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12 Upcoming Horror Movies To Look Forward To In 2025

As the new year rapidly approaches, it is time to set some resolutions. Since you’re here, let’s assume you’ve resolved to watch more horror movies in 2025. Well, I’m here to help you with that with my guide of the most exciting upcoming releases in the genre.

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As the new year rapidly approaches, it is time to set some resolutions. Since you’re here, let’s assume you’ve resolved to watch more horror movies in 2025. Well, I’m here to help you with that with my guide of the most exciting upcoming releases in the genre.

12 Horror Movies to Look forward to in 2025

Please note that the release dates listed here are subject to change, and it’s entirely possible that some of these movies could end up getting pushed to 2026. Also, this list leans toward bigger franchise movies, because those are the titles that get release dates so far ahead of time. The next Longlegs or The Substance will likely be added to the schedule later, sneaking up behind you when you least expect it, as they very well should.

Wolf Man (January 17)

Leigh Whannell returns to the Universal Monsters, after bringing 2020’s The Invisible Man to life. I don’t see a way this update of The Wolf Man starring Christopher Abbott can match the magic of The Invisible Man, but Whannell knows what he’s doing. Each subsequent directorial effort has been an improvement on the last (Insidious: Chapter 3? Solid. Upgrade? Awesome.), but even if he slips slightly, he’s never helmed a less than enjoyable feature.

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Companion (January 31)

Is this a “proper” horror movie or more of a killer thriller like Strange Darling or Fresh? I don’t care! It was produced by Barbarian’s Zach Cregger and stars Scream 2022/The Boys’ Jack Quaid, so I’m already seated. Also on hand are Yellowjackets’ Sophie Thatcher, You’s Lukas Gage, and What We Do in the Shadows’ Harvey Guillén. 

The Monkey (February 21)

Theo James leads this Osgood Perkins adaptation of the Stephen King short story of the same name. That’s a roster of talent that can’t be ignored, even if Perkins doesn’t carry as much mileage with me as he does with many others. His presence will almost certainly prevent this from sinking into relative obscurity like 2023’s The Boogeyman, at the very least.

The Woman in the Yard (March 28)

There is basically no plot information for this upcoming Blumhouse production, which stars Danielle Deadwyler. Frankly, the title makes it sound like a thriller in the vein of Gone Girl or The Woman in the Window, which isn’t necessarily that exciting in 2024. However. The movie was directed by Jaume Collet-Serra, returning to the horror genre for the first time since… well, does 2016’s The Shallows count as horror? I say it does. Anyway, it’s been a while, and it’s good to have the director of Orphan and 2005’s House of Wax back in the fold.

28 Years Later (June 20)

The long-awaited sequel to the incredible 28 Days Later and 28 Weeks Later still feels like a fever dream. Reuniting director Danny Boyle and screenwriter Alex Garland is a move that could go either way, as their careers have taken widely divergent paths since collaborating on the original 2002 installment. The fact that it’s meant to kick off a sequel trilogy also gives me pause, as designing a new movie to spawn its own sequels is not exactly a recipe for success. All that said… I just don’t know how to not be excited about this one.

M3GAN 2.0 (June 27)

Sure, this sequel will probably have some try-hard scenes attempting to manufacture viral moments. But the first M3GAN was so much more than that dance scene, so if this can capture even half of that magic, we’re in good hands.

I Know What You Did Last Summer (July 18)

While the cast of this legacy sequel is still coming together, there is something exciting about the B-tier slasher franchise finally having a moment to itself in 2025. With just three movies and a TV show (two of which most people have never seen), the I Know What You Did Last Summer universe is a little sparse, so there’s something fun about it really being the only major, classic slasher franchise project we’re due to get this year.

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Saw XI (September 26)

Speaking of major franchises… Can the crew behind Saw X capture lightning in a bottle twice? I’d sure like to see them try. While this movie was delayed from its original 2023 date, this is the closest we’ve gotten in some time to the classic era where they were just cranking one of these out every Halloween. That process doesn’t always result in the best movies, but the “fuck it, we’re shooting in three weeks” mentality tends to lead to wild choices more often than not (see Jason vs. the telekinetic girl in Friday VII), because there simply isn’t time to question them.

The Bride! (September 26)

I’m glad that, instead of continuing to try and make the Dark Universe happen over and over again, Universal now seems content to hand the keys to a particular monster over to an interesting filmmaker. This new take on Bride of Frankenstein, written and directed by Maggie Gyllenhaal, also features a stacked-as-hell cast that includes Jessie Buckley, Christian Bale, Penélope Cruz, Annette Bening, and Jake Gyllenhaal (now how in the hell did they manage to get him?). The Bride of Frankenstein is also woefully underrepresented in Universal monster movies in general, making this new take even more exciting.

Scary Movie (TBA 2025)

I’m personally not a fan of most of the Scary Movie movies, but that’s exactly why this reboot or whatever the hell it intrigues me so much. What exactly does one of those mid-2000s overstuffed parody movies look like in 2024? I gotta know!

The Ritual (TBA 2025)

Listen to this Exorcist-ass logline: “Two priests — one questioning his faith and one reckoning with a troubled past — must put aside their differences to save a possessed young woman through a difficult and dangerous series of exorcisms.”

Obviously it’s a huge ripoff, but what if I told you this movie stars Al Pacino and Dan Stevens? Now what can that be? This is another outing for the morbidly curious, perhaps, but color me intrigued.

Final Destination: Bloodlines (TBA 2025)

Production on this Zach Lipovsky and Adam Stein-helmed installment in the supernatural slasher franchise has wrapped, so this movie is happening, y’all. I say this as a stalwart defender of the fourth movie, so feel free to discount that one when I say that, pound for pound, the Final Destination is one of the most satisfying and consistent modern horror franchises, delivering thrills and spills to the point that you could throw a dart at a list of the five extant movies and have a good time with whichever gets chosen for you. Hopefully, this revival continues that trend.

Other horror movies slated to premiere in 2025 (many of which I’m also excited for, but this list ain’t a novel, so it had to stop somewhere): Heart Eyes (February 7), Vicious (February 28), Sinners (March 7), Untitled Insidious Movie (August 29), The Conjuring: Last Rites (September 5), The Black Phone 2 (October 17), Five Nights at Freddy’s 2 (December 5), Hell House LLC: Lineage (TBA 2025), Thanksgiving 2 (TBA 2025), Poohniverse: Monsters Assemble(TBA 2025)

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Brennan Klein is a millennial who knows way more about 80's slasher movies than he has any right to. He's a former host of the  Attack of the Queerwolf podcast and a current senior movie/TV news writer at Screen Rant. You can also find his full-length movie reviews on Alternate Ending and his personal blog Popcorn Culture. Follow him on Twitter or Letterboxd, if you feel like it.

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‘Ready or Not’ and the Cathartic Cigarette of a Relatable Final Girl

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I was late to the Radio Silence party. However, I do not let that stop me from being one of the loudest people at the function now. I randomly decided to see Ready or Not in theaters one afternoon in 2019 and walked out a better person for it. The movie introduced me to the work of a team that would become some of my favorite current filmmakers. It also confirmed that getting married is the worst thing one can do. That felt very validating as someone who doesn’t buy into the needing to be married to be complete narrative.

Ready or Not is about a fucked up family with a fucked up tradition. The unassuming Grace (Samara Weaving) thinks her new in-laws are a bit weird. However, she’s blinded by love on her wedding day. She would never suspect that her groom, Alex (Mark O’Brien), would lead her into a deadly wedding night. So, she heads downstairs to play a game with the family, not knowing that they will be hunting her this evening. This is one of the many ways I am different from Grace. I watch enough of the news to know the husband should be the prime suspect, and I have been around long enough to know men are the worst. I also have a commitment phobia, so the idea of walking down the aisle gives me anxiety. 

Grace Under Fire

Ready or Not is a horror comedy set on a wealthy family’s estate that got overshadowed by Knives Out. I have gone on record multiple times saying it’s the better movie. Sadly, because it has fewer actors who are household names, people are not ready to have that conversation. However, I’m taking up space this month to talk about catharsis, so let me get back on track. One of the many ways this movie is better than the latter is because of that sweet catharsis awaiting us at the end.

This movie puts Grace through it and then some. Weaving easily makes her one of the easiest final girls to root for over a decade too. From finding out the man she loves has betrayed her, to having to fight off the in-laws trying to kill her, as she is suddenly forced to fight to survive her wedding night. No one can say that Grace doesn’t earn that cigarette at the end of the film. As she sits on the stairs covered in the blood of what was supposed to be her new family, she is a relatable icon. As the unseen cop asks what happened to her, she simply says,In-laws.It’s a quick laugh before the credits roll, andLove Me Tenderby Stereo Jane makes us dance and giggle in our seats. 

Ready or Not Proves That Maybe She’s Better Off Alone

It is also a moment in which Grace is one of many women who survives marriage. She comes out of the other side beaten but not broken. Grace finally put herself, and her needs first, and can breathe again in a way she hasn’t since saying I do. She fought kids, her parents-in-law, and even her husband to escape with her life. She refused to be a victim, and with that cigarette, she is finally free and safe. Grace is back to being single, and that’s clearly for the best.

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This Guy Busick and R. Christopher Murphy script is funny on the surface, even before you start digging into the subtext. The fact that Ready or Not is a movie where the happy ending is a woman being left alone is not wasted on me, though. While Grace thought being married would make her happy, she now has physical and emotional wounds to remind her that it’s okay to be alone. 

One of the things I love about this current era of Radio Silence films is that the women in these projects are not the perfect victims. Whether it’s Ready or Not, Abigail, or Scream (2022), or Scream VI, the girls are fighting. They want to live, they are smart and resourceful, and they know that no one is coming to help them. That’s why I get excited whenever I see Matt Bettinelli-Olpin and Tyler Gillett’s names appear next to a Guy Busick co-written script. Those three have cracked the code to give us women protagonists that are badasses, and often more dangerous than their would-be killers when push comes to shove. 

Ready or Not Proves That Commitment is Scarier Than Death

So, watching Grace run around this creepy family’s estate in her wedding dress is a vision. It’s also very much the opposite of what we expect when we see a bride. Wedding days are supposed to be champagne, friends, family, and trying to buy into the societal notion that being married is what we’re supposed to aspire to as AFABs. They start programming us pretty early that we have to learn to cook to feed future husbands and children.

The traditions of being given away by our fathers, and taking our husbands’ last name, are outdated patriarchal nonsense. Let’s not even get started on how some guys still ask for a woman’s father’s permission to propose. These practices tell us that we are not real people so much as pawns men pass off to each other. These are things that cause me to hyperventilate a little when people try to talk to me about settling down.

Marriage Ain’t For Everybody

I have a lot of beef with marriage propaganda. That’s why Ready or Not speaks to me on a bunch of levels that I find surprising and fresh. Most movies would have forced Grace and Alex to make up at the end to continue selling the idea that heterosexual romance is always the answer. Even in horror, the concept that “love will save the day” is shoved at us (glares at The Conjuring Universe). So, it’s cool to see a movie that understands women can be enough on their own. We don’t need a man to complete us, and most of the time, men do lead to more problems. While I am no longer a part-time smoker, I find myself inhaling and exhaling as Grace takes that puff at the end of the film. As a woman who loves being alone, it’s awesome to be seen this way. 

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Ready or Note cigarette

The Cigarette of Singledom

We don’t need movies to validate our life choices. However, it’s nice to be acknowledged every so often. If for no other reason than to break up the routine. I’m so tired of seeing movies that feel like a guy and a girl making it work, no matter the odds, is admirable. Sometimes people are better when they separate, and sometimes divorce saves lives. So, I salute Grace and her cathartic cigarette at the end of her bloody ordeal.

I cannot wait to see what single shenanigans she gets into in Ready or Not 2: Here I Come. I personally hope she inherited that money from the dead in-laws who tried her. She deserves to live her best single girl life on a beach somewhere. Grace’s marriage was a short one, but she learned a lot. She survived it, came out the other side stronger, richer, and knowing that marriage isn’t for everybody.

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The Best Horror You Can Stream on Shudder in January 2026

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My New Year’s resolution is to spend more time watching my favorite app. Luckily, Shudder is not taking it easy on us this holiday season, so I may meet my quota this January. The streamer is bringing in the new year with quite a few bangers. We have classics from icons, a new title from the first family of indie horror, and a couple of lesser-known films that have finally found a home. So, I am obviously living for this month’s programming and think most of you will too. I have picked the five films that I believe deserve our collective attention the most. Get into each of them and start your 2026 off on the right foot. 

The Best Movies to Stream on Shudder This Month

Carrie (1976)

A sheltered teen finally unleashes her telekinetic powers after being humiliated for the last time. Carrie is the reason I thought proms might be cool when I was a kid. This Brian De Palma adaptation is one of my favorite Stephen King adaptations. It is also an important title in the good-for-her subgenre. I cannot help rooting for Carrie White (Sissy Spacek) when I watch her snap at this prom and then head home to accidentally deal with her mom. The only tragedy of this evening is that Carrie had to die, too. I said what I said, and I will be hitting play again while it is on Shudder. This recommendation goes out to the other recovering sheltered girls who would be the problem if they had powers. I see you because I am you.

You can watch Carrie on January 1st.

Marshmallow (2025)

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A shy 12-year-old gets sent to summer camp and finds himself in a living nightmare. While Marshmallow did not land for me, I know plenty of people who love it. Which makes this the perfect addition to the Shudder catalogue. I am actually excited to see more folks fall in love with this movie when it hits the streamer. If nothing else, it will help a few folks cross off another 2025 title if they are still playing catch-up with last year’s movies. It also gets cool points from me for not taking the easy route with the mystery it built. I hope you all dig it more than I did, and tell your friends about it. Perhaps you could even encourage them to sign up for the app.

You can watch Marshmallow on January 1st.

Chain Reactions (2024)

Tobe Hooper’s The Texas Chain Saw Massacre cemented his horror legacy over fifty years ago. So, it is long overdue for a documentary where horror royalty can discuss its impact on them and their careers. I have been waiting for a couple of years to hear Karyn Kusama and Takashi Miike talk about Hooper’s work and how he inspired them. So, I am super geeked that Shudder is finally giving me the chance to see this film. The streamer is also helping the nerds out by adding The Texas Chain Saw Massacre (1974) and The Texas Chain Saw Massacre 2 (1986) this month. If you are also an overachieving couch potato, I will see you at the finish line next week.

You can watch Chain Reactions on January 9th.

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In the Mouth of Madness (1994)

An insurance investigator discovers the impact a horror writer’s books have on people. I love chaos, and John Carpenter chaos happens to be one of my favorite kinds of chaos. While we talk about The Thing and Halloween all the time, this maestro has given us plenty of horror to celebrate. In the Mouth of Madness is very much one of those titles vying for a top spot among the best of his filmography. To sweeten the batshit pot, this movie features Sam Neill. You know that he only shows up in our genre if the movie is going to be legendary. You cannot tell me this is not a Shudder priority this month.

You can watch In the Mouth of Madness on January 10th.

Mother of Flies (2025)

A terminally ill young woman and her dad head to the woods to seek out a recluse who claims she can cure her cancer. The Adams Family has been holding court on Shudder for years, so it feels right that Mother of Flies is a Shudder Original. More importantly, this fest favorite has one of the best performances of 2025. Which makes it a great time for people to finally get to see it and get in line to give Toby Poser her flowers. Whatever you think your favorite Poser role is, it is about to change when you see her as Solveig. I am being serious when I say that this movie might be the first family of indie horror at their best.

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You can watch Mother of Flies on January 23rd.

New year, but same Shudder. I would not want to go into 2026 any other way, personally. I hope these horrific recommendations bring you the good kind of anxiety.  Or at least distract you from the state of the world for a bit.

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