Movies
The Best Horror You Can Stream on Netflix in November 2025
The year is winding down, and I don’t know about you, but I am trying to pack in as many 2025 horror movies as I can. Is this because I love making end-of-the-year lists? Yes. Is it because I am an unhealed overachiever? Also, yes. So, I am assuming some of you are also cruising the streamers to see what you may have missed. While Netflix has had my favorite new slasher Heart Eyes for a bit, and I have mentioned that in previous streaming guides, they also have other new horror titles to show you.
I do not talk about them as much because I did not have a good time with them. However, that does not mean you won’t enjoy some of these titles. That’s why I am taking the high road and finding something to be grateful for about each of them. That way, you will know there is a silver lining if you do watch them. Allow me to help you figure out what to prioritize this month and what to skip. Check out this chaotic Netflix hitlist below!
The Best Movies to Stream on Netflix This Month
28 Years Later (2025)
A group of survivors on a small island has built a fortress to protect them from the rage virus. However, a young boy discovers what is really outside the walls of their community and sets off to find a cure for his sick mother. We all loved 28 Days Later, and some of us liked 28 Weeks Later. So, 28 Years Later was never going to live up to the hype with almost thirty years of anticipation. While I didn’t love it, I did enjoy seeing Danny Boyle helm another zombie installment. What he does in the subgenre is top-tier, and we are welcome (even if the script left me wanting more). That might have gotten buried in all the talk about the dicks seen in the movie, though.
Fear Street: Prom Queen (2025)
A group of girls competing for prom queen starts disappearing, leaving the underdog to figure out what is happening to her competition. I had a lot of thoughts about this lackluster installment in Netflix’s Fear Street adaptations. As someone who grew up reading Fear Street books and wanting to adapt them myself, I do not understand how this movie came out so badly. Which made it hard to find something nice to say about this title. However, the soundtrack slaps, and it is not the soundtrack’s fault that it was wasted on a low-energy bottom-tier slasher. So, if you hit play on this, you can at least look forward to hearing some retro bangers selected by music supervisor Nora Felder. If you are familiar with her work on Yellowjackets and Stranger Things, you know Felder does not miss.
Maa (2025)
To battle a demon’s curse, a mother transforms into the legendary goddess Kali. As usual, Netflix did not advertise an international horror movie that seemed to have some potential. If they had told us Maa was an Indian Hindi-language mythological horror movie, most people who yell for intersectionality and originality would have run at it. Instead, we had to find out about it months later while looking for something we hadn’t already seen on the app. This movie is too long, and I cannot say it is good by any stretch of the imagination. However, it also made me realize how little I know about the goddess of destruction. If you are a nerd like me, this might lead you down a cool rabbit hole. You can also say you gave a view to a horror movie starring Brown people. Who knows, maybe you could be one of the few who enjoy this chaotic film.
Until Dawn (2025)
A group of friends find themselves trapped in a time loop where they keep getting killed in gruesome ways. I love the video game and was so bummed this adaptation was so bad. However, the practical effects are very cool and should be celebrated more. I think the stuff that the SFX team pulled off might be the only reason to watch the movie personally. I’m happy the actors whose work I enjoy got paid, and that’s another positive thing I can say. However, if we want to see young people in deadly time loops, we have so many movies that do it better. Excuse me as I look right at Happy Death Day and all of the movies that have tried to copy her.
Ziam (2025)
A Muay Thai fighter battles through a zombie apocalypse to save the woman he loves. Netflix fumbled the advertising for this one too, because who doesn’t want to see a Thai zombie film? So, I was excited to watch it, but then sad I did not like it. However, I think this one is on me. It is an action-horror with a lot of heartfelt moments, and that’s not my bag. I wanted more violence and zombie action because I am a broken and heartless ghoul. So, Ziam might be the only movie on this list that does not deserve my bombastic side eye. I am waiting for other people to watch it and let me know if they have a better time with it, though.
While I was not the audience for these movies, I am assuming some of you will dig them. Worst-case scenario, you cross off a few more 2025 horror movies and have something to talk about at Friendsgiving. Happy Horrordays! I will see myself out now…
Movies
The Best Horror You Can Stream on Shudder in September 2026
We are finally in the midst of Shudder’s 61 days of Halloween! There are so many horror movies to consume and 31 days simply isn’t enough. Use the long Labor Day weekend to kick off your horror movie countdown and add these movies to your Shudder queue. Here is a list of what I would recommend checking out to ease into the Halloween spirit right before going into full blown premature trick-or-treating mode.
The Best Movies to Stream on Shudder This Month
The Yeti (2026)
A large creature has captured people in a remote Alaskan town in the 1940s. The sheriff has put together a search-and-rescue monster hunting party to bring back the captives. It sounds like the premise of a Cold Iron Studios co-op video game in the same vein as Aliens: Fireteam Elite. The stylization from co-directors Gene Gallerano & William Pisciotta in the trailer makes me think they have cooked up a story that blends action, horror, and wilderness survival. Sign me up, sheriff!
Leave (2022)
Hunter was found as a baby abandoned in a cemetery wrapped in a cloth covered with satanic symbols. She has been searching for answers her whole life about where she came from. Her journey to find her parents takes her down a mysterious path, and she is being warned by something from the beyond to leave this mystery alone. Can she trust who this investigation is leading her towards? It’s a mysterious, supernatural, culty film that will give you chills.
Penny Lane is Dead (2026)
One crazy night in Australia with perhaps a dash of revenge. Shudder’s latest original looks to be packed with blood and violence in this story of girls just trying to have fun until the crazy cousin drugs the party and invites dangerous people to play. The trailer promises lots of body horror (trigger warning, there may be SA or threat of it). I’m not saying it will be Evil Dead level, but there’s definitely something in the Aussie water with Lee Cronin pumping out his gory deadites and mummy films, and now Mia Kate Russel with this one.
The Others (2001)
This is a PSA to the younger readers of Horror Press; stop what you’re doing and watch Nicole Kidman go 100 miles per hour in this classic ghost story with a twist. Dreary weather, massive estate, confusing corridors, creepy house servants you don’t know if you can trust, and sad British kids. The ending is an all-timer and spoilers should be avoided at all costs. It has exactly what you need to get right into the cozy, spooky mood for 61-days of Halloween.
Dark Harvest (2023)
If The Hunger Games and The Purge had a baby and raised it during Oktoberfest. Teenage boys are tasked with hunting and killing the entity known as Sawtooth Jack on Halloween night, or it could mean certain peril for their town. Of the movies I have listed here that I have not seen, this is going to be at the top of my watchlist. Teens fighting for survival on Halloween night and the battle setting is in a cornfield?! Say less. I am there with my Sam Adams seasonal in hand. Another perfect movie to cannonball me right into the Halloween spirit.
This list has been carefully curated to watch in a specific order to gear up for a Halloween marathon. Start with the wintry monster movie, move on to a macabre supernatural thriller, followed by a ramp-up in blood and gore, to then be lulled into a spooky, bump-in-the-night classic, all to end on a ritualistic hunt taking place on Halloween night. This is just getting things started for the first 30-days. Looking forward to sharing the next list to get you through October.
Movies
The 10 Best Modern Horror Movies Recommended By Stephen King
Anyone who follows legendary horror author Stephen King on social media or reads the back of books knows one thing. It’s harder to find something that King hasn’t blurbed than something that he has. The dude is a voracious consumer of genre media, and he finds a lot to love. It’s an admirable quality. But, speaking as someone who saw American Ultra after he praised it, you can’t always trust his recommendations. Today, I’ll cut some of the wheat from the chaff and break down the best modern horror movies he’s recommended.
Three notes: First, I have decided to define “modern” as “2001 or later.” Second, King practices good social media hygiene and has deleted many of his old posts. A lot of them are archived elsewhere. However, it’s more or less impossible to make a truly comprehensive list of his recommendations. I’ve synthesized multiple different sources and done my best to truly encapsulate the breadth of his recommendations. Third, I have not included any adaptations of his own work. He may be outspoken about the ones he doesn’t like, but he’s still obviously biased in that department.
#10 Snakes on a Plane (2006)
To quote King himself (defending putting 2012 among his top 2009 movies), “no filmgoing diet is complete without some cheese.” Snakes on a Plane is a does-what-it-says-on-the-tin movie, delivering high-flying serpentine thrills. However, it’s also a remarkably faithful resurrection of the atmosphere of old 1970s airplane thrillers.
#9 Final Destination 5 (2011)
In his Best of 2011 entry on Final Destination 5, King called it “the best since the first,” and he’s absolutely right. While the sequels probably peaked with the highway prologue in Final Destination 2, the fifth installment is pound-for-pound the most thrilling entry. Between the bridge collapse, the laser eye surgery, and the nail-biting sequence where a screw falls pointy-side-up on a balance beam, there’s no denying there’s real power here. And that’s not even mentioning the fun final twist!
#8 A Quiet Place: Day One (2024)
In a since-deleted Tweet, King called Day One “the rare ‘big Hollywood film’ that is both intimate and textured.” It’s true. A Quiet Place: Day One is a mini miracle of horror filmmaking. An IP-drenched prequel to a duology of good-not-great post-apocalyptic popcorn blockbusters shouldn’t be this genuinely stirring. Plus, relative newcomer Joseph Quinn holds his own against the awe-inspiring Lupita Nyong’o, resulting in an all-timer two-hander.
#7 The Strangers (2008)
After watching The Strangers, King took to Entertainment Weekly to pontificate about what makes good horror. If you inspire someone who literally wrote the book on horror to think about it more, you’ve done something right. Bryan Bertino’s home invasion movie is one of the grimmest movies of the 2000s, but its desperate existential dread is terrifying and perfectly in line with King’s best works.
#6 Splice (2009)
King included Splice on his Top 10 list for 2010, particularly praising the “talented actors… who take the material seriously.” How did this grotesque genetic-experimentation horror movie directed by the guy who made Cube land Adrien Brody and Sarah Polley? Who knows. But they breathe life into some already super solid material. What Brody in particular gets up to feels even more twisted because it’s the guy from The Pianist doing it.
#5 Smile (2022)
In a since-deleted Tweet, King called Smile a “good, scary horror film.” He added that “the real surprise is Sosie Bacon as Rose. What a hell of a performance.” Bacon really was a revelation, but so was debut director Parker Finn. His control over tone and pacing leads to some of the best scare sequences of the 2020s.
#4 The Rule of Jenny Pen (2024)
King’s not fucking around about the New Zealand horror film The Rule of Jenny Pen. It’s one of just two horror movies on his New York Times ballot for the best of the 21st century. The underseen movie is a real corker, too. It follows a judge (Geoffrey Rush) recovering in a care home after a stroke. However, his relaxation is ruined by a sadistic retiree (John Lithgow) who is obsessed with his baby doll puppet. Lithgow’s performance is stunning, and his thrillingly dark energy commands the screen every second he’s in front of the camera.
#3 Barbarian (2022)
In a since-deleted reply to a fan’s Tweet about Barbarian, King said “Yeah, that movie blew me away. It was crazy! Crazy GOOD!” This movie contributed what is perhaps the definitive scary basement in horror, which is no small feat. That’s all thanks to director Zach Cregger’s control over onscreen darkness (one of his many skills). The man must be a shadowmancer of some kind.
#2 Train to Busan (2016)
Train to Busan is the only other horror movie on King’s NYT ballot. It has received a lot of international recognition over the years. Perhaps more than any other non-Parasite movie from South Korea. That’s because it’s flipping amazing. Its crackling energy makes it one of the scariest fast-zombie movies in history. But it also marries that with a compelling father-daughter story. There’s really nothing Train to Busan can’t do.
#1 The Descent (2005)
King put The Descent on his 2006 best-of list, calling it “the best horror movie of the year.” Forget that. It’s one of the top horror movies of the century so far. It’s a bloody good monster movie nestled into a skin-crawlingly claustrophobic spelunking movie.
Honorable Mentions:
The Autopsy of Jane Doe (2016) – I’ve never seen it, so I can’t in good faith recommend it
Pan’s Labyrinth (2006) – A masterpiece, but it’s not really “horror”
Obsession (2026) – We gotta let this one sit, in order to avoid recency bias


