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12 Upcoming Horror Movies To Look Forward To In 2025

As the new year rapidly approaches, it is time to set some resolutions. Since you’re here, let’s assume you’ve resolved to watch more horror movies in 2025. Well, I’m here to help you with that with my guide of the most exciting upcoming releases in the genre.

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As the new year rapidly approaches, it is time to set some resolutions. Since you’re here, let’s assume you’ve resolved to watch more horror movies in 2025. Well, I’m here to help you with that with my guide of the most exciting upcoming releases in the genre.

12 Horror Movies to Look forward to in 2025

Please note that the release dates listed here are subject to change, and it’s entirely possible that some of these movies could end up getting pushed to 2026. Also, this list leans toward bigger franchise movies, because those are the titles that get release dates so far ahead of time. The next Longlegs or The Substance will likely be added to the schedule later, sneaking up behind you when you least expect it, as they very well should.

Wolf Man (January 17)

Leigh Whannell returns to the Universal Monsters, after bringing 2020’s The Invisible Man to life. I don’t see a way this update of The Wolf Man starring Christopher Abbott can match the magic of The Invisible Man, but Whannell knows what he’s doing. Each subsequent directorial effort has been an improvement on the last (Insidious: Chapter 3? Solid. Upgrade? Awesome.), but even if he slips slightly, he’s never helmed a less than enjoyable feature.

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Companion (January 31)

Is this a “proper” horror movie or more of a killer thriller like Strange Darling or Fresh? I don’t care! It was produced by Barbarian’s Zach Cregger and stars Scream 2022/The Boys’ Jack Quaid, so I’m already seated. Also on hand are Yellowjackets’ Sophie Thatcher, You’s Lukas Gage, and What We Do in the Shadows’ Harvey Guillén. 

The Monkey (February 21)

Theo James leads this Osgood Perkins adaptation of the Stephen King short story of the same name. That’s a roster of talent that can’t be ignored, even if Perkins doesn’t carry as much mileage with me as he does with many others. His presence will almost certainly prevent this from sinking into relative obscurity like 2023’s The Boogeyman, at the very least.

The Woman in the Yard (March 28)

There is basically no plot information for this upcoming Blumhouse production, which stars Danielle Deadwyler. Frankly, the title makes it sound like a thriller in the vein of Gone Girl or The Woman in the Window, which isn’t necessarily that exciting in 2024. However. The movie was directed by Jaume Collet-Serra, returning to the horror genre for the first time since… well, does 2016’s The Shallows count as horror? I say it does. Anyway, it’s been a while, and it’s good to have the director of Orphan and 2005’s House of Wax back in the fold.

28 Years Later (June 20)

The long-awaited sequel to the incredible 28 Days Later and 28 Weeks Later still feels like a fever dream. Reuniting director Danny Boyle and screenwriter Alex Garland is a move that could go either way, as their careers have taken widely divergent paths since collaborating on the original 2002 installment. The fact that it’s meant to kick off a sequel trilogy also gives me pause, as designing a new movie to spawn its own sequels is not exactly a recipe for success. All that said… I just don’t know how to not be excited about this one.

M3GAN 2.0 (June 27)

Sure, this sequel will probably have some try-hard scenes attempting to manufacture viral moments. But the first M3GAN was so much more than that dance scene, so if this can capture even half of that magic, we’re in good hands.

I Know What You Did Last Summer (July 18)

While the cast of this legacy sequel is still coming together, there is something exciting about the B-tier slasher franchise finally having a moment to itself in 2025. With just three movies and a TV show (two of which most people have never seen), the I Know What You Did Last Summer universe is a little sparse, so there’s something fun about it really being the only major, classic slasher franchise project we’re due to get this year.

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Saw XI (September 26)

Speaking of major franchises… Can the crew behind Saw X capture lightning in a bottle twice? I’d sure like to see them try. While this movie was delayed from its original 2023 date, this is the closest we’ve gotten in some time to the classic era where they were just cranking one of these out every Halloween. That process doesn’t always result in the best movies, but the “fuck it, we’re shooting in three weeks” mentality tends to lead to wild choices more often than not (see Jason vs. the telekinetic girl in Friday VII), because there simply isn’t time to question them.

The Bride! (September 26)

I’m glad that, instead of continuing to try and make the Dark Universe happen over and over again, Universal now seems content to hand the keys to a particular monster over to an interesting filmmaker. This new take on Bride of Frankenstein, written and directed by Maggie Gyllenhaal, also features a stacked-as-hell cast that includes Jessie Buckley, Christian Bale, Penélope Cruz, Annette Bening, and Jake Gyllenhaal (now how in the hell did they manage to get him?). The Bride of Frankenstein is also woefully underrepresented in Universal monster movies in general, making this new take even more exciting.

Scary Movie (TBA 2025)

I’m personally not a fan of most of the Scary Movie movies, but that’s exactly why this reboot or whatever the hell it intrigues me so much. What exactly does one of those mid-2000s overstuffed parody movies look like in 2024? I gotta know!

The Ritual (TBA 2025)

Listen to this Exorcist-ass logline: “Two priests — one questioning his faith and one reckoning with a troubled past — must put aside their differences to save a possessed young woman through a difficult and dangerous series of exorcisms.”

Obviously it’s a huge ripoff, but what if I told you this movie stars Al Pacino and Dan Stevens? Now what can that be? This is another outing for the morbidly curious, perhaps, but color me intrigued.

Final Destination: Bloodlines (TBA 2025)

Production on this Zach Lipovsky and Adam Stein-helmed installment in the supernatural slasher franchise has wrapped, so this movie is happening, y’all. I say this as a stalwart defender of the fourth movie, so feel free to discount that one when I say that, pound for pound, the Final Destination is one of the most satisfying and consistent modern horror franchises, delivering thrills and spills to the point that you could throw a dart at a list of the five extant movies and have a good time with whichever gets chosen for you. Hopefully, this revival continues that trend.

Other horror movies slated to premiere in 2025 (many of which I’m also excited for, but this list ain’t a novel, so it had to stop somewhere): Heart Eyes (February 7), Vicious (February 28), Sinners (March 7), Untitled Insidious Movie (August 29), The Conjuring: Last Rites (September 5), The Black Phone 2 (October 17), Five Nights at Freddy’s 2 (December 5), Hell House LLC: Lineage (TBA 2025), Thanksgiving 2 (TBA 2025), Poohniverse: Monsters Assemble(TBA 2025)

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Brennan Klein is a millennial who knows way more about 80's slasher movies than he has any right to. He's a former host of the  Attack of the Queerwolf podcast and a current senior movie/TV news writer at Screen Rant. You can also find his full-length movie reviews on Alternate Ending and his personal blog Popcorn Culture. Follow him on Twitter or Letterboxd, if you feel like it.

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The Best Horror You Can Stream on Shudder in September 2026

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We are finally in the midst of Shudder’s 61 days of Halloween! There are so many horror movies to consume and 31 days simply isn’t enough. Use the long Labor Day weekend to kick off your horror movie countdown and add these movies to your Shudder queue. Here is a list of what I would recommend checking out to ease into the Halloween spirit right before going into full blown premature trick-or-treating mode.

The Best Movies to Stream on Shudder This Month

The Yeti (2026)

A large creature has captured people in a remote Alaskan town in the 1940s. The sheriff has put together a search-and-rescue monster hunting party to bring back the captives. It sounds like the premise of a Cold Iron Studios co-op video game in the same vein as Aliens: Fireteam Elite. The stylization from co-directors Gene Gallerano & William Pisciotta in the trailer makes me think they have cooked up a story that blends action, horror, and wilderness survival. Sign me up, sheriff!

Leave (2022)

Hunter was found as a baby abandoned in a cemetery wrapped in a cloth covered with satanic symbols. She has been searching for answers her whole life about where she came from. Her journey to find her parents takes her down a mysterious path, and she is being warned by something from the beyond to leave this mystery alone. Can she trust who this investigation is leading her towards? It’s a mysterious, supernatural, culty film that will give you chills.

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Penny Lane is Dead (2026)

One crazy night in Australia with perhaps a dash of revenge. Shudder’s latest original looks to be packed with blood and violence in this story of girls just trying to have fun until the crazy cousin drugs the party and invites dangerous people to play. The trailer promises lots of body horror (trigger warning, there may be SA or threat of it). I’m not saying it will be Evil Dead level, but there’s definitely something in the Aussie water with Lee Cronin pumping out his gory deadites and mummy films, and now Mia Kate Russel with this one.

The Others (2001)

This is a PSA to the younger readers of Horror Press; stop what you’re doing and watch Nicole Kidman go 100 miles per hour in this classic ghost story with a twist. Dreary weather, massive estate, confusing corridors, creepy house servants you don’t know if you can trust, and sad British kids. The ending is an all-timer and spoilers should be avoided at all costs. It has exactly what you need to get right into the cozy, spooky mood for 61-days of Halloween.

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Dark Harvest (2023)

If The Hunger Games and The Purge had a baby and raised it during Oktoberfest. Teenage boys are tasked with hunting and killing the entity known as Sawtooth Jack on Halloween night, or it could mean certain peril for their town. Of the movies I have listed here that I have not seen, this is going to be at the top of my watchlist. Teens fighting for survival on Halloween night and the battle setting is in a cornfield?! Say less. I am there with my Sam Adams seasonal in hand. Another perfect movie to cannonball me right into the Halloween spirit.

This list has been carefully curated to watch in a specific order to gear up for a Halloween marathon. Start with the wintry monster movie, move on to a macabre supernatural thriller, followed by a ramp-up in blood and gore, to then be lulled into a spooky, bump-in-the-night classic, all to end on a ritualistic hunt taking place on Halloween night. This is just getting things started for the first 30-days. Looking forward to sharing the next list to get you through October.

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The 10 Best Modern Horror Movies Recommended By Stephen King

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Anyone who follows legendary horror author Stephen King on social media or reads the back of books knows one thing. It’s harder to find something that King hasn’t blurbed than something that he has. The dude is a voracious consumer of genre media, and he finds a lot to love. It’s an admirable quality. But, speaking as someone who saw American Ultra after he praised it, you can’t always trust his recommendations. Today, I’ll cut some of the wheat from the chaff and break down the best modern horror movies he’s recommended.

Three notes: First, I have decided to define “modern” as “2001 or later.” Second, King practices good social media hygiene and has deleted many of his old posts. A lot of them are archived elsewhere. However, it’s more or less impossible to make a truly comprehensive list of his recommendations. I’ve synthesized multiple different sources and done my best to truly encapsulate the breadth of his recommendations. Third, I have not included any adaptations of his own work. He may be outspoken about the ones he doesn’t like, but he’s still obviously biased in that department.

#10 Snakes on a Plane (2006)

To quote King himself (defending putting 2012 among his top 2009 movies), “no filmgoing diet is complete without some cheese.” Snakes on a Plane is a does-what-it-says-on-the-tin movie, delivering high-flying serpentine thrills. However, it’s also a remarkably faithful resurrection of the atmosphere of old 1970s airplane thrillers.

#9 Final Destination 5 (2011)

In his Best of 2011 entry on Final Destination 5, King called it “the best since the first,” and he’s absolutely right. While the sequels probably peaked with the highway prologue in Final Destination 2, the fifth installment is pound-for-pound the most thrilling entry. Between the bridge collapse, the laser eye surgery, and the nail-biting sequence where a screw falls pointy-side-up on a balance beam, there’s no denying there’s real power here. And that’s not even mentioning the fun final twist!

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#8 A Quiet Place: Day One (2024)

In a since-deleted Tweet, King called Day One “the rare ‘big Hollywood film’ that is both intimate and textured.” It’s true. A Quiet Place: Day One is a mini miracle of horror filmmaking. An IP-drenched prequel to a duology of good-not-great post-apocalyptic popcorn blockbusters shouldn’t be this genuinely stirring. Plus, relative newcomer Joseph Quinn holds his own against the awe-inspiring Lupita Nyong’o, resulting in an all-timer two-hander.

#7 The Strangers (2008)

After watching The Strangers, King took to Entertainment Weekly to pontificate about what makes good horror. If you inspire someone who literally wrote the book on horror to think about it more, you’ve done something right. Bryan Bertino’s home invasion movie is one of the grimmest movies of the 2000s, but its desperate existential dread is terrifying and perfectly in line with King’s best works.

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#6 Splice (2009)

King included Splice on his Top 10 list for 2010, particularly praising the “talented actors… who take the material seriously.” How did this grotesque genetic-experimentation horror movie directed by the guy who made Cube land Adrien Brody and Sarah Polley? Who knows. But they breathe life into some already super solid material. What Brody in particular gets up to feels even more twisted because it’s the guy from The Pianist doing it.

#5 Smile (2022)

In a since-deleted Tweet, King called Smile a “good, scary horror film.” He added that “the real surprise is Sosie Bacon as Rose. What a hell of a performance.” Bacon really was a revelation, but so was debut director Parker Finn. His control over tone and pacing leads to some of the best scare sequences of the 2020s.

#4 The Rule of Jenny Pen (2024)

King’s not fucking around about the New Zealand horror film The Rule of Jenny Pen. It’s one of just two horror movies on his New York Times ballot for the best of the 21st century. The underseen movie is a real corker, too. It follows a judge (Geoffrey Rush) recovering in a care home after a stroke. However, his relaxation is ruined by a sadistic retiree (John Lithgow) who is obsessed with his baby doll puppet. Lithgow’s performance is stunning, and his thrillingly dark energy commands the screen every second he’s in front of the camera.

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#3 Barbarian (2022)

In a since-deleted reply to a fan’s Tweet about Barbarian, King said “Yeah, that movie blew me away. It was crazy! Crazy GOOD!” This movie contributed what is perhaps the definitive scary basement in horror, which is no small feat. That’s all thanks to director Zach Cregger’s control over onscreen darkness (one of his many skills). The man must be a shadowmancer of some kind.

#2 Train to Busan (2016)

Train to Busan is the only other horror movie on King’s NYT ballot. It has received a lot of international recognition over the years. Perhaps more than any other non-Parasite movie from South Korea. That’s because it’s flipping amazing. Its crackling energy makes it one of the scariest fast-zombie movies in history. But it also marries that with a compelling father-daughter story. There’s really nothing Train to Busan can’t do.

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#1 The Descent (2005)

King put The Descent on his 2006 best-of list, calling it “the best horror movie of the year.” Forget that. It’s one of the top horror movies of the century so far. It’s a bloody good monster movie nestled into a skin-crawlingly claustrophobic spelunking movie.

Honorable Mentions:

The Autopsy of Jane Doe (2016) – I’ve never seen it, so I can’t in good faith recommend it

Pan’s Labyrinth (2006) – A masterpiece, but it’s not really “horror”

Obsession (2026) – We gotta let this one sit, in order to avoid recency bias

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