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[REVIEW] ‘Abigail’ Might Just Be This Years “It Girl”

Written by Stephen Shields and Guy Busick, “Abigail” is heavily inspired by Universal’s classic horror “Dracula’s Daughter” from 1936. In this reimagining, the story follows a team of six crooked criminals hired to kidnap the daughter of a powerful crime mogul. When the gang completes their heist, they retreat to an old mansion for 24 hours and wait for their ten million dollar ransom payout, not knowing that they have been played to the highest degree by the young girl.

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Good news for the freaks! The horror genre’s newest “it girl” has successfully landed not only into our hearts, but into a pool of blood and guts, with a healthy serving of mania. Radio Silence’s newest movie, “Abigail,” is guaranteed to chew you up, gargle just a bit, and spit you out.

Dracula’s Daughter Gone Gen Z

Hot off the tails of “Ready Or Not” and “Scream VI,” directors Matt Bettinelli-Olpin and Tyler Gillett have once again proven that they have a solid understanding of how to mesh a character-driven ensemble into chaotic bliss while keeping audiences squinting and smiling without having to think too hard.

Written by Stephen Shields and Guy Busick, “Abigail” is heavily inspired by Universal’s classic horror “Dracula’s Daughter” from 1936. In this reimagining, the story follows a team of six crooked criminals hired to kidnap the daughter of a powerful crime mogul. When the gang completes their heist, they retreat to an old mansion for 24 hours and wait for their ten million dollar ransom payout, not knowing that they have been played to the highest degree by the young girl.

An Ensemble Cast That Lets Everyone Shine

Alisha Weir, who plays the tiny 12 year old terror “Abigail” is a black star. She’s a near perfect pick for a Radio Silence ensemble as she can retain her creepy characteristics while balancing her comedic moments perfectly for a quick sigh of audience relief and reset. Against her stars Melissa Barrera as Joey, the retired army medic, Dan Stevens as Frank, the crime maestro, William Catlett as Rickles, the seasoned and professional sniper, Kevin Durand as the slightly dull but loveable explosives expert, Angus Cloud as the young and reckless getaway driver, and Kathryn Newton as the bubblegum hacker.

Although Melissa Barrera carries most of the battle (as most scream queens do), every last piece of this cast gets their well-deserved moments before the chaos, during the chaos, and at their ultimate demise. It’s clear through the dialogue that the writer’s room was treated fairly, as each of our quirky characters has a distinct voice and purpose towards the climax. Their dynamic against each other really shines in the second and third acts of the film, but not so much from the start.

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Abigail Starts Slow But is Sure to Satisfy Genre Fans

The pacing has its issues in the first half, but by the halfway mark, I’m sure all will be forgiven by most horror fans. The exposition could be stronger and may leave viewers twiddling their thumbs waiting for that climbing moment. But when it gets there, however, it really gets there. It has the gore, the violence, the super fun and gimmicky deaths, and more gallons of blood than we could ever ask for. For the horror fans who will eventually watch this one at home- just be patient.

I’d describe the film as “Renfield’s little sister” by the way it steers away from general suspense, but triples down on its comic book style, over the top action and extremely gratuitous gore. The influences of “Home Alone” and Agatha Christie are really at play here, with a single location of delightfully tropey characters that start as predators but quickly understand they have become prey. How wonderful.

“Abigail” opens in theaters this Friday, April 19th. 

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Xero Gravity is a media personality and genre journalist with a focus on diversity and inclusion in horror, sci-fi and dark fantasy. She curates and hosts nerdy fundraisers, events, screenings and dance parties as "THEE Black Elvira". When she’s not on her feet or behind the mic, you can find her online for killer movie reviews, podcasts, livestreams and commentary.

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Madame Morbid Trolley Tour Review: Is It Worth It?

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Most people find that stretching their dollar still barely gets them by in today’s economy. I am very particular about what I spend my spare money on regarding extracurriculars. And no one likes to feel like their money is wasted. Madame Morbid Trolley Tours wasn’t an experience I had been familiar with. Maybe that’s because I’m chronically offline for most of my life. So this leads to the perfect question: in today’s turbulent economy, is Madame Morbid Trolley Tours worth the price? The short answer is unquestionably, yes. But it’s more than just a simple yes.

My wife and I arrived at the designated meeting point 15 minutes before the scheduled departure time. A handful of minutes later, a gorgeous, e-candle-lit trolley pulled up to the side of the road. We were greeted by impeccably on-brand Allison Chase, our tour guide, and trolley driver ‘Mad’ Matt Zaller. The wonderfully cheery duo invited us on the trolley, and the tour was set to begin.

400 Years of Death, Destruction, and Infrastructure

After a welcoming video intro from someone who knows a thing or two about busting ghosts, we set off on the inaugural Madame Morbid Trolley Tour in its ninth year of operation. From the Brooklyn Naval Yard all the way to Dumbo, and more, this tour magnificently chronicles 400 years of history, the good and the bad, expertly. No matter how much you think you may know about Brooklyn history, I can bet there will be something new learned within the first 15 minutes of the tour. From the first-ever plane crash to one of the worst theater fires in history, this tour covers tragedies that the greatest horror writers couldn’t conceive.

The Deadly [Charming] Docent

Allison Chase led the fascinating tour in character from the moment we stepped on the trolley until our departure. But Allison’s character was not forced or fake; you could feel Allison’s passion for not just morbid history, but the accuracy of it. Some of the stories we heard were steeped in historical context, and it was not boring for a single second. The Madame Morbid Trolley Tour is not your standard full-talking tour. It’s a mixed-media adventure of some of Brooklyn’s darkest moments.

During “downtime” (the times between locations), we were edutained by mini documentaries (that were quite funny). Some of the “downtime” was filled with traffic trivia (I won a needle pen!). And other times were show-and-tell-like, with objects passed around for us to examine. But there was never a moment of silence that wasn’t purposeful. All in all, Allison’s knowledge and passion shone like the luminosity of a full moon.

Is Madame Morbid Trolley Tours Worth It?

The Madame Morbid Trolley Tour was not just a fun night out for my wife and me, but it was a delightfully dark night of edutainment. It should also be noted that ‘Mad’ Matt’s driving skills were fantastic. There was a time when I had become enamored with how Matt handled the narrow streets of Brooklyn before realizing that I needed to refocus my attention on Allison. The Madame Morbid Trolley Tour is an exceptionally fun evening of horror and history that will make you think twice next time you walk down the streets of Brooklyn. It is worth the money, and then some. There’s no better activity for a cold, dark October night than the Madame Morbid Trolley Tour.

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For more information on Madame Morbid Trolley Tours, and to get your tickets, click here!

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‘Cujo’ (1983): A First-Time-Watch Review

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Bee Wallace in Cujo

I don’t know what’s wrong with me. I should have watched the Stephen King adaptation Cujo a million years ago. First of all, I was a voracious King reader in middle school. The other thing I was obsessed with during those years was Friends. You know, the show that hinges a major episode’s subplot on Rachel (Jennifer Aniston) watching Cujo for the first time. Whatever the reason was, I never got around to it, but I’m rectifying that oversight now.

What is Cujo About?

Cujo tells a relatively simple story. Donna Trenton’s (Dee Wallace) a housewife who’s cheating on her husband Vic (Daniel Hugh-Kelly) with local handyman Steve (Christopher Stone). There’s no accounting for taste, because Vic is 10 times hotter and Steve doesn’t own a bed frame. Look, Donna. I know Vic has that awful David Hasselhoff hair, but I promise the 1980s will end sooner or later. It’ll be OK.

Donna’s attempted termination of this affair ultimately leads to its discovery. Amid this drama, her car breaks down at a mechanic’s isolated farmhouse, trapping her and her son, Tad (Danny Pintauro). You see, the mechanic’s dog, Cujo, freshly christened with rabies, is patrolling the area and attacking everything in sight.

Dee Wallace Is Cujo’s Not-So-Secret Weapon

It would be impossible to start a worthwhile review of Cujo without praising Dee Wallace. The woman is a genre icon, naturally. Think about this: She had only appeared in seven theatrical movies before starring in Cujo. Four of those movies are The Stepford Wives, The Hills Have Eyes, E.T., and The Howling. But this woman didn’t become an icon simply by accidentally stumbling into some iconic titles. She is simply terrific as Donna, using her darting eyes and taut expression to deliver oodles of subtext. You instantly get the sense of how trapped she feels by marriage and motherhood without her uttering a single word.

A good performance is vital, here. Because there’s a hell of a lot of drama to get through before she’s trapped in that damn car. But Wallace instantly shoves you into Donna’s perspective, whether you like it or not. This makes it all the more potent when she is menaced by Cujo. Her desperate attempts for survival, also impeccably performed, have true weight because she seems like a real person. She is also given an incredible scene partner in Danny Pintauro. The future Who’s the Boss? star, who was only six when shooting Cujo, has a perfect everychild quality. His innocence heightens the peril. But so does that fact that he is just as irritating as every six-year-old you’ve ever met.

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This movie truly captures how annoying it must be to be stuck in a life-and-death situation with a child. This is a compliment, I swear! Donna is worn down by every aspect of the situation, including her own son’s inability to cope with it. And this ratchets up the tension even further, to an almost unbearable degree.

Cujo Is a Mixed Bag, But Worthwhile Overall

The movie doesn’t work if Cujo himself doesn’t work, and at first I was real worried that he wouldn’t. In the first half, the St. Bernards that play Cujo onscreen are often shown to be wagging their tails in delight. Which kind of undercuts the reality of the situation, I’d say. But the editing and the special effects step in to fix what animal training couldn’t. The attack scenes in the second half are constructed with quick cuts that never let you get too much purchase. It’s a good approach for keeping viewers off-kilter.

Also, Cujo becomes less and less recognizable as a cuddly canine the further the movie gets. It’s a simple trick, really. He ends up getting coated with more and more slime. Saliva, pus, blood, and what have you. This is good for making him feel like a true movie monster. Plus, it’s a good mirror for the sliminess inside the car as it gets covered in sweat, blood, and grime.

The second half of the movie ultimately works like gangbusters. It’s a shame that Cujo is too cowardly to get Donna and Tad in the car before the halfway point. This decision is somewhat faithful to the book’s structure as I remember it. However, it diminishes the weight of the long days that they spend in the car. We really need to feel that crushing stretch of time, and we don’t. When Tad is suffering from dehydration, it’s not a gut punch. Honestly, I just found myself asking, “Already?” It’s good that they gave the movie a happier ending, because the classic grimdark Stephen King finale wouldn’t have landed.

Is Cujo Worth Watching in 2026?

At the end of the day, Cujo is a solid movie and I’m glad I finally watched it. However, it’s not such a stone-cold classic that I’m not at least a little intrigued by that upcoming Netflix remake

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