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The Tortured Rodents Department: Revisiting ‘Willard’ (2003)

This remake is meaner and darker than the original, and just as the film works to balance the absurdity of its premise with the psychological turmoil at its center, Glover likewise commits to the bit. It’s a testament to his abilities as an actor that he can convincingly have beef with an engorged rat and you often don’t know whether to laugh or cry during one of his multiple psyche-breaking meltdowns. You feel bad for giggling, but then Glover gets that borderline perverse look in his eyes reminiscent of his hair-sniffing assassin in the early aughts Charlie’s Angels movie, and you know it’s all good. Willard is still a wild late-night watch about a rat king gone mad, especially if you have a twisted sense of humor.

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While on trial for impiety and corruption in 399 BC, the philosopher Socrates reportedly said, “The unexamined life is not worth living.” In 2003, while lamenting a miserable life in her dilapidated home with her son Willard, Henrietta Stiles proclaims, “All my life I could smell mice.” What is the correlation between ancient history and this iconic line delivery? By the end of our reexamination of writer/director Glen Morgan’s remake of the 1971 original, you’ll understand just how the Grecian sage and this dour tale meet – in a film where the enigma of existence pushes one man to the brink and the lines between human and rodent blur.

The Crispin Glover of It All

Today, it would be deemed heretical not to practice some form of introspection and examine one’s place in society (and tell everyone online about it), yet when we are introduced to the downtrodden Willard – uncannily embodied by the effortlessly creepy Crispin Glover – we find him at odds with Socrates’ teachings. Trapped in a dreary routine caring for his sickly mother and working a dead-end desk job at his late father’s company, Willard’s spirit is down bad. A peculiar fellow with pallid skin and a greasy middle part, he seems like a good guy despite appearances, but his overbearing mother and scumbag boss – who only keeps Willard around to honor his father’s dying wish – kick to the curb any growth this man approaching 40 might yet achieve. Things start looking up, however, when the failed extermination of a rodent infestation introduces Willard to an adorable white rat he names Socrates. With a new BFF and a growing hoard of long-tailed loyal subjects, man becomes mouse as he leaves civilized society behind with wild abandon toward a more vengeful path.

Morgan’s previous work on projects like The X-Files and Black Christmas (2006) comes into play here, as suspension of disbelief is critical when kicking back with Willard. It’s never explained how he attains an almost supernatural connection with his rat pals or why they seemingly make human-like choices and have rich internal lives, but much like AI, this sentience is something to be feared. If bestie Socrates symbolizes the philosopher’s moral guidance and positive influence over our antihero, the insidious rat Ben, whom Willard makes the commander of his rodent army, represents intrusive thoughts and lustful revenge. Villains like Willard’s detestable boss quickly become nuisances for his hordes to decimate, and soon Ben rises as the central antagonist in Willard’s battle for his humanity.

This remake is meaner and darker than the original, and just as the film works to balance the absurdity of its premise with the psychological turmoil at its center, Glover likewise commits to the bit. It’s a testament to his abilities as an actor that he can convincingly have beef with an engorged rat and you often don’t know whether to laugh or cry during one of his multiple psyche-breaking meltdowns. You feel bad for giggling, but then Glover gets that borderline perverse look in his eyes reminiscent of his hair-sniffing assassin in the early aughts Charlie’s Angels movie, and you know it’s all good.

Grey Gardens

The film’s two central locations – Willard’s derelict family home and a barren, depressing office – immediately set the visual tone. The camera sits perched high like a rat in the rafters, causing the manor to appear quite spacious. Still, the set design gives more Resident Evil than Nancy Meyers, and likewise, his prison-like workspace serves sweatshop over white collar. Much like Willard’s inner life, his daily environment is bleak. That’s not to say there isn’t a light in all the melancholy haze, and in an unexpected twist, this comes in the form of a very familiar maternal bond.

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Between the rundown palace and their parasitic relationship, Willard and his mother Henrietta (Jackie Burroughs) are warped versions of Big and Little Edie Beale of Grey Gardens infamy. Stuck in the rot of the past, it’s no wonder Willard can’t evolve, and their toxic relationship provides quite a few cringe-worthy laughs. Accusations of Willard using cooking oil as lube when, in reality, he was holed up in the bathroom to talk with Socrates and a desperate insistence on knowing the physical consistency of his #2 are just some examples of her inappropriate interference at his grown age. And speaking of Morgan’s Black Christmas, Burroughs’ performance is so similar to Karin Konoval’s equally icky turn as the killer’s alcoholic mother in the holiday horror that I initially thought the two were one and the same until IMDB proved otherwise.

And let’s not forget why we’re really here. While Socrates may provide the cute puppy vibes, Willard’s bubonic army will likely have you squirming in your seat and Googling plague symptoms by the time the credits roll. Morgan and cinematographer Robert McLachlan craft an ingenious inverse cat-and-mouse chase sequence from the perspective of an unlucky kitty, and their skill genuinely rivals some of the slasher genre’s best. Once the historic battle between Willard and Ben comes to blows, that haunted old house is finally full of life in all the wrong ways, and you have every reason to believe in the formidable power of the hoard. I’m sure Glover loved every foul minute of it.

Does It Hold Up Today?

Unfortunately, the cruelness of the world doesn’t go out of style. This dark cautionary tale about what happens when the human spirit is shattered is still relevant today, even when “human spirit” = “strange man who can commune with rats.” If not allowed to flourish, people left in the gutter might sometimes emerge as something less than human, and when we look the other way, we will enable it to happen. In this sense, perhaps we can all smell mice. And if you don’t want to think too deeply about it, Willard is still a wild late-night watch about a rat king gone mad, especially if you have a twisted sense of humor.

Alex Warrick is a film lover and gaymer living the Los Angeles fantasy by way of an East Coast attitude. Interested in all things curious and silly, he was fearless until a fateful viewing of Poltergeist at a young age changed everything. That encounter nurtured a morbid fascination with all things horror that continues today. When not engrossed in a movie, show or game he can usually be found on a rollercoaster, at a drag show, or texting his friends about smurfs.

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The Conjuring Movies, Ranked

The theme for this month here at Horror Press is “Based on a True Story,” and in my eyes, no franchise better encapsulates the core tenet of that corner of the horror genre than The Conjuring Universe. Let me be very clear: the tenet in question is “This is based on abject lies made by charlatans, but someone wrote a book about it, so it counts,” but nothing wields that approach with quite as much gusto as James Wan’s 2013 movie The Conjuring and the nine-film franchise it spawned. Eight-film franchise, if you don’t count The Curse of La Llorona. But Annabelle is in it, and the guy who directed it somehow conned his way into helming two of the three proper Conjuring movies that followed, meaning he has directed more of these things than James Wan himself.

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The theme for this month here at Horror Press is “Based on a True Story,” and in my eyes, no franchise better encapsulates the core tenet of that corner of the horror genre than The Conjuring Universe. Let me be very clear: the tenet in question is “This is based on abject lies made by charlatans, but someone wrote a book about it, so it counts,” but nothing wields that approach with quite as much gusto as James Wan’s 2013 movie The Conjuring and the nine-film franchise it spawned. Eight-film franchise, if you don’t count The Curse of La Llorona. But Annabelle is in it, and the guy who directed it somehow conned his way into helming two of the three proper Conjuring movies that followed, meaning he has directed more of these things than James Wan himself, so I say it counts, dammit.

Anyway, did I mention we’re ranking these movies? Grab your crucifix and make sure those shadowy corners behind you are cleared of demonic nuns, and then we’ll be ready to rock.

The Entire Conjuring Franchise Ranked

#9 The Conjuring: The Devil Made Me Do It (2021)

This is the first Conjuring without James Wan in the director’s chair, and you can feel it. The precarious balance of a love story about aging with a Catholic mysticism-inflected legal drama requires his deft touch, and it doesn’t get it, leaving this movie as something of an illegible mess.

#8 The Nun II (2023)

Speaking of illegible messes… Michael Chaves’ follow-up to The Conjuring: The Devil Made Me Do It (Why did they hand him the keys to the entire franchise, spinoffs and all? Who knows. I’d love to read the tell-all.) is The Nun II. This flavorless slog is only saved from being at the bottom of the list by a deliciously unhinged moment in the finale (Spoiler alert: The real hero of the movie is transubstantiation).

#7 The Curse of La Llorona (2019)

The Curse of La Llorona is the first of its kind. A big-budget Hollywood movie had never been made about La Llorona before. And frankly, it still hasn’t, because this movie makes a hash of her legend. Since when is she like… repelled by the tree that was nearby when she drowned her kids or whatever? What could have been a righteous force of angry dissent against patriarchy and colonization is converted into another boring haunted house jack-in-the-box ghostie. Linda Cardellini is great at screaming, though, somebody get her some Throat Coat, stat.

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#6 Annabelle (2014)

The soft spot I have for the supremely dopey Annabelle was only enough to get it placed at No. 6. It’s still just not a very good movie, y’all, and it wastes Alfre Woodard, which is high treason as far as I’m concerned. However, the broad field of references from which it is exuberantly pulling (the Manson Family, Rosemary’s Baby, Mario Bava’s Shock, the list goes on and on) keeps you on your toes as it spins its daffy tale of parenting and terror.

#5 The Nun (2018)

The Nun is absolutely choked with gloomy atmosphere, but it’s just a random assortment of fright gags tossed everywhere. And unfortunately, none of them match the raw, unnerving power of the titular entity’s debut appearance in The Conjuring 2.

#4 Annabelle: Creation (2017)

It could maybe cool it on how many different manifestations the demon has, and it’s a bit over-reliant on CGI. However, director David F. Sandberg has pulled off the impossible, dragging this trashy subfranchise kicking and screaming toward the gliding, eerie aesthetic of the salad days of the flagship Conjuring movies.

#3 Annabelle Comes Home (2019)

Annabelle: Creation seems to enjoy the best reputation of the subfranchise, probably because people hated Annabelle so much that it felt like a breath of fresh air. But Annabelle Comes Home is full to bursting with sleepover movie energy. It’s probably the least “scary” Conjuring movie, but the sheer funhouse glee with which it throws every possible creepy crawly and ghoulie ghosty your way is hard to deny.

#2 The Conjuring 2 (2016)

James Wan sure as hell knows how to repackage some of the hoariest tropes in horror cinema history and make them fresh and exhilarating by combining his ever-so-patient creeping dread with a handful of gnarly jolts. The screenplay of this one is kind of a shambles, and the movie is way too proud of its blunt-force foreshadowing. Still, it looks gorgeous, and any film with that creepy-ass scene where the little girl’s silhouette slowly morphs into the ghost of an old man in the background of one long, sustained shot simply can’t be all bad, or even mostly bad.

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#1 The Conjuring (2013)

Remember what I said about James Wan and his tropes? There is absolutely nothing in The Conjuring that is new. It is The Amityville Horror with The Exorcist crudely grafted onto the back third of it. But by pouring every ounce of creative energy he has into some stellar scares and by hiring a cast that is more than capable of bringing the unusually well-shaded characters – yes, Ed and Lorraine Warren, but the Perron family as well – he is able to elevate what could have been pretty bland material in anybody else’s hands.

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A Horror Movie Streaming Guide for Those Looking for More Ed Gein in Their Life

Ed Gein was known for exhuming bodies to take parts as keepsakes. He used some of the pieces to fashion clothing, furniture, etc. As with most serial killers, Gein also had an unusual relationship with his parents, specifically his mother. So, obviously, there is a lot to mine here when creating unsettling characters. This explains why many writers return to this personality to give actors unsettling moments even in the most unassuming movies. Looking specifically at Con Air’s Garland Greene (played by Steve Buscemi). This is wild because Buscemi starred in Ed and His Dead Mother as a guy named Ed with a bizarre relationship with his dead mom. The irony of a nice guy like Buscemi getting two attempts at characters based on the same serial killer is not lost on me. However, I digress. I am here today with four horror movies we saw way too young to connect to Gein’s horrendous legacy. Once you know these villains were inspired by a real and disturbing person, it makes you look at them very differently.

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Hollywood’s ongoing fascination with serial killers is one of the few things we can count on as a society. With America’s interest in these monsters resulting in high demand for true crime content, it is easy to see why the subgenre remains bankable. While we see countless films about these infamous murders, I find the fictional characters inspired by them more interesting. This is why when I discovered that Ed Gein was the blueprint for some of our favorite killers, it made them even more disturbing. Gein, also known as the Butcher of Plainfield or the Plainfield Ghoul, is in the DNA of many characters most of us grew up watching. 

Ed Gein was known for exhuming bodies to take parts as keepsakes. He used some of the pieces to fashion clothing, furniture, etc. As with most serial killers, Gein also had an unusual relationship with his parents, specifically his mother. So, obviously, there is a lot to mine here when creating unsettling characters. This explains why many writers return to this personality to give actors unsettling moments even in the most unassuming movies. Looking specifically at Con Air’s Garland Greene (played by Steve Buscemi). This is wild because Buscemi starred in Ed and His Dead Mother as a guy named Ed with a bizarre relationship with his dead mom. The irony of a nice guy like Buscemi getting two attempts at characters based on the same serial killer is not lost on me. However, I digress. I am here today with four horror movies we saw way too young to connect to Gein’s horrendous legacy. Once you know these villains were inspired by a real and disturbing person, it makes you look at them very differently.

The Best Movies Directly Inspired By Ed Gein

Psycho

Where You Can Watch: Netflix

A secretary steals a bag of cash from her job and hits the road. However, she unfortunately checks into the Bates Motel, where Norman Bates and his mysterious mother may pose a threat. Finding out Anthony Perkins’ character is based on Ed Gein changed my brain chemistry. This might be why Gein is one of the serial killers I actually did a little bit of research on. I figured the novel by Robert Bloch that the movie is based on was just super creative until I was a teen who realized Norma and Norman were based on Gein and his belief that he could rebuild his mother from various body parts he stole. He also planned to wear his “mom” suit in the moonlight. 

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Deranged 

Where You Can Watch: Tubi

A rural farmer turns to grave robbing and murder after the death of his mother, whose corpse he keeps as a companion. The plot is loosely based on the crimes of Ed Gein and even exclaims it is inspired by true events and has only changed the names and locations. This marries parts of Psycho and The Texas Chain Saw Massacre with almost Coen brother humor. The late Roberts Blossom plays Ezra Cobb, our killer. He skins victims to make masks and also pulls other bodies to hang out with his dead mother. Jeff Gillen and Alan Ormsby directed this 1974 nod at Gein and does not get the same respect as the other films on the list.

The Texas Chain Saw Massacre (1974)

Where You Can Watch: Peacock, Plex, Pluto TV, Prime Video, The Roku Channel, and Tubi

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Five friends road tripping through rural Texas stumble across a seemingly deserted house holding a huge secret. While Leatherface’s chainsaw and hometown are changes to the story, his love of wearing other people’s faces is very similar to Gein’s. Ed Gein is not the only serial killer this movie is under the influence of, but he is the one that stands out the most. After all, he also keeps his mother’s corpse on hand, so it is hard not to think of Ed. While this beloved title does take its fair share of liberties with the source material, it is clear that Tobe Hooper and Kim Henkel’s creation has many similarities to Gein. Which might explain why it still gets under our skin today.

The Silence of the Lambs

Where You Can Watch: Pluto TV, The Roku Channel, and Tubi

A young F.B.I. cadet works with an incarcerated cannibal to catch another serial killer who skins his victims. A lot can be said about the character of Buffalo Bill (played by Ted Levine). However, one thing we should all be able to agree on is that he is another character wearing the skin and hair of his victims. As a kid, most of us were not aware a real person inspired the serial killer they were hunting. As an adult armed with that knowledge, the film is even more chilling. The Silence of the Lambs is also one of the few horror movies to win statues at The Academy Awards

While plenty of movies nod at Ed Gein’s unusual crimes, these four titles are some of the most interesting to do so. If you have already seen these, there is no shortage of media dedicated to this midwestern body snatcher. However, many of those titles are more direct in their approaches. That is not my cup of tea, but perhaps it is perfect for people who are fans of true crime. 

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