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10 Christmas Horror Movies You Can Stream for Free This Holiday Season

We know entertainment shouldn’t be the thing that breaks the bank when you’re burning the candle at both ends. And though we love talking about the great films you can find to stream on Shudder and beyond, we would be remiss if we didn’t address the repository of free horror you could be tapping into as well. We are of course talking about Tubi, the free streaming service with more movies on it than you can probably watch in your lifetime. It’s known for some of its cornier offerings and shot on video dreck, yes, but it’s also an invaluable source of well-made films you can watch for free. And in particular, well-made horror films for all seasons. So, today, we introduce you to ten of the best Christmas horror movies you can stream on Tubi this holiday season.

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The food, the gifts, the ugly Christmas sweaters. The holiday season demands you spend a lot to make the good times roll. But here at Horror Press, we want you to stretch that dollar.

We know entertainment shouldn’t be the thing that breaks the bank when you’re burning the candle at both ends. And though we love talking about the great films you can find to stream on Shudder and beyond (with plenty of out-of-this-world streaming guides by Sharai Bohannon in our It Came From Shudder series!), we would be remiss if we didn’t address the repository of free horror you could be tapping into as well.

We are of course talking about Tubi, the free streaming service with more movies on it than you can probably watch in your lifetime. It’s known for some of its cornier offerings and shot on video dreck, yes, but it’s also an invaluable source of well-made films you can watch for free. And in particular, well-made horror films for all seasons. So, today, we introduce you to ten of the best Christmas horror movies you can stream on Tubi this holiday season.

Silent Night, Deadly Night 5: The Toymaker (1992)

Okay, just for fairness’ sake, I’m going to limit myself to TWO Silent Night, Deadly Night films on this list, because Tubi has every single one in the franchise available at your fingertips. If you wanted, you could marathon them all like I did a few years back for my Silent Night, Deadly Night ranking article.

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But Toymaker is no normal Silent Night, Deadly Night film. Which, you might be asking, “Wasn’t the fourth one about winter solstice witches setting people on fire and putting bugs inside them?” Which, yes, obviously that one is not normal, but this one is actually focused on Christmas! As the title implies, it follows a sinister toymaker with an unfortunate shop name, his creepy son, and the many people he terrorizes with his violent robotic toys.

This film has some hilarious moments, but played straight so you don’t have any of that wink-and-nudge routine that ruins your usual so-bad-it’s-good films. You absolutely will not see its ending coming from anywhere, so I encourage you to dive in and let it immerse you in its unique eggnog of weirdness.

Silent Night (2012)

And this Silent Night, Deadly Night remake is the other entry on the list I mentioned above. I promise it is also the only Santa slasher I’m putting on this list! Billy Chapman’s goofy love-hate relationship with Christmas has been replaced with a silent killer more akin to Michael Myers, whose mysterious motivations tie him to policewoman Aubrey Bradimore closer than she would think.

While Silent Night recreates a few of the original kills from its source material, it is mainly a special effects extravaganza that slams on the gas and cuts the brake line in terms of how brutal it can get. What collides with your eyes is a competent and fairly fun holiday horror. And if you need any more reason to watch it, Donal Logue plays a surprisingly significant role here as a drunken, rude Santa Claus screaming about figgy pudding. What else could you want?

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Better Watch Out (2017)

Recently highlighted in another article ranking great Holiday horror kills, I didn’t have the pleasure of watching Better Watch Out without having the twist spoiled for me. But even lacking that experience, it’s still a film I was hooked on just due to its performances and one I will be watching again.

The film follows an insecure boy, Luke, who tries to impress his babysitter and long-time crush, Ashley, while his parents are away on Christmas Eve. His floundering attempts at acting like an adult get halted when intruders descend on the home. Both Olivia Dejonge and Levi Miller give stellar performances in this, with their dynamic driving the film’s best moments. You won’t regret going in blind on this one, trust me.

Maniac Cop 2 (1990)

You didn’t remember this one was a Christmas movie did you? I can’t blame you, since most of the holiday horror genre is saturated by killer santas and poorly puppeteered elves, whereas Maniac Cop 2 is a straightforward sequel to Officer Matt Cordell’s rampage in the first film (rest in peace to unsung horror legend Robert Zdar). After driving into a river with a beam pinned through his chest, he’s back! Somehow! Look, the mechanics of it don’t really matter, this movie has Bruce Campbell, Tom Atkins and Richard Roundtree in it. It’s surging with classic B-movie energy, has some pretty great action sequences in it, and its demanding to be seen.

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It Cuts Deep (2020)

Breakups during the holidays are a nightmare as is, fraught with emotional turmoil during an already stressful time. But It Cuts Deep shows that staying together can be so, so much worse. Following Sam and Ashley, a couple whose relationship is on the verge of collapse while on a Christmas vacation, the film presents a dark comedy scenario of dwindling love turned into a psychological horror. As Sam loses his grip on their love life, an old friend reemerges and threatens to steal his girlfriend away from him, causing him to lose his grip on his sanity.

This is an ingenious horror comedy that I can’t recommend enough. It takes a while to fire up even with its brisk runtime, but around the end of the first act you will be hooked by how it takes awkward humor and turns it into thriller fuel with pinpoint comedic acting. The best comes from the interactions between Charles Gould’s Sam and John Anderson’s Nolan, whose comedic sensibilities synthesize into a perfect play between two deeply unlikable characters.

Rare Exports (2010)

A personal favorite of my friends, you might just become a holiday hero by introducing a horror lover in your life to this now-classic Norwegian film. Rare Exports follows a young boy, Pietari, and his reindeer-hunting friends and family as they discover that a research group might be tampering with the land and killing the local wildlife.

The truth about who has been doing this is much stranger than fiction, however, as what was unearthed from the local fell’s ice turns out to be much less friendly than legends have made them sound. With a dash of eldritch monstrosity spice, and a pinch of existential dread caused by the concepts it has on offer, Rare Exports delivers dark comedy through its unique premise and execution.

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Black Christmas (1974)

At this point, what can even be said about Black Christmas that hasn’t been said? Forgive this exceptionally short entry on the list, but there’s only so many times you can expound the virtues of Bob Clark’s slasher masterpiece. If you have somehow never heard of or gotten to see Black Christmas, its haunting atmosphere, and its surprisingly dense and nuanced themes of reproductive agency, your homework is to watch it as soon as possible.

P2 (2007)

Being stuck at work on Christmas Eve is a fate I wouldn’t wish on my worst enemies (but hey, maybe I should get worse enemies). P2 takes that premise to a whole new level, as it follows beleaguered worker Angela being stalked by the parking lot night security guard Thomas. What results is a fun thriller led by a Wes Bentley performance that makes for a villain you love to hate. It has one of my favorite horror movie set pieces to boot, involving a very creative use of a fire hose. You also won’t find a more cathartic ending on this list.

Hosts (2020)

Hear me out since this doesn’t sound that complementary: Hosts is a film I wasn’t even aware of until I began writing this article. But in my search for something new, I found it to be an interesting piece of indie horror, reminiscent of one of my personal favorite horror films of all time, You’re Next.

It’s effectively about a family that invites their neighbors to spend Christmas eve with them, though an unexplainable event at the visiting couple’s home causes dinner to spiral into a nightmare even the Sawyers from Texas Chainsaw Massacre couldn’t cook up. Its effects are amateurish, but that doesn’t hamstring the rest of the film, which is horrifying in some of its moments.

Dead End (2003)

A film I had put off for a good long while, it was fellow Horror Press ghoul and or goblin Brendan Jesus who pushed me to actually watch Dead End (check out his very good review of it here!). Twin Peaks veteran Ray Wise stars in this one, as the head of a very dysfunctional family traveling on Christmas Eve and enduring one of the most uncomfortable car rides known to mankind.

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If that isn’t stressful enough, their journey becomes an unending drive where the road never seems to close out, and tensions only seem to rise higher and higher as they fail to make progress. Also, there’s a spooky ghost hearse there! Predictability in its plot and ending aside, it’s still a pretty great film for the sheer atmosphere it generates and Wise’s killer performance. You’d do well slotting this one into your rotation when the wind chill hits, and things start getting dark early.

Luis Pomales-Diaz is a freelance writer and lover of fantasy, sci-fi, and of course, horror. When he isn't working on a new article or short story, he can usually be found watching schlocky movies and forgotten television shows.

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‘Ready or Not’ and the Cathartic Cigarette of a Relatable Final Girl

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I was late to the Radio Silence party. However, I do not let that stop me from being one of the loudest people at the function now. I randomly decided to see Ready or Not in theaters one afternoon in 2019 and walked out a better person for it. The movie introduced me to the work of a team that would become some of my favorite current filmmakers. It also confirmed that getting married is the worst thing one can do. That felt very validating as someone who doesn’t buy into the needing to be married to be complete narrative.

Ready or Not is about a fucked up family with a fucked up tradition. The unassuming Grace (Samara Weaving) thinks her new in-laws are a bit weird. However, she’s blinded by love on her wedding day. She would never suspect that her groom, Alex (Mark O’Brien), would lead her into a deadly wedding night. So, she heads downstairs to play a game with the family, not knowing that they will be hunting her this evening. This is one of the many ways I am different from Grace. I watch enough of the news to know the husband should be the prime suspect, and I have been around long enough to know men are the worst. I also have a commitment phobia, so the idea of walking down the aisle gives me anxiety. 

Grace Under Fire

Ready or Not is a horror comedy set on a wealthy family’s estate that got overshadowed by Knives Out. I have gone on record multiple times saying it’s the better movie. Sadly, because it has fewer actors who are household names, people are not ready to have that conversation. However, I’m taking up space this month to talk about catharsis, so let me get back on track. One of the many ways this movie is better than the latter is because of that sweet catharsis awaiting us at the end.

This movie puts Grace through it and then some. Weaving easily makes her one of the easiest final girls to root for over a decade too. From finding out the man she loves has betrayed her, to having to fight off the in-laws trying to kill her, as she is suddenly forced to fight to survive her wedding night. No one can say that Grace doesn’t earn that cigarette at the end of the film. As she sits on the stairs covered in the blood of what was supposed to be her new family, she is a relatable icon. As the unseen cop asks what happened to her, she simply says,In-laws.It’s a quick laugh before the credits roll, andLove Me Tenderby Stereo Jane makes us dance and giggle in our seats. 

Ready or Not Proves That Maybe She’s Better Off Alone

It is also a moment in which Grace is one of many women who survives marriage. She comes out of the other side beaten but not broken. Grace finally put herself, and her needs first, and can breathe again in a way she hasn’t since saying I do. She fought kids, her parents-in-law, and even her husband to escape with her life. She refused to be a victim, and with that cigarette, she is finally free and safe. Grace is back to being single, and that’s clearly for the best.

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This Guy Busick and R. Christopher Murphy script is funny on the surface, even before you start digging into the subtext. The fact that Ready or Not is a movie where the happy ending is a woman being left alone is not wasted on me, though. While Grace thought being married would make her happy, she now has physical and emotional wounds to remind her that it’s okay to be alone. 

One of the things I love about this current era of Radio Silence films is that the women in these projects are not the perfect victims. Whether it’s Ready or Not, Abigail, or Scream (2022), or Scream VI, the girls are fighting. They want to live, they are smart and resourceful, and they know that no one is coming to help them. That’s why I get excited whenever I see Matt Bettinelli-Olpin and Tyler Gillett’s names appear next to a Guy Busick co-written script. Those three have cracked the code to give us women protagonists that are badasses, and often more dangerous than their would-be killers when push comes to shove. 

Ready or Not Proves That Commitment is Scarier Than Death

So, watching Grace run around this creepy family’s estate in her wedding dress is a vision. It’s also very much the opposite of what we expect when we see a bride. Wedding days are supposed to be champagne, friends, family, and trying to buy into the societal notion that being married is what we’re supposed to aspire to as AFABs. They start programming us pretty early that we have to learn to cook to feed future husbands and children.

The traditions of being given away by our fathers, and taking our husbands’ last name, are outdated patriarchal nonsense. Let’s not even get started on how some guys still ask for a woman’s father’s permission to propose. These practices tell us that we are not real people so much as pawns men pass off to each other. These are things that cause me to hyperventilate a little when people try to talk to me about settling down.

Marriage Ain’t For Everybody

I have a lot of beef with marriage propaganda. That’s why Ready or Not speaks to me on a bunch of levels that I find surprising and fresh. Most movies would have forced Grace and Alex to make up at the end to continue selling the idea that heterosexual romance is always the answer. Even in horror, the concept that “love will save the day” is shoved at us (glares at The Conjuring Universe). So, it’s cool to see a movie that understands women can be enough on their own. We don’t need a man to complete us, and most of the time, men do lead to more problems. While I am no longer a part-time smoker, I find myself inhaling and exhaling as Grace takes that puff at the end of the film. As a woman who loves being alone, it’s awesome to be seen this way. 

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Ready or Note cigarette

The Cigarette of Singledom

We don’t need movies to validate our life choices. However, it’s nice to be acknowledged every so often. If for no other reason than to break up the routine. I’m so tired of seeing movies that feel like a guy and a girl making it work, no matter the odds, is admirable. Sometimes people are better when they separate, and sometimes divorce saves lives. So, I salute Grace and her cathartic cigarette at the end of her bloody ordeal.

I cannot wait to see what single shenanigans she gets into in Ready or Not 2: Here I Come. I personally hope she inherited that money from the dead in-laws who tried her. She deserves to live her best single girl life on a beach somewhere. Grace’s marriage was a short one, but she learned a lot. She survived it, came out the other side stronger, richer, and knowing that marriage isn’t for everybody.

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The Best Horror You Can Stream on Shudder in January 2026

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My New Year’s resolution is to spend more time watching my favorite app. Luckily, Shudder is not taking it easy on us this holiday season, so I may meet my quota this January. The streamer is bringing in the new year with quite a few bangers. We have classics from icons, a new title from the first family of indie horror, and a couple of lesser-known films that have finally found a home. So, I am obviously living for this month’s programming and think most of you will too. I have picked the five films that I believe deserve our collective attention the most. Get into each of them and start your 2026 off on the right foot. 

The Best Movies to Stream on Shudder This Month

Carrie (1976)

A sheltered teen finally unleashes her telekinetic powers after being humiliated for the last time. Carrie is the reason I thought proms might be cool when I was a kid. This Brian De Palma adaptation is one of my favorite Stephen King adaptations. It is also an important title in the good-for-her subgenre. I cannot help rooting for Carrie White (Sissy Spacek) when I watch her snap at this prom and then head home to accidentally deal with her mom. The only tragedy of this evening is that Carrie had to die, too. I said what I said, and I will be hitting play again while it is on Shudder. This recommendation goes out to the other recovering sheltered girls who would be the problem if they had powers. I see you because I am you.

You can watch Carrie on January 1st.

Marshmallow (2025)

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A shy 12-year-old gets sent to summer camp and finds himself in a living nightmare. While Marshmallow did not land for me, I know plenty of people who love it. Which makes this the perfect addition to the Shudder catalogue. I am actually excited to see more folks fall in love with this movie when it hits the streamer. If nothing else, it will help a few folks cross off another 2025 title if they are still playing catch-up with last year’s movies. It also gets cool points from me for not taking the easy route with the mystery it built. I hope you all dig it more than I did, and tell your friends about it. Perhaps you could even encourage them to sign up for the app.

You can watch Marshmallow on January 1st.

Chain Reactions (2024)

Tobe Hooper’s The Texas Chain Saw Massacre cemented his horror legacy over fifty years ago. So, it is long overdue for a documentary where horror royalty can discuss its impact on them and their careers. I have been waiting for a couple of years to hear Karyn Kusama and Takashi Miike talk about Hooper’s work and how he inspired them. So, I am super geeked that Shudder is finally giving me the chance to see this film. The streamer is also helping the nerds out by adding The Texas Chain Saw Massacre (1974) and The Texas Chain Saw Massacre 2 (1986) this month. If you are also an overachieving couch potato, I will see you at the finish line next week.

You can watch Chain Reactions on January 9th.

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In the Mouth of Madness (1994)

An insurance investigator discovers the impact a horror writer’s books have on people. I love chaos, and John Carpenter chaos happens to be one of my favorite kinds of chaos. While we talk about The Thing and Halloween all the time, this maestro has given us plenty of horror to celebrate. In the Mouth of Madness is very much one of those titles vying for a top spot among the best of his filmography. To sweeten the batshit pot, this movie features Sam Neill. You know that he only shows up in our genre if the movie is going to be legendary. You cannot tell me this is not a Shudder priority this month.

You can watch In the Mouth of Madness on January 10th.

Mother of Flies (2025)

A terminally ill young woman and her dad head to the woods to seek out a recluse who claims she can cure her cancer. The Adams Family has been holding court on Shudder for years, so it feels right that Mother of Flies is a Shudder Original. More importantly, this fest favorite has one of the best performances of 2025. Which makes it a great time for people to finally get to see it and get in line to give Toby Poser her flowers. Whatever you think your favorite Poser role is, it is about to change when you see her as Solveig. I am being serious when I say that this movie might be the first family of indie horror at their best.

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You can watch Mother of Flies on January 23rd.

New year, but same Shudder. I would not want to go into 2026 any other way, personally. I hope these horrific recommendations bring you the good kind of anxiety.  Or at least distract you from the state of the world for a bit.

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