, did I mention we’re ranking these movies? Grab your crucifix and make sure those shadowy corners behind you are cleared of demonic nuns, and then we’ll be ready to rock.

The Entire Conjuring Franchise Ranked

#9 The Conjuring: The Devil Made Me Do It (2021)

This is the first Conjuring without James Wan in the director’s chair, and you can feel it. The precarious balance of a love story about aging with a Catholic mysticism-inflected legal drama requires his deft touch, and it doesn’t get it, leaving this movie as something of an illegible mess.

#8 The Nun II (2023)

Speaking of illegible messes… Michael Chaves’ follow-up to The Conjuring: The Devil Made Me Do It (Why did they hand him the keys to the entire franchise, spinoffs and all? Who knows. I’d love to read the tell-all.) is The Nun II. This flavorless slog is only saved from being at the bottom of the list by a deliciously unhinged moment in the finale (Spoiler alert: The real hero of the movie is transubstantiation).

#7 The Curse of La Llorona (2019)

The Curse of La Llorona is the first of its kind. A big-budget Hollywood movie had never been made about La Llorona before. And frankly, it still hasn’t, because this movie makes a hash of her legend. Since when is she like… repelled by the tree that was nearby when she drowned her kids or whatever? What could have been a righteous force of angry dissent against patriarchy and colonization is converted into another boring haunted house jack-in-the-box ghostie. Linda Cardellini is great at screaming, though, somebody get her some Throat Coat, stat.

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#6 Annabelle (2014)

The soft spot I have for the supremely dopey Annabelle was only enough to get it placed at No. 6. It’s still just not a very good movie, y’all, and it wastes Alfre Woodard, which is high treason as far as I’m concerned. However, the broad field of references from which it is exuberantly pulling (the Manson Family, Rosemary’s Baby, Mario Bava’s Shock, the list goes on and on) keeps you on your toes as it spins its daffy tale of parenting and terror.

#5 The Nun (2018)

The Nun is absolutely choked with gloomy atmosphere, but it’s just a random assortment of fright gags tossed everywhere. And unfortunately, none of them match the raw, unnerving power of the titular entity’s debut appearance in The Conjuring 2.

#4 Annabelle: Creation (2017)

It could maybe cool it on how many different manifestations the demon has, and it’s a bit over-reliant on CGI. However, director David F. Sandberg has pulled off the impossible, dragging this trashy subfranchise kicking and screaming toward the gliding, eerie aesthetic of the salad days of the flagship Conjuring movies.

#3 Annabelle Comes Home (2019)

Annabelle: Creation seems to enjoy the best reputation of the subfranchise, probably because people hated Annabelle so much that it felt like a breath of fresh air. But Annabelle Comes Home is full to bursting with sleepover movie energy. It’s probably the least “scary” Conjuring movie, but the sheer funhouse glee with which it throws every possible creepy crawly and ghoulie ghosty your way is hard to deny.

#2 The Conjuring 2 (2016)

James Wan sure as hell knows how to repackage some of the hoariest tropes in horror cinema history and make them fresh and exhilarating by combining his ever-so-patient creeping dread with a handful of gnarly jolts. The screenplay of this one is kind of a shambles, and the movie is way too proud of its blunt-force foreshadowing. Still, it looks gorgeous, and any film with that creepy-ass scene where the little girl’s silhouette slowly morphs into the ghost of an old man in the background of one long, sustained shot simply can’t be all bad, or even mostly bad.

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#1 The Conjuring (2013)

Remember what I said about James Wan and his tropes? There is absolutely nothing in The Conjuring that is new. It is The Amityville Horror with The Exorcist crudely grafted onto the back third of it. But by pouring every ounce of creative energy he has into some stellar scares and by hiring a cast that is more than capable of bringing the unusually well-shaded characters – yes, Ed and Lorraine Warren, but the Perron family as well – he is able to elevate what could have been pretty bland material in anybody else’s hands.

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A Horror Movie Streaming Guide for Those Looking for More Ed Gein in Their Life

Ed Gein was known for exhuming bodies to take parts as keepsakes. He used some of the pieces to fashion clothing, furniture, etc. As with most serial killers, Gein also had an unusual relationship with his parents, specifically his mother. So, obviously, there is a lot to mine here when creating unsettling characters. This explains why many writers return to this personality to give actors unsettling moments even in the most unassuming movies. Looking specifically at Con Air’s Garland Greene (played by Steve Buscemi). This is wild because Buscemi starred in Ed and His Dead Mother as a guy named Ed with a bizarre relationship with his dead mom. The irony of a nice guy like Buscemi getting two attempts at characters based on the same serial killer is not lost on me. However, I digress. I am here today with four horror movies we saw way too young to connect to Gein’s horrendous legacy. Once you know these villains were inspired by a real and disturbing person, it makes you look at them very differently.

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Hollywood’s ongoing fascination with serial killers is one of the few things we can count on as a society. With America’s interest in these monsters resulting in high demand for true crime content, it is easy to see why the subgenre remains bankable. While we see countless films about these infamous murders, I find the fictional characters inspired by them more interesting. This is why when I discovered that Ed Gein was the blueprint for some of our favorite killers, it made them even more disturbing. Gein, also known as the Butcher of Plainfield or the Plainfield Ghoul, is in the DNA of many characters most of us grew up watching. 

Ed Gein was known for exhuming bodies to take parts as keepsakes. He used some of the pieces to fashion clothing, furniture, etc. As with most serial killers, Gein also had an unusual relationship with his parents, specifically his mother. So, obviously, there is a lot to mine here when creating unsettling characters. This explains why many writers return to this personality to give actors unsettling moments even in the most unassuming movies. Looking specifically at Con Air’s Garland Greene (played by Steve Buscemi). This is wild because Buscemi starred in Ed and His Dead Mother as a guy named Ed with a bizarre relationship with his dead mom. The irony of a nice guy like Buscemi getting two attempts at characters based on the same serial killer is not lost on me. However, I digress. I am here today with four horror movies we saw way too young to connect to Gein’s horrendous legacy. Once you know these villains were inspired by a real and disturbing person, it makes you look at them very differently.

The Best Movies Directly Inspired By Ed Gein

Psycho

Where You Can Watch: Netflix

A secretary steals a bag of cash from her job and hits the road. However, she unfortunately checks into the Bates Motel, where Norman Bates and his mysterious mother may pose a threat. Finding out Anthony Perkins’ character is based on Ed Gein changed my brain chemistry. This might be why Gein is one of the serial killers I actually did a little bit of research on. I figured the novel by Robert Bloch that the movie is based on was just super creative until I was a teen who realized Norma and Norman were based on Gein and his belief that he could rebuild his mother from various body parts he stole. He also planned to wear his “mom” suit in the moonlight. 

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Deranged 

Where You Can Watch: Tubi

A rural farmer turns to grave robbing and murder after the death of his mother, whose corpse he keeps as a companion. The plot is loosely based on the crimes of Ed Gein and even exclaims it is inspired by true events and has only changed the names and locations. This marries parts of Psycho and The Texas Chain Saw Massacre with almost Coen brother humor. The late Roberts Blossom plays Ezra Cobb, our killer. He skins victims to make masks and also pulls other bodies to hang out with his dead mother. Jeff Gillen and Alan Ormsby directed this 1974 nod at Gein and does not get the same respect as the other films on the list.

The Texas Chain Saw Massacre (1974)

Where You Can Watch: Peacock, Plex, Pluto TV, Prime Video, The Roku Channel, and Tubi

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Five friends road tripping through rural Texas stumble across a seemingly deserted house holding a huge secret. While Leatherface’s chainsaw and hometown are changes to the story, his love of wearing other people’s faces is very similar to Gein’s. Ed Gein is not the only serial killer this movie is under the influence of, but he is the one that stands out the most. After all, he also keeps his mother’s corpse on hand, so it is hard not to think of Ed. While this beloved title does take its fair share of liberties with the source material, it is clear that Tobe Hooper and Kim Henkel’s creation has many similarities to Gein. Which might explain why it still gets under our skin today.

The Silence of the Lambs

Where You Can Watch: Pluto TV, The Roku Channel, and Tubi

A young F.B.I. cadet works with an incarcerated cannibal to catch another serial killer who skins his victims. A lot can be said about the character of Buffalo Bill (played by Ted Levine). However, one thing we should all be able to agree on is that he is another character wearing the skin and hair of his victims. As a kid, most of us were not aware a real person inspired the serial killer they were hunting. As an adult armed with that knowledge, the film is even more chilling. The Silence of the Lambs is also one of the few horror movies to win statues at The Academy Awards

While plenty of movies nod at Ed Gein’s unusual crimes, these four titles are some of the most interesting to do so. If you have already seen these, there is no shortage of media dedicated to this midwestern body snatcher. However, many of those titles are more direct in their approaches. That is not my cup of tea, but perhaps it is perfect for people who are fans of true crime. 

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