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Revisiting the Incomprehensible Silent Night, Deadly Night Series: Which Is the Best, Which Is the Worst, and Are Any of Them Actually Good?

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It’s beginning to look a lot like Christmas!

Which means we need to bust out some relevant Christmas horror films to watch here. And it also means there will be many listicles that put Silent Night, Deadly Night Part 2 at the top of their rankings for Christmas horror films by default. But it got me thinking that maybe we need a bit more of a meditation on this series.

Have we really written them all off so quickly because one of them is the most meme-able? I like the first few films in the series as much as the next guy, but The Ricky Chapman Trilogy that kicks us off doesn’t go beyond the pale the way everything after does. 4 & 5 are Apocrypha to the Ricky Bible, but they introduce many weird, out-there concepts that make them enjoyable bad movies.

So today, I’ve taken the liberty of hitching up the man-eating reindeer to the sleigh to take a retrospective ride through the Silent Night, Deadly Night franchise and find out…well, you read the title, you can do the math. Starting with…

SILENT NIGHT, DEADLY NIGHT

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The one that started it all and got a bunch of people in hot water. It’s funny to think that outrage culture has pretty steadily assaulted our eyes and ears with the dumbest of controversies since time immemorial. Still, it’s even funnier knowing this movie contributed to that outrage. But beyond the controversy, this film is actually…kind of good?

It’s the best shot of all the movies, so big props to Scream Factory for remastering it and restoring it to its fullest. It’s only a little meanspirited, which is good since it doesn’t get too heavy for its absurd concept. On top of that, the kills in the movie are exceptionally creative (antler impalings, Christmas light hangings, and sled decapitations, oh my!). My only problem is that Billy Chapman is no Ricky, he’s more serious and isn’t as much of a goofball.

I would say this ranked high up when I first started my rewatch but may go closer to the bottom of the list. Not for any technical fault of its own—just because it gets much funnier from here in…

SILENT NIGHT, DEADLY NIGHT, PART 2

Do I even have to say the line to know it’s the first thing that went through your head as you read the title? GARBAGE DAY!

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Let anybody who told you Art the Clown is the best slasher villain to use a gun see this and watch them change their tune. Watching this is only enriched by not having seen the first movie, which makes it one of those sequels that is better than the first in the worst way possible. If you were unfortunate enough to watch both the first and second films in one sitting, like myself, you’d know that roughly half of the movie is flashbacks to Billy’s rampage. But that doesn’t stop it from being entertaining as all hell.

Ricky Chapman is an all-time great slasher villain and delivers some kills almost as good as the original. Eric Freeman may just be the best-worst actor of all time, which makes this movie one of the best-worst films of all time by proxy. Which makes the following film feel like a fall from grace, given its…

SILENT NIGHT, DEADLY NIGHT 3: BETTER WATCH OUT!

A.K.A. “The one with Bill Moseley in it,” because that’s the most remarkable thing about it. He’s not even a killer Santa in this one, but I guess mixing the motifs of “killer with exposed brain pan” and “Santa Claus with murder tools” might muddy the aesthetic waters. The final entry for our boy Ricky is kind of a sad whimper to go out on because this movie’s pacing is painfully slow.

It squanders a very fun concept (psychic girl is hunted by an evil Santa Claus she keeps having visions of) in favor of watching a lobotomized Ricky taking a road trip to his murder victim and killing people off-camera on the way. Worse, it squanders Bill Moseley, who doesn’t get to act outside of lumbering with a slack jaw. It’s the cinematic equivalent of dragging your sled up the hill again: tedious, no momentum, and no fun as you wait for the next weird ass thrill ride in the franchise.

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SILENT NIGHT, DEADLY NIGHT 4: THE INITIATION

And the next weird ass thrill ride in the franchise is here! Why should this even qualify when it looks and feels like Springtime in Los Angeles, and people had just forgotten to take down their Christmas decorations for months? Well, three reasons:

  1. Spontaneous combustions caused by witches.
  2. Monstrously massive bugs everywhere, designed by Screaming Mad George.
  3. Clint Howard as the resident crazy homeless guy who walks in and out of the movie.

While Ricky may be gone and its status as a Christmas movie is dubious, it’s a trip of a film with one particularly hellish sequence involving a lot of slime-covered giant insects. Some complain about its ham-fisted thematic notes of gender inequality, sex, and exploitation…but are you actually going into Silent Night, Deadly Night 4 expecting strong themes? Just enjoy this one for what it is, which is a lot of classic ick-inducing Brian Yuzna filmmaking. If you liked the weird, psychosexual nightmare that was Society, you’ll like this.

SILENT NIGHT, DEADLY NIGHT 5: THE TOYMAKER

I was going to do another A.K.A. joke here, but I realized that the twist of this movie is so weird that it outclasses even The Initiation and needs to be seen to be believed. Rewatching this, I had forgotten exactly what the deal was with our mystery killer in the film and was mouth agape when the movie jogged my memory.

The Toymaker gives some very gruesome deaths and puts the Yuletide feeling of the film at center stage with a plot about murderous toys (not Demonic Toys, we swear, please don’t sue us Charles Band!). In fact, I would argue that since the effects in this movie and the violent kills don’t feel like a rehash of Society, it’s actually a major improvement on what 4 had going on. While four is slower-paced as it tells a (somewhat) more tempered story, five is aware of how goofy the plot is, with faster and funnier editing and some truly hilariously bad performances.

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SILENT NIGHT (2012)

The final entry in the series is as plain jane of a slasher as they come but does manage to get the holiday aesthetics down pat, so even though it isn’t as wacky as the others, I’m including it in the ranking.

This film isn’t the one that reinvents the wheel or brings any fire to mankind (outside of the literal flamethrower murders depicted in it), but it is a very solid slasher. It has a cast of fun character actors, particularly Donal Logue and Malcolm McDowell, with our lead Jaime King as a no-nonsense detective hunting down our slasher. I just wish it was as madcap and off the walls as some of its predecessors were.

FINAL RANKINGS

Which is the best, which is the worst, and are there any good films in this series?

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I would argue that all of them (except for 3) are great horror flicks in their own rights, since not a single one of them (except for 3) is boring (3 is getting the worst spot, sorry if I’m being redundant, but it sucks).

If I had to choose a best one, it would probably be our 5th spot on the list as The Toymaker is a diamond in the horror rough that, while lacking the bad acting of Part 2, has a genuinely insane script and all the best special effects of the series. So, from best to worst:

  1. Silent Night, Deadly Night 5: The Toy Maker
  2. Silent Night, Deadly Night Part 2
  3. Silent Night, Deadly Night
  4. Silent Night, Deadly Night 4: Initiation
  5. Silent Night (2012)
  6. Silent Night, Deadly Night 3: Better Watch Out!

When you’ve got those cookies baking in the oven, the house smelling of pine tree, and the lights twinkling, let this list from nice to naughty help you make the right decisions on which campy horror movies to watch this holiday season.

From all of us here at Horror Press, Happy Holidays, and a Happy New Year everyone!

Luis Pomales-Diaz is a freelance writer and lover of fantasy, sci-fi, and of course, horror. When he isn't working on a new article or short story, he can usually be found watching schlocky movies and forgotten television shows.

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HELLO DOLLY!: Ranking All the Dolls in the Chucky Franchise

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And hello to all you horror heads as well!

I’m still bounding with energy from that wicked Chucky Season 2 finale (recap here), I need somewhere to put it. We’ll be waiting a hot minute until Don Mancini brings out the next gem in the series. With my brain hollowed out and replaced with killer doll knowledge, why don’t we occupy ourselves with some rankings?

I’ve taken it upon myself to rank every iteration of the dolls in the Chucky series, for better or worse, on a set of highly scientific and measured criteria that make me objectively right.

This is for sure not just opinion and speculation.

…Probably.

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And one more thing. Childs Play (2019) Chucky is not any Chucky we recognize in this house. Lars Klevberg and Orion Pictures shouldn’t have shown that to me, but they did, and I’m not going to show that to you. It’s terrible. The one and only disqualification. Disqualified.

Would-Be Chucky Army (Chucky Seasons 1 & 2)

A moment of silence for the many copy-pasted dolls that lost their life to Andy Barclay’s self-sacrificing truck crash, and the ones lost to The Colonel’s interior decorating aspirations.

Bloated Chucky (Curse of Chucky)

I wish there were more to say, but outside of the introduction of Nica, this movie and this design committed the greatest sin of all: being boring. This version of Chucky is just very puffy, like allergic reaction mid hangover kind of puffy. I know he’s supposed to be…fleshy & intimidating, I guess? But it’s just not doing it for me. That’s basically it.

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Belle Doll Disguise Chucky (Chucky Season 2)

This one shouldn’t even be on the list since he only had about 10 seconds of actual screen time, but I’ll let it slide because it was a pretty hilarious reveal.

Chucky Trio (Cult of Chucky)

Don’t let their placement fool you, I love these and all the other dolls above them. But it’s cutthroat here on the listicle circuit.

It’s such a fun departure for the series to let Brad Douriff go nuts in a recording booth and do a one-man play between three separate Chuckys who are coordinating to possess his estranged daughter like it’s the weirdest soap opera ever put to film. The movie is a head trip, and just when you think it’s winding down into a predictable lull by the third act, the Chucky throuple reminds you that Don Mancini is no hack. The power of three, in combination with their distinct styles, weapons, gruesome kills, and drastic improvements on the Curse doll makes them stand out above the rest.

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TIE: Buff Chucky & The Colonel (Chucky Season 2)

Chucky is at his best comedically when he’s taking himself seriously, but the script isn’t. And with the floodgates opened by the war of the dolls in Season 2 of Chucky, we got two new Chucky variants that are ridiculous, and infinitely more entertaining than they should be.

If you had told me back in Season 1 that we would get a Chucky who is doing anabolics and squatting 300 on the rack every day, I would have laughed in your face; I would have laughed harder if you told me that he would freak me out. And what can be said of The Colonel? It’s Kurtz from Apocalypse Now, and just like Kurtz, he grows creepier the longer you look at exactly where he’s standing and how he got there.

GG (Seed of Chucky, Chucky Season 2)

Oh, GG. What a sweet genderfluid monarch you are, too good for your own good. While Lachlan Watson’s performance as both halves of the spiritually entwined twins Glen and Glenda was one of the best parts of Season 2, this is a battle of the dolls.

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Formerly stylized by fans as Glen/da, now going by the more neutral GG, this doll has a unique design reflecting the evolution of the nonbinary character and their identity struggle. I like that some elements of both parents got carried over to their child, and who can forget Billy Boyd’s iconic voice performance? Still, their screen time is relatively low compared to most other dolls, and we don’t see them in much action. They’re more about the talking than the killing and stalking, you know?

Grandaddy Chucky (Child’s Play)

Before you start flaming me on Twitter in front of everyone, take a moment to calm down and remember how good this movie is. This ranking can’t take that away! It’s a low spot, I know, but I still think he looks fantastic!

Honestly, he would go to the number one spot if his facial animatronics were as good as they were in any of the other films, but right now, he gets to stay where he is for 1. his icon status, and 2. his sheer durability. My god, does this doll get jacked up. Burned, shot, stabbed, exploded, decapitated, I seriously don’t think he reaches this level of superhuman (superdoll?) durability in any of the other movies. Who would have thought this was the true power of Voodoo for Dummies?

 Tiffany (Bride of Chucky, Seed of Chucky, Chucky Seasons 1 & 2)

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Okay, my Jennifer Tilly bias is showing here. Look, what can I say? I’m a man of simple tastes, I see a Tilly, I love a Tilly, and the design team making Tiff embody all the energy and character of her actress aesthetically makes me love this tiny plastic Tilly!

She might be David Kirschner and Kevin Yagher’s magnum opus in character design just for how strong her contrast is against the newer, grungier Scarface Chucky introduced in the same film. The Belle doll-turned-Blondie fan communicates all of Tiffany’s melodrama and loudness perfectly. It’s a bold but perfect partner in crime design, and with her perennial iconic style, we must stan.

“This Is the Best of The Movies” Chucky (Child’s Play 2)

Honestly, I find it so hard to pick between this design and 3’s. On the one hand, Child’s Play 2 Chucky is menacing and was the first truly upgraded Chucky, giving his motion and facial expressions a lot more credence in a film that is frankly better in all measures. Every doll owes its evolution to this one’s leap in advancement.

The doll and its kills outshine the original and do exactly what you want from a sequel. Getting a cue from Puppet Master’s Blade with that knife prosthetic in the factory finale and just becoming increasingly menacing over the runtime, he also shades his particular brand of evil with the barest hint of that humor and some very funny dry one-liners (“How’s it hanging Phil?”). He is a cut above most Chuckys.

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 Extra Chunky Salsa Death Chucky (Child’s Play 3)

But this Chucky? This Chucky was the blueprint for the silliness that would eventually become a hallmark of this series, and all the variants we would eventually see.

This was when Chucky entered his quip era and cemented himself as a goofy ass villain. His scheming and cartoony expressions in this movie make him such a lovable goober. He’s not that scary, but he is on the same level as 2 when it comes to physicality. For me, he has the goofiest and most satisfying death of any doll in the series with that face slice into industrial fan combo. This version of Chucky being so great makes up for 3 being one of the weakest entries in the series and carries the entire film on its back.

Scarface Chucky (Bride of Chucky, Seed of Chucky)

Rude f**king doll indeed. Bride of Chucky is far from a perfect film, but it has a perfect Chucky in my eyes. Does it have that late 90s edge that dates it like the rest of that movie? Yes! Does it look like Tiffany gave up on the sutures halfway through? Also, yes! Is it also the most enduring and recognizable Chucky design, not just to horror fans but pretty much everyone on earth, even when he’s been reduced to 3/4ths of a head? A million times yes!

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It’s so textured and battle-damaged, which is appropriate since it keeps things fresh for the fourth entry in the series. Also, I would have paid triple the price of admission to see another movie about Andy carrying around Chucky’s decapitated, messed-up talking head.

Hackensack Chucky, AKA, Good Chucky, AKA, Prime Chucky (Chucky Season 1 & 2)

He’s the worst…but also the best.

Spanning several functionally identical plain jane bodies, this most joyously evil era of Chucky doesn’t have any aesthetic modifications like the counterparts at the #2, #7, and #9 rankings (beyond improvements in animatronics and seamless integration). But over 16 episodes, these dolls still showed you exactly how evil a plain old Chucky can be.

Though awful in Season 1, this era’s most notable lowest low is during his stint as “Good Chucky” in Season 2. The Hackensack Gang and a good chunk of the audience were duped into thinking that the kid’s attempts at brainwashing Charles Lee Ray had worked; for our naivete, we were awarded one of the most harrowing character deaths in the entire franchise.

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Pouncing back on Jakes insecurities tenfold, attacking Lexy’s addictive nature, and exploiting Nadine’s goodhearted nature, killing off two fan favorites within a matter of a few episodes, I truly think this was the first time I wouldn’t say I liked a version of Chucky after everything. This is why Prime Chucky’s fate felt so much more satisfying, being rewarded for his duplicity by taking his own holly jolly chainsaw to the face, courtesy of Lexy. What a Christmas present!

AFTER DOLL IS SAID AND DONE…

Disagree with any of the rankings? We’d love to hear from you on Twitter, so hit us up there and stay tuned for more articles, more Chucky mayhem to come and more Horror Press.

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Slappy Was the Blueprint: How the Dummy from Goosebumps Became A Horror Icon

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The Scholastic Book Fair was a religious holiday for me growing up. It was the moment middle schoolers felt like they had real agency to make their own decisions with money, and the only time it was actually cool to want to read (the coolest of the cool kids only bought erasers and stickers to trade among each other). Entering the loud gym where the sale was housed always felt like a rush—and when it was finally your turn, you felt like royalty. 

Colorful chapter books lined the metal bookshelves like a candy store, and I had five dollars in my tiny pockets to burn. There was so much to choose from in the early 2000s—A Series of Unfortunate Events was a smash hit, Bunnicula was the underground niche pick, and you could never go wrong with the creepy Animorphs series. But for me, the second I saw the oozing font and dead-eyed dummy staring back at me on the cover, I knew I had to have Night of the Living Dummy topping the massive Goosebumps display. I handed the nice cashier five dollars (who also asked, “Are you sure?” when she noticed my selection), took a sparkly bookmark on my way out, and proudly ventured home. I was on top of the world, only to be quickly dragged down once I began reading about the doll’s evil antics later that night. Slappy would haunt my nightmares for weeks—to the point where I hid the book in my basement and locked the door behind me.

One of the quintessential faces of the Goosebumps series, Slappy the Dummy first debuted in 1993 and immediately skyrocketed to fame. R. L. Stine would write nine different Goosebumps books centering the character and created an entirely separate Slappy series called Goosebumps SlappyWorld. Slappy was the main antagonist of the 2015 live-action movie starring Jack Black as well as its 2018 sequel, got made into actual ventriloquist dolls (perfect to add to your Chucky, Tiffany, and Annabelle collections), and became a Young Adult horror icon.

Like the killer dolls listed above, Slappy would come alive in a very similar way. If one mutters the phrase Karru Marri Odonna Loma Molonu Karrano, which translates to you and I are one now, it’s all over. Slappy will then do everything in his power to make you his servant, framing you for his crimes and pushing you away from the people you love and care about. Sound familiar? 

But Stine’s influences for the undead dummy are somewhat surprising. You’d think the main one was Chucky, arguably the most famous killer doll first appearing in 1988, but Stine hasn’t cited the little menace. 

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The main inspirations for Slappy were the 1883 classic book The Adventures of Pinocchio and the 1978 psychological horror film Magic starring Anthony Hopkins. (In the Goosebumps TV series, Slappy would even don a voice that sounds the same as Fats, the dummy from Magic originally voiced by Hopkins. And as a Buffy the Vampire Slayer mega-fan, I’d be remiss if I didn’t mention Sid, the cursed puppet who looks eerily similar to Slappy, from season one.) There’s a callback to Chucky’s famous “Wanny play?” catchphrase in the Goosebumps TV show, which feels more like an easter egg than an influence. Regardless of where the idea for Slappy came from, Stine successfully created a horror figure for kids that would allow them to explore further into the horror genre—I would know, I was one of them. If it weren’t for Slappy or the Goosebumps franchise, would I have been comfortable seeking out more mature, intense horror flicks to discover Ghostface, Michael, or Freddy? Probably not—we all had to start somewhere.

We don’t all decide to turn on the TV and begin with Puppet Master, Child’s Play, or Dead Silence. Some of us start small and end up locking our books in the cold, dusty basement out of extreme fear (and throw their American Girl doll down there for good measure. Their eyes literally open and close). We build resilience like we do anything else—muscle, relationships, knowledge. And sometimes it takes a well-dressed dapper dummy to illustrate that.

The next book fair came around, and I ignored the Goosebumps table during my initial walkthrough. My eyes kept darting to the green and purple setup, too curious to look away. Was Slappy’s second book there? Did I actually want to know what was going to happen to him next?

I reluctantly walked over and picked up Night of the Living Dummy II. The cover was somehow scarier than the first, deceivingly pink with Slappy’s same dead eyes. I smiled, handed the same nice cashier my five-dollar bill feeling overly victorious, and rushed home to do my math homework so I could hide under the covers and finish Slappy’s latest adventure all in one night.

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