Movies
The Best Horror Movies of 2025 So Far
I don’t know about you, but it feels like I stepped out of the theater after seeing Wolf Man, blinked, and suddenly it was September. It’s been a very busy year in general, but as always, especially so for the horror genre. We’ve had some misses and some hits, but overall, I’d say it’s been a strong year (though maybe not quite as strong as 2024 and its deluge of incredible movies).
Though your mind might still be primarily occupied with a more recent release, there have been a lot of incredible movies to hit both theaters and especially streaming services like Shudder in 2025. So, we here at Horror Press have decided to put together a shortlist of the best horror the year has had to offer so far.
The Best Horror of 2025 So Far
Feel free to wave this list in the face of your friends who say that all the horror they’ve watched this year is bad. Or just to celebrate because your favorite made the cut! Without further ado, let’s start with…
Dangerous Animals
Fun and insane animal horror movies are so hard to come across these days, but Dangerous Animals chums the waters with some fresh meat for the subgenre. Sean Byrne, best known for his work on the Australian sleeper hit The Loved Ones, tells a story reminiscent of Wolf Creek on the high seas.
A surfer and her boyfriend fall prey to a boat captain who promises a thrilling cage diving experience, but with a catch: he secretly enjoys torturing people before feeding them to sharks. Jai Courtney shines as the antagonist Tucker, whose mealy-mouthed grins and demented demeanor sell the danger our leads are in.
Clown in a Cornfield
The pick for the best slasher offering this year (until Black Phone 2 releases, #JoeHillHypeTrain) is a no-brainer. Shudder has finally delivered the long-awaited adaptation of Adam Cesare’s Clown In A Cornfield. And helmed by Eli Craig of Tucker & Dale vs. Evil fame no less! In the now dead hamlet of Kettle Springs, Missouri, a group of teens run afoul of its former mascot Frendo. While it initially presents itself as a basic corn-fed killer clown movie, if you stick with it, you’ll find it’s actually much more clever and thrilling than it lets on.
Predator: Killer of Killers
When I say Dan Trachtenberg does not miss, he does not miss in the slightest. The current creative director of the Predator franchise, fans of the series have been eating good ever since his work on 2022’s Prey, and have Predator: Badlands to look forward to early next month.
While Predator: Killer of Killers could have easily been a cheap animated film to tide over fans while they wait for Badlands, it proved to be one of the best films in the franchise yet. An anthology film featuring Yautja hunting throughout human history and across cultures, the animation here is slicker than slick. Killer of Killers delivers the action horror that everyone has been asking for from the franchise for years.
The Ugly Stepsister
When I heard The Ugly Stepsister was a collaboration between a bevy of film institutes and production companies across four different Nordic countries, I wondered what made it so special. What I saw explained it. While it is technically Cinderella, it’s specifically a retelling of Aschenputtel, one of the original and much darker iterations of Cinderella collected by the Brothers Grimm. And dark this is.
Told from the perspective of Cinderella’s stepsister Elvira, we watch her spiral as she tries to beautify herself in the ugliest of ways, all in an effort to secure a wealthy male suitor. Truly inspired costuming, grotesque body horror played for both shock and laughs, and a dead-on sense of comedic timing make this one a very memorable watch.
Weapons
Director Zach Cregger’s sophomore outing in the horror genre following his smash hit Barbarian is well-loved, and for good reason. This time, Weapons shines a spotlight on lives in a small town, and how they intersect, trying to make sense of a horrifying incident: the disappearance of 17 children who run out the front doors of their homes in the dead of night.
Cregger dances deftly on the line between horror and comedy in a way I can only describe as masterful, creating a film that is both viciously funny and aggressively disturbing. Where the film goes is a curveball, even for those who have seen the trailers, and a delightful one at that, since Weapons brings a new horror icon to the stage.
Companion
And speaking of Zach Cregger, this sci-fi horror is another one of his productions. If you’ve somehow avoided seeing anything about Companion until now and don’t know what it’s about, keep it that way and go watch it immediately. The ad campaign spoiled it, but the story is undeniably enthralling even if you know where it’s going. This movie features what is, by far, Sophie Thatcher’s most dynamic performance yet, supported by a stellar cast and the film’s pitch-black humor.
Fréwaka
The first Irish-language horror film is also one of the nation’s best cinematic offerings yet. A gripping and immersive folk horror film, it follows a home nurse named Shoo assigned to a superstitious older woman named Peig who lives on the edge of a remote village. Shoo soon begins to see dark ongoings in her dreams and waking life, plagued by the same mysterious group that Peig has been dealing with her entire life.
Fréwaka is a precision-made film, chock full of high impact editing and cinematography. It evokes a kind of existential monster, both man-made horrors of human cruelty and the mythological ones that lie deep in belief and the dark corners of Irish folklore. In short, unsettlingly effective.
Ash
Flying Lotus’ directorial career has been a point of interest for me ever since the genre shapeshifter that was Kuso and the demented parody that was his segment “Ozzy’s Dungeon” in V/H/S/99. And even with the high hopes those ventures gave me, Ash is so much more than I could have expected.
After astronaut Riya wakes up to nightmares of bodies being melted and screams of agony, she finds herself as one of only two survivors in a mission to colonize a planet gone horribly wrong. Ash is a lovely middle point between Event Horizon and The Void, a mixture that is sure to please those of us who like our science fiction dripping with an evil atmosphere and dark visuals. It also boasts some of the best color grading and lighting in any film this year.
Sinners
If you haven’t seen Sinners already, what have you been up to? Brain science? Rocket surgery? Here, visionary director Ryan Coogler tells the tale of a repressed young black man in 1930s Mississippi, trying to break away from his preacher father’s restrictive ways. His journey to do so lands him a performance at a juke joint out in the woods, one he plays so well that it lures in an ageless and relentless vampire.
Michael B. Jordan, Jack O’Connell, and Wunmi Mosaku lead an all-star cast through a mystical horror story with purpose. It explores the meaning of culture, religion, music, and the Black American experience—all while delivering one of the best vampire films of all time. The showstopping original soundtrack by Ludwig and Serena Göransson that it boasts isn’t half bad either.
Bring Her Back
I won’t mark this with the caveat of “so far”—this will be the most disturbing film you see this year. Bring Her Back blew any expectations you might have had from the Phillipou Brothers’ Talk To Me out of the water. While the premise of an orphaned brother and sister who are sent to live with an off-kilter foster mother and another mute child she’s fostering might seem predictable, this film is anything but.
It’s truly an emotionally draining watch, blow after blow with both the physical and emotional trauma it puts its characters through, and forces you to watch. It refuses to let you breathe for even a minute in its final act. It’s definitively Sally Hawkin’s finest hour as an actress, and beyond this short list, it’s firmly some of the best horror of all time.
We are finally in the midst of Shudder’s 61 days of Halloween! There are so many horror movies to consume and 31 days simply isn’t enough. Use the long Labor Day weekend to kick off your horror movie countdown and add these movies to your Shudder queue. Here is a list of what I would recommend checking out to ease into the Halloween spirit right before going into full blown premature trick-or-treating mode.
The Best Movies to Stream on Shudder This Month
The Yeti (2026)
A large creature has captured people in a remote Alaskan town in the 1940s. The sheriff has put together a search-and-rescue monster hunting party to bring back the captives. It sounds like the premise of a Cold Iron Studios co-op video game in the same vein as Aliens: Fireteam Elite. The stylization from co-directors Gene Gallerano & William Pisciotta in the trailer makes me think they have cooked up a story that blends action, horror, and wilderness survival. Sign me up, sheriff!
Leave (2022)
Hunter was found as a baby abandoned in a cemetery wrapped in a cloth covered with satanic symbols. She has been searching for answers her whole life about where she came from. Her journey to find her parents takes her down a mysterious path, and she is being warned by something from the beyond to leave this mystery alone. Can she trust who this investigation is leading her towards? It’s a mysterious, supernatural, culty film that will give you chills.
Penny Lane is Dead (2026)
One crazy night in Australia with perhaps a dash of revenge. Shudder’s latest original looks to be packed with blood and violence in this story of girls just trying to have fun until the crazy cousin drugs the party and invites dangerous people to play. The trailer promises lots of body horror (trigger warning, there may be SA or threat of it). I’m not saying it will be Evil Dead level, but there’s definitely something in the Aussie water with Lee Cronin pumping out his gory deadites and mummy films, and now Mia Kate Russel with this one.
The Others (2001)
This is a PSA to the younger readers of Horror Press; stop what you’re doing and watch Nicole Kidman go 100 miles per hour in this classic ghost story with a twist. Dreary weather, massive estate, confusing corridors, creepy house servants you don’t know if you can trust, and sad British kids. The ending is an all-timer and spoilers should be avoided at all costs. It has exactly what you need to get right into the cozy, spooky mood for 61-days of Halloween.
Dark Harvest (2023)
If The Hunger Games and The Purge had a baby and raised it during Oktoberfest. Teenage boys are tasked with hunting and killing the entity known as Sawtooth Jack on Halloween night, or it could mean certain peril for their town. Of the movies I have listed here that I have not seen, this is going to be at the top of my watchlist. Teens fighting for survival on Halloween night and the battle setting is in a cornfield?! Say less. I am there with my Sam Adams seasonal in hand. Another perfect movie to cannonball me right into the Halloween spirit.
This list has been carefully curated to watch in a specific order to gear up for a Halloween marathon. Start with the wintry monster movie, move on to a macabre supernatural thriller, followed by a ramp-up in blood and gore, to then be lulled into a spooky, bump-in-the-night classic, all to end on a ritualistic hunt taking place on Halloween night. This is just getting things started for the first 30-days. Looking forward to sharing the next list to get you through October.
Anyone who follows legendary horror author Stephen King on social media or reads the back of books knows one thing. It’s harder to find something that King hasn’t blurbed than something that he has. The dude is a voracious consumer of genre media, and he finds a lot to love. It’s an admirable quality. But, speaking as someone who saw American Ultra after he praised it, you can’t always trust his recommendations. Today, I’ll cut some of the wheat from the chaff and break down the best modern horror movies he’s recommended.
Three notes: First, I have decided to define “modern” as “2001 or later.” Second, King practices good social media hygiene and has deleted many of his old posts. A lot of them are archived elsewhere. However, it’s more or less impossible to make a truly comprehensive list of his recommendations. I’ve synthesized multiple different sources and done my best to truly encapsulate the breadth of his recommendations. Third, I have not included any adaptations of his own work. He may be outspoken about the ones he doesn’t like, but he’s still obviously biased in that department.
#10 Snakes on a Plane (2006)
To quote King himself (defending putting 2012 among his top 2009 movies), “no filmgoing diet is complete without some cheese.” Snakes on a Plane is a does-what-it-says-on-the-tin movie, delivering high-flying serpentine thrills. However, it’s also a remarkably faithful resurrection of the atmosphere of old 1970s airplane thrillers.
#9 Final Destination 5 (2011)
In his Best of 2011 entry on Final Destination 5, King called it “the best since the first,” and he’s absolutely right. While the sequels probably peaked with the highway prologue in Final Destination 2, the fifth installment is pound-for-pound the most thrilling entry. Between the bridge collapse, the laser eye surgery, and the nail-biting sequence where a screw falls pointy-side-up on a balance beam, there’s no denying there’s real power here. And that’s not even mentioning the fun final twist!
#8 A Quiet Place: Day One (2024)
In a since-deleted Tweet, King called Day One “the rare ‘big Hollywood film’ that is both intimate and textured.” It’s true. A Quiet Place: Day One is a mini miracle of horror filmmaking. An IP-drenched prequel to a duology of good-not-great post-apocalyptic popcorn blockbusters shouldn’t be this genuinely stirring. Plus, relative newcomer Joseph Quinn holds his own against the awe-inspiring Lupita Nyong’o, resulting in an all-timer two-hander.
#7 The Strangers (2008)
After watching The Strangers, King took to Entertainment Weekly to pontificate about what makes good horror. If you inspire someone who literally wrote the book on horror to think about it more, you’ve done something right. Bryan Bertino’s home invasion movie is one of the grimmest movies of the 2000s, but its desperate existential dread is terrifying and perfectly in line with King’s best works.
#6 Splice (2009)
King included Splice on his Top 10 list for 2010, particularly praising the “talented actors… who take the material seriously.” How did this grotesque genetic-experimentation horror movie directed by the guy who made Cube land Adrien Brody and Sarah Polley? Who knows. But they breathe life into some already super solid material. What Brody in particular gets up to feels even more twisted because it’s the guy from The Pianist doing it.
#5 Smile (2022)
In a since-deleted Tweet, King called Smile a “good, scary horror film.” He added that “the real surprise is Sosie Bacon as Rose. What a hell of a performance.” Bacon really was a revelation, but so was debut director Parker Finn. His control over tone and pacing leads to some of the best scare sequences of the 2020s.
#4 The Rule of Jenny Pen (2024)
King’s not fucking around about the New Zealand horror film The Rule of Jenny Pen. It’s one of just two horror movies on his New York Times ballot for the best of the 21st century. The underseen movie is a real corker, too. It follows a judge (Geoffrey Rush) recovering in a care home after a stroke. However, his relaxation is ruined by a sadistic retiree (John Lithgow) who is obsessed with his baby doll puppet. Lithgow’s performance is stunning, and his thrillingly dark energy commands the screen every second he’s in front of the camera.
#3 Barbarian (2022)
In a since-deleted reply to a fan’s Tweet about Barbarian, King said “Yeah, that movie blew me away. It was crazy! Crazy GOOD!” This movie contributed what is perhaps the definitive scary basement in horror, which is no small feat. That’s all thanks to director Zach Cregger’s control over onscreen darkness (one of his many skills). The man must be a shadowmancer of some kind.
#2 Train to Busan (2016)
Train to Busan is the only other horror movie on King’s NYT ballot. It has received a lot of international recognition over the years. Perhaps more than any other non-Parasite movie from South Korea. That’s because it’s flipping amazing. Its crackling energy makes it one of the scariest fast-zombie movies in history. But it also marries that with a compelling father-daughter story. There’s really nothing Train to Busan can’t do.
#1 The Descent (2005)
King put The Descent on his 2006 best-of list, calling it “the best horror movie of the year.” Forget that. It’s one of the top horror movies of the century so far. It’s a bloody good monster movie nestled into a skin-crawlingly claustrophobic spelunking movie.
Honorable Mentions:
The Autopsy of Jane Doe (2016) – I’ve never seen it, so I can’t in good faith recommend it
Pan’s Labyrinth (2006) – A masterpiece, but it’s not really “horror”
Obsession (2026) – We gotta let this one sit, in order to avoid recency bias
