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[REVIEW] ‘Mandy’ Was A Career-Defining Film for Nicholas Cage

Mandy follows Red Miller (Nicholas Cage) and his girlfriend Mandy Bloom (Andrea Riseborough). They live in a gorgeous isolated mountain house where veteran Red finds himself as a lumberjack while Mandy works at a gas station (and is an artist). Children of the New Dawn leader Jerimiah Sands (Linus Roache) notices Mandy walking one day and decides he must have her. Sands kidnaps Mandy and eventually kills her in front of Red—big mistake. Red goes on a rampage of revenge and leaves no witnesses (well, he does leave one).

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Nicholas Cage has one of the most interesting careers in Hollywood. He starred in films from prominent directors like Francis Ford Coppola, The Coen Brothers, David Lynch, Michael Bay, and John Woo (to name a few). He quickly made BANK in his early career, leading to poor financial decisions. Cage found himself in a heaping load of absolutely awful films in the Aughts and early 10s to get his affairs in order. From odd Christian propaganda films to straight to VOD garbage to those truly awful National Treasure movies, it was clear Cage was in a bind. It wouldn’t be until the tail end of 2017 and beginning of 2018, with Mom and Dad and Mandy, respectively, that the world would be thrust into the much-needed Cage-issance.

What is Mandy About?

Mandy follows Red Miller (Nicholas Cage) and his girlfriend Mandy Bloom (Andrea Riseborough). They live in a gorgeous isolated mountain house where veteran Red finds himself as a lumberjack while Mandy works at a gas station (and is an artist). Children of the New Dawn leader Jerimiah Sands (Linus Roache) notices Mandy walking one day and decides he must have her. Sands kidnaps Mandy and eventually kills her in front of Red—big mistake. Red goes on a rampage of revenge and leaves no witnesses (well, he does leave one).

Panos Cosmatos’ Vision and the Evolution from Beyond the Black Rainbow

Writer/director (and talented nepo baby) Panos Cosmatos is one of the most visually stunning genre filmmakers of the 21st century. Beyond the Black Rainbow was a confusing yet stunningly brilliant debut feature film. Even if it was difficult for most audiences to understand, it was clear he had a specific vision and style. Almost a decade after Rainbow, Cosmatos would come out with his most accessible film to date. Mandy was a more down-to-earth look into the mind of Cosmatos and connected with the horror audience in a way Rainbow failed to. This trippy, metal, operatic masterpiece took the genre by storm.

Mom and Dad was having its wide-release post-festival run the day Mandy premiered at the Sundance Film Festival. Both films bolstered the return of Cage being a brilliant actor. Mandy was toted as a badass return to form for an unhinged Nicholas Cage at the hands of a director who knew how to handle it. One of the funniest bits from Community is when Abed (Danny Pudi) takes the Nicholas Cage Good Or Bad? class. Abed asks whether Nicholas Cage is just good in bad movies and bad in good movies. While that’s a fair question, I think it’s deeper than that. Cage is best when a competent director knows how to handle Cage. And Cosmatos knows how to handle his Cage.

Practical Effects, Hellraiser Influences, and Psychedelic Horror Design

Beyond the brilliant performances, Cosmatos expertly mixes practical and digital effects seamlessly (and even some matte paintings, I believe). One of Mandy’s most visually appealing aspects is the Hellraiser-like creatures that are spawned when the cult members use the Horn of Abraxis. This horn summons a group of BDSM off-roaders who use enough acid to kill a major metropolitan area. Their creature design is absolutely stunning, and each one has their own personality, which is shown through their individual creature design.

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Once the rampaging starts, it doesn’t stop. Red takes out each villain in fun and brutal ways; he accepts no substitutes. The most fun fight scene is when Red and one of the Hellraisers have a chainsaw swordfight. It’s an absolute thrill to watch. But who could forget Richard Brake? Destined to be a hellbilly from birth, Brake is the one who creates the acid for the cult and *checks notes* has a tiger? Okay, go off king. Nothing about this film should work, but it does. From Riseborough’s restrained performance to Roache’s over-the-top, megalomaniac performance, there isn’t a single bad actor among the bunch.

If you somehow HAVEN’T seen Mandy, you need to fix that immediately. It’s a truly unique film that works just as well today as it did in 2018. It’s a shame it takes Cosmatos so long to come out with films because I eat up everything he makes. Sure, Beyond the Black Rainbow is a difficult film to watch, but it’s gorgeous and a hell of a trip. And his segment in Guillermo del Toro’s Cabinet of Curiosities is my favorite among the bunch. If Wikipedia is to be believed, Cosmatos has a film coming out in 2025…let’s hope that’s accurate.

Brendan is an award-winning author and screenwriter rotting away in New Jersey. His hobbies include rain, slugs, and the endless search for The Mothman.

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Madame Morbid Trolley Tour Review: Is It Worth It?

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Most people find that stretching their dollar still barely gets them by in today’s economy. I am very particular about what I spend my spare money on regarding extracurriculars. And no one likes to feel like their money is wasted. Madame Morbid Trolley Tours wasn’t an experience I had been familiar with. Maybe that’s because I’m chronically offline for most of my life. So this leads to the perfect question: in today’s turbulent economy, is Madame Morbid Trolley Tours worth the price? The short answer is unquestionably, yes. But it’s more than just a simple yes.

My wife and I arrived at the designated meeting point 15 minutes before the scheduled departure time. A handful of minutes later, a gorgeous, e-candle-lit trolley pulled up to the side of the road. We were greeted by impeccably on-brand Allison Chase, our tour guide, and trolley driver ‘Mad’ Matt Zaller. The wonderfully cheery duo invited us on the trolley, and the tour was set to begin.

400 Years of Death, Destruction, and Infrastructure

After a welcoming video intro from someone who knows a thing or two about busting ghosts, we set off on the inaugural Madame Morbid Trolley Tour in its ninth year of operation. From the Brooklyn Naval Yard all the way to Dumbo, and more, this tour magnificently chronicles 400 years of history, the good and the bad, expertly. No matter how much you think you may know about Brooklyn history, I can bet there will be something new learned within the first 15 minutes of the tour. From the first-ever plane crash to one of the worst theater fires in history, this tour covers tragedies that the greatest horror writers couldn’t conceive.

The Deadly [Charming] Docent

Allison Chase led the fascinating tour in character from the moment we stepped on the trolley until our departure. But Allison’s character was not forced or fake; you could feel Allison’s passion for not just morbid history, but the accuracy of it. Some of the stories we heard were steeped in historical context, and it was not boring for a single second. The Madame Morbid Trolley Tour is not your standard full-talking tour. It’s a mixed-media adventure of some of Brooklyn’s darkest moments.

During “downtime” (the times between locations), we were edutained by mini documentaries (that were quite funny). Some of the “downtime” was filled with traffic trivia (I won a needle pen!). And other times were show-and-tell-like, with objects passed around for us to examine. But there was never a moment of silence that wasn’t purposeful. All in all, Allison’s knowledge and passion shone like the luminosity of a full moon.

Is Madame Morbid Trolley Tours Worth It?

The Madame Morbid Trolley Tour was not just a fun night out for my wife and me, but it was a delightfully dark night of edutainment. It should also be noted that ‘Mad’ Matt’s driving skills were fantastic. There was a time when I had become enamored with how Matt handled the narrow streets of Brooklyn before realizing that I needed to refocus my attention on Allison. The Madame Morbid Trolley Tour is an exceptionally fun evening of horror and history that will make you think twice next time you walk down the streets of Brooklyn. It is worth the money, and then some. There’s no better activity for a cold, dark October night than the Madame Morbid Trolley Tour.

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For more information on Madame Morbid Trolley Tours, and to get your tickets, click here!

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‘Cujo’ (1983): A First-Time-Watch Review

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Bee Wallace in Cujo

I don’t know what’s wrong with me. I should have watched the Stephen King adaptation Cujo a million years ago. First of all, I was a voracious King reader in middle school. The other thing I was obsessed with during those years was Friends. You know, the show that hinges a major episode’s subplot on Rachel (Jennifer Aniston) watching Cujo for the first time. Whatever the reason was, I never got around to it, but I’m rectifying that oversight now.

What is Cujo About?

Cujo tells a relatively simple story. Donna Trenton’s (Dee Wallace) a housewife who’s cheating on her husband Vic (Daniel Hugh-Kelly) with local handyman Steve (Christopher Stone). There’s no accounting for taste, because Vic is 10 times hotter and Steve doesn’t own a bed frame. Look, Donna. I know Vic has that awful David Hasselhoff hair, but I promise the 1980s will end sooner or later. It’ll be OK.

Donna’s attempted termination of this affair ultimately leads to its discovery. Amid this drama, her car breaks down at a mechanic’s isolated farmhouse, trapping her and her son, Tad (Danny Pintauro). You see, the mechanic’s dog, Cujo, freshly christened with rabies, is patrolling the area and attacking everything in sight.

Dee Wallace Is Cujo’s Not-So-Secret Weapon

It would be impossible to start a worthwhile review of Cujo without praising Dee Wallace. The woman is a genre icon, naturally. Think about this: She had only appeared in seven theatrical movies before starring in Cujo. Four of those movies are The Stepford Wives, The Hills Have Eyes, E.T., and The Howling. But this woman didn’t become an icon simply by accidentally stumbling into some iconic titles. She is simply terrific as Donna, using her darting eyes and taut expression to deliver oodles of subtext. You instantly get the sense of how trapped she feels by marriage and motherhood without her uttering a single word.

A good performance is vital, here. Because there’s a hell of a lot of drama to get through before she’s trapped in that damn car. But Wallace instantly shoves you into Donna’s perspective, whether you like it or not. This makes it all the more potent when she is menaced by Cujo. Her desperate attempts for survival, also impeccably performed, have true weight because she seems like a real person. She is also given an incredible scene partner in Danny Pintauro. The future Who’s the Boss? star, who was only six when shooting Cujo, has a perfect everychild quality. His innocence heightens the peril. But so does that fact that he is just as irritating as every six-year-old you’ve ever met.

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This movie truly captures how annoying it must be to be stuck in a life-and-death situation with a child. This is a compliment, I swear! Donna is worn down by every aspect of the situation, including her own son’s inability to cope with it. And this ratchets up the tension even further, to an almost unbearable degree.

Cujo Is a Mixed Bag, But Worthwhile Overall

The movie doesn’t work if Cujo himself doesn’t work, and at first I was real worried that he wouldn’t. In the first half, the St. Bernards that play Cujo onscreen are often shown to be wagging their tails in delight. Which kind of undercuts the reality of the situation, I’d say. But the editing and the special effects step in to fix what animal training couldn’t. The attack scenes in the second half are constructed with quick cuts that never let you get too much purchase. It’s a good approach for keeping viewers off-kilter.

Also, Cujo becomes less and less recognizable as a cuddly canine the further the movie gets. It’s a simple trick, really. He ends up getting coated with more and more slime. Saliva, pus, blood, and what have you. This is good for making him feel like a true movie monster. Plus, it’s a good mirror for the sliminess inside the car as it gets covered in sweat, blood, and grime.

The second half of the movie ultimately works like gangbusters. It’s a shame that Cujo is too cowardly to get Donna and Tad in the car before the halfway point. This decision is somewhat faithful to the book’s structure as I remember it. However, it diminishes the weight of the long days that they spend in the car. We really need to feel that crushing stretch of time, and we don’t. When Tad is suffering from dehydration, it’s not a gut punch. Honestly, I just found myself asking, “Already?” It’s good that they gave the movie a happier ending, because the classic grimdark Stephen King finale wouldn’t have landed.

Is Cujo Worth Watching in 2026?

At the end of the day, Cujo is a solid movie and I’m glad I finally watched it. However, it’s not such a stone-cold classic that I’m not at least a little intrigued by that upcoming Netflix remake

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