Connect with us

Movies

Pennywise, His Defeat, and The CGI of the Stephen King ‘It: Chapter’ Movies

Published

on

Whenever the announcement of a classic horror movie remake is made, there is an audible gasp happening in comment sections across the Internet as fans of the original movie collectively clutch their pearls. On the one hand, reservations about remakes are often justified. As horror fans, we’ve seen studio after studio try to make profits by remaking original horror ideas with lackluster effort. 

These films insult the original piece, as they’ve skirted through the original’s blood, sweat, and tears to give us a film that feels manufactured. 

On the other hand, lives a difficult truth. Remakes modernize horror movies, making them much more palatable to younger audiences. There’s something inside of the grain of old horror movies that causes an immediate disconnect to today’s viewers. So, the truth is, if we love these icons and genuinely wish to keep them alive, we must love the reignitions of their spirit. I often have to remind myself of this when it comes to the Andy Muschietti It movies. 

Is the It Remake a Good Movie?

Of all the horror movie remakes to be announced, none caused the visceral reaction so much as the one brought about by the remake of Stephen King’s It. Even my sweet love A Nightmare on Elm Street didn’t have the Internet in as entirely of an uproar when its remake was released. 

The film’s announcement went into immediate competition with the It made-for-TV miniseries released in 1990. The film is a beloved viewing staple, with It being the first horror movie many ever saw – not to mention that it is one of Stephen King’s most iconic, chunky stories. 

Advertisement

Andy Muschietti had extraordinarily large, clown-sized shoes to fill when approaching this Stephen King adaptation. It’s worth noting that he also had the added difficulty of dealing with the World Clown Association, as they’ve been working diligently to de-monsterize clowns in the mainstream. These films, coupled with the 2016 clown sightings, have given them rugged terrain to tread. And I’m sure John Wayne Gacy’s entire existence created an uphill battle from the start, but I digress.

I tend to have mixed feelings about the It movies. So, it’s time to lay it out: the good, the bad, and the ugly, and see where the movie truly lies in my horror fan heart. Are the It movies good?

Bill Skarsgard as Pennywise

Pennywise is the most easily recognizable thing about It movies, remake or not, so his presentation is essential. Tim Curry is a god amongst men, and finding someone who could deliver us Pennywise anew could not have been easy. Yet, Andy Muschietti achieved the impossible. If you were ever going to find someone to follow Tim Curry to play Pennywise, Bill Skarsgard was it. He is one of the best things about this movie, as he delivered the role masterfully. He’s changed who I picture when someone says “Pennywise,” and for that, he receives all the kudos he is due. If only the CGI had been able to follow suit.

The CGI in the It Movies 

The CGI in the It: Chapter movies left a lot to be desired – the scene with the CGI old woman being the largest offender. Her cartoonish face immediately saps all the magic from that moment. Someone alert the toons of Toon Town, as it appears Judge Doom is back with his vat of Dip.  

Instead of this grotesque CGI, the better choice would have been to use some old-fashioned practical effects. The choice not to go the more complicated route exemplifies the sin of skirting blood, sweat, and tears that I referenced earlier. It’s understandable in many circumstances, as special effects makeup is hell on the performers, but it’s still getting you docked several points in this case. 

Advertisement

I could go on, but I have bigger fish to fry here.

How Pennywise Was Defeated in It: Chapter Two

So far, we’ve talked about the good and the ugly. Now it’s time for the bad. I can think of no other word to describe the ending we received in It: Chapter Two

Look, I’m a big Nightmare on Elm Street fan. I am no stranger to the cheesy concept of “removing your fear removes its power of you” as being the way to defeat the seemingly invulnerable bad guy. (Although that didn’t *technically* beat Freddy in NOES, I’m reverting my ADHD brain back to the point.)

Of all the ways to defeat Pennywise, having the adults essentially stand in a circle, taking turns in telling Pennywise he’s a loser, causing him to morph into a blubbering mess, was at the bottom of my list. 

In the book, the adult Losers defeat Pennywise by crushing his heart inside his body. In It: Chapter Two, they defeat Pennywise by crushing his proverbial heart, and I cannot pretend this is okay.

Advertisement

The Consensus

I want to dislike the Andy Muschietti It movies. I truly do. The CGI and the ending always at once suck the magic out of the horror for me, and each time I’m disappointed when they pop up. However, Bill Skarsgard’s performance as Pennywise makes me inclined to look the other way at the negativity. Don’t get me wrong, we got terrific performances from everyone involved. However, the star of the show is, has been, and always will be Pennywise, and the fact that he was represented so excellently is a huge tip in the film’s favor. After all, one of the most beautiful things we received from the remake of the It movies is the lasting impact Pennywise gets to make now. Whole new generations are growing up terrified of sewers and red balloons; that would not be so if it weren’t for these movies and the performances being so expertly done. All in all, the It movies helped mold a new generation of horror fans, and it will always hold a special place in my heart for that. 

Do you wildly disagree? Yell at us about it over on the Horror Press Instagram. Our Editor-In-Chief, James-Michael Fleites, will receive your DMs of rage, not me, but I am sure he’ll happily pass the message along so long as you remember to follow while you’re there.

A writer by both passion and profession: Tiffany Taylor is a mother of three with a lifelong interest in all things strange or mysterious. Her love for the written word blossomed from her love of horror at a young age because scary stories played an integral role in her childhood. Today, when she isn’t reading, writing, or watching scary movies, Tiffany enjoys cooking, stargazing, and listening to music.

Continue Reading
Advertisement

Editorials

‘Ready or Not’ and the Cathartic Cigarette of a Relatable Final Girl

Published

on

I was late to the Radio Silence party. However, I do not let that stop me from being one of the loudest people at the function now. I randomly decided to see Ready or Not in theaters one afternoon in 2019 and walked out a better person for it. The movie introduced me to the work of a team that would become some of my favorite current filmmakers. It also confirmed that getting married is the worst thing one can do. That felt very validating as someone who doesn’t buy into the needing to be married to be complete narrative.

Ready or Not is about a fucked up family with a fucked up tradition. The unassuming Grace (Samara Weaving) thinks her new in-laws are a bit weird. However, she’s blinded by love on her wedding day. She would never suspect that her groom, Alex (Mark O’Brien), would lead her into a deadly wedding night. So, she heads downstairs to play a game with the family, not knowing that they will be hunting her this evening. This is one of the many ways I am different from Grace. I watch enough of the news to know the husband should be the prime suspect, and I have been around long enough to know men are the worst. I also have a commitment phobia, so the idea of walking down the aisle gives me anxiety. 

Grace Under Fire

Ready or Not is a horror comedy set on a wealthy family’s estate that got overshadowed by Knives Out. I have gone on record multiple times saying it’s the better movie. Sadly, because it has fewer actors who are household names, people are not ready to have that conversation. However, I’m taking up space this month to talk about catharsis, so let me get back on track. One of the many ways this movie is better than the latter is because of that sweet catharsis awaiting us at the end.

This movie puts Grace through it and then some. Weaving easily makes her one of the easiest final girls to root for over a decade too. From finding out the man she loves has betrayed her, to having to fight off the in-laws trying to kill her, as she is suddenly forced to fight to survive her wedding night. No one can say that Grace doesn’t earn that cigarette at the end of the film. As she sits on the stairs covered in the blood of what was supposed to be her new family, she is a relatable icon. As the unseen cop asks what happened to her, she simply says,In-laws.It’s a quick laugh before the credits roll, andLove Me Tenderby Stereo Jane makes us dance and giggle in our seats. 

Ready or Not Proves That Maybe She’s Better Off Alone

It is also a moment in which Grace is one of many women who survives marriage. She comes out of the other side beaten but not broken. Grace finally put herself, and her needs first, and can breathe again in a way she hasn’t since saying I do. She fought kids, her parents-in-law, and even her husband to escape with her life. She refused to be a victim, and with that cigarette, she is finally free and safe. Grace is back to being single, and that’s clearly for the best.

Advertisement

This Guy Busick and R. Christopher Murphy script is funny on the surface, even before you start digging into the subtext. The fact that Ready or Not is a movie where the happy ending is a woman being left alone is not wasted on me, though. While Grace thought being married would make her happy, she now has physical and emotional wounds to remind her that it’s okay to be alone. 

One of the things I love about this current era of Radio Silence films is that the women in these projects are not the perfect victims. Whether it’s Ready or Not, Abigail, or Scream (2022), or Scream VI, the girls are fighting. They want to live, they are smart and resourceful, and they know that no one is coming to help them. That’s why I get excited whenever I see Matt Bettinelli-Olpin and Tyler Gillett’s names appear next to a Guy Busick co-written script. Those three have cracked the code to give us women protagonists that are badasses, and often more dangerous than their would-be killers when push comes to shove. 

Ready or Not Proves That Commitment is Scarier Than Death

So, watching Grace run around this creepy family’s estate in her wedding dress is a vision. It’s also very much the opposite of what we expect when we see a bride. Wedding days are supposed to be champagne, friends, family, and trying to buy into the societal notion that being married is what we’re supposed to aspire to as AFABs. They start programming us pretty early that we have to learn to cook to feed future husbands and children.

The traditions of being given away by our fathers, and taking our husbands’ last name, are outdated patriarchal nonsense. Let’s not even get started on how some guys still ask for a woman’s father’s permission to propose. These practices tell us that we are not real people so much as pawns men pass off to each other. These are things that cause me to hyperventilate a little when people try to talk to me about settling down.

Marriage Ain’t For Everybody

I have a lot of beef with marriage propaganda. That’s why Ready or Not speaks to me on a bunch of levels that I find surprising and fresh. Most movies would have forced Grace and Alex to make up at the end to continue selling the idea that heterosexual romance is always the answer. Even in horror, the concept that “love will save the day” is shoved at us (glares at The Conjuring Universe). So, it’s cool to see a movie that understands women can be enough on their own. We don’t need a man to complete us, and most of the time, men do lead to more problems. While I am no longer a part-time smoker, I find myself inhaling and exhaling as Grace takes that puff at the end of the film. As a woman who loves being alone, it’s awesome to be seen this way. 

Advertisement

Ready or Note cigarette

The Cigarette of Singledom

We don’t need movies to validate our life choices. However, it’s nice to be acknowledged every so often. If for no other reason than to break up the routine. I’m so tired of seeing movies that feel like a guy and a girl making it work, no matter the odds, is admirable. Sometimes people are better when they separate, and sometimes divorce saves lives. So, I salute Grace and her cathartic cigarette at the end of her bloody ordeal.

I cannot wait to see what single shenanigans she gets into in Ready or Not 2: Here I Come. I personally hope she inherited that money from the dead in-laws who tried her. She deserves to live her best single girl life on a beach somewhere. Grace’s marriage was a short one, but she learned a lot. She survived it, came out the other side stronger, richer, and knowing that marriage isn’t for everybody.

Continue Reading

Movies

The Best Horror You Can Stream on Shudder in January 2026

Published

on

My New Year’s resolution is to spend more time watching my favorite app. Luckily, Shudder is not taking it easy on us this holiday season, so I may meet my quota this January. The streamer is bringing in the new year with quite a few bangers. We have classics from icons, a new title from the first family of indie horror, and a couple of lesser-known films that have finally found a home. So, I am obviously living for this month’s programming and think most of you will too. I have picked the five films that I believe deserve our collective attention the most. Get into each of them and start your 2026 off on the right foot. 

The Best Movies to Stream on Shudder This Month

Carrie (1976)

A sheltered teen finally unleashes her telekinetic powers after being humiliated for the last time. Carrie is the reason I thought proms might be cool when I was a kid. This Brian De Palma adaptation is one of my favorite Stephen King adaptations. It is also an important title in the good-for-her subgenre. I cannot help rooting for Carrie White (Sissy Spacek) when I watch her snap at this prom and then head home to accidentally deal with her mom. The only tragedy of this evening is that Carrie had to die, too. I said what I said, and I will be hitting play again while it is on Shudder. This recommendation goes out to the other recovering sheltered girls who would be the problem if they had powers. I see you because I am you.

You can watch Carrie on January 1st.

Marshmallow (2025)

Advertisement

A shy 12-year-old gets sent to summer camp and finds himself in a living nightmare. While Marshmallow did not land for me, I know plenty of people who love it. Which makes this the perfect addition to the Shudder catalogue. I am actually excited to see more folks fall in love with this movie when it hits the streamer. If nothing else, it will help a few folks cross off another 2025 title if they are still playing catch-up with last year’s movies. It also gets cool points from me for not taking the easy route with the mystery it built. I hope you all dig it more than I did, and tell your friends about it. Perhaps you could even encourage them to sign up for the app.

You can watch Marshmallow on January 1st.

Chain Reactions (2024)

Tobe Hooper’s The Texas Chain Saw Massacre cemented his horror legacy over fifty years ago. So, it is long overdue for a documentary where horror royalty can discuss its impact on them and their careers. I have been waiting for a couple of years to hear Karyn Kusama and Takashi Miike talk about Hooper’s work and how he inspired them. So, I am super geeked that Shudder is finally giving me the chance to see this film. The streamer is also helping the nerds out by adding The Texas Chain Saw Massacre (1974) and The Texas Chain Saw Massacre 2 (1986) this month. If you are also an overachieving couch potato, I will see you at the finish line next week.

You can watch Chain Reactions on January 9th.

Advertisement

In the Mouth of Madness (1994)

An insurance investigator discovers the impact a horror writer’s books have on people. I love chaos, and John Carpenter chaos happens to be one of my favorite kinds of chaos. While we talk about The Thing and Halloween all the time, this maestro has given us plenty of horror to celebrate. In the Mouth of Madness is very much one of those titles vying for a top spot among the best of his filmography. To sweeten the batshit pot, this movie features Sam Neill. You know that he only shows up in our genre if the movie is going to be legendary. You cannot tell me this is not a Shudder priority this month.

You can watch In the Mouth of Madness on January 10th.

Mother of Flies (2025)

A terminally ill young woman and her dad head to the woods to seek out a recluse who claims she can cure her cancer. The Adams Family has been holding court on Shudder for years, so it feels right that Mother of Flies is a Shudder Original. More importantly, this fest favorite has one of the best performances of 2025. Which makes it a great time for people to finally get to see it and get in line to give Toby Poser her flowers. Whatever you think your favorite Poser role is, it is about to change when you see her as Solveig. I am being serious when I say that this movie might be the first family of indie horror at their best.

Advertisement

You can watch Mother of Flies on January 23rd.

New year, but same Shudder. I would not want to go into 2026 any other way, personally. I hope these horrific recommendations bring you the good kind of anxiety.  Or at least distract you from the state of the world for a bit.

Continue Reading

Horror Press Mailing List

Fangoria
Advertisement
Advertisement