Movies
Our 10 Favorite Short Films From Final Girls Berlin Film Festival (2025)
Short films are one of my favorite parts of Final Girls Berlin Film Festival. Festival directors Elinor Lewy and Sara Neidorf always knock it out of the park with their short film block groupings and which films they pick for screening. I don’t think I’ve ever been disappointed by the blocks. While I can’t write about every single one, I wanted to take the time to highlight my top 10 favorite short films of their 10th Annual festival.
Due to the substance and quality of each short film, it wasn’t easy to narrow down the list to 10. It should be noted that with the exception of the films listed in the first and second spot, they aren’t in any specific order. (Because I couldn’t pick between two specific shorts, we’ll throw the 11th spot in here too!)
Short films are one of my favorite parts of Final Girls Berlin Film Festival. Festival directors Elinor Lewy and Sara Neidorf always knock it out of the park with their short film block groupings and which films they pick for screening. I don’t think I’ve ever been disappointed by the blocks. While I can’t write about every single one, I wanted to take the time to highlight my top 10 favorite short films of their 10th Annual festival.
Due to the substance and quality of each short film, it wasn’t easy to narrow down the list to 10. It should be noted that with the exception of the films listed in the first and second spot, they aren’t in any specific order. (Because I couldn’t pick between two specific shorts, we’ll throw the 11th spot in here too!)
My 10 Favorite Shorts From Final Girls Berlin Festival 2025
11. Sugar Rag written by Spencer T. Heath & Jai Love // directed by Jai Love
Block 9: Pop Horror/Carnivalesque
Alfred’s (Carter Dau) parents come home to their expansive manor with a surprise…a baby brother! There’s something off about Alfred’s new brother Remus (Aaron Light), and Alfred can’t quite put his finger on it; maybe it’s the fact that Remus is a 6-foot-something man in a diaper with a baby’s head mask.
Sugar Rag is an insanely out-of-left-field short film that shocks and stings. Never in a million years would I have guessed where it would go next. The surprising idea by Heath and Love to have Remus be an adult male portraying a baby is something I need to see in a feature-length film. While it’s comedic for a good portion, Heath and Love do not let the short go gently into that good night. The climax is genuinely crazy and left me with my mouth agape. It makes sense that it’s on the Crypt TV YouTube channel.
![]()
10. Izzy written and directed by Yfke van Berckelaer
Block 1: Hostile Environments
Izzy (Nahéma Ricci) is sick and tired of being caught in the middle of everyone else’s crap. That’s when she decides a pop of color will liven things up.
Izzy is short, sweet, and direct to the point. It has a story to tell and refuses to linger one second longer. There’s something deeper to Izzy than I can pinpoint, but by the time the short was over, it made me want to improve myself and stop sitting idly by while others get what they want out of life.
9. Gaslighter written by Virginia Powers Hendry and Anastasia Washington // directed by Virginia Powers Hendry
Block 3: Het Horror
Anne (Anastasia Washington) gets home after a long day of work only to realize that things are off. The front door isn’t locked, the power is out, and something seems wrong. Anne’s partner, Jeff (Taylor Marr), doesn’t believe her. That’s when the film splits in two and gives us Until Dawn-like points of view. Will Anne stay the night and face the evil in her house? Or will she leave the house like any normal person would?
Gaslighter puts to test the idea of audience reactions. How many times have you watched a horror film and shouted at the screen, “RUN! LEAVE THE HOUSE!” Hendry and Washington play with that idea by putting all the tropes out there and letting Anne make the choices for herself. It’s a fun play on the genre that works well for a short film but might not play as well if it were any longer.
8. Deep Cut written and directed by Michelle Farrah Huang
Block 1: Hostile Environments
Farrah (Michelle Farrah Huang) is on set for a film for the first time in years. She’s seemingly doing a good job, but the film’s director (Keir Gilchrist) doesn’t seem pleased. Farrah becomes friends with another actor named Jessie (Sugar Lyn Beard), and the two head to Farrah’s for a night of drinking. But Jessie seems too big of a fan of Farrah’s previous work and will do anything to ensure their film succeeds.
Deep Cut is meta and fascinating in an incredibly original way. You think you know where it’s going but get crisscrossed by the end. Huang’s story succeeds in its current form but would greatly benefit from a feature-length version. Huang and Gilchrist have great chemistry both when they’re friends and when they’re…not. It’s fairly straightforward visually but doesn’t fail to capture and keep the viewer’s attention.
7. Dark Mommy written by Courtney Eck and James P. Gannon // directed by Courtney Eck
Block 1: Hostile Environments
Ben (Ben Chandler) is a quiet man who spends his nights working as a solo dispatcher for his small town’s 911 call center. What seems like a prank call turns into a night of terror that might be a sign of something bigger to come.
As someone who works in overnight emergency dispatch, this one hit a little hard for me. Being the only person in a four-story building in midtown Manhattan sans a security guard can get slightly overwhelming. That being said, I would kill to dispatch in a town like Ben’s. The whole idea of Dark Mommy (Uranbileg Angarag) is brilliant and the effects by Ravenous Studios on Dark Mommy look stellar. As I’ve said many times throughout this list, so far, Dark Mommy would make a KILLER Malum-esque feature-length film. If you get a chance to see this at a festival, do not miss it.
6. How To Stay Awake written and directed by Vanessa Magic
Block 5: Midnight
Helen (Preeti Torul) will do anything to stay awake because if she falls asleep…the Night Witch (Hannan Younis) comes.
I have terrible insomnia, and working overnights probably doesn’t help. Helen’s plight is something I’m all too familiar with (though to a much lesser extent of a Night Witch). Vanessa Magic expertly crafted a story of what it feels like to not feel in control of your body and how powerless it can be. The sound design works wonders for the film, but I could have used a lot less high-pitched ringing–that’s what made me go from loving this short to liking it. Don’t get me wrong, I understand it, but it was too much. Overall, Magic created a visually intriguing piece of horror that gave me two separate nightmares.
5. It Came From Inside! written and directed by Aura Martinez Sandoval and Jackson Rees
Block 7: Queer Horror
It’s Halloween night! Vicky (Gentry Loghry) and her partner Oliver (Luke Harger) are relaxing after a party. An explosion outside piques their interest and changes their lives forever.
If you’re a fan of retro ’80s horror, then It Came From Inside! will be right up your alley. It has the trappings of Raimi, Dekker, and Henenlotter while still keeping an updated visual style. Full of some excellent practicals, this short reads like an open lines call from Coast to Coast with Art Bell. No notes!
4. The Blue Diamond written by Sam Fox and Addison Heimann // directed by Sam Fox
Block 4: Cults
Alison (Desiree Staples) is overseeing the funeral for her cult leader mother, Jacqueline (Barbara Crampton). Alison has stayed away from the cult this long…can she make it through the afterparty?
Cult horror isn’t usually my thing, but I still give them a shot. The Blue Diamond is an incredibly fun take on cults and how they affect those who are closest to the leader. Alison is a well-written character, and Desiree Staples does a fantastic job of portraying her. And I mean, Barbara Crampton is Barbara Crampton! There’s a fun twist that takes this short in a direction most in this subgenre don’t take, and I found it to be generally refreshing. So what are you waiting for? Let’s all go down the blue diamond together!
3. Micro-Short written and directed by Beth Fletcher
Block 5: Midnight
Don’t get between Dani (Hannah Myers) and her microwave.
Micro-Short is an excellent piece of avant-garde madness. Fletcher’s story and direction are expertly lensed by Maddy Talias, who knows HOW to work a camera. For a [very] short film about a woman and a microwave that takes place in a single room, Talias shoots the hell out of this short. I was insanely blown away by the filmmaking in Micro-Short.
2. Last to Leave written and directed by Mary Elizabeth Ellis
Block 5: Midnight
Brunette (Ginger Gonza) and Blonde (Mary Elizabeth Ellis) arrive at a bar right at last call. The women seem slightly off, but the remaining bar patrons are more than happy to have them join for a drink—big mistake.
When I saw Mary Elizabeth Ellis on screen, I jumped off my couch with excitement. I was even more excited when I saw she wrote and directed this. One of my favorite things is when A-list talent steps out of their comfort zones to make shorts/features that are completely different from their main body of work. Not only was I excited to see Ellis, but I was also genuinely surprised by how good this short was. This short plays it close to the chest, but when it’s ready to rip, it rips. I’ll only say this one more time: I really hope Last to Leave gets a feature adaptation. There are great intricacies to Brunette and Blonde, and it would be great to see Ellis expand on them.
1. Bloody Hell written by Lena Albin // directed by Lena Albin and Jayden Rathsam Hua
Block 5: Midnight
Sam (Sophia Morrison) is preparing for a night out with her friend Jacinta (Sophie Teo). But her period is far from her worst trouble tonight.
WOW. Absolutely, wow. Body horror is one of my favorite subgenres. While I find it enjoyable, it’s hard for body horror to make me physically nauseous. I really don’t want to say too much about Bloody Hell because it needs to be seen to be believed, but I want to give my props to Albin, Hua, makeup artists Lara Franzi and Maddison Gray, and SFX coordinator Briana Garbutt. This short film is one bloody hell of a good time.
Happy Festival, Final Girls Berlin! It was a pleasure, as always, and I’m looking forward to next year’s fest!
Editorials
‘Ready or Not’ and the Cathartic Cigarette of a Relatable Final Girl
I was late to the Radio Silence party. However, I do not let that stop me from being one of the loudest people at the function now. I randomly decided to see Ready or Not in theaters one afternoon in 2019 and walked out a better person for it. The movie introduced me to the work of a team that would become some of my favorite current filmmakers. It also confirmed that getting married is the worst thing one can do. That felt very validating as someone who doesn’t buy into the needing to be married to be complete narrative.
Ready or Not is about a fucked up family with a fucked up tradition. The unassuming Grace (Samara Weaving) thinks her new in-laws are a bit weird. However, she’s blinded by love on her wedding day. She would never suspect that her groom, Alex (Mark O’Brien), would lead her into a deadly wedding night. So, she heads downstairs to play a game with the family, not knowing that they will be hunting her this evening. This is one of the many ways I am different from Grace. I watch enough of the news to know the husband should be the prime suspect, and I have been around long enough to know men are the worst. I also have a commitment phobia, so the idea of walking down the aisle gives me anxiety.
Grace Under Fire
Ready or Not is a horror comedy set on a wealthy family’s estate that got overshadowed by Knives Out. I have gone on record multiple times saying it’s the better movie. Sadly, because it has fewer actors who are household names, people are not ready to have that conversation. However, I’m taking up space this month to talk about catharsis, so let me get back on track. One of the many ways this movie is better than the latter is because of that sweet catharsis awaiting us at the end.
This movie puts Grace through it and then some. Weaving easily makes her one of the easiest final girls to root for over a decade too. From finding out the man she loves has betrayed her, to having to fight off the in-laws trying to kill her, as she is suddenly forced to fight to survive her wedding night. No one can say that Grace doesn’t earn that cigarette at the end of the film. As she sits on the stairs covered in the blood of what was supposed to be her new family, she is a relatable icon. As the unseen cop asks what happened to her, she simply says, “In-laws.” It’s a quick laugh before the credits roll, and “Love Me Tender” by Stereo Jane makes us dance and giggle in our seats.
Ready or Not Proves That Maybe She’s Better Off Alone
It is also a moment in which Grace is one of many women who survives marriage. She comes out of the other side beaten but not broken. Grace finally put herself, and her needs first, and can breathe again in a way she hasn’t since saying I do. She fought kids, her parents-in-law, and even her husband to escape with her life. She refused to be a victim, and with that cigarette, she is finally free and safe. Grace is back to being single, and that’s clearly for the best.
This Guy Busick and R. Christopher Murphy script is funny on the surface, even before you start digging into the subtext. The fact that Ready or Not is a movie where the happy ending is a woman being left alone is not wasted on me, though. While Grace thought being married would make her happy, she now has physical and emotional wounds to remind her that it’s okay to be alone.
One of the things I love about this current era of Radio Silence films is that the women in these projects are not the perfect victims. Whether it’s Ready or Not, Abigail, or Scream (2022), or Scream VI, the girls are fighting. They want to live, they are smart and resourceful, and they know that no one is coming to help them. That’s why I get excited whenever I see Matt Bettinelli-Olpin and Tyler Gillett’s names appear next to a Guy Busick co-written script. Those three have cracked the code to give us women protagonists that are badasses, and often more dangerous than their would-be killers when push comes to shove.
Ready or Not Proves That Commitment is Scarier Than Death
So, watching Grace run around this creepy family’s estate in her wedding dress is a vision. It’s also very much the opposite of what we expect when we see a bride. Wedding days are supposed to be champagne, friends, family, and trying to buy into the societal notion that being married is what we’re supposed to aspire to as AFABs. They start programming us pretty early that we have to learn to cook to feed future husbands and children.
The traditions of being given away by our fathers, and taking our husbands’ last name, are outdated patriarchal nonsense. Let’s not even get started on how some guys still ask for a woman’s father’s permission to propose. These practices tell us that we are not real people so much as pawns men pass off to each other. These are things that cause me to hyperventilate a little when people try to talk to me about settling down.
Marriage Ain’t For Everybody
I have a lot of beef with marriage propaganda. That’s why Ready or Not speaks to me on a bunch of levels that I find surprising and fresh. Most movies would have forced Grace and Alex to make up at the end to continue selling the idea that heterosexual romance is always the answer. Even in horror, the concept that “love will save the day” is shoved at us (glares at The Conjuring Universe). So, it’s cool to see a movie that understands women can be enough on their own. We don’t need a man to complete us, and most of the time, men do lead to more problems. While I am no longer a part-time smoker, I find myself inhaling and exhaling as Grace takes that puff at the end of the film. As a woman who loves being alone, it’s awesome to be seen this way.
The Cigarette of Singledom
We don’t need movies to validate our life choices. However, it’s nice to be acknowledged every so often. If for no other reason than to break up the routine. I’m so tired of seeing movies that feel like a guy and a girl making it work, no matter the odds, is admirable. Sometimes people are better when they separate, and sometimes divorce saves lives. So, I salute Grace and her cathartic cigarette at the end of her bloody ordeal.
I cannot wait to see what single shenanigans she gets into in Ready or Not 2: Here I Come. I personally hope she inherited that money from the dead in-laws who tried her. She deserves to live her best single girl life on a beach somewhere. Grace’s marriage was a short one, but she learned a lot. She survived it, came out the other side stronger, richer, and knowing that marriage isn’t for everybody.
Movies
The Best Horror You Can Stream on Shudder in January 2026
My New Year’s resolution is to spend more time watching my favorite app. Luckily, Shudder is not taking it easy on us this holiday season, so I may meet my quota this January. The streamer is bringing in the new year with quite a few bangers. We have classics from icons, a new title from the first family of indie horror, and a couple of lesser-known films that have finally found a home. So, I am obviously living for this month’s programming and think most of you will too. I have picked the five films that I believe deserve our collective attention the most. Get into each of them and start your 2026 off on the right foot.
The Best Movies to Stream on Shudder This Month
Carrie (1976)
A sheltered teen finally unleashes her telekinetic powers after being humiliated for the last time. Carrie is the reason I thought proms might be cool when I was a kid. This Brian De Palma adaptation is one of my favorite Stephen King adaptations. It is also an important title in the good-for-her subgenre. I cannot help rooting for Carrie White (Sissy Spacek) when I watch her snap at this prom and then head home to accidentally deal with her mom. The only tragedy of this evening is that Carrie had to die, too. I said what I said, and I will be hitting play again while it is on Shudder. This recommendation goes out to the other recovering sheltered girls who would be the problem if they had powers. I see you because I am you.
You can watch Carrie on January 1st.
Marshmallow (2025)
A shy 12-year-old gets sent to summer camp and finds himself in a living nightmare. While Marshmallow did not land for me, I know plenty of people who love it. Which makes this the perfect addition to the Shudder catalogue. I am actually excited to see more folks fall in love with this movie when it hits the streamer. If nothing else, it will help a few folks cross off another 2025 title if they are still playing catch-up with last year’s movies. It also gets cool points from me for not taking the easy route with the mystery it built. I hope you all dig it more than I did, and tell your friends about it. Perhaps you could even encourage them to sign up for the app.
You can watch Marshmallow on January 1st.
Chain Reactions (2024)
Tobe Hooper’s The Texas Chain Saw Massacre cemented his horror legacy over fifty years ago. So, it is long overdue for a documentary where horror royalty can discuss its impact on them and their careers. I have been waiting for a couple of years to hear Karyn Kusama and Takashi Miike talk about Hooper’s work and how he inspired them. So, I am super geeked that Shudder is finally giving me the chance to see this film. The streamer is also helping the nerds out by adding The Texas Chain Saw Massacre (1974) and The Texas Chain Saw Massacre 2 (1986) this month. If you are also an overachieving couch potato, I will see you at the finish line next week.
You can watch Chain Reactions on January 9th.
In the Mouth of Madness (1994)
An insurance investigator discovers the impact a horror writer’s books have on people. I love chaos, and John Carpenter chaos happens to be one of my favorite kinds of chaos. While we talk about The Thing and Halloween all the time, this maestro has given us plenty of horror to celebrate. In the Mouth of Madness is very much one of those titles vying for a top spot among the best of his filmography. To sweeten the batshit pot, this movie features Sam Neill. You know that he only shows up in our genre if the movie is going to be legendary. You cannot tell me this is not a Shudder priority this month.
You can watch In the Mouth of Madness on January 10th.
Mother of Flies (2025)
A terminally ill young woman and her dad head to the woods to seek out a recluse who claims she can cure her cancer. The Adams Family has been holding court on Shudder for years, so it feels right that Mother of Flies is a Shudder Original. More importantly, this fest favorite has one of the best performances of 2025. Which makes it a great time for people to finally get to see it and get in line to give Toby Poser her flowers. Whatever you think your favorite Poser role is, it is about to change when you see her as Solveig. I am being serious when I say that this movie might be the first family of indie horror at their best.
You can watch Mother of Flies on January 23rd.
New year, but same Shudder. I would not want to go into 2026 any other way, personally. I hope these horrific recommendations bring you the good kind of anxiety. Or at least distract you from the state of the world for a bit.


