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Luis’ Top 5 Horror Movies of 2024

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At this point, it feels a bit trite doing retrospectives on the year at the beginning of my articles. What can I say? 2024 was a long year packed with chaos and horror. I am glad 2025 is going to be…well, it’s not going to be 2024; at least we can say that!

Having time to mull over my thoughts on the films I saw last year, I had difficulty paring down my best from the multitude of films I saw. I originally thought this list was going to have Terrifier 3 on it because of the sheer hype and the theatergoing experience of it all; I was proven wrong just through the process of reflection. I thought I would mention quite a few more films that I saw at Brooklyn Horror Film Festival, but I only really found myself captivated by one, which turned out to be an all-time great. And the one film I put off watching turned out to be my favorite film of the year by far.

All in all, it’s been a year of surprises, and every single film on this list reflects that in one way or another for me. So, whether you’ve seen them or not, here are the ones that I think deserve some accolades.

The Top 5 Best Horror Films of 2024

HONORABLE MENTION: ALIEN: ROMULUS

Close enough to being one of my favorites of the year that it should get some mention. I did describe Alien: Romulus as an almost perfect sequel after all, and barring some of the fanfare and a few cheap-feeling moments, Fede Alvarez engineers a machine of a film about as effective as the xenomorph. As a sequel, I have to quote our android friend Ash from the original film: I admire its purity.

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Romulus illuminates the harrowing scope of Weyland-Yutani’s cold and unfeeling corporate evil in a new and effective way. There’s a humanity and terror here that’s been rare to the series at large, and I’m glad to see it nails that darker and more horror-oriented tone I would hope from the lauded Evil Dead director. It’s a crowd-pleaser first, certainly, but a really great film overall.

5. GRAFTED

What’s it about? A girl’s attempts to revive her father’s dangerous skin grafting experiments intersect with her desire to assimilate into the New Zealand community she immigrates to– with disastrous effects.

Why is it so good? When I reviewed Grafted in October, I said it was one of the best coming-of-age horror films of all time, and I stand by that. Joyena Sun and Jess Hong give performances you’d expect to only really see from seasoned vets. Playing opposite of each other, the disharmony between their characters drives many of the movie’s themes like the difficulties of cultural assimilation and the awkward nature of navigating young adulthood.

Where it leads them is downright captivating, as it demonstrates their emotional acting skills amidst the skin-crawling body horror that ties them together, and an even more skin crawling villain. This elevates an already clever script, that lands somewhere between Re-Animator and Jennifer’s Body in the most fun ways. Despite sharing quite a few similarities to another entry on this list, Grafted has its own distinct flavor of both black comedy and tragedy made light. Its ending hits like a train even when you’re aware it can’t go anywhere but to hell in a handbasket, and for that final shot, it will stick with you for a long while. Here’s to its release on Shudder soon!

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4. ABIGAIL

What’s it about? A gang of criminals attempt to hold a millionaire’s daughter hostage, only to find themselves on the receiving end of a vampire ballerina beatdown. Pools of dead bodies and geysers of blood ensue.

Why is it so good? I am paraphrasing Brendan Fraser here, but Radio Silence are not underdogs; they’re champions who are overlooked. They rarely disappoint because they know how to make an incredibly fun, incredibly well-rounded movie whether they’re directing or producing; even their light work in more flawed films like Scream is made highly rewatchable because of the personal touch they have on the cinematography. In particular, I think their strong suit is how good they are at directing actors and getting just the right performance out of them.

Abigail does just that, and it is in my humble opinion, the best of their offerings thus far because of it. It takes an inventive approach to reimagining the 1936 film Dracula’s Daughter, boldly, I would add given we’re in an era where a lot of directors have had hit-or-miss attempts to revitalize the Universal monster’s source material. Abigail does an impressive job executing this with an ensemble cast of great actors whose chemistry never falters.

Everybody here, but especially horror royalty Melissa Barrera and Kathryn Newton have their charisma overclocked. And they’re using it to deliver witty dialogue that never overstays its welcome thanks to what I consider perfect pacing. The special effects on offer aren’t anything to scoff at either, and all in all, you can’t miss this one if you’re looking for a fun mix between crime film, comedy, and action horror.

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3. ODDITY

What’s it about? A blind psychic who sells supernatural oddities visits the house where her twin sister was murdered in an attempt to catch her killer. Her assistant in the process? An odd and off-putting wooden man.

Why is it so good? 2024’s most inventive offering is an intimate and stylish piece of occult horror and murder mystery, offered up to us on a silver platter by Horror Press’s favorite streaming platform to cover, Shudder. This Irish feature has ripped through more film festivals than I can count, and it’s with good reason. It’s a deeply atmospheric movie that denies you gratuity and camp for a serious horror-thriller told in the style of a ghost story. Our guide through the cold, haunted household is actress Carolyn Bracken, who plays the medium Darcy; she has an air of untold supernatural knowledge about her that made me, and plenty of others, fall in love with the character and the mystery immediately.  

Oddity also brings a new horror history icon into frame with The Wooden Man (if you haven’t seen him, don’t Google him, just press play and wait for him to show up). Director Damian McCarthy mentioned that the idea and the eventual image of the titular oddity were the foundation on which the rest of the film was built. And a strong image it is, as this nightmare-inducing sculpt has an uncomfortable amount of life coursing through it when it isn’t even moving because of its expert build. It’s just one of the many pieces that come together to make a truly tense and extremely enjoyable supernatural horror film.

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2. SMILE 2

What’s it about? A pop star struggling to recover from a car accident ends up being the next victim of a demonic entity that stalks and tortures her, warping her perception of reality as it smiles all the way.

Why is it so good? The more I think about Parker Finn’s second installment in the Smile franchise (what I hope will sooner than later be a trilogy), the more I’ve started to believe that it might just have my favorite opening sequence in all of horror. Smile 2 took its predecessor, one of the films that underwhelmed me the most the year it came out, and made me a genuine lover of the series over the course of a couple of hours. It gave me a deeper appreciation of how the concept of The Entity can be taken in new and bold directions even when it hits the same beats in how it terrorizes people.

The film wheels and deals in both raw human sorrow and some of the most skillful dark comedy I’ve seen in a horror film ever. I can’t remember a single weak performance from anyone in the cast, least of all the now-legendary Naomi Scott, who makes for a downright unforgettable scream queen. And wherever the Smile movies go from here, whether it’s seeing the Entity’s effects on a massive scale or another intimate character study of a tortured person, it is an automatic yes from me.

1. THE SUBSTANCE

What’s it about? As an older actress finds herself forgotten by Hollywood and scorned by movie and television execs for aging, she turns to weird science to get a younger version of herself back. What results is her splitting into two separate people sharing one muddied consciousness, with both soon fighting for dominance.  

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Why is it so good? There’s one succinct phrase that scorched into my brain during my reflection on how great this movie is: The Substance is heartbreaking, and it will make you have a blast as it shatters your heart in front of you. It is weaved in moments that feel like a sensory nightmare that you just can’t look away from. It’s penned in subtle dialogue and subtler acting choices that make the main characters feel real in an unreal setting. The closest thing that has scratched my brain in this manner is Under the Skin, which is one of my top ten science fiction films of all time. And likewise, The Substance has become a solid, top 10 spot holder in my favorite horror films of all time.

Its vibrant, borderline art pop color palette is a fun departure from the much more grave and much more burnt aesthetic of director Coralie Fargeat‘s first film, Revenge. It has the camp of a Hennenlotter movie, the body horror and existential dread of a Cronenberg film, and the high-impact editing and sound design that would give Gaspar Noe a run for his money. And while I would compare the effects to another SFX maven’s work, Pierre Olivier Persin’s designs here carry the kind of magnum opus quality that earns you a name as an industry legend, so it feels silly to do so. They’re that good.

With a gonzo ending, surreal visuals, and an enchanting social horror story of a woman torn in two by the industry that mindlessly gnashes her in its teeth, The Substance really does have everything—and it really does have to be seen to be believed.

Luis Pomales-Diaz is a freelance writer and lover of fantasy, sci-fi, and of course, horror. When he isn't working on a new article or short story, he can usually be found watching schlocky movies and forgotten television shows.

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‘Ready or Not’ and the Cathartic Cigarette of a Relatable Final Girl

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I was late to the Radio Silence party. However, I do not let that stop me from being one of the loudest people at the function now. I randomly decided to see Ready or Not in theaters one afternoon in 2019 and walked out a better person for it. The movie introduced me to the work of a team that would become some of my favorite current filmmakers. It also confirmed that getting married is the worst thing one can do. That felt very validating as someone who doesn’t buy into the needing to be married to be complete narrative.

Ready or Not is about a fucked up family with a fucked up tradition. The unassuming Grace (Samara Weaving) thinks her new in-laws are a bit weird. However, she’s blinded by love on her wedding day. She would never suspect that her groom, Alex (Mark O’Brien), would lead her into a deadly wedding night. So, she heads downstairs to play a game with the family, not knowing that they will be hunting her this evening. This is one of the many ways I am different from Grace. I watch enough of the news to know the husband should be the prime suspect, and I have been around long enough to know men are the worst. I also have a commitment phobia, so the idea of walking down the aisle gives me anxiety. 

Grace Under Fire

Ready or Not is a horror comedy set on a wealthy family’s estate that got overshadowed by Knives Out. I have gone on record multiple times saying it’s the better movie. Sadly, because it has fewer actors who are household names, people are not ready to have that conversation. However, I’m taking up space this month to talk about catharsis, so let me get back on track. One of the many ways this movie is better than the latter is because of that sweet catharsis awaiting us at the end.

This movie puts Grace through it and then some. Weaving easily makes her one of the easiest final girls to root for over a decade too. From finding out the man she loves has betrayed her, to having to fight off the in-laws trying to kill her, as she is suddenly forced to fight to survive her wedding night. No one can say that Grace doesn’t earn that cigarette at the end of the film. As she sits on the stairs covered in the blood of what was supposed to be her new family, she is a relatable icon. As the unseen cop asks what happened to her, she simply says,In-laws.It’s a quick laugh before the credits roll, andLove Me Tenderby Stereo Jane makes us dance and giggle in our seats. 

Ready or Not Proves That Maybe She’s Better Off Alone

It is also a moment in which Grace is one of many women who survives marriage. She comes out of the other side beaten but not broken. Grace finally put herself, and her needs first, and can breathe again in a way she hasn’t since saying I do. She fought kids, her parents-in-law, and even her husband to escape with her life. She refused to be a victim, and with that cigarette, she is finally free and safe. Grace is back to being single, and that’s clearly for the best.

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This Guy Busick and R. Christopher Murphy script is funny on the surface, even before you start digging into the subtext. The fact that Ready or Not is a movie where the happy ending is a woman being left alone is not wasted on me, though. While Grace thought being married would make her happy, she now has physical and emotional wounds to remind her that it’s okay to be alone. 

One of the things I love about this current era of Radio Silence films is that the women in these projects are not the perfect victims. Whether it’s Ready or Not, Abigail, or Scream (2022), or Scream VI, the girls are fighting. They want to live, they are smart and resourceful, and they know that no one is coming to help them. That’s why I get excited whenever I see Matt Bettinelli-Olpin and Tyler Gillett’s names appear next to a Guy Busick co-written script. Those three have cracked the code to give us women protagonists that are badasses, and often more dangerous than their would-be killers when push comes to shove. 

Ready or Not Proves That Commitment is Scarier Than Death

So, watching Grace run around this creepy family’s estate in her wedding dress is a vision. It’s also very much the opposite of what we expect when we see a bride. Wedding days are supposed to be champagne, friends, family, and trying to buy into the societal notion that being married is what we’re supposed to aspire to as AFABs. They start programming us pretty early that we have to learn to cook to feed future husbands and children.

The traditions of being given away by our fathers, and taking our husbands’ last name, are outdated patriarchal nonsense. Let’s not even get started on how some guys still ask for a woman’s father’s permission to propose. These practices tell us that we are not real people so much as pawns men pass off to each other. These are things that cause me to hyperventilate a little when people try to talk to me about settling down.

Marriage Ain’t For Everybody

I have a lot of beef with marriage propaganda. That’s why Ready or Not speaks to me on a bunch of levels that I find surprising and fresh. Most movies would have forced Grace and Alex to make up at the end to continue selling the idea that heterosexual romance is always the answer. Even in horror, the concept that “love will save the day” is shoved at us (glares at The Conjuring Universe). So, it’s cool to see a movie that understands women can be enough on their own. We don’t need a man to complete us, and most of the time, men do lead to more problems. While I am no longer a part-time smoker, I find myself inhaling and exhaling as Grace takes that puff at the end of the film. As a woman who loves being alone, it’s awesome to be seen this way. 

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Ready or Note cigarette

The Cigarette of Singledom

We don’t need movies to validate our life choices. However, it’s nice to be acknowledged every so often. If for no other reason than to break up the routine. I’m so tired of seeing movies that feel like a guy and a girl making it work, no matter the odds, is admirable. Sometimes people are better when they separate, and sometimes divorce saves lives. So, I salute Grace and her cathartic cigarette at the end of her bloody ordeal.

I cannot wait to see what single shenanigans she gets into in Ready or Not 2: Here I Come. I personally hope she inherited that money from the dead in-laws who tried her. She deserves to live her best single girl life on a beach somewhere. Grace’s marriage was a short one, but she learned a lot. She survived it, came out the other side stronger, richer, and knowing that marriage isn’t for everybody.

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The Best Horror You Can Stream on Shudder in January 2026

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My New Year’s resolution is to spend more time watching my favorite app. Luckily, Shudder is not taking it easy on us this holiday season, so I may meet my quota this January. The streamer is bringing in the new year with quite a few bangers. We have classics from icons, a new title from the first family of indie horror, and a couple of lesser-known films that have finally found a home. So, I am obviously living for this month’s programming and think most of you will too. I have picked the five films that I believe deserve our collective attention the most. Get into each of them and start your 2026 off on the right foot. 

The Best Movies to Stream on Shudder This Month

Carrie (1976)

A sheltered teen finally unleashes her telekinetic powers after being humiliated for the last time. Carrie is the reason I thought proms might be cool when I was a kid. This Brian De Palma adaptation is one of my favorite Stephen King adaptations. It is also an important title in the good-for-her subgenre. I cannot help rooting for Carrie White (Sissy Spacek) when I watch her snap at this prom and then head home to accidentally deal with her mom. The only tragedy of this evening is that Carrie had to die, too. I said what I said, and I will be hitting play again while it is on Shudder. This recommendation goes out to the other recovering sheltered girls who would be the problem if they had powers. I see you because I am you.

You can watch Carrie on January 1st.

Marshmallow (2025)

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A shy 12-year-old gets sent to summer camp and finds himself in a living nightmare. While Marshmallow did not land for me, I know plenty of people who love it. Which makes this the perfect addition to the Shudder catalogue. I am actually excited to see more folks fall in love with this movie when it hits the streamer. If nothing else, it will help a few folks cross off another 2025 title if they are still playing catch-up with last year’s movies. It also gets cool points from me for not taking the easy route with the mystery it built. I hope you all dig it more than I did, and tell your friends about it. Perhaps you could even encourage them to sign up for the app.

You can watch Marshmallow on January 1st.

Chain Reactions (2024)

Tobe Hooper’s The Texas Chain Saw Massacre cemented his horror legacy over fifty years ago. So, it is long overdue for a documentary where horror royalty can discuss its impact on them and their careers. I have been waiting for a couple of years to hear Karyn Kusama and Takashi Miike talk about Hooper’s work and how he inspired them. So, I am super geeked that Shudder is finally giving me the chance to see this film. The streamer is also helping the nerds out by adding The Texas Chain Saw Massacre (1974) and The Texas Chain Saw Massacre 2 (1986) this month. If you are also an overachieving couch potato, I will see you at the finish line next week.

You can watch Chain Reactions on January 9th.

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In the Mouth of Madness (1994)

An insurance investigator discovers the impact a horror writer’s books have on people. I love chaos, and John Carpenter chaos happens to be one of my favorite kinds of chaos. While we talk about The Thing and Halloween all the time, this maestro has given us plenty of horror to celebrate. In the Mouth of Madness is very much one of those titles vying for a top spot among the best of his filmography. To sweeten the batshit pot, this movie features Sam Neill. You know that he only shows up in our genre if the movie is going to be legendary. You cannot tell me this is not a Shudder priority this month.

You can watch In the Mouth of Madness on January 10th.

Mother of Flies (2025)

A terminally ill young woman and her dad head to the woods to seek out a recluse who claims she can cure her cancer. The Adams Family has been holding court on Shudder for years, so it feels right that Mother of Flies is a Shudder Original. More importantly, this fest favorite has one of the best performances of 2025. Which makes it a great time for people to finally get to see it and get in line to give Toby Poser her flowers. Whatever you think your favorite Poser role is, it is about to change when you see her as Solveig. I am being serious when I say that this movie might be the first family of indie horror at their best.

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You can watch Mother of Flies on January 23rd.

New year, but same Shudder. I would not want to go into 2026 any other way, personally. I hope these horrific recommendations bring you the good kind of anxiety.  Or at least distract you from the state of the world for a bit.

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