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HORROR 101: Five Nights at Freddy’s and The Story of William Afton Explained

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If my other articles were individual lectures, this? This is the whole seminar.

Welcome back to Horror 101, a series of articles where we explain horror movie legends and their lore. For beginners, the confused, or just those who need a refresher, these articles are for you. 

It’s time you FNAF lovers. Time to rip apart the meaty animatronic lore all over again. Or, if any of this info is wrong, to put me inside a springlock suit for slandering Scott Cawthon’s child. Maybe I misplaced an event, maybe I’ll accidentally call a Toy suit a Funtime suit, who knows. Just don’t murder me yet.

In honor of the fast-approaching Blumhouse adaptation, Five Nights at Freddy’s, we’ll get down to the heart of horror gaming’s most popular franchise and find the man behind the slaughter. How are these animatronics killing people, and more importantly, why are they killing people? Who started it all?

Five Nights at Freddy’s is probably the most complicated series I’ve ever covered, as a lot of the fun of FNAF is deciphering its storytelling. As such, I need to establish some boundaries so this article doesn’t become a hot mess. 

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I’m not going to be discussing any non-game materials, including graphic novels, guides, and books like The Silver Eyes because of their dubious canonicity. 

  1. I’m also not including any speculation that isn’t given clear backing by the events of the games. I don’t have Mat Pat’s mental fortitude.
  2. I’m not covering any games past the sixth and seventh (Freddy Fazbear’s Pizzeria Simulator & Ultimate Custom Night) because, while Steel Wool’s games are connected to the original story, they don’t concern the main subject of this article.

All good? Wonderful! Let’s get started. 

Without further ado, major spoilers for the first seven Five Nights at Freddy’s games.

WHO IS WILLIAM AFTON?

The story of Five Nights at Freddy’s begins with the unassuming William Afton, also known as Purple Guy because of how his sprite is presented in the games. Starting as an entrepreneur and mild-mannered family man, Afton would become one of the most notorious serial killers of his time. 

He had a wife and three children: Michael, Elizabeth, and Michael’s unnamed younger brother (dubbed the Crying Child by fans). 

Afton founded Fredbear’s Family Diner, a precursor to Freddy Fazbear’s Pizza. Like the real-life Chuck E. Cheese and Showbiz Pizza restaurants, the main selling point of Fredbear’s was its costume mascots: Fredbear and Bonnie the Bunny. Despite Fredbear being the face of the company, Afton would later use the Bonnie suit most frequently in his murders and would suffer greatly for his fondness of the character. 

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Matthew Lillard, known for portraying the unforgettable Stu Macher in Scream, will play William Afton in the film. While it isn’t confirmed, a lot of fans suspect that Josh Hutcherson’s character Mike Schmidt (who you play as in the first Five Nights at Freddy’s game) is an alias of William’s eldest son, Michael Afton. 

WHO CREATED THE FREDDY FAZBEAR’S ANIMATRONICS?

Afton came to collaborate with a man named Henry Emily. A robotics expert who taught Afton the trade, Emily took Afton’s suits and developed full-fledged animatronics from them that could even walk independently. Henry Emily doesn’t have a confirmed casting for the film, but actor Christian Stokes will be playing the role of “Hank”. Some fans suspect this could be Henry given the nickname.

Emily and Afton came up with multiple makes and models of animatronics, though their most remarkable versions were springlock suits: suits that could be converted into free-standing animatronics and back again. The springlocks were eventually revealed to have one glaring mechanical failure: sudden movements could cause the suits to lock up and seize around any person or thing inside them, often paralyzing and horribly injuring them. The glaring flaw would put springlock suits at the center of a tragedy known as the Bite of ’83.

WHAT WAS THE BITE OF ’83?

I remember back in my day we all thought it was the Bite of ’87.

Man, I feel old.

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…RIGHT. SO, WHAT WAS THE BITE OF ’83?

Sorry.

In 1983, Michael was forced to babysit his brother during a birthday party at Fredbear’s. As part of a mean-spirited prank, he and his friends pushed his younger brother’s head into the open mouth of the Fredbear animatronic. The springlock suit’s mechanisms seized up from the child’s panicked flailing, “biting” his skull. He would die days later after being haunted by nightmares of the animatronics, as shown in Five Nights at Freddy’s 4. 

A grieving Afton succumbed to madness and committed his first murder: the daughter of his business partner Henry Emily, outside of the Fredbear’s Family Diner location. These two events resulted in the closure of Fredbear’s Family Diner and the retirement of both suits on stage at the time of the incident, the golden Fredbear and golden Bonnie springlock suits.  

Afton and Emily tried to move on, pouring their resources into a new venue: Freddy Fazbear’s Pizza, complete with a new cast of animatronics headlined by Freddy Fazbear, a new blue version of Bonnie the Bunny, Foxy the Pirate Fox, and Chica the Chicken. These are the mainstay suits we’ll be seeing in the movie, and the ones most of the other animatronics are based on.

Of course, Afton’s bloodlust wouldn’t stop there. He slowly began to give in to his sadistic cravings, killing five more victims and hiding their bodies inside each of the animatronic suits (including the retired Golden Freddy suit). He used the springlock Bonnie suit when committing these murders, and while Afton was among the suspects, the missing cases were never solved. Emily still suspected his business partner of the crimes and ousted Afton from the company.

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HOW ARE THE FREDDY FAZBEAR’S ANIMATRONICS HAUNTED? 

Though nobody knew at the time, the agony of the victims allowed their souls to be bonded to the metal, creating a substance known as “Remnant”. This process caused the confused and tortured souls to become vengeful and murderous, targeting the night security of the restaurant (who you play as in the first Five Nights at Freddy’s). 

Remnant could even trap souls in their original bodies. A grown Michael Afton would later discover his father’s machines, only to be killed and briefly worn as a “suit” by another animatronic. The Remnant injected in him during this event allowed Michael’s broken body to rise from the dead, clinging to life from an obsession with finding and stopping his father.

Both Afton and Emily would continue making animatronics, all of which met the same fate. Afton created a rival mascot with more advanced technology called Circus Baby, which would malfunction and kill his daughter Elizabeth, causing her to haunt the suit. Henry Emily would then go on to reopen Freddy Fazbear’s Pizzeria years later in 1987, with new “Toy Animatronics”: updated versions of the old cast wired to protect children and detect predators with facial recognition.  

HOW DID WILLIAM AFTON DIE?

Afton’s second spree began in 1987 with the sabotage of the pizzeria’s grand reopening. Tainting the new Toy Animatronics with another series of killings, they became especially aggressive towards adults (as seen in Five Nights at Freddy’s 2, for those of you keeping track at home). This resulted in another shutdown, and the toy animatronics being decommissioned. 

Eventually, Afton came across the original animatronics he had used to hide the bodies moving without being activated. After dismantling them one by one, in either an attempt to hide his crimes or understand their inner workings, he discovered the secret of Remnant. 

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On one of his many returns to the crime scene, Afton was cornered by the children’s spirits in a hidden backroom of the original pizzeria. Hoping the springlock Bonnie suit would instill the same fear in them in death as it had in life, he donned the worn-down costume. A total springlock failure from his frantic movements caused the suit to clamp down around him, crushing him to death. 

WHO IS SPRINGTRAP?

When Emily discovered his old business partner’s body, he sealed the room off and left Afton’s remains to rot. Like the children before him, Afton’s spirit became tangled with the metal of the Bonnie suit, creating Remnant and tying him to the material world. This transformation would see Afton reborn in the monster known as Springtrap. 

The rotted-out Springtrap would be unearthed years later during the events of Five Nights at Freddy’s 3. The pizzeria was repurposed for a horror attraction called Fazbear’s Fright; a sort of extreme haunt focused on the “urban legends” surrounding the murders. When Michael Afton took a job as the attraction’s security and discovered his father was still alive through the suit, he burned down Fazbear’s Fright in a failed effort to kill Springtrap.  

One of the featured suits in the film’s trailer was a tattered Golden Bonnie suit, the same one that Afton died in around the events of Five Nights at Freddy’s 2. Whether Afton is already dead in the film is uncertain, but I would be surprised if he was since the suit in the game is much more decayed than what we’ve seen. They’ll probably save his resurrection for the second and third movies.

Neither of which have been confirmed, but… come on. We both know they’re happening. 

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HOW WERE THE FREDDY FAZBEAR’S ANIMATRONICS DESTROYED?

Emily and Afton became embroiled in a game of cat and mouse following the burning of Fazbear’s Fright. Through Emily’s research on Remnant, he found it could be destroyed by melting; he then constructed a labyrinth, a mock restaurant that would draw any remaining animatronics that hadn’t been scrapped. Finally, he hired a security guard as bait: an undead Michael Afton, looking to stop his father. 

Henry Emily, Michael Afton, and William Afton would perish alongside each other with all the other animatronics brought to the maze. The fire set this time would destroy nearly every trace of the murders and their culprit; with their killer vanquished and their animatronic vessels destroyed, the children’s spirits were freed. In the game Ultimate Custom Night, Afton’s soul is shown condemned to a hell that repeats the events of the games forever and forces him to face his most violent creations on a loop, screaming for Michael’s help. 

Afton’s creations would live on though, with Fazbear Entertainment being bought up and revived by a third party… which I’m not talking about today! But almost definitely in a future article, dear reader. 

FNAF comes back. It always comes back. 

***

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And that will be it for today’s Horror 101 lesson. See you in the next class and stay tuned to Horror Press’s social media feeds for more content on horror movies, television, and everything in between!

Luis Pomales-Diaz is a freelance writer and lover of fantasy, sci-fi, and of course, horror. When he isn't working on a new article or short story, he can usually be found watching schlocky movies and forgotten television shows.

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Misc

The Final Destination Franchise, Ranked

With this year’s Final Destination: Bloodlines threatening to bring a major horror franchise of the 2000s rushing back into the hearts and minds of the people, just when we need it the most, there’s hardly a better time than to look back at the franchise that was. The five-film series, which kicked off in 2000 with a movie adapted from an X-Files spec script and follows Death’s increasingly elaborate design to claim the lives of people who somehow avoided disaster, is one of the most thrillingly consistent franchises of the modern age, so this was a particularly tough ranking to hammer out.

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With this year’s Final Destination: Bloodlines threatening to bring a major horror franchise of the 2000s rushing back into the hearts and minds of the people, just when we need it the most, there’s hardly a better time than to look back at the franchise that was. The five-film series, which kicked off in 2000 with a movie adapted from an X-Files spec script and follows Death’s increasingly elaborate design to claim the lives of people who somehow avoided disaster, is one of the most thrillingly consistent franchises of the modern age, so this was a particularly tough ranking to hammer out.

The Entire Final Destination Franchise Ranked

#5 The Final Destination (2009)

I have a chinchilla-level soft spot for The Final Destination, and it’s not just because of its extreme willingness to objectify male characters at the same level as the female characters, but even I must agree with the general populace on this one. It’s demonstrably at a lower level than the others. There’s no appearance by franchise stalwart Tony Todd (RIP), for one thing, and the questionable 2009 CGI is also incredibly damaging for a franchise that is primarily a delivery system for horrible onscreen deaths. That said, there is something charming about the brutal efficiency of its storytelling. It’s painting in strokes so broad it almost becomes a fable, and it is still more clever than it gets credit for in its Rube Goldberg approach to Death, especially in the way that most people become undone by their own good luck tokens.

#4 Final Destination 2 (2003)

Final Destination 2 is definitely the movie in the franchise that I’ve flip-flopped on the most over the years. Its conceit, following Death tracking down people whose lives were saved by characters from the first movie who shouldn’t have been alive in the first place, is solid. Plus, it has that unimpeachable opening sequence with the 18,000 car pileup on the freeway. However, there’s a lot of running around in circles between the death sequences that never amounts to much, A. J. Cook delivers one of the blander protagonist performances in a franchise that isn’t exactly known for textured and interesting leads, and the mini-premonitions she has during the main part of the movie are chintzy and goofy.

#3 Final Destination 3 (2006)

Forgive me for the inexcusable pun, but this one is a roller coaster ride. Mary Elizabeth Winstead delivers a solid leading lady performance, it’s downright nasty to its dead meat characters, and the “prophetic photos” trick is a fun way to get the characters involved in trying to stop their own deaths. This one also suffers from a severe lack of Tony Todd (he has a voice-only cameo at the theme park in the beginning), but at least it remembers that the franchise sometimes gives Death a theme song (“Rocky Mountain High” in the first movie, “Dust in the Wind” in FD5). The one they chose here – “Turn Around, Look At Me” by The Lettermen – is maybe the most perfectly creepy oldies needle drop this side of “Tiptoe Through the Tulips.”

#2 Final Destination 5 (2011)

This miraculous sequel is not only deeply interested in ways to push the premise of the franchise forward (“take a life, steal their remaining time” is one of the most narratively satisfying approaches to giving the dead meat characters something to do), it also contains some of the best pre-death sequences in the franchise. Every installment has at least one terrific Rube Goldberg sequence where random events pile up into a violent death (the beauty parlor in TFD, the fire escape in FD2, and the tanning beds in FD3 come to mind). Still, there has hardly been a better tension-building setpiece than the “sharp screw falling on the balance beam” scene in this movie. It harnesses the wicked glee that is always present in Death’s fuckery throughout the franchise, but it also captures the way that some of the most effective horror comes from the most mundane, everyday threats.

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#1 Final Destination (2000)

It’s very common for any ranking to have the first movie at the top, but frankly, I don’t know that this is the case for Final Destination. Because all the movies are so good, and the sequels are bigger and splashier (sometimes literally), the original 2000 installment can get short shrift. And sure, later on they found more ways to push the envelope of what is set up here, but it is set up so damn effectively. What this movie lacks in the slickness of the sequels, it makes up for with brutality. Moments like seeing a strangled teenager’s veins burst in his eyes or the miserable way that Ms. Newton clings to life until she just can’t anymore during her kitchen misadventure have a profound power. This is by far the most emotionally excoriating installment in the franchise, where the weight of the deaths is felt by the characters in a real way, rather than just as yet another link in the supernatural slasher chain the movie is building.

The franchise’s ability to play on common real-life fears is also introduced with one of its brashest set pieces. That Flight 180 explosion is second only to Final Destination 2’s logging truck for lodging right in the back of your brain for the rest of your life.

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Misc

Happy Birthday, Horror Press!

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Three years ago today, Horror Press slithered its way out of the birth canal and onto the popcorn-covered floor of [insert your local indie movie theater]. Covered in embryonic fluid, Raisinets, and sticky miscellaneous floor fluids, Horror Press has come a long way. You’ve been with us through our first steps, the terrible twos, countless festivals, two podcasts, numerous giveaways, Horror 101s, rankings, retrospectives, lists, and so much more. We’ve appreciated your support along the way, but we want you to know that we’re just getting started. Our third year is already starting off with a bang and we plan on making it bigger, badder, and bloodier.

While it’s important to look forward to what’s to come, I also want to take a moment and look back at all of the quality content that’s gotten us this far. From gay sharks, to a unique look at Martyrs, to an interview with Jennifer freaking Kent, we’ve covered a wide variety of topics. It’s time to put on your party hat (like Leo in that episode of Twin Peaks where Bobby and Shelly dress him up when he’s comatose) and join us as we highlight what makes Horror Press, well, Horror Press!

A Look Back at Some of Our Favorite Articles at Horror Press

Gay Jaws!

Queer historian of American horror cinema Abigail Waldron wrote one of our most controversial articles in the history of Horror Press. In March, Abigail asked the question, “Is it time for a queer Jaws remake?” This article caused tons of…debate among horror fans across social media. Many of the responses were from readers who merely read the headline, but those who read the article were treated to an incredibly well-written thought experiment. If you happened to miss this article when it came out, now’s your time to check it out.

Angry Aliens!

One of the co-hosts of the Horror Press Podcast, Eli BadCritic, took on the task of ranking the Alien franchise in the most Eli way possible! If gay Jaws didn’t get people in a tizzy, this one sure did! Ridley Scott’s Alien is one of the most prolific Sci-Fi horror films ever, but where does it rank for Eli? We’ve had many franchise rankings here at Horror Press but none as contentious as this one!

Castle On A Hill

Luis Pomales-Diaz is unquestionably one of the powerhouses at Horror Press. From Smile 2, Terrifier 3, Beetlejuice Beetlejuice, A Quiet Place: Day One, Longlegs, and countless others, Luis has made sure to cover many of the heavy hitters to grace the silver screen last year. Aside from his unwavering love for the Chucky series, Luis wrote an editorial on something that I, and many fans my age, care deeply about: Dark Castle Entertainment. Dark Castle initially set out to remake the films of famed horror filmmaker William Castle. As far back as I can remember, some of my earliest horror movie memories are of Dark Castle films. If you are also a fan of the Aughts classics, then give Luis’ editorial a read. You won’t regret it!

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Final Girls Support Group

Many of us use horror as an escape from the real world, some of us use it for entertainment, and some of us use horror to help the grieving process. Writer Ian Carlos Crawford crafted a brilliant look into his relationship between horror and grieving. This is the article that drew my attention to Horror Press and prompted me to ruin Curator of Everything Horror Press James-Michael Fleites’ life. Horror has the unique ability to cover a wide variety of topics and handle each one of them differently; sometimes all you need to make yourself feel comfortable is an hour and a half of good ole hack-n-slash.

Michael Myers and Me

Sharai Bohannon has been incredibly busy between her countless podcasts and numerous bylines. Her Shudder streaming guides have been incredibly helpful and well-received by both fans and casual horror enjoyers. While not scouring through Shudder’s insanely awesome catalog, Sharai has written one of the most deeply personal editorials on Horror Press. Check out her article about her insatiable love for Halloween and the undeniable tether she has to the masked killer.

Too Much Paranormal Activity

We all know that Paranormal Activity was the film to singlehandedly kickstart the mid-aughts obsession with found footage. Writer/podcaster Brennan Klein, who has a penchant for 80’s slashers, took on the daunting task of watching and ranking ALL of the films in the Paranormal Activity franchise. This isn’t the only franchise he tackled, Brennan has also ranked franchises like Leprechaun, Blair Witch, and The Amityville Horror! He also took a task that many would be too afraid to broach when he covered the Top 10 Child Deaths in Horror.

Hellraiser and You

Brooklyn-based Bash Ortega has a history of interviewing quite a few exciting voices in horror. From the crew behind Black Eyed Susan on AI and consent, prolific filmmaker Bertrand Mandico on his queerly fantastic She Is Conann, and the writer/director Alex of one of my Letterboxd Top 4 Alex Phillips on All Jacked Up And Full Of Worms! And that’s to name a few. One of my favorite editorials from Bash is their deep dive into Hellraiser and all the kinky shit that lurks below the surface.

Disturbing Movies

Toward the end of 2023, James-Michael shared an article with me that pissed me off. Buzzfeed saw fit to put out an article on the most disturbing movies of all time. Now, I’m not one to gatekeep horror by any means, but it was clear all they did was google “disturbing movies” and hastily put together a list they thought would pass for casual horror fans. It did not. This led me to watch 50+ movies I had never seen before and revisit movies I have seen before…I didn’t sleep for a month. I’m proud of all of my articles on Horror Press, but this one takes the cake. (Though my interview with Larry Fessenden is definitely the runner-up!)

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This is all just the tip of the iceberg. There are countless amazing articles from the Horror Press writers and there is so much more to come! Thank you for joining us along the way and we hope to keep your skin crawling for years to come.

Hail Raatma!

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