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8 American Kaiju Films Every Horror Fan Should Watch

One of the best qualities of nerd fandom is its ability to form iterations through influence. Fans foreign to Japanese kaiju culture have adopted the kaiju style, and from that we’ve gotten a handful of worthy contenders; some stronger than others. Although many American renditions of Godzilla and other Toho properties have been licensed and watered down, there are some original kaiju- type concept movies that aren’t half bad! Consider this a list of eight American-born kaijus that won’t disappoint.

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According to the nerd bible, AKA Fandom Wiki, “Kaiju” is a Japanese word meaning “strange beast”. When we use the term in fandom, we are likely referring to the monsters of the giant variety who walk in the footsteps Godzilla created in 1954, and solidified by the Japanese “Tokusatu” style of cinema.

The criteria for kaiju monsters is relatively loose, but most of them are over 20 meters tall (larger than any naturally occurring animal), possess a certain immunity to human weaponry, and pose a threat to human life and society, which is commonly demonstrated by the destruction of cities and metropolitan areas.

“Monsters are tragic beings. They are born too tall, too strong, too heavy. They are not evil by choice. That is their tragedy. They do not attack people because they want to, but because of their size and strength, mankind has no other choice but to defend himself. After several stories such as this, people end up having a kind of affection for the monsters. They end up caring about them” -Ishiro Honda (Director, Godzilla 1954)

One of the best qualities of nerd fandom is its ability to form iterations through influence. Fans foreign to Japanese kaiju culture have adopted the kaiju style, and from that we’ve gotten a handful of worthy contenders; some stronger than others. Although many American renditions of Godzilla and other Toho properties have been licensed and watered down, there are some original kaiju- type concept movies that aren’t half bad! Consider this a list of eight American-born kaijus that won’t disappoint.

8 Kaiju Movies Fans of the Genre Should Watch

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Cloverfield (2008)

Let’s start with the obvious here. Cloverfield, directed by Matt Reeves, might be as good as it gets when it comes to American-born kaiju monsters. With a found footage bonus, the story follows a group of friends in New York City as they try their hardest to survive the creatures and crumbling infrastructure aftermath of a giant alien invasion. If you haven’t seen this film yet, consider this your homework, due immediately. This film is bleak- and captures the true terror of survival in a kaiju attack. Japanese kaiju fans love it for a reason.

Pacific Rim (2013)

Guillermo Del Toro directing should be enough to get you interested, as the man has a seasoned history with monster movies (Pan’s Labyrinth, Hellboy, Mimic)Pacific Rim is pretty classic in its influences, too. The movie is considered an ode to Japanese kaiju and mecha media. In this version of reality, a horde of kaiju monsters emerge from the ocean and threaten the safety of coastal cities. Humanity responds with the use of “jaegers” which are human operated mech suits with the power to fight back. Although a little on the cult appreciation side, the film is well loved and features some seriously polished and stunning CGI. 

Kong: Skull Island (2017)

King Kong may be a little too on the nose for this list, but I have no choice but to throw its sequel, Kong: Skull Island into the ring. As far as criteria goes, the movie doesn’t check all the boxes, as it doesn’t take place in a metropolitan area, but serving as the 11th movie in the King Kong IP, we already know good and well that the ape prince of destruction has earned his kaiju title. Directed by Jordan Vogt-Roberts, the film is set in 1973 and follows a team of Monarch (it’s like the CIA but for kaijus) experts carrying out a research mission on Skull Island to confirm any MUTO (massive unidentified terrestrial organisms) activity. Not only are they met with Kong, but through exploring his territory, the crew comes face to face with other kaiju level threats that never made it off the island.

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Rampage (2018)

On the topic of giant apes, Rampage ain’t half bad either. Starring Dwayne Johnson, and directed by Brad Peyton, Rampage is a loose adaptation of the video game series first released in 1986 where players act as kaiju monsters working to destroy cities while surviving military attacks. In the movie, The Rock plays a primatologist with a close connection to an albino gorilla named George, who is the unfortunate subject of an experiment gone rogue, turning him into what we might call a “kaiju”. Is it the greatest kaiju movie you’ve ever seen? Far from it. Is it a fun, high-stakes adventure with cool monster fights? Absolutely.

 The Mist (2007)

Back in 2007, Frank Darabont directed a movie that has burned the brains of horror fans for the foreseeable future. If you haven’t crossed this one off your list- tread lightly! A single location banger based on the work of Stephen King, The Mist tells the story of ordinary people in a supermarket when an “unnatural fog” hiding a variety of terrifying creatures traps them inside. One creature in particular that fans have named “The Behemoth” is sure to shock you in true lovecraftian kaiju fashion. There are two versions of this film. If you can, watch it in black and gray for some extra unease.

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Underwater (2020)

Speaking of lovecraftian, Underwater has got to be one of my favorite American- born kaiju films. Released in 2020, I fear that the COVID pandemic stunted its box office potential. William Eubank directs, and Kristen Stewart stars in a modern day Cthulhu story set miles beneath the surface on a deep sea drilling rig. It’s Alien, and The Abyss wrapped tightly in its Japanese monster and mecha media influences. Need I say more?

Super 8 (2011)

Another one that flopped in numbers but stays strong in the hearts of monster fans is Super 8, directed by JJ Abrams with a sneaky Steven Spielberg credit on top. One thing about Americans; we love our nostalgia. This movie is another ode to the 80s, but who’s really complaining? The story follows a group of youths passionate about filmmaking who witness a train collision, unleashing something extra large and extraterrestrial on their hometown. Again, the criteria for a traditional kaiju are not all met, but it’s too much fun, and too much catastrophe to leave off this list.

Q (The Winged Serpent) (1982)

I’ve got to close out this list with a deep cut. New York horror legend Larry Cohen wrote and produced this extraterrestrial crime thriller that is truly one of a kind. The monster in question is called Quetzalcoatl, or Q for short. It’s a winged beast that has found a home nesting on the rooftops of New York City. Oh, and there’s a serial killer running around too, just to make things more interesting. Classic uncle Larry…

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Xero Gravity is a media personality and genre journalist with a focus on diversity and inclusion in horror, sci-fi and dark fantasy. She curates and hosts nerdy fundraisers, events, screenings and dance parties as "THEE Black Elvira". When she’s not on her feet or behind the mic, you can find her online for killer movie reviews, podcasts, livestreams and commentary.

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‘Ready or Not’ and the Cathartic Cigarette of a Relatable Final Girl

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I was late to the Radio Silence party. However, I do not let that stop me from being one of the loudest people at the function now. I randomly decided to see Ready or Not in theaters one afternoon in 2019 and walked out a better person for it. The movie introduced me to the work of a team that would become some of my favorite current filmmakers. It also confirmed that getting married is the worst thing one can do. That felt very validating as someone who doesn’t buy into the needing to be married to be complete narrative.

Ready or Not is about a fucked up family with a fucked up tradition. The unassuming Grace (Samara Weaving) thinks her new in-laws are a bit weird. However, she’s blinded by love on her wedding day. She would never suspect that her groom, Alex (Mark O’Brien), would lead her into a deadly wedding night. So, she heads downstairs to play a game with the family, not knowing that they will be hunting her this evening. This is one of the many ways I am different from Grace. I watch enough of the news to know the husband should be the prime suspect, and I have been around long enough to know men are the worst. I also have a commitment phobia, so the idea of walking down the aisle gives me anxiety. 

Grace Under Fire

Ready or Not is a horror comedy set on a wealthy family’s estate that got overshadowed by Knives Out. I have gone on record multiple times saying it’s the better movie. Sadly, because it has fewer actors who are household names, people are not ready to have that conversation. However, I’m taking up space this month to talk about catharsis, so let me get back on track. One of the many ways this movie is better than the latter is because of that sweet catharsis awaiting us at the end.

This movie puts Grace through it and then some. Weaving easily makes her one of the easiest final girls to root for over a decade too. From finding out the man she loves has betrayed her, to having to fight off the in-laws trying to kill her, as she is suddenly forced to fight to survive her wedding night. No one can say that Grace doesn’t earn that cigarette at the end of the film. As she sits on the stairs covered in the blood of what was supposed to be her new family, she is a relatable icon. As the unseen cop asks what happened to her, she simply says,In-laws.It’s a quick laugh before the credits roll, andLove Me Tenderby Stereo Jane makes us dance and giggle in our seats. 

Ready or Not Proves That Maybe She’s Better Off Alone

It is also a moment in which Grace is one of many women who survives marriage. She comes out of the other side beaten but not broken. Grace finally put herself, and her needs first, and can breathe again in a way she hasn’t since saying I do. She fought kids, her parents-in-law, and even her husband to escape with her life. She refused to be a victim, and with that cigarette, she is finally free and safe. Grace is back to being single, and that’s clearly for the best.

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This Guy Busick and R. Christopher Murphy script is funny on the surface, even before you start digging into the subtext. The fact that Ready or Not is a movie where the happy ending is a woman being left alone is not wasted on me, though. While Grace thought being married would make her happy, she now has physical and emotional wounds to remind her that it’s okay to be alone. 

One of the things I love about this current era of Radio Silence films is that the women in these projects are not the perfect victims. Whether it’s Ready or Not, Abigail, or Scream (2022), or Scream VI, the girls are fighting. They want to live, they are smart and resourceful, and they know that no one is coming to help them. That’s why I get excited whenever I see Matt Bettinelli-Olpin and Tyler Gillett’s names appear next to a Guy Busick co-written script. Those three have cracked the code to give us women protagonists that are badasses, and often more dangerous than their would-be killers when push comes to shove. 

Ready or Not Proves That Commitment is Scarier Than Death

So, watching Grace run around this creepy family’s estate in her wedding dress is a vision. It’s also very much the opposite of what we expect when we see a bride. Wedding days are supposed to be champagne, friends, family, and trying to buy into the societal notion that being married is what we’re supposed to aspire to as AFABs. They start programming us pretty early that we have to learn to cook to feed future husbands and children.

The traditions of being given away by our fathers, and taking our husbands’ last name, are outdated patriarchal nonsense. Let’s not even get started on how some guys still ask for a woman’s father’s permission to propose. These practices tell us that we are not real people so much as pawns men pass off to each other. These are things that cause me to hyperventilate a little when people try to talk to me about settling down.

Marriage Ain’t For Everybody

I have a lot of beef with marriage propaganda. That’s why Ready or Not speaks to me on a bunch of levels that I find surprising and fresh. Most movies would have forced Grace and Alex to make up at the end to continue selling the idea that heterosexual romance is always the answer. Even in horror, the concept that “love will save the day” is shoved at us (glares at The Conjuring Universe). So, it’s cool to see a movie that understands women can be enough on their own. We don’t need a man to complete us, and most of the time, men do lead to more problems. While I am no longer a part-time smoker, I find myself inhaling and exhaling as Grace takes that puff at the end of the film. As a woman who loves being alone, it’s awesome to be seen this way. 

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Ready or Note cigarette

The Cigarette of Singledom

We don’t need movies to validate our life choices. However, it’s nice to be acknowledged every so often. If for no other reason than to break up the routine. I’m so tired of seeing movies that feel like a guy and a girl making it work, no matter the odds, is admirable. Sometimes people are better when they separate, and sometimes divorce saves lives. So, I salute Grace and her cathartic cigarette at the end of her bloody ordeal.

I cannot wait to see what single shenanigans she gets into in Ready or Not 2: Here I Come. I personally hope she inherited that money from the dead in-laws who tried her. She deserves to live her best single girl life on a beach somewhere. Grace’s marriage was a short one, but she learned a lot. She survived it, came out the other side stronger, richer, and knowing that marriage isn’t for everybody.

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The Best Horror You Can Stream on Shudder in January 2026

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My New Year’s resolution is to spend more time watching my favorite app. Luckily, Shudder is not taking it easy on us this holiday season, so I may meet my quota this January. The streamer is bringing in the new year with quite a few bangers. We have classics from icons, a new title from the first family of indie horror, and a couple of lesser-known films that have finally found a home. So, I am obviously living for this month’s programming and think most of you will too. I have picked the five films that I believe deserve our collective attention the most. Get into each of them and start your 2026 off on the right foot. 

The Best Movies to Stream on Shudder This Month

Carrie (1976)

A sheltered teen finally unleashes her telekinetic powers after being humiliated for the last time. Carrie is the reason I thought proms might be cool when I was a kid. This Brian De Palma adaptation is one of my favorite Stephen King adaptations. It is also an important title in the good-for-her subgenre. I cannot help rooting for Carrie White (Sissy Spacek) when I watch her snap at this prom and then head home to accidentally deal with her mom. The only tragedy of this evening is that Carrie had to die, too. I said what I said, and I will be hitting play again while it is on Shudder. This recommendation goes out to the other recovering sheltered girls who would be the problem if they had powers. I see you because I am you.

You can watch Carrie on January 1st.

Marshmallow (2025)

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A shy 12-year-old gets sent to summer camp and finds himself in a living nightmare. While Marshmallow did not land for me, I know plenty of people who love it. Which makes this the perfect addition to the Shudder catalogue. I am actually excited to see more folks fall in love with this movie when it hits the streamer. If nothing else, it will help a few folks cross off another 2025 title if they are still playing catch-up with last year’s movies. It also gets cool points from me for not taking the easy route with the mystery it built. I hope you all dig it more than I did, and tell your friends about it. Perhaps you could even encourage them to sign up for the app.

You can watch Marshmallow on January 1st.

Chain Reactions (2024)

Tobe Hooper’s The Texas Chain Saw Massacre cemented his horror legacy over fifty years ago. So, it is long overdue for a documentary where horror royalty can discuss its impact on them and their careers. I have been waiting for a couple of years to hear Karyn Kusama and Takashi Miike talk about Hooper’s work and how he inspired them. So, I am super geeked that Shudder is finally giving me the chance to see this film. The streamer is also helping the nerds out by adding The Texas Chain Saw Massacre (1974) and The Texas Chain Saw Massacre 2 (1986) this month. If you are also an overachieving couch potato, I will see you at the finish line next week.

You can watch Chain Reactions on January 9th.

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In the Mouth of Madness (1994)

An insurance investigator discovers the impact a horror writer’s books have on people. I love chaos, and John Carpenter chaos happens to be one of my favorite kinds of chaos. While we talk about The Thing and Halloween all the time, this maestro has given us plenty of horror to celebrate. In the Mouth of Madness is very much one of those titles vying for a top spot among the best of his filmography. To sweeten the batshit pot, this movie features Sam Neill. You know that he only shows up in our genre if the movie is going to be legendary. You cannot tell me this is not a Shudder priority this month.

You can watch In the Mouth of Madness on January 10th.

Mother of Flies (2025)

A terminally ill young woman and her dad head to the woods to seek out a recluse who claims she can cure her cancer. The Adams Family has been holding court on Shudder for years, so it feels right that Mother of Flies is a Shudder Original. More importantly, this fest favorite has one of the best performances of 2025. Which makes it a great time for people to finally get to see it and get in line to give Toby Poser her flowers. Whatever you think your favorite Poser role is, it is about to change when you see her as Solveig. I am being serious when I say that this movie might be the first family of indie horror at their best.

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You can watch Mother of Flies on January 23rd.

New year, but same Shudder. I would not want to go into 2026 any other way, personally. I hope these horrific recommendations bring you the good kind of anxiety.  Or at least distract you from the state of the world for a bit.

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