Reviews
[REVIEW] ‘Dreadstone: The Beginning’ Is a Gold Rush of Terror
We continue to start our year by looking at short films that either ran their festival circuit in 2024 or will soon be running the festival circuit. Western horror is a subgenre that’s often overlooked, usually because it offensively centers around Native Americans attacking groups of white people who have taken over their land. Bone Tomahawk and The Burrowers are unfortunate examples of painting Natives in a negative light for the plight of the whites. Who knew all it would take for a well-done Western horror is an Italian director at the helm? We’re glad to see Dreadstone: The Beginning change things.
Dreadstone: The Beginning Plot Overview
Dreadstone: The Beginning follows Jeb (Grid Margraf), a tired and weathered man who is left in charge of his non-verbal autistic daughter Adeline (Alexandra Boulas). Jeb finds himself in possession of a purple-glowing gem that may be more nefarious than meets the eye. The two traverse across harsh lands in search of the source of the gem. But things turn south when they find out what they were looking for may have answers to questions they never intended on asking.
Written by Avery Peck and Riccardo Suriano, and directed by Riccardo Suriano, Dreadstone: The Beginning is a fascinating start to a tale as old as time. Peck’s cinematography beautifully brings their words to life and effortlessly blends cosmic horror with the overwhelming fruitless nature of greed and the human condition. Cosmic and Western horror aren’t typically put together, but they work incredibly well with the ideas behind Dreadstone and its themes. Jeb’s gem is a practical MacGuffin and is a great stand-in for the concept of greed; this opulent-looking rock in a no-tech world. It’s a simple object that’s incredibly effective.
Isolation and the Frontier Setting
The frontier setting of Dreadstone works to create an isolating setting. This large setting singularly frames these two characters and makes them feel like the only people in the world. It isn’t until the film’s final shot that we realize they are definitely not the only people around. Dreadstone: The Beginning is a drastic change from Suriano’s previous film, Along Came Ruby. Besides the obvious time difference between these two films, Ruby sets itself as a Last of Us-like post-apocalyptic film, whereas Dreadstone: The Beginning sets itself to possibly be a pre-apocalyptic film. These two films also differ in tone, but both films prove that Suriano is confident with his overall voice and vision.
Alexandra Boulas stars in both Along Came Ruby and Dreadstone: The Beginning. Boulas excels in both films but gives a more reserved and confident performance in Dreadstone. With the exception of a few moments, Boulas’ performance is silent…but commanding. Watching Ruby shows that Boulas can easily deliver lines, while Dreadstone proves there’s more to her acting than line delivery. Fingers crossed we see her in more films in the near future, I think she has a promising career ahead of her.
Why Dreadstone: The Beginning Stands Out in Western Horror
Dreadstone: The Beginning is a unique take on Western horror that forgoes the [racist] Native Americans against white people trope that the subgenre is fraught with. A touch of cosmic horror, a hint of coming-of-age, and a heaping spoonful of good ole greed make Dreadstone: The Beginning a short film that will stick with you long after the credits roll. I’ll tell you what…this made me look forward to Dreadstone: The Aftermath, or whatever comes next for Riccardo Suriano.
Reviews
Madame Morbid Trolley Tour Review: Is It Worth It?
Most people find that stretching their dollar still barely gets them by in today’s economy. I am very particular about what I spend my spare money on regarding extracurriculars. And no one likes to feel like their money is wasted. Madame Morbid Trolley Tours wasn’t an experience I had been familiar with. Maybe that’s because I’m chronically offline for most of my life. So this leads to the perfect question: in today’s turbulent economy, is Madame Morbid Trolley Tours worth the price? The short answer is unquestionably, yes. But it’s more than just a simple yes.
My wife and I arrived at the designated meeting point 15 minutes before the scheduled departure time. A handful of minutes later, a gorgeous, e-candle-lit trolley pulled up to the side of the road. We were greeted by impeccably on-brand Allison Chase, our tour guide, and trolley driver ‘Mad’ Matt Zaller. The wonderfully cheery duo invited us on the trolley, and the tour was set to begin.
400 Years of Death, Destruction, and Infrastructure
After a welcoming video intro from someone who knows a thing or two about busting ghosts, we set off on the inaugural Madame Morbid Trolley Tour in its ninth year of operation. From the Brooklyn Naval Yard all the way to Dumbo, and more, this tour magnificently chronicles 400 years of history, the good and the bad, expertly. No matter how much you think you may know about Brooklyn history, I can bet there will be something new learned within the first 15 minutes of the tour. From the first-ever plane crash to one of the worst theater fires in history, this tour covers tragedies that the greatest horror writers couldn’t conceive.
The Deadly [Charming] Docent
Allison Chase led the fascinating tour in character from the moment we stepped on the trolley until our departure. But Allison’s character was not forced or fake; you could feel Allison’s passion for not just morbid history, but the accuracy of it. Some of the stories we heard were steeped in historical context, and it was not boring for a single second. The Madame Morbid Trolley Tour is not your standard full-talking tour. It’s a mixed-media adventure of some of Brooklyn’s darkest moments.
During “downtime” (the times between locations), we were edutained by mini documentaries (that were quite funny). Some of the “downtime” was filled with traffic trivia (I won a needle pen!). And other times were show-and-tell-like, with objects passed around for us to examine. But there was never a moment of silence that wasn’t purposeful. All in all, Allison’s knowledge and passion shone like the luminosity of a full moon.
Is Madame Morbid Trolley Tours Worth It?
The Madame Morbid Trolley Tour was not just a fun night out for my wife and me, but it was a delightfully dark night of edutainment. It should also be noted that ‘Mad’ Matt’s driving skills were fantastic. There was a time when I had become enamored with how Matt handled the narrow streets of Brooklyn before realizing that I needed to refocus my attention on Allison. The Madame Morbid Trolley Tour is an exceptionally fun evening of horror and history that will make you think twice next time you walk down the streets of Brooklyn. It is worth the money, and then some. There’s no better activity for a cold, dark October night than the Madame Morbid Trolley Tour.
For more information on Madame Morbid Trolley Tours, and to get your tickets, click here!
Reviews
‘Cujo’ (1983): A First-Time-Watch Review
I don’t know what’s wrong with me. I should have watched the Stephen King adaptation Cujo a million years ago. First of all, I was a voracious King reader in middle school. The other thing I was obsessed with during those years was Friends. You know, the show that hinges a major episode’s subplot on Rachel (Jennifer Aniston) watching Cujo for the first time. Whatever the reason was, I never got around to it, but I’m rectifying that oversight now.
What is Cujo About?
Cujo tells a relatively simple story. Donna Trenton’s (Dee Wallace) a housewife who’s cheating on her husband Vic (Daniel Hugh-Kelly) with local handyman Steve (Christopher Stone). There’s no accounting for taste, because Vic is 10 times hotter and Steve doesn’t own a bed frame. Look, Donna. I know Vic has that awful David Hasselhoff hair, but I promise the 1980s will end sooner or later. It’ll be OK.
Donna’s attempted termination of this affair ultimately leads to its discovery. Amid this drama, her car breaks down at a mechanic’s isolated farmhouse, trapping her and her son, Tad (Danny Pintauro). You see, the mechanic’s dog, Cujo, freshly christened with rabies, is patrolling the area and attacking everything in sight.
Dee Wallace Is Cujo’s Not-So-Secret Weapon
It would be impossible to start a worthwhile review of Cujo without praising Dee Wallace. The woman is a genre icon, naturally. Think about this: She had only appeared in seven theatrical movies before starring in Cujo. Four of those movies are The Stepford Wives, The Hills Have Eyes, E.T., and The Howling. But this woman didn’t become an icon simply by accidentally stumbling into some iconic titles. She is simply terrific as Donna, using her darting eyes and taut expression to deliver oodles of subtext. You instantly get the sense of how trapped she feels by marriage and motherhood without her uttering a single word.
A good performance is vital, here. Because there’s a hell of a lot of drama to get through before she’s trapped in that damn car. But Wallace instantly shoves you into Donna’s perspective, whether you like it or not. This makes it all the more potent when she is menaced by Cujo. Her desperate attempts for survival, also impeccably performed, have true weight because she seems like a real person. She is also given an incredible scene partner in Danny Pintauro. The future Who’s the Boss? star, who was only six when shooting Cujo, has a perfect everychild quality. His innocence heightens the peril. But so does that fact that he is just as irritating as every six-year-old you’ve ever met.
This movie truly captures how annoying it must be to be stuck in a life-and-death situation with a child. This is a compliment, I swear! Donna is worn down by every aspect of the situation, including her own son’s inability to cope with it. And this ratchets up the tension even further, to an almost unbearable degree.
Cujo Is a Mixed Bag, But Worthwhile Overall
The movie doesn’t work if Cujo himself doesn’t work, and at first I was real worried that he wouldn’t. In the first half, the St. Bernards that play Cujo onscreen are often shown to be wagging their tails in delight. Which kind of undercuts the reality of the situation, I’d say. But the editing and the special effects step in to fix what animal training couldn’t. The attack scenes in the second half are constructed with quick cuts that never let you get too much purchase. It’s a good approach for keeping viewers off-kilter.
Also, Cujo becomes less and less recognizable as a cuddly canine the further the movie gets. It’s a simple trick, really. He ends up getting coated with more and more slime. Saliva, pus, blood, and what have you. This is good for making him feel like a true movie monster. Plus, it’s a good mirror for the sliminess inside the car as it gets covered in sweat, blood, and grime.
The second half of the movie ultimately works like gangbusters. It’s a shame that Cujo is too cowardly to get Donna and Tad in the car before the halfway point. This decision is somewhat faithful to the book’s structure as I remember it. However, it diminishes the weight of the long days that they spend in the car. We really need to feel that crushing stretch of time, and we don’t. When Tad is suffering from dehydration, it’s not a gut punch. Honestly, I just found myself asking, “Already?” It’s good that they gave the movie a happier ending, because the classic grimdark Stephen King finale wouldn’t have landed.
Is Cujo Worth Watching in 2026?
At the end of the day, Cujo is a solid movie and I’m glad I finally watched it. However, it’s not such a stone-cold classic that I’m not at least a little intrigued by that upcoming Netflix remake…



