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Falling Down: Chucky Season 1 Episode 6 “Cape Queer” Recap

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Back from the depths of a series low, this chapter treats us to an episode full of references, returns, and really messed up deaths.

And just like that, the show I love is back! The quality of this episode feels like an apology for five, and that’s the last disparaging comment I’ll make regarding that, promise.

We get a fast-paced, four-minute opener that feels like it could have been the intro to a Chucky movie of its own, and my gut tells me that at some point this probably was, but you won’t find me complaining about it. It’s incredibly satisfying to see the on-screen return of Andy, and more importantly Kyle who we only got the slightest glimpse of in Cult. It’s also damn enjoyable seeing the first of many shots in this episode that pay homage to iconic films like Pulp Fiction, Cape Fear, and Christine; it was cathartic seeing Andy and Kyle unloading their clips on Melty Hand Chucky from the previous film like they’re Jules and Vincent. Now all I need to know is just where is that darned, one-armed, drill wielding Chucky who we last saw sitting in the asylum patiently? Eh, that’s a problem for next season, I guess.

Alex Vincent’s acting is not great, I’m not going to pretend that it is. But his portrayal of Andy’s obsession with Chucky, which has clearly spun out of control since the last film’s events, is equal parts just cheesy enough and just weird enough to work. This kind of performance makes for a good balance when he interacts with the much more strait-laced Kyle, who is very clearly serving as a counterbalance for her traumatized foster brother and his doll induced instabilities.

A performance I can wholly praise however is Lexa Doig’s, playing Junior’s mother Bree. Doig’s last big name horror role was Rowan in Jason X (I knew she looked familiar!), but she fits right at home in this series. Both her and Sawa’s performance as they psyche themselves up, trying to muster an explanation for Junior regarding Bree’s cancer diagnosis, is not only compelling but genuinely saddening. The way she recomposes herself to comfort Junior, her explaining to him what exactly she talks about in therapy, and her bold refusal of treatment while facing her illness just makes her death even more harrowing in the end. I really hope that Doig gets a second role in the franchise the same way Michael Therriault and Adam Hurtig have before her just because of how enjoyable she was to watch.

After Bree’s death I was sure the second half of the episode wouldn’t be able to keep up, but the tension in this episode stays at a fever pitch to the very final frame. I enjoyed the slow crawl through the Wheeler mansion hunting for Chucky as the crew attempts to corner the doll strategically. Samir Rehem’s steady directing complements the scene’s mood. The showdown between them and Chucky isn’t as long I would have liked, but at this point I’m just being greedy asking for more, especially when the sequence ends with such a potent shock. Detective Evan’s death at the hands of Chucky’s second fatal push of the episode was even more of a sucker punch and left me totally stunned the first time I saw it. I’m glad to say the end of this episode still hits hard.

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PERFORMANCE HIGHLIGHTS: This may seem like a cop out, but I legitimately think this is the first episode where I can say everyone was just downright fantastic. All the major players got a heart-to-heart moment or piece of dialogue that showcased their talent. One performance I will always note is from Fiona Dourif, who is forced to do her stellar Chucky impression worse than it actually is to play Nica pretending to be Chucky. Meta.

VISUAL HIGHLIGHTS: The plunge Bree takes is a cut above most of kills in the franchise. It’s shocking, creative, insane looking, and all in all a brutal end. I’m not going to be forgetting the pan to Bree’s face through the broken windshield anytime soon. This episode’s title card with Chucky’s reflection in the glass shards is also my favorite out of all the episodes.

QUOTE OF THE EPISODE:
“Oh shit. That never happened in Cape Fear.”
“Of course not. DeNiro could have never fit down the chimney.”
“No dude. He was totally ripped in that.”

RATING: 10 (Maternal Murders by Falling)/10. The first perfect score since the pilot, and the last one for the season. It’s the one I’ve enjoyed rewatching the most, just for all the emotional highs and lows you’re subjected to as a viewer and all the instant classic moments we get. It’s also unrelenting emotionally, which feels like it should be a rarity for a show about a redhead killer doll.

READ OUR EPISODE 7 RECAP HERE

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Luis Pomales-Diaz is a freelance writer and lover of fantasy, sci-fi, and of course, horror. When he isn't working on a new article or short story, he can usually be found watching schlocky movies and forgotten television shows.

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Brooklyn Horror Film Festival 2025: The Creep Tapes Season 2

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In 2014, Mark Duplass and Patrick Brice created magic with their mumblegore-adjacent found footage epic Creep. Three years later, this dreamy duo brought us the second installment of their creepy killer. Seven years would pass until Josef (Mark Duplass) would creep back into our daily lives with six truly terrifying episodes of The Creep Tapes. It would only be a short time until a second season of The Creep Tapes was announced…and even less time for a third season! The best experience I had at the Brooklyn Horror Film Festival was seeing the first three episodes of The Creep Tapes Season 2.

The Creep Tapes Season 2 Creeps Back Into the Spotlight

The Creep Tapes Season 1 was fairly straightforward throughout. It was a fantastic season (that I loved), but the majority of it was more of the same. Josef finds a victim (through various means), plays nice (and weird), goes after victim, and death. The season finale, “Mom (and Albert)”, was the first time we really got some (what seems to be) true background into Josef. From personal conversations, that episode was hit or miss. (I loved it, the dude hung dong!)

Upon hearing the news of Seasons 2 and 3, I was left wondering, will we get more background, OR will it just dive into Josef’s maniacal madness? While the first three episodes of Season 2 don’t do much to give us too much information about Josef’s background, it does up the ante considerably. Season 2 makes clear that Mark Duplass and Patrick Brice have grandiose ideas that they’re only scratching the surface of.

The Creep Tapes: S2 E1 “Joseph”

Imitation is the sincerest form of flattery, but what happens when the imitation is just… wrong? Josef finds himself in the sights of Joseph (David Dastmalchian), who is looking for a videographer to film a video for his unborn son, as Joseph has been diagnosed with cancer. Sound familiar?

How can someone possibly replicate the insane scenario Josef concocted in Creep? It can’t just be a coincidence—and it’s not. We come to learn that Josef has been doing something with his tapes (and films) that allows Joseph to view his work. Unfortunately for Joseph, the wrong man answered his ad.

This piece of information is crucial for understanding who (and what) Josef is. At points, he seems mentally ill, misguided, a man who just gets too damn lucky sometimes. The information gleaned reveals a much more careless, while still sophisticated, man who believes he’s creating art (of sorts). What’s the purpose of creating chaos in the modern age of technology if you can’t share it with other degenerates?

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The “flip of the script” in Season 2 Episode 1 “Joseph” is a heart-racing 20-ish minutes of anticipation. I didn’t separate my butt from the edge of my seat until the credits rolled. But it’s with the casting of Joseph that the true magic of the Season 2 premiere excels. Who else can outmaniac a maniac? Of course, it has to be David Dastmalchian.

The Creep Tapes: S2 E2 “Mark”

Mark (Robert Longstreet) wakes up in a concrete room, his leg chained to the ground. A TV sits atop a table. An empty tub sits across the room. Someone lies still underneath a blanket, with a chain coming out of the bottom. And Josef accompanies Mark, leg chains and all. What could go wrong?

One of the most interesting things about Josef as a character is his ability to showcase his flaws, something that is extremely apparent in Season 2, Episodes 2 and 3. Nearly everything that can go wrong for Josef goes wrong. The reason it goes wrong is because of a simple oversight on Josef’s part. And it’s kind of heartening to see. Nearly every time we see Josef in action, he has a general grasp of his overall plan. He knows, more or less, how his targets will react, and his incredible improv skills allow him to course correct when necessary.

“Mark” just goes off the rails in ways Josef could never imagine.

Season 2, Episode 2 is Duplass and Brice’s nod at the Saw franchise. And, if anything other than a few laughs, solidifies the intense planning and expertise that goes into a John Kramer game. One simple oversight can cause a highly crafted plan to fall apart at the seams. To boot, “Mark” is one of the funniest pieces of horror media I have ever seen. It begs the question, what if an absolute dufus was put in a Saw film?

And don’t worry, bloodhounds, there’s gore aplenty!

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The Creep Tapes: S2 E3 “Wes”

Wes (Diego Josef) finds himself taking a job to help Josef film a house-flipping show’s pilot episode. But night descends, and Wes realizes that they’re in the middle of nowhere. Wes’s attempted escape from Josef leads to an unfortunate run-in with law enforcement. Oh boy, how will he get out of this one?!

Even the greatest of franchises will bottom out at some point. Much of what we’ve seen Josef do involves a certain amount of suspension of disbelief. HOW is there not at least a Reddit thread about filmmakers/videographers who have gone missing after answering Craigslist ads? There is no way a 20/20 wouldn’t have been made about these killings if they were real. I mean, just look at how many tapes we see in the opening. Josef is talented at what he does, but everyone slips up eventually.

“Wes” brought me to a point where I was unable to suspend my disbelief. When AMERICAN police see someone moving a potentially dead body and don’t immediately cuff and detain them, you’re asking a bit too much. The crux of this episode revolves around a repeated word: “professionalism.” I get that it’s supposed to shine a light on how unprofessional the police are in this scenario, but it’s a step too far.

What I will say is that it’s a fun angle to take. We’re watching this killer that we’ve seen commit nearly 10 murders, and there are more we haven’t, interact face to face with the police. How will he get out of this sticky situation? I just don’t believe the way it is handled is grounded in a reality that would ever make sense. The chemistry between Wes and Josef, though, is some of the best in the entire franchise. They play off of each other incredibly well, and it makes you wish “Wes” were a feature-length film character instead of an episode character.

A Bold New Chapter for The Creep Tapes

Overall, the first three episodes of The Creep Tapes Season 2 were an overall blast. Even with the issues I had throughout “Wes”, I was entertained the entire time. “Joseph” and “Mark” are contenders for the best episodes of the entire series (and maybe even best entries in the entire franchise). I love seeing Mark Duplass and Patrick Brice spreading their wings to take Josef in different directions. They find ways to keep the product feeling original while still paying direct homage to horror properties beloved by the masses. If these are the first three episodes of Season 2, I think we’re in for a real treat with the final three.

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The Creep Tapes Season 2 premieres November 14 on Shudder and AMC+.

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Is ‘It: Welcome to Derry’ Worth the Watch?

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I loved It (2017) and politely refuse to talk about It Chapter Two. So, I have been impatiently waiting for It: Welcome to Derry to drop. I leaned in as soon as it was announced that Andy Muschietti, Barbara Muschietti, and Jason Fuchs were developing the prequel series for HBO Max. So, while I was denied screeners at the eleventh hour, I still tuned in Sunday night to see if it would live up to the hype. I found myself overall pleasantly surprised, despite having a couple of questions, comments, and concerns.

What’s Going On In Derry?

‘The Pilottakes place in 1962. We meet Matt Clements (Miles Ekhardt), a kid with a pacifier habit who loves to sneak into movies. He is caught in a showing of The Music Man and has to leave the venue. He makes the mistake of hitchhiking with a family that turns out to be the last time he is seen. The demonic car ride sets us up to know that kids are in danger in this series, and Matty is clearly not our lead.

Matty’s friends Teddy Uris (Mikkal Karim-Fidler) and Phil Malkin (Jack Molloy Legault) are still reeling from his disappearance. Teddy seems to be taking it the worst as everyone in town refuses to talk to him about it. Another kid taking this disappearance hard is Lilly Bainbridge (Clara Stack), who was on the brink of a possible friendship with Matt. She also has her own baggage, so when Matt’s voice and fingers make their way into her drain, she connects with his friends.

This leads them to form a kid gang to investigate, which includes Susie (Hunter Storm Baker) and Ronnie Grogan (Amanda Christie). As an audience, you assume this will be our core group. However, you know what they say about assuming and It: Welcome to Derry makes a bloody ass out of you and me. The ending is shocking, and the reason I will be tuning into the second episode.

Who’s Who?

While we know Bill Skarsgård will be reprising the role of Pennywise, we do not see him in the first episode. Which is smart because you have to leave the audience wanting more. However, we do meet Leroy Hanlon (Jovan Adepo), who is the grandfather of Mike Hanlon. So, that’s a huge connection to The Loser’s Club we all know from the book and films. He’s experiencing racism at a military base and is ambushed by a weird group that he and his friend fend off. His story was sort of sidelined, so I’m waiting to see how it fully intertwines with what the kids got into. It’s still early yet, and whatever we think we know might not be the gospel. However, his wife Charlotte Hanlon (Taylour Paige) will also be getting screen time. I’m happy to see this because most King adaptations become overwhelmingly white cast affairs. 

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Speaking of Black characters from the Stephen King Universe getting more to do, young Dick Hallorann (Chris Chalk) will be involved in the story in some way. Constant Readers will remember Dick from The Shining. He was the Black character who also hadthe shineand saved Danny and Wendy from the Overlook Hotel. In my least favorite adaptation, he is played by the late and great Scatman Crothers. Stanley Kubrick decided to axe the Black psychic character and perpetuate a trope with his version of King’s tale. A choice I still side-eye, and why I love to see this character in other iterations of the tale. So, I am very excited to see how he will fit into It: Welcome to Derry.

Am I Feeling It: Welcome to Derry?

As a former Constant Reader and a lover of horror television, I’m an easy target for this show. While I think the pilot had a couple of things that don’t quite make sense (yet), I’m still leaning in. I am here for the vicious way children are dispatched, the surprising deaths, and for the expansion of one Stephen King’s most iconic baddies. So, I have a date with It: Welcome to Derry this weekend. I want to see where it goes now that most of the cast we were introduced to is dead. I also want to see Pennywise on the small screen to see if Skarsgård can creep us out again. More importantly, it is a fun and intriguing story, and that goes a long way with me.

It’s too soon to say if It: Welcome to Derry will be one of the best shows of the year. However, I have hope that it’s ramping up to be a good time. If it avoids falling into fan service territory and tightens up some of the story, this could be a damn good time. There is so much potential in this pilot. I cannot help rooting for it to find its footing and surprise us all. Sadly, hope is a dangerous thing, so I am so nervous it could be another fumble down the line. All I know is I plan to show up for the next two episodes and see where this all goes.

Watch the ‘It: Welcome to Derry’ Trailer

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