Connect with us

Movies

My Bloody Vampire: The Best and Worst of ’30 Days of Night’

Published

on

Spoilers Ahead.

What happens when the sun isn’t there to drive away the creatures of the night?

Before directing the films Black Mirror: Bandersnatch, Nightmare Cinema, and the new horror movie Dark Harvest set to release this September 2022, David Slade directed the vampire flick 30 Days of Night and sought to answer this question.

30 Days of Night features a group of ancient vampires led by Marlow (Danny Huston) descending upon an Alaskan town where once a year, the sun sets and doesn’t rise again for 30 days. The story follows a band of survivors, including the town’s sheriff Eben Oleson (Josh Hartnett), and his estranged wife Stella (Melissa George), as they try to elude the vampires in the endless night.

Fun Fact: The real town experiences darkness much longer than its cinematic counterpart. Utqiagvik, Alaska (formerly known as Barrow) has no sunlight for roughly 65 days, from mid-November to mid-January.

Advertisement

This Ghost House Pictures film premiered on October 19th, 2007, and was nominated for 14 different awards. The film was quickly overshadowed, though, as 2007/2008 saw the release of numerous films still lauded today, including but not limited to: I am Legend, 1408, The Mist, Hostel II, and Rob Zombie’s Halloween, among many others.

Like three of the films listed above, which were adapted from books, 30 Days of Night first existed as reading material, though in this case, it was a mini comic book series.

The film depicts vampires in a fantastically terrifying manner, keeping viewers plastered to their seats until the end, which then sees viewers leaving those seats to get up and yell at the TV. (Or is that just me?)

Putting the “Blood” in Bloodsuckers

The vampires begin to rack up a body count within the town as soon as they arrive. They drink blood as traditional vampires do but have to remove their victims’ heads, so they don’t transform into vampires themselves after being bitten. This clause saw the vampires leave a murderous bloodbath across the entire town. However, there is much more to the vampires than the stealthy carnage they deliver.

The type of vampire presented in 30 Days of Night is my favorite variety. They are intelligent and use an ancient language to communicate (though they speak in a fictional language). They have the elegance and poise that society has come to associate with vampires while simultaneously acting as viciously violent predators. Moreover, these vampires look the part. They are not romanticized or gorgeous; instead, the movie shows that turning into a vampire sees a horrific transformation take place. The face will transform, the teeth will grow sharper, and the eyes will turn black.

Advertisement

This appearance was the case for all but the leader of the vampires, Marlow. He looks more human than his vampire counterparts (but more on that later).

Fun Fact: The film drew some inspiration from Stephen King’s Salem’s Lot as the antagonist was named Barlow.

How 30 Days of Night Ends

What starts as a great movie gets frustrating fast. The town is burning down, and the film’s climax approaches as Stella calls Eben to let him know she’s trapped. Thinking quickly, he injects himself with a dead vampire’s blood. Planning on having just long enough to fight the vampires once and for all before turning into a mindless bloodsucker himself, he saves the day. Now that part, I will allow.

The hero becoming the enemy to defeat the enemy is a terrific trope. I will even overlook that, given Marlow’s leadership role and different appearance, killing him did not kill the other vampires as I had expected.

However, it is with Eben Oleson’s death that the film goes wrong. Not because he dies, though. All hail the conquering hero who sacrificed his own life to save his ex-wife’s life. Obviously, he cannot be allowed to live where he will join up with his other vampire buddies and massacre more unsuspecting towns. However, it is the way that he dies that grinds my gears.

Advertisement

He was not offered the swift, humane death given to much of the vampire squad that descended upon the Alaskan town, e.g., a quick bullet to the head. Instead, he gets slowly, painfully disintegrated to dust by the sunlight as Stella holds him, charring in her hands. It made for a memorable ending, but ouch. He seriously got the short end of the stick.

And for what? To save the woman who wasn’t that into him anyway. She only reached out to him when she needed something from him; he infected himself to save her, and then she couldn’t even give him the dignity of a decent death.

Don’t get me wrong. Eben Oleson choosing to be a hero does not make Stella obligated to give him her love. But does it make her obligated to say, “Hey, you sacrificed yourself to save me. Let me at least spare you the agony of what has to be the most excruciating death of all time’? I believe so.

But I suppose nice guys finish last… or get slowly obliterated by the sun.

All in all, the film is a lot of fun. Eben Oleson was unfortunately doomed to a fate of unrequited love and ashes, but the vampires put on one hell of a show. Fifteen years later (has it really been that long?), it’s still one of my favorite vampire movies.

Advertisement

Do you agree with the ending? Sound off in the comments below!

A writer by both passion and profession: Tiffany Taylor is a mother of three with a lifelong interest in all things strange or mysterious. Her love for the written word blossomed from her love of horror at a young age because scary stories played an integral role in her childhood. Today, when she isn’t reading, writing, or watching scary movies, Tiffany enjoys cooking, stargazing, and listening to music.

Continue Reading
Advertisement

Editorials

‘Ready or Not’ and the Cathartic Cigarette of a Relatable Final Girl

Published

on

I was late to the Radio Silence party. However, I do not let that stop me from being one of the loudest people at the function now. I randomly decided to see Ready or Not in theaters one afternoon in 2019 and walked out a better person for it. The movie introduced me to the work of a team that would become some of my favorite current filmmakers. It also confirmed that getting married is the worst thing one can do. That felt very validating as someone who doesn’t buy into the needing to be married to be complete narrative.

Ready or Not is about a fucked up family with a fucked up tradition. The unassuming Grace (Samara Weaving) thinks her new in-laws are a bit weird. However, she’s blinded by love on her wedding day. She would never suspect that her groom, Alex (Mark O’Brien), would lead her into a deadly wedding night. So, she heads downstairs to play a game with the family, not knowing that they will be hunting her this evening. This is one of the many ways I am different from Grace. I watch enough of the news to know the husband should be the prime suspect, and I have been around long enough to know men are the worst. I also have a commitment phobia, so the idea of walking down the aisle gives me anxiety. 

Grace Under Fire

Ready or Not is a horror comedy set on a wealthy family’s estate that got overshadowed by Knives Out. I have gone on record multiple times saying it’s the better movie. Sadly, because it has fewer actors who are household names, people are not ready to have that conversation. However, I’m taking up space this month to talk about catharsis, so let me get back on track. One of the many ways this movie is better than the latter is because of that sweet catharsis awaiting us at the end.

This movie puts Grace through it and then some. Weaving easily makes her one of the easiest final girls to root for over a decade too. From finding out the man she loves has betrayed her, to having to fight off the in-laws trying to kill her, as she is suddenly forced to fight to survive her wedding night. No one can say that Grace doesn’t earn that cigarette at the end of the film. As she sits on the stairs covered in the blood of what was supposed to be her new family, she is a relatable icon. As the unseen cop asks what happened to her, she simply says,In-laws.It’s a quick laugh before the credits roll, andLove Me Tenderby Stereo Jane makes us dance and giggle in our seats. 

Ready or Not Proves That Maybe She’s Better Off Alone

It is also a moment in which Grace is one of many women who survives marriage. She comes out of the other side beaten but not broken. Grace finally put herself, and her needs first, and can breathe again in a way she hasn’t since saying I do. She fought kids, her parents-in-law, and even her husband to escape with her life. She refused to be a victim, and with that cigarette, she is finally free and safe. Grace is back to being single, and that’s clearly for the best.

Advertisement

This Guy Busick and R. Christopher Murphy script is funny on the surface, even before you start digging into the subtext. The fact that Ready or Not is a movie where the happy ending is a woman being left alone is not wasted on me, though. While Grace thought being married would make her happy, she now has physical and emotional wounds to remind her that it’s okay to be alone. 

One of the things I love about this current era of Radio Silence films is that the women in these projects are not the perfect victims. Whether it’s Ready or Not, Abigail, or Scream (2022), or Scream VI, the girls are fighting. They want to live, they are smart and resourceful, and they know that no one is coming to help them. That’s why I get excited whenever I see Matt Bettinelli-Olpin and Tyler Gillett’s names appear next to a Guy Busick co-written script. Those three have cracked the code to give us women protagonists that are badasses, and often more dangerous than their would-be killers when push comes to shove. 

Ready or Not Proves That Commitment is Scarier Than Death

So, watching Grace run around this creepy family’s estate in her wedding dress is a vision. It’s also very much the opposite of what we expect when we see a bride. Wedding days are supposed to be champagne, friends, family, and trying to buy into the societal notion that being married is what we’re supposed to aspire to as AFABs. They start programming us pretty early that we have to learn to cook to feed future husbands and children.

The traditions of being given away by our fathers, and taking our husbands’ last name, are outdated patriarchal nonsense. Let’s not even get started on how some guys still ask for a woman’s father’s permission to propose. These practices tell us that we are not real people so much as pawns men pass off to each other. These are things that cause me to hyperventilate a little when people try to talk to me about settling down.

Marriage Ain’t For Everybody

I have a lot of beef with marriage propaganda. That’s why Ready or Not speaks to me on a bunch of levels that I find surprising and fresh. Most movies would have forced Grace and Alex to make up at the end to continue selling the idea that heterosexual romance is always the answer. Even in horror, the concept that “love will save the day” is shoved at us (glares at The Conjuring Universe). So, it’s cool to see a movie that understands women can be enough on their own. We don’t need a man to complete us, and most of the time, men do lead to more problems. While I am no longer a part-time smoker, I find myself inhaling and exhaling as Grace takes that puff at the end of the film. As a woman who loves being alone, it’s awesome to be seen this way. 

Advertisement

Ready or Note cigarette

The Cigarette of Singledom

We don’t need movies to validate our life choices. However, it’s nice to be acknowledged every so often. If for no other reason than to break up the routine. I’m so tired of seeing movies that feel like a guy and a girl making it work, no matter the odds, is admirable. Sometimes people are better when they separate, and sometimes divorce saves lives. So, I salute Grace and her cathartic cigarette at the end of her bloody ordeal.

I cannot wait to see what single shenanigans she gets into in Ready or Not 2: Here I Come. I personally hope she inherited that money from the dead in-laws who tried her. She deserves to live her best single girl life on a beach somewhere. Grace’s marriage was a short one, but she learned a lot. She survived it, came out the other side stronger, richer, and knowing that marriage isn’t for everybody.

Continue Reading

Movies

The Best Horror You Can Stream on Shudder in January 2026

Published

on

My New Year’s resolution is to spend more time watching my favorite app. Luckily, Shudder is not taking it easy on us this holiday season, so I may meet my quota this January. The streamer is bringing in the new year with quite a few bangers. We have classics from icons, a new title from the first family of indie horror, and a couple of lesser-known films that have finally found a home. So, I am obviously living for this month’s programming and think most of you will too. I have picked the five films that I believe deserve our collective attention the most. Get into each of them and start your 2026 off on the right foot. 

The Best Movies to Stream on Shudder This Month

Carrie (1976)

A sheltered teen finally unleashes her telekinetic powers after being humiliated for the last time. Carrie is the reason I thought proms might be cool when I was a kid. This Brian De Palma adaptation is one of my favorite Stephen King adaptations. It is also an important title in the good-for-her subgenre. I cannot help rooting for Carrie White (Sissy Spacek) when I watch her snap at this prom and then head home to accidentally deal with her mom. The only tragedy of this evening is that Carrie had to die, too. I said what I said, and I will be hitting play again while it is on Shudder. This recommendation goes out to the other recovering sheltered girls who would be the problem if they had powers. I see you because I am you.

You can watch Carrie on January 1st.

Marshmallow (2025)

Advertisement

A shy 12-year-old gets sent to summer camp and finds himself in a living nightmare. While Marshmallow did not land for me, I know plenty of people who love it. Which makes this the perfect addition to the Shudder catalogue. I am actually excited to see more folks fall in love with this movie when it hits the streamer. If nothing else, it will help a few folks cross off another 2025 title if they are still playing catch-up with last year’s movies. It also gets cool points from me for not taking the easy route with the mystery it built. I hope you all dig it more than I did, and tell your friends about it. Perhaps you could even encourage them to sign up for the app.

You can watch Marshmallow on January 1st.

Chain Reactions (2024)

Tobe Hooper’s The Texas Chain Saw Massacre cemented his horror legacy over fifty years ago. So, it is long overdue for a documentary where horror royalty can discuss its impact on them and their careers. I have been waiting for a couple of years to hear Karyn Kusama and Takashi Miike talk about Hooper’s work and how he inspired them. So, I am super geeked that Shudder is finally giving me the chance to see this film. The streamer is also helping the nerds out by adding The Texas Chain Saw Massacre (1974) and The Texas Chain Saw Massacre 2 (1986) this month. If you are also an overachieving couch potato, I will see you at the finish line next week.

You can watch Chain Reactions on January 9th.

Advertisement

In the Mouth of Madness (1994)

An insurance investigator discovers the impact a horror writer’s books have on people. I love chaos, and John Carpenter chaos happens to be one of my favorite kinds of chaos. While we talk about The Thing and Halloween all the time, this maestro has given us plenty of horror to celebrate. In the Mouth of Madness is very much one of those titles vying for a top spot among the best of his filmography. To sweeten the batshit pot, this movie features Sam Neill. You know that he only shows up in our genre if the movie is going to be legendary. You cannot tell me this is not a Shudder priority this month.

You can watch In the Mouth of Madness on January 10th.

Mother of Flies (2025)

A terminally ill young woman and her dad head to the woods to seek out a recluse who claims she can cure her cancer. The Adams Family has been holding court on Shudder for years, so it feels right that Mother of Flies is a Shudder Original. More importantly, this fest favorite has one of the best performances of 2025. Which makes it a great time for people to finally get to see it and get in line to give Toby Poser her flowers. Whatever you think your favorite Poser role is, it is about to change when you see her as Solveig. I am being serious when I say that this movie might be the first family of indie horror at their best.

Advertisement

You can watch Mother of Flies on January 23rd.

New year, but same Shudder. I would not want to go into 2026 any other way, personally. I hope these horrific recommendations bring you the good kind of anxiety.  Or at least distract you from the state of the world for a bit.

Continue Reading

Horror Press Mailing List

Fangoria
Advertisement
Advertisement