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HORROR 101: The Origins of the Xenomorph

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Welcome back to Horror Press’s Horror 101, a series of articles where we explain horror movie legends and their lore. For beginners, the confused, or just those who need a refresher, these articles are for you. Today we delve into an antagonist described as “the perfect organism” with a “structural perfection [that’s] matched only by its hostility”, the Xenomorph from the Alien franchise. An alien species that’s oft imitated but never surpassed by its many pop culture counterparts, H.R. Giger’s iconic design evolved into a creature shrouded in as much mystery as its costume is in KY Jelly.

While the Alien franchise is quite sprawling, we will only look at the mainline Alien films for canonical explanations of all our questions. As much as I’d love to include the stellar Dark Horse comics and the Alien: Isolation game, we’ll have to touch on those another day.

So how did the Xenomorph come to be, and what exactly is it? Let’s find out.

WHAT ARE XENOMORPHS?

Depending on who you ask, they’re either the worst or greatest thing to happen to the galaxy at large. What the android Ash calls “A survivor, unclouded by conscience, remorse, or delusions of morality”, the Xenomorph is driven only by primal instincts to kill and reproduce at high speeds.

The xenomorph is the byproduct of a bioweapon called “the black liquid, ” or, more commonly by fans, the black goo. Through genetic experimentation, the xenomorph was engineered as a killing machine with peak agility and strength. Most xenomorphs stand around 6’10”, and sport an iconic, shiny black exoskeleton that grants them unbelievable durability.

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Among its most distinctive features are a lack of eyes, a second set of inner jaws that can punch through reinforced glass and metal, and a bladed tail. Bright green acidic blood, capable of burning through almost anything, makes it borderline impossible to engage at close quarters without harming yourself.

HOW DO XENOMORPHS REPRODUCE?

Its most frightening and iconic quality, however, is its reproductive cycle.

When a living being approaches a xenomorph egg, a spiderlike “face-hugger” leaps out and attaches to living prey to implant an embryo orally. Within a matter of hours, the embryo develops into a self-sufficient juvenile alien that forcibly (and fatally) claws out through the torso of the victim, earning it the nickname “chest-burster”. It then grows into a fully-fledged drone, or a queen that produces more eggs.

Xenomorphs, by their nature are incredibly adaptive parasites, able to gestate in any living mammal that can sustain its egg. These xenomorphs will also take on the traits of their hosts; The Dragon from Alien 3 was spawned from an ox and was uniquely quadrupedal as a result.

WHO CREATED THE XENOMORPHS?

To get to the bottom of that, we need to explain the black goo and who made it!

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WHAT IS THE BLACK GOO, AND WHO MADE IT?

Introduced posthumously in Alien, then later fully in Prometheus, the Engineers were an advanced alien species that seeded life on many planets, including the building blocks of human life on Earth. However, when the Engineers were unhappy with their creations, they would deploy a devastating planetary bioweapon to depopulate entire worlds of species that they deemed “mistakes”. This was the black goo.

Its most notable user is David, a malicious android made by the Weyland-Yutani Corporation and modeled after founder Peter Weyland. He is also the predecessor of the androids Ash and Bishop from Alien, Aliens, and Alien 3, and a brother model to the android Walter from Alien: Covenant.

David studied the black goo extensively following his encounter with its creators in Prometheus and the subsequent attack on their homeworld (Planet 4) in Alien: Covenant. As per the short film Alien: Advent, his research claims that the black goo was made up of “advanced nano-particles” which he considered biomechanical artificial intelligence. Like a slime mold in motion, the black goo has some senses and intentionally seeks out organic targets; this is most evident in the bombing scene from Alien: Covenant, where it tears through crowds of Engineer civilians.

The black goo AI would model itself after natural evolutionary development, curate the genes most likely to succeed, then accelerate the process by mutating those traits instead of waiting for hundreds of generations to develop them. The resultant mutations would usually be too intense and liquefy their targets from the inside out.

The operative word is usually.

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OKAY, THERE, NOW WHO CREATED THE XENOMORPHS?

David recognized the limitless potential of dynamic DNA that could rapidly mutate on command. He began to engineer the black goo with the insects and plant life that survived his attack on Planet 4.

In Alien: Advent David began using selective breeding to steer small amounts of the black goo into making him a species designed to expand across the galaxy, though most early attempts are failures. By the time of Alien: Covenant, he makes the dream a reality, and the first face-hugger eggs are made, resulting in the creation of a fully-fledged xenomorph (dubbed the Neomorph) via a human host. He later stored other eggs in a ship headed for Earth on behalf of the Weyland-Yutani Corporation, but their fate is currently unknown.

However, David was not the only one to succeed in this. In Alien and Aliens, a separate vessel piloted by long-dead Engineers had crashed on the exoplanet LV-426, carrying similar fully formed eggs. One surviving egg spurs the events of the first film, while a dormant hive would cause chaos in the second. This would mean the Engineers also managed to create near-identical xenomorphs independent of David’s actions.

In short: The Engineers and David both used the black goo to make parallel versions of the xenomorphs, but there’s no reason why the xenomorphs couldn’t have sprung up on other worlds through the tampering of other species.

It’s also why I believe the Alien vs. Predator films are canon because the Yautja could have done the same process with their tech.

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Let me believe.

I have to believe.

WHY DID DAVID MAKE THE XENOMORPHS?

David’s first encounter with an Engineer in the film Prometheus not only resulted in his head getting ripped off, but also broke his heart too.

Prometheus showed that the Engineer planned on destroying Earth after it was woken up from its slumber. When the failed Prometheus mission dissolved as a result, David became disillusioned. According to Ridley Scott, through having met his maker’s maker, he grew to resent both Engineers and Humans and sought to supplant them as creators. Hence, bombing Planet 4 and the subsequent xenomorph project.

WHY ARE THE XENOMORPHS SO BUGLIKE?

They’re wasps. Like, the bug, not protestants.

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Outside of the obvious design inspiration insects serve for these often-hunted bugs, the first successful Xenomorph created by David was derived primarily from the wasps on the untitled Planet 4 that he bombed with the black goo. He called these insects the “shock troops of the genetic assault”, as they developed the features most similar to the face hugger, able to implant new parasitic offspring that would take on traits of the host.

This also explains why the xenomorphs make hives out of every place they dwell in, plastering the walls with organic insulation like a paper wasp would with dead plant material.

HOW DO YOU KILL A XENOMORPH?

Not to insult a fictional android, but David’s perfect galaxy-controlling weapon has a few blind spots.

Xenomorphs may not explicitly be anymore weak to fire than a human would be, but it is undoubtedly the only weapon that they’ll actively avoid contact with. Horror Hall of Famer and protagonist of the first four films, Ellen Ripley, uses a flamethrower against them to great effect. She also incinerates her first alien with the thruster of the Nostromo’s escape shuttle.

And despite how powerful they are on the outside, shots aimed inside the mouth, like Hicks’ messy shotgun blast from Aliens can bypass it. Explosives like the grenades in Alien: Resurrection, or enough gunfire from a pulse rifle can mulch them into green paste. Make sure not to step in said paste. And hey, if all else fails…

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Luis Pomales-Diaz is a freelance writer and lover of fantasy, sci-fi, and of course, horror. When he isn't working on a new article or short story, he can usually be found watching schlocky movies and forgotten television shows.

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Misc

See You At Night Frights LA 2025!

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In just a few days, Horror Press will be leaving the East Coast for the sunny rays of Los Angeles. Why, you may ask? For the Night Frights LA film festival! Night Frights LA was founded by the Winchester brothers (no, not Sam and Dean). Their goal? To celebrate bold, original horror and give independent creators the spotlight they deserve. What does Night Frights LA have to offer? Let’s take a look!

Location, Location, Location

From 10 AM to 10 PM on September 20th, Night Frights LA will take place at the Los Angeles Convention Center in the West Hall. The convention center will also be host to Horrorcon Los Angeles on the 20th and 21st. You can park in the West Hall garage and head on directly to the theater on the 2nd floor.

What’s Screaming?

A film festival is only as good as its lineup, and Night Frights LA has a bloody, fun lineup for us! Doors open at 9:30 AM, and the festival kicks off at 10!

The festival kicks off with Short Film Block: Best in Blood. The short films included are: Ghosted, Playback, Knife, No Slasher Here, A Simple Life, Chickenboy, Banjo, Where the Shadows Feast, Love Forevermore, and The Carvening.

After a short break, the Horror Writers Association will host a panel called Page to Screen, hosted by Kevin Wetmore.

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From there, it’s time to get back to the short films. Short Film Block: Mental Carnage will include: Vivir, Devil’s Prism, The Specter of Christmas, Contraction, The Vanity, The Last Thing She Saw, and Keep Coming Back.

The final set of shorts, Short Film Block: Planet Terror, will include: Umbra, La Croix, The Overkill, The Smell of Sin, Bananahead, and The Nature of Death.

A Special Screening ONLY at Night Frights LA

You know we love short films over here at Horror Press, but once the shorts are done, Night Frights heats UP with a special screening of the first-ever feature film to be screened at Night Frights LA with Teddy Grennan’s Catch a Killer. This screening will be followed by a Q&A session featuring the cast and crew.

But wait! There’s more! Starting at 6 PM, there will be a Q&A with John Massari (composer of Killer Klowns from Outer Space)! And this wonderful Q&A will be followed up with a screening of Killer Klowns from Outer Space, sponsored by us here at Horror Press! Sounds like a hell of a time to me! The festival will close out at 8 PM with the awards ceremony hosted by Elias Alexandro!

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So what are you waiting for? Join me, and horror fans from around the world, for a day full of horror BY horror lovers.

Badges for Night Frights LA start at $20 and can be picked up here! See you there!

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Who’s The Better New Jersey Horror Icon: Jason or Chucky?

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This month at Horror Press, the theme is New Jersey. As a dyed-in-the-wool slasher guy, the first horror-related thing that comes to mind when thinking about the Garden State is obviously the Friday the 13th franchise. The first movie was shot in New Jersey, and the majority of the subsequent movies are set there when they’re not wandering off to Manhattan or space. However, Mrs. Voorhees and her son Jason aren’t the only New Jersey natives to have spawned a slasher franchise.

After all, the bloodthirsty Charles Lee Ray, better known as the killer doll Chucky, grew up in Hackensack. So what do you do when you have two slasher villains on your hands? You have them battle, of course. In order to figure out which killer is the best New Jersey horror icon, we’re going to compare the two in a variety of categories, but the one that will be weighted the heaviest is obviously “New Jersey-ness.” Without any further ado, let the head-to-head begin!

Which Horror Icon is the Most Jersey?

Kill Count

Jason: 179 (give or take)

This total spans 10 movies, including the 2009 reboot, but not the original 1980 Friday the 13th or 1985’s A New Beginning (neither of which feature Jason as the killer). Nor does it include non-body count deaths like the remaining teens on the sunken Lazarus in Jason Takes Manhattan or the entire population of the destroyed Solaris station in Jason X, so if anything, the actual number is even higher than this. This makes for an average of 17.9 per movie.

Chucky: 104 (give or take)

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This total spans seven movies and three television seasons. If we count that as a total of 10, Chucky hits an average of 10.4 per outing.

Winner: Jason

Personality

Jason: He does have a lot of creativity to express when it comes to finding new and exciting ways to turn people’s insides into their outsides. And that hockey mask adds a certain amount of flair, true. But this big lug is the strong and silent type. There’s really not a lot going on with him.

Chucky: The fact that he talks certainly helps him stand out, but regardless, Chucky is all personality from top to bottom, whether it’s the wholesome and child-friendly appearance that he presents to the world when he’s not pursuing his insidious desires or the true self he exposes once you get to know him a little better. He’s narcissistic, bad to the bone, and loves nothing more than wise-cracking while doling out creative kills. He’s also smart enough to design certain murders to cast the blame on others. What a guy!

Winner: Chucky

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Franchise Quality

Jason: Friday the 13th has some high highs. For instance, The Final Chapter is the platonic ideal of the 1980s slasher movie. However, while the franchise generally tends to be relatively reliable and consistent, those lows can be crushing. Everybody disagrees on which are the lowest, which adds some benefit of the doubt here. Still, whether it’s A New Beginning, Jason Takes Manhattan, Jason Goes to Hell, or Jason X (which is my personal pick), there’s gonna be at least one movie you don’t like here.

Chucky: Not only is the Child’s Play franchise consistent, but it is all in strict continuity (minus the 2019 reboot, which we’re pretending doesn’t exist). It has some glorious highs (Bride of Chucky is one of the iconic 1990s horror movies) and its lows aren’t all that bad. Child’s Play 3 tends to be people’s least favorite, but even that one is a totally watchable, if lightweight, horror romp. (If Seed of Chucky is your lowest-ranked, please come see me after class.)

Winner: Chucky

New Jersey-ness

Jason: Now, there’s a lot to break down here, both in-universe and on a meta level. First of all, one huge point goes to Jason because the majority of his slayings are committed in New Jersey. Jason was also canonically born in the small (fictional) town of Crystal Lake, growing up there as well, as shown by the inexplicable Voorhees family manor in Crystal Lake township that appears in Jason Goes to Hell. In fact, beyond going to Manhattan, space, etc., there is no evidence that he has ever left Crystal Lake and its surrounding environs more than a handful of times (mostly for killing – for example, his field trip to take care of original final girl Alice Hardy in Part 2).

However, on a more meta level, very few of the Friday the 13th movies were shot either partially or entirely in New Jersey. They were mostly shot in California, the South, or Canada. Not very Garden State, if you ask me.

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Chucky: Chucky gets a huge boost from the fact that he was raised in Hackensack, New Jersey, which is actually a real place as opposed to Crystal Lake township. However, most of his killings from the franchise do not take place in New Jersey. While the Chucky series rectifies this by setting season 1 in Hackensack and featuring the killer doll returning to his hometown in the modern day (alongside flashbacks of his antics as a youngster), his reign of terror has mostly taken place elsewhere. One additional demerit is that, as a human, he was known as the “Lakeshore Strangler,” having taken up residence in Chicago as an adult.

However, while Hackensack is a real place, the Chucky movies and shows don’t shoot there. In fact, as far as I can tell, not a single frame of footage was shot in New Jersey for the entirety of the iconic slasher franchise (which has been produced out of Canada for some time now).

Winner: Jason

Winner

Because the New Jersey section is weighted to be worth two points, I can proudly proclaim that Jason Voorhees is the winner! While this makes sense, considering the fact that he has been an icon since before Chucky was a twinkle in Don Mancini’s eye, the killer doll put up a tough fight, going neck and bloody neck with the Crystal Lake behemoth.

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