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What Are Some of the Best Beheadings in Horror?

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Someone said to me recently, “Heads don’t roll like they used to,” and I took that as a personal challenge. Whatever happened to the good ol’ snap n’ drop? Nothing! Beheadings and decapitation have stayed alive and well in our neck of the woods. Let me highlight a handful of the best beheadings in horror that need to be added to your watch list, or give you a reason to revisit some classics.

The Best Beheadings in Horror

Hereditary (2018) 

No, I don’t think Ari Aster is okay. A two-fer of decapitation in only 128 minutes is almost as rare as little Charlie’s (Milly Shapiro) headless body after marinating in the back seat of her brother’s car overnight. The only thing that could possibly trump the infamous nut allergy sequence is a self-inflicted beheading for a cute lil’ nightcap right before the credits roll. Toni Collette eats those wounds like an absolute champ while hoisted 10 feet off the floor.

Saint Drogo (2023) 

Saint Drogo is the second feature film to drop out of Monster Makeup Entertainment. The story follows a gay couple going through a rough patch. The two make an effort to heal their relationship by taking a trip to Rhode Island’s P-Town during the winter off-season. While pretending to fix their bond, one of them faces their suspicion of the disappearance of an ex who never returned home.

It’s a tense and uncomfortable slow burn that ends on an even more anxiety-ridden note with some gorgeous body horror. A must-see for queer fans of psychological horror and gore that’ll leave your head spinning as the heads on screen are rolling.

 

Deadly Friend (1986) 

Before M3GAN, before Anabelle, and even before Chucky, there was Samantha Pringle; the deadliest “girl next door”. Take a stroll down Wes Craven’s catalog, and you’ll find this wildly overlooked piece of gore gold- which includes one of the best clapbacks of the decade.

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Paul is the new robotics prodigy in town, and his creation, a bot named BB is all the proof he needs. When there’s meddling kids on the block, the mortal enemy can’t be far. In this case, it’s the old Karen down the street, Elvira. When Sam Pringle suffers a critical injury due to domestic violence, Paul places BB’s chip into her brain, turning her into the cutest cyborg around. Maybe ol’ Elvira should’ve thought twice before stealing the neighborhood kids’ basketball- Sam Pringle shoots a nasty free throw, knocking her head clean off and into a bloody pulp.

The Coffee Table (2022) 

You don’t know true stress if you haven’t seen The Coffee Table. Director Caye Casas is one sick dude who just delivered the blackest horror comedy you’ve ever experienced. The film explores the fragile familial relationships between Jesus, his wife Maria, and his brother Carlos. It’s an equal opportunity horror in here- no one is granted immunity. I’m sure you’re wondering how decapitation and family drama mix. I’ll quietly throw this on the list and leave you to your trauma. I’ve already said too much.

The Omen (1976) 

Arkasha Stevenson’s The First Omen was a fun time, but nothing could ever compare to the crater-sized impact that was left in viewers after the late David Warner’s incredible death scene. Warner stars as the photographer Keith Jennings, assisting in the investigation to determine whether the boy Damian is the Antichrist.

During an assassination attempt, Jennings becomes distracted and fails to notice the industrial glass truck heading full speed towards him. A sheet of glass comes loose, slicing his throat with the precision of a Michelin star chef’s knife, popping his head clean off the stem. Just to rub it in, viewers get the play-by-play from at least four different angles in glorious slow motion. The 70s couldn’t have been ready for all that.

I Saw The Devil (2010) 

This beheading comes at the finale of a masterclass of revenge. Director Kim Jee-woon is extra generous with flesh and violence. Around these parts, we’re all game, but to the Korea Media Rating Board, absolutely not. The board had forced a recut on two separate occasions to avoid a “restricted” rating, which would prevent the film from having a theatrical or home video release. Lucky for us, the international cut puts all the squishy stuff right back in.

Lee Byung-hun stars as Soo-hyeon; a professionally trained agent on a revenge mission against his finance’s “decapitator”, Jang Kyung-chul (Choi Min-sik). Decapitation plays a special role in this film, as that’s where our story starts and ends. After 144 minutes of an extreme level cat and mouse chase, Kyung-chul finally meets his demise by decapitation from his own personal guillotine. And the best part? Soo-hyeon invites the maniac’s parents and son to watch the show.

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Friday the 13th Part VIII: Jason Takes Manhattan (1989)

I’m not the biggest slasher fan, but I’m a New Yorker, which means my pride forces me to pretend that Friday the 13th Part VIII is good. I won’t lie and say it’s not worth a watch- there are some great moments in here. One of my favorites being Julius’ (Vincent Craig Dupree) hilarious knockout scene.

Squaring up for a rooftop fist fight is a very New York thing to do, but picking a fight with Jason? It’s grade-A comedy camp. All it takes is one swing to send poor Julius’ head flying off the rooftop with immaculate aim into the dumpster below. Swoosh.

Day of the Dead (1985)

I’ll always be down for a hate-watch, but I’ve never wished painful deaths on any cast of characters to the degree that I have while watching Romero’s Day of the Dead. I’ve got to believe that was intentional; George Romero was definitely a conduit of on-screen divine karma. Luckily we’ve got the legendary special fx duo, Tom Savini and Greg Nicotero on board to deliver the inevitable with style and satisfaction. This death is drawn out to the absolute max, leaving Private Torrez howling before, during, and after his head is forcibly ripped from his body by classic Romero zombies.

House of Wax (2005) 

The list needs a little more love from the 2000s. This star-studded soft “remake” doesn’t have much connection to its 1953 namesake, but we love her anyway. In a House of Wax situation, I’d much rather lose my head in a quick death, than be damned to starvation and solitude by becoming a wax figure. Dalton (Jon Abrahams) gets the easy out. While looking through the museum for Wade (Jared Padalecki), Dalton discovers his petrified (and still very much alive) body coated in wax. After making a hysterical attempt at freeing Wade, Dalton is chased down the stairs by the wax-bandit, where his throat meets a pair of chef’s knives. He has no idea how easy he had it.

Final Destination 2 (2003)

In my opinion, the best kind of beheading is the kind where all you can do is lean in and wait for the inevitable. Even better in a time sensitive situation like an elevator ride. I think every horror fan has had the “what if” notion when riding the elevator- a rite of passage for the fandom, if you will. I’d like to thank Nora (Lynda Boyd) for her contribution to our intrusive thoughts. If you don’t know what happens when getting your head stuck in a pair of elevator doors, now you know!

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Xero Gravity is a media personality and genre journalist with a focus on diversity and inclusion in horror, sci-fi and dark fantasy. She curates and hosts nerdy fundraisers, events, screenings and dance parties as "THEE Black Elvira". When she’s not on her feet or behind the mic, you can find her online for killer movie reviews, podcasts, livestreams and commentary.

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‘Ready or Not’ and the Cathartic Cigarette of a Relatable Final Girl

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I was late to the Radio Silence party. However, I do not let that stop me from being one of the loudest people at the function now. I randomly decided to see Ready or Not in theaters one afternoon in 2019 and walked out a better person for it. The movie introduced me to the work of a team that would become some of my favorite current filmmakers. It also confirmed that getting married is the worst thing one can do. That felt very validating as someone who doesn’t buy into the needing to be married to be complete narrative.

Ready or Not is about a fucked up family with a fucked up tradition. The unassuming Grace (Samara Weaving) thinks her new in-laws are a bit weird. However, she’s blinded by love on her wedding day. She would never suspect that her groom, Alex (Mark O’Brien), would lead her into a deadly wedding night. So, she heads downstairs to play a game with the family, not knowing that they will be hunting her this evening. This is one of the many ways I am different from Grace. I watch enough of the news to know the husband should be the prime suspect, and I have been around long enough to know men are the worst. I also have a commitment phobia, so the idea of walking down the aisle gives me anxiety. 

Grace Under Fire

Ready or Not is a horror comedy set on a wealthy family’s estate that got overshadowed by Knives Out. I have gone on record multiple times saying it’s the better movie. Sadly, because it has fewer actors who are household names, people are not ready to have that conversation. However, I’m taking up space this month to talk about catharsis, so let me get back on track. One of the many ways this movie is better than the latter is because of that sweet catharsis awaiting us at the end.

This movie puts Grace through it and then some. Weaving easily makes her one of the easiest final girls to root for over a decade too. From finding out the man she loves has betrayed her, to having to fight off the in-laws trying to kill her, as she is suddenly forced to fight to survive her wedding night. No one can say that Grace doesn’t earn that cigarette at the end of the film. As she sits on the stairs covered in the blood of what was supposed to be her new family, she is a relatable icon. As the unseen cop asks what happened to her, she simply says,In-laws.It’s a quick laugh before the credits roll, andLove Me Tenderby Stereo Jane makes us dance and giggle in our seats. 

Ready or Not Proves That Maybe She’s Better Off Alone

It is also a moment in which Grace is one of many women who survives marriage. She comes out of the other side beaten but not broken. Grace finally put herself, and her needs first, and can breathe again in a way she hasn’t since saying I do. She fought kids, her parents-in-law, and even her husband to escape with her life. She refused to be a victim, and with that cigarette, she is finally free and safe. Grace is back to being single, and that’s clearly for the best.

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This Guy Busick and R. Christopher Murphy script is funny on the surface, even before you start digging into the subtext. The fact that Ready or Not is a movie where the happy ending is a woman being left alone is not wasted on me, though. While Grace thought being married would make her happy, she now has physical and emotional wounds to remind her that it’s okay to be alone. 

One of the things I love about this current era of Radio Silence films is that the women in these projects are not the perfect victims. Whether it’s Ready or Not, Abigail, or Scream (2022), or Scream VI, the girls are fighting. They want to live, they are smart and resourceful, and they know that no one is coming to help them. That’s why I get excited whenever I see Matt Bettinelli-Olpin and Tyler Gillett’s names appear next to a Guy Busick co-written script. Those three have cracked the code to give us women protagonists that are badasses, and often more dangerous than their would-be killers when push comes to shove. 

Ready or Not Proves That Commitment is Scarier Than Death

So, watching Grace run around this creepy family’s estate in her wedding dress is a vision. It’s also very much the opposite of what we expect when we see a bride. Wedding days are supposed to be champagne, friends, family, and trying to buy into the societal notion that being married is what we’re supposed to aspire to as AFABs. They start programming us pretty early that we have to learn to cook to feed future husbands and children.

The traditions of being given away by our fathers, and taking our husbands’ last name, are outdated patriarchal nonsense. Let’s not even get started on how some guys still ask for a woman’s father’s permission to propose. These practices tell us that we are not real people so much as pawns men pass off to each other. These are things that cause me to hyperventilate a little when people try to talk to me about settling down.

Marriage Ain’t For Everybody

I have a lot of beef with marriage propaganda. That’s why Ready or Not speaks to me on a bunch of levels that I find surprising and fresh. Most movies would have forced Grace and Alex to make up at the end to continue selling the idea that heterosexual romance is always the answer. Even in horror, the concept that “love will save the day” is shoved at us (glares at The Conjuring Universe). So, it’s cool to see a movie that understands women can be enough on their own. We don’t need a man to complete us, and most of the time, men do lead to more problems. While I am no longer a part-time smoker, I find myself inhaling and exhaling as Grace takes that puff at the end of the film. As a woman who loves being alone, it’s awesome to be seen this way. 

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Ready or Note cigarette

The Cigarette of Singledom

We don’t need movies to validate our life choices. However, it’s nice to be acknowledged every so often. If for no other reason than to break up the routine. I’m so tired of seeing movies that feel like a guy and a girl making it work, no matter the odds, is admirable. Sometimes people are better when they separate, and sometimes divorce saves lives. So, I salute Grace and her cathartic cigarette at the end of her bloody ordeal.

I cannot wait to see what single shenanigans she gets into in Ready or Not 2: Here I Come. I personally hope she inherited that money from the dead in-laws who tried her. She deserves to live her best single girl life on a beach somewhere. Grace’s marriage was a short one, but she learned a lot. She survived it, came out the other side stronger, richer, and knowing that marriage isn’t for everybody.

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The Best Horror You Can Stream on Shudder in January 2026

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My New Year’s resolution is to spend more time watching my favorite app. Luckily, Shudder is not taking it easy on us this holiday season, so I may meet my quota this January. The streamer is bringing in the new year with quite a few bangers. We have classics from icons, a new title from the first family of indie horror, and a couple of lesser-known films that have finally found a home. So, I am obviously living for this month’s programming and think most of you will too. I have picked the five films that I believe deserve our collective attention the most. Get into each of them and start your 2026 off on the right foot. 

The Best Movies to Stream on Shudder This Month

Carrie (1976)

A sheltered teen finally unleashes her telekinetic powers after being humiliated for the last time. Carrie is the reason I thought proms might be cool when I was a kid. This Brian De Palma adaptation is one of my favorite Stephen King adaptations. It is also an important title in the good-for-her subgenre. I cannot help rooting for Carrie White (Sissy Spacek) when I watch her snap at this prom and then head home to accidentally deal with her mom. The only tragedy of this evening is that Carrie had to die, too. I said what I said, and I will be hitting play again while it is on Shudder. This recommendation goes out to the other recovering sheltered girls who would be the problem if they had powers. I see you because I am you.

You can watch Carrie on January 1st.

Marshmallow (2025)

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A shy 12-year-old gets sent to summer camp and finds himself in a living nightmare. While Marshmallow did not land for me, I know plenty of people who love it. Which makes this the perfect addition to the Shudder catalogue. I am actually excited to see more folks fall in love with this movie when it hits the streamer. If nothing else, it will help a few folks cross off another 2025 title if they are still playing catch-up with last year’s movies. It also gets cool points from me for not taking the easy route with the mystery it built. I hope you all dig it more than I did, and tell your friends about it. Perhaps you could even encourage them to sign up for the app.

You can watch Marshmallow on January 1st.

Chain Reactions (2024)

Tobe Hooper’s The Texas Chain Saw Massacre cemented his horror legacy over fifty years ago. So, it is long overdue for a documentary where horror royalty can discuss its impact on them and their careers. I have been waiting for a couple of years to hear Karyn Kusama and Takashi Miike talk about Hooper’s work and how he inspired them. So, I am super geeked that Shudder is finally giving me the chance to see this film. The streamer is also helping the nerds out by adding The Texas Chain Saw Massacre (1974) and The Texas Chain Saw Massacre 2 (1986) this month. If you are also an overachieving couch potato, I will see you at the finish line next week.

You can watch Chain Reactions on January 9th.

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In the Mouth of Madness (1994)

An insurance investigator discovers the impact a horror writer’s books have on people. I love chaos, and John Carpenter chaos happens to be one of my favorite kinds of chaos. While we talk about The Thing and Halloween all the time, this maestro has given us plenty of horror to celebrate. In the Mouth of Madness is very much one of those titles vying for a top spot among the best of his filmography. To sweeten the batshit pot, this movie features Sam Neill. You know that he only shows up in our genre if the movie is going to be legendary. You cannot tell me this is not a Shudder priority this month.

You can watch In the Mouth of Madness on January 10th.

Mother of Flies (2025)

A terminally ill young woman and her dad head to the woods to seek out a recluse who claims she can cure her cancer. The Adams Family has been holding court on Shudder for years, so it feels right that Mother of Flies is a Shudder Original. More importantly, this fest favorite has one of the best performances of 2025. Which makes it a great time for people to finally get to see it and get in line to give Toby Poser her flowers. Whatever you think your favorite Poser role is, it is about to change when you see her as Solveig. I am being serious when I say that this movie might be the first family of indie horror at their best.

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You can watch Mother of Flies on January 23rd.

New year, but same Shudder. I would not want to go into 2026 any other way, personally. I hope these horrific recommendations bring you the good kind of anxiety.  Or at least distract you from the state of the world for a bit.

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