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Luis’ Top 5 Horror Movies of 2024

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At this point, it feels a bit trite doing retrospectives on the year at the beginning of my articles. What can I say? 2024 was a long year packed with chaos and horror. I am glad 2025 is going to be…well, it’s not going to be 2024; at least we can say that!

Having time to mull over my thoughts on the films I saw last year, I had difficulty paring down my best from the multitude of films I saw. I originally thought this list was going to have Terrifier 3 on it because of the sheer hype and the theatergoing experience of it all; I was proven wrong just through the process of reflection. I thought I would mention quite a few more films that I saw at Brooklyn Horror Film Festival, but I only really found myself captivated by one, which turned out to be an all-time great. And the one film I put off watching turned out to be my favorite film of the year by far.

All in all, it’s been a year of surprises, and every single film on this list reflects that in one way or another for me. So, whether you’ve seen them or not, here are the ones that I think deserve some accolades.

The Top 5 Best Horror Films of 2024

HONORABLE MENTION: ALIEN: ROMULUS

Close enough to being one of my favorites of the year that it should get some mention. I did describe Alien: Romulus as an almost perfect sequel after all, and barring some of the fanfare and a few cheap-feeling moments, Fede Alvarez engineers a machine of a film about as effective as the xenomorph. As a sequel, I have to quote our android friend Ash from the original film: I admire its purity.

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Romulus illuminates the harrowing scope of Weyland-Yutani’s cold and unfeeling corporate evil in a new and effective way. There’s a humanity and terror here that’s been rare to the series at large, and I’m glad to see it nails that darker and more horror-oriented tone I would hope from the lauded Evil Dead director. It’s a crowd-pleaser first, certainly, but a really great film overall.

5. GRAFTED

What’s it about? A girl’s attempts to revive her father’s dangerous skin grafting experiments intersect with her desire to assimilate into the New Zealand community she immigrates to– with disastrous effects.

Why is it so good? When I reviewed Grafted in October, I said it was one of the best coming-of-age horror films of all time, and I stand by that. Joyena Sun and Jess Hong give performances you’d expect to only really see from seasoned vets. Playing opposite of each other, the disharmony between their characters drives many of the movie’s themes like the difficulties of cultural assimilation and the awkward nature of navigating young adulthood.

Where it leads them is downright captivating, as it demonstrates their emotional acting skills amidst the skin-crawling body horror that ties them together, and an even more skin crawling villain. This elevates an already clever script, that lands somewhere between Re-Animator and Jennifer’s Body in the most fun ways. Despite sharing quite a few similarities to another entry on this list, Grafted has its own distinct flavor of both black comedy and tragedy made light. Its ending hits like a train even when you’re aware it can’t go anywhere but to hell in a handbasket, and for that final shot, it will stick with you for a long while. Here’s to its release on Shudder soon!

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4. ABIGAIL

What’s it about? A gang of criminals attempt to hold a millionaire’s daughter hostage, only to find themselves on the receiving end of a vampire ballerina beatdown. Pools of dead bodies and geysers of blood ensue.

Why is it so good? I am paraphrasing Brendan Fraser here, but Radio Silence are not underdogs; they’re champions who are overlooked. They rarely disappoint because they know how to make an incredibly fun, incredibly well-rounded movie whether they’re directing or producing; even their light work in more flawed films like Scream is made highly rewatchable because of the personal touch they have on the cinematography. In particular, I think their strong suit is how good they are at directing actors and getting just the right performance out of them.

Abigail does just that, and it is in my humble opinion, the best of their offerings thus far because of it. It takes an inventive approach to reimagining the 1936 film Dracula’s Daughter, boldly, I would add given we’re in an era where a lot of directors have had hit-or-miss attempts to revitalize the Universal monster’s source material. Abigail does an impressive job executing this with an ensemble cast of great actors whose chemistry never falters.

Everybody here, but especially horror royalty Melissa Barrera and Kathryn Newton have their charisma overclocked. And they’re using it to deliver witty dialogue that never overstays its welcome thanks to what I consider perfect pacing. The special effects on offer aren’t anything to scoff at either, and all in all, you can’t miss this one if you’re looking for a fun mix between crime film, comedy, and action horror.

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3. ODDITY

What’s it about? A blind psychic who sells supernatural oddities visits the house where her twin sister was murdered in an attempt to catch her killer. Her assistant in the process? An odd and off-putting wooden man.

Why is it so good? 2024’s most inventive offering is an intimate and stylish piece of occult horror and murder mystery, offered up to us on a silver platter by Horror Press’s favorite streaming platform to cover, Shudder. This Irish feature has ripped through more film festivals than I can count, and it’s with good reason. It’s a deeply atmospheric movie that denies you gratuity and camp for a serious horror-thriller told in the style of a ghost story. Our guide through the cold, haunted household is actress Carolyn Bracken, who plays the medium Darcy; she has an air of untold supernatural knowledge about her that made me, and plenty of others, fall in love with the character and the mystery immediately.  

Oddity also brings a new horror history icon into frame with The Wooden Man (if you haven’t seen him, don’t Google him, just press play and wait for him to show up). Director Damian McCarthy mentioned that the idea and the eventual image of the titular oddity were the foundation on which the rest of the film was built. And a strong image it is, as this nightmare-inducing sculpt has an uncomfortable amount of life coursing through it when it isn’t even moving because of its expert build. It’s just one of the many pieces that come together to make a truly tense and extremely enjoyable supernatural horror film.

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2. SMILE 2

What’s it about? A pop star struggling to recover from a car accident ends up being the next victim of a demonic entity that stalks and tortures her, warping her perception of reality as it smiles all the way.

Why is it so good? The more I think about Parker Finn’s second installment in the Smile franchise (what I hope will sooner than later be a trilogy), the more I’ve started to believe that it might just have my favorite opening sequence in all of horror. Smile 2 took its predecessor, one of the films that underwhelmed me the most the year it came out, and made me a genuine lover of the series over the course of a couple of hours. It gave me a deeper appreciation of how the concept of The Entity can be taken in new and bold directions even when it hits the same beats in how it terrorizes people.

The film wheels and deals in both raw human sorrow and some of the most skillful dark comedy I’ve seen in a horror film ever. I can’t remember a single weak performance from anyone in the cast, least of all the now-legendary Naomi Scott, who makes for a downright unforgettable scream queen. And wherever the Smile movies go from here, whether it’s seeing the Entity’s effects on a massive scale or another intimate character study of a tortured person, it is an automatic yes from me.

1. THE SUBSTANCE

What’s it about? As an older actress finds herself forgotten by Hollywood and scorned by movie and television execs for aging, she turns to weird science to get a younger version of herself back. What results is her splitting into two separate people sharing one muddied consciousness, with both soon fighting for dominance.  

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Why is it so good? There’s one succinct phrase that scorched into my brain during my reflection on how great this movie is: The Substance is heartbreaking, and it will make you have a blast as it shatters your heart in front of you. It is weaved in moments that feel like a sensory nightmare that you just can’t look away from. It’s penned in subtle dialogue and subtler acting choices that make the main characters feel real in an unreal setting. The closest thing that has scratched my brain in this manner is Under the Skin, which is one of my top ten science fiction films of all time. And likewise, The Substance has become a solid, top 10 spot holder in my favorite horror films of all time.

Its vibrant, borderline art pop color palette is a fun departure from the much more grave and much more burnt aesthetic of director Coralie Fargeat‘s first film, Revenge. It has the camp of a Hennenlotter movie, the body horror and existential dread of a Cronenberg film, and the high-impact editing and sound design that would give Gaspar Noe a run for his money. And while I would compare the effects to another SFX maven’s work, Pierre Olivier Persin’s designs here carry the kind of magnum opus quality that earns you a name as an industry legend, so it feels silly to do so. They’re that good.

With a gonzo ending, surreal visuals, and an enchanting social horror story of a woman torn in two by the industry that mindlessly gnashes her in its teeth, The Substance really does have everything—and it really does have to be seen to be believed.

Luis Pomales-Diaz is a freelance writer and lover of fantasy, sci-fi, and of course, horror. When he isn't working on a new article or short story, he can usually be found watching schlocky movies and forgotten television shows.

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The Conjuring Movies, Ranked

The theme for this month here at Horror Press is “Based on a True Story,” and in my eyes, no franchise better encapsulates the core tenet of that corner of the horror genre than The Conjuring Universe. Let me be very clear: the tenet in question is “This is based on abject lies made by charlatans, but someone wrote a book about it, so it counts,” but nothing wields that approach with quite as much gusto as James Wan’s 2013 movie The Conjuring and the nine-film franchise it spawned. Eight-film franchise, if you don’t count The Curse of La Llorona. But Annabelle is in it, and the guy who directed it somehow conned his way into helming two of the three proper Conjuring movies that followed, meaning he has directed more of these things than James Wan himself.

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The theme for this month here at Horror Press is “Based on a True Story,” and in my eyes, no franchise better encapsulates the core tenet of that corner of the horror genre than The Conjuring Universe. Let me be very clear: the tenet in question is “This is based on abject lies made by charlatans, but someone wrote a book about it, so it counts,” but nothing wields that approach with quite as much gusto as James Wan’s 2013 movie The Conjuring and the nine-film franchise it spawned. Eight-film franchise, if you don’t count The Curse of La Llorona. But Annabelle is in it, and the guy who directed it somehow conned his way into helming two of the three proper Conjuring movies that followed, meaning he has directed more of these things than James Wan himself, so I say it counts, dammit.

Anyway, did I mention we’re ranking these movies? Grab your crucifix and make sure those shadowy corners behind you are cleared of demonic nuns, and then we’ll be ready to rock.

The Entire Conjuring Franchise Ranked

#9 The Conjuring: The Devil Made Me Do It (2021)

This is the first Conjuring without James Wan in the director’s chair, and you can feel it. The precarious balance of a love story about aging with a Catholic mysticism-inflected legal drama requires his deft touch, and it doesn’t get it, leaving this movie as something of an illegible mess.

#8 The Nun II (2023)

Speaking of illegible messes… Michael Chaves’ follow-up to The Conjuring: The Devil Made Me Do It (Why did they hand him the keys to the entire franchise, spinoffs and all? Who knows. I’d love to read the tell-all.) is The Nun II. This flavorless slog is only saved from being at the bottom of the list by a deliciously unhinged moment in the finale (Spoiler alert: The real hero of the movie is transubstantiation).

#7 The Curse of La Llorona (2019)

The Curse of La Llorona is the first of its kind. A big-budget Hollywood movie had never been made about La Llorona before. And frankly, it still hasn’t, because this movie makes a hash of her legend. Since when is she like… repelled by the tree that was nearby when she drowned her kids or whatever? What could have been a righteous force of angry dissent against patriarchy and colonization is converted into another boring haunted house jack-in-the-box ghostie. Linda Cardellini is great at screaming, though, somebody get her some Throat Coat, stat.

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#6 Annabelle (2014)

The soft spot I have for the supremely dopey Annabelle was only enough to get it placed at No. 6. It’s still just not a very good movie, y’all, and it wastes Alfre Woodard, which is high treason as far as I’m concerned. However, the broad field of references from which it is exuberantly pulling (the Manson Family, Rosemary’s Baby, Mario Bava’s Shock, the list goes on and on) keeps you on your toes as it spins its daffy tale of parenting and terror.

#5 The Nun (2018)

The Nun is absolutely choked with gloomy atmosphere, but it’s just a random assortment of fright gags tossed everywhere. And unfortunately, none of them match the raw, unnerving power of the titular entity’s debut appearance in The Conjuring 2.

#4 Annabelle: Creation (2017)

It could maybe cool it on how many different manifestations the demon has, and it’s a bit over-reliant on CGI. However, director David F. Sandberg has pulled off the impossible, dragging this trashy subfranchise kicking and screaming toward the gliding, eerie aesthetic of the salad days of the flagship Conjuring movies.

#3 Annabelle Comes Home (2019)

Annabelle: Creation seems to enjoy the best reputation of the subfranchise, probably because people hated Annabelle so much that it felt like a breath of fresh air. But Annabelle Comes Home is full to bursting with sleepover movie energy. It’s probably the least “scary” Conjuring movie, but the sheer funhouse glee with which it throws every possible creepy crawly and ghoulie ghosty your way is hard to deny.

#2 The Conjuring 2 (2016)

James Wan sure as hell knows how to repackage some of the hoariest tropes in horror cinema history and make them fresh and exhilarating by combining his ever-so-patient creeping dread with a handful of gnarly jolts. The screenplay of this one is kind of a shambles, and the movie is way too proud of its blunt-force foreshadowing. Still, it looks gorgeous, and any film with that creepy-ass scene where the little girl’s silhouette slowly morphs into the ghost of an old man in the background of one long, sustained shot simply can’t be all bad, or even mostly bad.

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#1 The Conjuring (2013)

Remember what I said about James Wan and his tropes? There is absolutely nothing in The Conjuring that is new. It is The Amityville Horror with The Exorcist crudely grafted onto the back third of it. But by pouring every ounce of creative energy he has into some stellar scares and by hiring a cast that is more than capable of bringing the unusually well-shaded characters – yes, Ed and Lorraine Warren, but the Perron family as well – he is able to elevate what could have been pretty bland material in anybody else’s hands.

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A Horror Movie Streaming Guide for Those Looking for More Ed Gein in Their Life

Ed Gein was known for exhuming bodies to take parts as keepsakes. He used some of the pieces to fashion clothing, furniture, etc. As with most serial killers, Gein also had an unusual relationship with his parents, specifically his mother. So, obviously, there is a lot to mine here when creating unsettling characters. This explains why many writers return to this personality to give actors unsettling moments even in the most unassuming movies. Looking specifically at Con Air’s Garland Greene (played by Steve Buscemi). This is wild because Buscemi starred in Ed and His Dead Mother as a guy named Ed with a bizarre relationship with his dead mom. The irony of a nice guy like Buscemi getting two attempts at characters based on the same serial killer is not lost on me. However, I digress. I am here today with four horror movies we saw way too young to connect to Gein’s horrendous legacy. Once you know these villains were inspired by a real and disturbing person, it makes you look at them very differently.

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Hollywood’s ongoing fascination with serial killers is one of the few things we can count on as a society. With America’s interest in these monsters resulting in high demand for true crime content, it is easy to see why the subgenre remains bankable. While we see countless films about these infamous murders, I find the fictional characters inspired by them more interesting. This is why when I discovered that Ed Gein was the blueprint for some of our favorite killers, it made them even more disturbing. Gein, also known as the Butcher of Plainfield or the Plainfield Ghoul, is in the DNA of many characters most of us grew up watching. 

Ed Gein was known for exhuming bodies to take parts as keepsakes. He used some of the pieces to fashion clothing, furniture, etc. As with most serial killers, Gein also had an unusual relationship with his parents, specifically his mother. So, obviously, there is a lot to mine here when creating unsettling characters. This explains why many writers return to this personality to give actors unsettling moments even in the most unassuming movies. Looking specifically at Con Air’s Garland Greene (played by Steve Buscemi). This is wild because Buscemi starred in Ed and His Dead Mother as a guy named Ed with a bizarre relationship with his dead mom. The irony of a nice guy like Buscemi getting two attempts at characters based on the same serial killer is not lost on me. However, I digress. I am here today with four horror movies we saw way too young to connect to Gein’s horrendous legacy. Once you know these villains were inspired by a real and disturbing person, it makes you look at them very differently.

The Best Movies Directly Inspired By Ed Gein

Psycho

Where You Can Watch: Netflix

A secretary steals a bag of cash from her job and hits the road. However, she unfortunately checks into the Bates Motel, where Norman Bates and his mysterious mother may pose a threat. Finding out Anthony Perkins’ character is based on Ed Gein changed my brain chemistry. This might be why Gein is one of the serial killers I actually did a little bit of research on. I figured the novel by Robert Bloch that the movie is based on was just super creative until I was a teen who realized Norma and Norman were based on Gein and his belief that he could rebuild his mother from various body parts he stole. He also planned to wear his “mom” suit in the moonlight. 

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Deranged 

Where You Can Watch: Tubi

A rural farmer turns to grave robbing and murder after the death of his mother, whose corpse he keeps as a companion. The plot is loosely based on the crimes of Ed Gein and even exclaims it is inspired by true events and has only changed the names and locations. This marries parts of Psycho and The Texas Chain Saw Massacre with almost Coen brother humor. The late Roberts Blossom plays Ezra Cobb, our killer. He skins victims to make masks and also pulls other bodies to hang out with his dead mother. Jeff Gillen and Alan Ormsby directed this 1974 nod at Gein and does not get the same respect as the other films on the list.

The Texas Chain Saw Massacre (1974)

Where You Can Watch: Peacock, Plex, Pluto TV, Prime Video, The Roku Channel, and Tubi

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Five friends road tripping through rural Texas stumble across a seemingly deserted house holding a huge secret. While Leatherface’s chainsaw and hometown are changes to the story, his love of wearing other people’s faces is very similar to Gein’s. Ed Gein is not the only serial killer this movie is under the influence of, but he is the one that stands out the most. After all, he also keeps his mother’s corpse on hand, so it is hard not to think of Ed. While this beloved title does take its fair share of liberties with the source material, it is clear that Tobe Hooper and Kim Henkel’s creation has many similarities to Gein. Which might explain why it still gets under our skin today.

The Silence of the Lambs

Where You Can Watch: Pluto TV, The Roku Channel, and Tubi

A young F.B.I. cadet works with an incarcerated cannibal to catch another serial killer who skins his victims. A lot can be said about the character of Buffalo Bill (played by Ted Levine). However, one thing we should all be able to agree on is that he is another character wearing the skin and hair of his victims. As a kid, most of us were not aware a real person inspired the serial killer they were hunting. As an adult armed with that knowledge, the film is even more chilling. The Silence of the Lambs is also one of the few horror movies to win statues at The Academy Awards

While plenty of movies nod at Ed Gein’s unusual crimes, these four titles are some of the most interesting to do so. If you have already seen these, there is no shortage of media dedicated to this midwestern body snatcher. However, many of those titles are more direct in their approaches. That is not my cup of tea, but perhaps it is perfect for people who are fans of true crime. 

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