TV
‘Hell Motel’ Dropped One of the Best Episodes of TV This Season
Caution: This article contains major spoilers for Hell Motel.
I love slashers, TV, and audacity. Which is why the sixth episode of Shudder’s new anthology series, Hell Motel, has been living rent-free in my mind for days. The episode “Guts and Glory” is a standout in what has been a bloody and addictive season of television. For most shows, this episode slot would have been a cool-down moment, allowing the audience to catch its breath and emotionally prepare for the remaining two episodes. However, Hell Motel put a boot in our windshield and offered us a side of slasher to complement our main slasher. It serves as a gory reminder that series co-creators Aaron Martin and Ian Carpenter are unafraid to push their symphony of carnage to new heights.
A Frat House Massacre Sets the Stage
“Guts and Glory” opens in the middle of a frat house massacre. This place, where young men do questionable deeds while assuming they have their whole lives ahead of them, is awash in red light. The visual danger cues are underscored by pure horror. The expected sounds of parties and laughter are instead cries of terror and screams as someone on a mission is cutting through young people. We see Blake (Atticus Mitchell) and his friend running from a masked assailant, who is not the cloaked killer we come to Hell Motel for every week. It is also impossible to ignore that this killer is purposeful in his moves, which makes him more terrifying.
Our first impression of the murderer is watching him calmly terrorize the frat house. He makes his way through the chaos and stomps on Blake’s phone before carrying on with his business. He kicks in a door and commits some unseen act of violence on someone(s), who thought they found safety. However, it is the intentionality on display as he sticks a knife through Blake’s friend’s foot that signals this is about to be a moment. A gruesome scene on its own right that is underscored by the knife he then plants in this guy’s back. This victim cries out for Blake, not knowing the worst is yet to come. Our killer then uses a knife to carve a jagged smile into the still screaming mouth of this college kid as Blake runs off.
A Personal Vendetta Fuels the Carnage
This is when it became apparent that this killing spree was personal. It was also a very vicious warning shot that Hell Motel was about to do something wild. The series was about to bench this season’s killer(s) long enough to give us a glimpse into possibly one of the best slasher movies we will never see.
The episode, penned by series co-creator, executive producer, and showrunner Ian Carpenter, had the difficult task of adding depth to a character that most of us had written off. We all have thoughts about frat boys, which is why the frat house killer’s motivations made sense. However, Hell Motel has spent the better part of the season feeding its audience breadcrumbs that this kid and his unchecked trauma might become a problem. So, this episode’s juxtaposition of these two make-or-break moments in this character’s life is interesting.
We see the flashbacks of this previous night of terror slam into his present-day situation, where he is holding the other four survivors of Cold River Motel at gunpoint. His trauma has finally won in the present day. The thought of being made a victim (again) after scamming his way into a hero’s narrative has caused him to snap.
A Slasher Within a Slasher: The BOGO Horror Experience
Hell Motel’s audience knew this week would see Blake die. We assumed we would see what went down during that fateful evening to crown him the series’ resident final boy. However, arguably very few fans could have guessed that Blake would be at the center of the best episode of an already stellar season. The show’s penchant for using flashbacks to give audiences bonus upsetting kills in addition to the small cast in the present day is cranked up this episode. The habit becomes a vehicle to deliver an unexpected slasher within our weekly slasher. Like a bloody BOGO deal that no horror fan can pass up, or a holiday meal with extra trays of your favorite side dishes, it enabled us to overindulge.
The frat house murders are a free-for-all because they are not bound by the rules of episodic TV. This killer has to make his impact now or never, and he does. From the very beginning, we are captivated by this angry menace. Whether it’s the kill I refer to as “The Cop Fountain” or watching him kick in the windshield of a cop car, the audience knows this person is on a mission. It is hunting season, and Blake is the target. It is impossible to watch our guest killer in action and not wonder what Blake and the boys did to trigger this reign of terror. This is in huge part because director Adam MacDonald and the stunt guy(s) give us that story. We see in the performer’s physicality that this is personal.
A Killer’s Motive Rooted in Revenge
As a lover of slashers, I have seen countless killers just doing things and moving without a real purpose. Yet, in this delightfully unhinged episode, our murderer’s movements telegraph that this is no random spree. He is locked in, causing ghouls like me to tune all the way in. This makes it easier to lean into the carnage and wonder if you are silently rooting for him. So, we are not surprised when he finally peels his mask off to reveal that he is a college kid bullied to his breaking point.
We actually feel a little justified when he confirms this whole night was triggered by Blake’s callous actions. Cullen (Augustus Oicle) is here because Blake and his cronies took their hazing way too far. He explains how they ruined his life and alludes to various forms of abuse he has suffered. Hurt people, kill people on this fateful night.
After Cullen finally forces Blake to remember him, he gives him the chance to own up to what he has done. He can swap places with the girl he claims to love, Farah (Rojan Molanian), allowing her to live as he reaps what he has sown. However, he runs and leaves her to pay the price just as he did with his friend, who bit it on the stairs at the top of the episode. Blake makes his way downstairs as Farah calls out to him before catching the business end of a knife. He is greeted by police officers who see a wounded kid and begin to paint the narrative that this coward is a hero.
Challenging the Frat Boy Archetype
I always feel a little sad for actors like Mitchell who pull the frat types we all involuntarily discount. A role we all love to hate and immediately dismiss because, like Cullen, most of us have baggage with these dudebros. Hell Motel never allowed us to forget his trauma or how he is different from the other people invited to this present-day deadly weekend. While we tried to write him off as similar characters we disregard in the slasher subgenre, they kept dropping hints we should not.
Like most characters in this world, Blake is not a good person and will answer for his crimes. In fact, he meets a particularly grisly death in the present day. As he bleeds out from a knife wound in the cold weather, our series regular slasher appears with a snowblower. Blake, being too weak to run from what he is owed this time, is forced to meet his fate head-on. As Baphomet drives through him, it’s a symbolic gesture of our side quest killer handing the wheel back to our main murderer.
A Memorable Conclusion to a Standout Episode
Hell Motel leaves the audience with a shot of the remaining pieces of the final boy. Of all the somber endings we have seen this season, this one stands out. It is a fairly iconic way to end a nearly perfect 42-minute episode of television. From start to finish, this was an event that showcased why so many of us were happy to see the Slasher team reassemble for a new show. Fans have watched this team kill beloved horror icons, slaughter beloved TV actors, and produce wicked kills before. So, many of us showed up to this murderous motel knowing they set a high bar for themselves and wondering how they were going to meet it.
While Hell Motel has met (and at times surpassed) the gleefully glorious kills we expect from this team, “Guts and Glory” feels like they have truly moved into this anthology. They decorated it in bodies, blood, and an eagerness to remind their fans to never get too comfortable. This episode sees the entire team excelling in their respective lanes to craft a gripping and gory gem. By the time the credits rolled, I found myself no longer wanting a second season, but actually needing it. I have to know how they will raise the bar for themselves yet again, if that is even possible. I have no idea what to expect from the remaining two episodes of this season. However, I know they have their work cut out for them following one of the best episodes of TV we have gotten in 2025.
Now that we are heading into the last season of Stranger Things, it is hard to not remember the good times. Much like any goodbye, it feels too soon and is giving us a case of the nostalgia glasses. We all know that not all seasons were created equally. Yet, the wildly popular series managed to keep enough of us invested these last 10 years. It is an undeniable pop culture sensation that will not be forgotten anytime soon. It is also honestly one of the few shows that makes it hard to break up with Netflix. So, I decided to look back and highlight the best parts of each season. Grab a “Justice for Barb” t-shirt and take this walk down memory lane with me.
Our Favorite Moments From Stranger Things
Season 1: Eleven
Season one of Stranger Things brought us many memorable moments that reshaped pop culture. Joyce Byers’ (Winona Ryder) makeshift Ouija board on the wall, used to communicate with her missing son, was a major one. However, this was also the only season that allowed Eleven (Millie Bobby Brown) to be a badass. Which is why she is the best part of Stranger Things’ first season. Watching her showcase her powers as she sought out waffles was a mood. A relatable queen if there was one, right? From using her telekinetic powers to stop annoying diner fans to flipping vans chasing after her and the crew, this season set Eleven up to be a powerful badass. That is even before we get into her mind tricks, which we still have some questions about. Sadly, subsequent seasons have yet to follow through on the promise this one gave us. I could write a whole series about how Eleven is a reservoir of untapped potential in the next three seasons.
Season 2: Steve and Dustin
I think Max (Sadie Sink) is one of the best additions to the show, and I felt Bob (Sean Astin) deserved a better arc. However, only one arc warms my cold little heart when I think about this second season. Few things bring as much joy to Stranger Things fans as the unshakable bond between Steve and Dustin. Season 2 is where this unlikely duo found each other, and that is why they are the best part of this season for me. Steve (Joe Keery) and Dustin (Gaten Matarazzo) bring out the best in each other. Interestingly enough, the actors seem to have also found themselves formidable scene partners. Whether Dustin is bringing Steve up to speed or Steve is giving Dustin tips on how to handle girls, these two stole our hearts at multiple points this season. My personal favorite is when Steve steps in to save Lucas from Billy the Racist, and Dustin cheers him on (while he has the upper hand). Dare I say, this relationship has become the heart of the show.
Season 3: Robin Coming Out to Steve
This season of Stranger Things introduced quite a few new characters to kill, like all the other seasons. However, Robin (Maya Hawke) seemed cooler than most, and we were silently rooting for her to make it. While her easy dynamic with Steve made us worry that she would become another part of the Steve, Nancy, and Jonathan saga, we had nothing to worry about. When Steve professed his feelings to Robin, she surprised us all and came out. This led to Steve surprising us by picking up a more age-appropriate best friend in what is one of the sweetest moments of the show. Aside from becoming Steve’s platonic girlfriend, Robin also went on to become the first openly gay character in the ridiculously large main cast. So, while this season isn’t my favorite, I’m very grateful it brought us this scene and this pairing.
Season 4: Eddie Munson Meets Erica Sinclair
Eddie Munson (Joseph Quinn) is probably part of everyone’s favorite moments from the fourth season of Stranger Things. While many people will probably cite his cafeteria entrance, his moment in the woods with Chrissy (Grace Van Dien), or the infamous “Chrissy, wake up,” those aren’t my favorite moments. Because this show taught us that Quinn is a scene thief, and he turned this season’s throwaway character into a pop culture moment, there is plenty to choose from. However, my nerdy ass’s favorite scene is when my two favorites faced off in Dungeons & Dragons.
Resident scene thief Erica (Priah Ferguson) finally found someone who could keep up with her when she showed up to this game. Watching her and Eddie match wits before getting down to an epic game of DnD that spawned numerous fan theories about how Eddie could come back for season 5 is priceless. He forced Dustin and Steve’s duo to become a trio, played Metallica’s Master of Puppets in The Upsidedown, and broke our hearts with his death. However, I choose to remember him alive and becoming begrudgingly impressed with the little girl who takes no prisoners. I would have watched them play this game for hours and lived my best nerdy life.
We’re Looking Forward to Season 5 of Stranger Things
So, those are my fondest memories from each season of Stranger Things. Feel free to let us know your favorite moments and your predictions for the fifth and final season on social media!
The first four episodes of Stranger Things: Season 5 hit Netflix on Wednesday, November 26. Let us know if you plan to watch as they air. Or if you are going to wait until the end of the year to binge the whole season.
A new season of Stranger Things is upon us, and unfortunately, that always brings some baggage with it. As someone who has watched the show since it premiered on Netflix in 2016, I have witnessed the highs, lows, and questionable moments in real time. I have also seen this show unwittingly bring out the worst in its fandom. While I have many thoughts about all the problematic noise that surrounds the series, I am here with a very specific gripe today. I am not going to hold your hand when I say Billy Hargrove (Dacre Montgomery) is a racist. However, I will unpack some of the reasons I think it’s interesting that this fanbase (and some of the actors in this ridiculously large cast that should have been trimmed seasons ago) refuse to state the obvious.
Billy Hargrove Never Hides It
I get it. Billy Hargrove is hot when we first meet him in season 2. He looks like the typical ’80s heartthrob made famous by hotties of that bygone era. He could’ve easily been another Brat Pack actor next to Emilio Estevez, Rob Lowe, and Judd Nelson. However, all of that goes out of the window when we see how he abuses his step-sister, Max (Sadie Sink). We soon discover the bad boy image is not an act but simply one layer of this sociopath. Things quickly escalate in this season of Stranger Things, and Billy becomes the racist that Lucas (Caleb McLaughlin) will have to face this time out.
While the rest of his supposed friends are battling supernatural evils, Lucas always ends up the target of local racists. I have given up on his sidequests being something less targeted, or for anyone but his little sister Erica (Priah Ferguson) to ever stick up for him. The squad will battle Vecna, but Lucas will have to fend off some version of Mike Pence as a child.
Remember Script Analysis?
Anyways, the Duffer Brothers make it very obvious that Billy is an awful human. He even tells Max, “There are certain types of people in this world that you stay away from, and that kid, Max, that kid is one of them. You stay away from him, you hear me? Stay away.” This is before he decides to start taking a more hands-on approach with Lucas, much like he does with Max. However, too many fans like to paint the narrative that Billy isn’t a racist sociopath. They need him to be misunderstood, even broken, and would like to blame his abusive dad for the trauma he inflicts on his sister and one of the very few Black kids in town. As if all abused kids go on to be MAGA, and that pipeline is to blame for where we are now.
This isn’t helped by the actor also trying to get his character off the hook. His co-star’s comments on his acting being purposely misinterpreted is also another issue with this conversation. You can complement the complexities of a performance without excusing the character’s behavior. After all, villains can make for compelling TV when utilized correctly. Many viewers who want to romanticize this monster might not realize what they are doing. However, I cannot help but see it because I live in a world that loves to rewrite the facts.
Have You Watched the News?
Billy is much like all the other white guys who do horrendous things. Isms beget isms. Which is why when we see him level up from abusing Max to saying all of the racist parts aloud, I was not surprised. I was also not surprised at how much of the Stranger Things fandom is okay with him beating up on children. Society hates women and will always find a reason to justify racism. So, people can forgive and downplay what Billy does. That’s why many fans were happy to see him make his guest appearance in season 4. Meanwhile, the rest of us are being reminded that the internet, and this fandom specifically, are overwhelmingly white places.
A Tale of Two Actors
To counter Stranger Things fans’ love of Billy the Racist, let us look at how Dacre Montgomery gets treated compared to Caleb McLaughlin. McLaughlin is a member of the main cast and has been with the show since day one. However, his lines at cons are considerably emptier than his white counterparts. In the beginning, people pretended it wasn’t anti-Blackness. White fans claimed they didn’t like him because his character was mean to Eleven in the first season. I could write another essay on how he wasn’t mean, and even if he was, actors are not their characters. However, it doesn’t matter because we all know racism is the reason.
Meanwhile, Montgomery does very well. All of the people yelling about his character being misunderstood make their way to his table like he’s giving away money. How many times did we watch Billy abuse Max in various ways? How many times did we watch him abuse Lucas and escalate it to the point that only the most dense among us could miss the obvious racism on display? Yet, people still want those pictures and autographs. Coincidence?
Why This Bugs Me
As someone who cannot quit this show, I have been very vocal about my issues with Stranger Things. The refusal to kill any of the way too large main cast remains one of my biggest pet peeves. The Duffer Brothers having a hard time understanding that writing a period piece doesn’t necessarily mean you are writing for the audience of that era is also a bone of contention. Specifically, when Jonathan Byers (Charlie Heaton) took photos of Nancy (Natalia Dyer) undressing without her knowledge. In today’s context, we understand that it is assault and a severe invasion of privacy and no longer let that slide.
I am also salty about how every racist who is an aspiring Fox News reporter in Hawkins, Indiana, finds Lucas each season. Which is why it is so wild that I think the biggest issue with Billy Hargrove is how many fans of the show receive him.
What It Says About Society
I think Billy could’ve been written with a little more subtlety. I am also again very tired of Lucas’ storyline always being about racism and attempted hate crimes. Why can’t he have magical fights in The Upsidedown like everyone else? Yet, what really salts my tines is the internet’s willingness to overlook bigotry and excuse hatred. It’s extra triggering as I am trying to survive this second Trump term. I watched this country fail as fools tweeted, “all the candidates are the same.” White feminism allowed hateful relatives a seat at the holiday tables after voting away the few rights most of us had. Meanwhile, Judy wanted to wear a blue bracelet to let you know she cares. However, she doesn’t care enough to be serious about any actual activism. The Stranger Things fandom is unsurprisingly a mirror of society.
The same people who look at white male terrorists and blame the girls who wouldn’t go to prom with them. Or the ones who think the Black victims of police brutality might be to blame for the cop’s reaction. Those are the people who don’t understand that Billy is a raging racist. I think this is one Stranger Things character that the Duffers might have put the most thought behind. It’s a shame the toxic fandom surrounding the show swallowed him up and learned nothing.
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