Movies
The Best Zombie Films You Can Watch on Shudder Right Now
A list of the the best zombie horror films you can stream on Shudder right now.
Howdy, Horror Press reader! You know usually I’d start the article with a folksy aphorism, or a fun story, but Editor James-Michael said “think fast” and threw some sort of rat-monkey into the basement where I type these articles up before shutting the door.
Long story short, I’ve been bitten by it and I’m having trouble focusing, so right to brass tacks. Today we’ll be highlighting the best zombie films you can watch on Shudder, to make that movie night selection just a little bit easier.
I will also clarify, there are a lot of zombie-like movies on Shudder, with films like Demons, Azrael, and The Sadness filling those ranks. So, for the purpose of defining the zombies, we’re going with ravenous, mindless, undead creatures who specifically infect others by biting or scratching or eating them. So, while Night of the Living Dead technically never calls them zombies (they’re actually some of cinema’s first “ghouls”), it counts as a zombie film.
The Best Zombie Horror Films You Can Stream on Shudder
ZOMBIE (1979)
“You’re not actually going to start the list with that movie right?”
It’s a list of zombie movies. It’s called Zombie.
More importantly, Lucio Fulci’s cult classic is the quintessential Italian zombie film. Known as Zombi 2 in the rest of the world (since the first Zombi is the Italian localization of Romero’s Dawn of the Dead), it’s a very simple zombie film executed wonderfully. Beyond the legendary underwater zombie versus shark brawl that has made this movie a bit of a meme among horror fans, this is also the stomping grounds of Fulci’s most frequent collaborator: Giannetto De Rossi, a special effects artist so good I considered putting his name in bold for emphasis.
This is arguably the best of Rossi’s work, made most memorable by the film’s iconic scene of a worm-infested zombie rising from its grave. Really, it’s a top-notch highlight reel of all the skills that made Rossi an invaluable asset on a gamut of films ranging from David Lynch’s Dune to Alexandre Aja’s High Tension. If makeup and effects are what makes a horror movie for you, you have to watch this one.
BLOOD QUANTUM (2019)
Now this, this is a modern zombie movie with a whole lot of substance, and a fair bit of sauce.
When a zombie epidemic rips through the Northern reaches of Canada, it turns out one slice of the country’s demographics is completely immune to the virus: the indigenous First Nations people, who quickly set up a reservation fortress to safeguard the community. Jeff Barnaby uses this premise to skewer the unfortunately all too common divide between white Canadian citizens and their First Nations counterparts, the history of which is soaked in heaps of racial violence and an ugly colonialist legacy.
Beyond its thoughtful narrative, Blood Quantum also delivers on some of the nastiest practicals in a zombie movie from the past decade, with some being on par with Rossi’s work above thanks to an award-winning makeup and visual effects team. The action is good, the story is great, and the films’ thematic underpinnings make for a phenomenal watching experience that sticks with you and makes you want to learn more about the film and the surroundings it came up out of.
DEAD SHACK (2017)
When you have deadbeat parents watching over you that you can’t rely on, and you’re left to fend for yourself on a weekend out in the sticks, what are you to do when you find out your neighbor has zombies in her house? Suit up and try to kill them yourself, to hilarious effect.
One of the two horror comedies on this list, Dead Shack reminds me a lot of another highly underrated Shudder offering, Boys From County Hell. It’s got dark humor that’s more slapstick than the dry Irish flavor from Boys, but like that film, it’s supplemented by a fairly strong and charismatic cast of young actors, thrust into a hilarious situation where things just keep going wrong.
NIGHT OF THE LIVING DEAD (1968)
And in the softest of softball lobs I’ll ever put in one of my recommendation articles, here’s George Romero’s Night of the Living Dead! It is such a classic, I don’t even know what I can say about it that hasn’t been said; it’s just such a core component of horror cinema, every frame has been pored over like an ancient text on how to make low-budget filmmaking legendary.
Having rewatched it for this article, Duane Jones’ performance in this movie is still unbelievably compelling after all these years, and it feels so fresh still because of the vocal command he projects. It’s a masterclass in acting in general and has cemented him as one of my favorite horror protagonists of all time. He’s simply the blueprint.
PENINSULA (2020)
The oft-forgotten sequel to Train to Busan, I wrote a retrospective article about Peninsula last summer for Horror Press. You can find a more in-depth analysis of the film there, but I’ll give a basic rundown here: Peninsula is a massive departure from its predecessor in tone, plot, action—honestly, its entire cinematography is cut from different cloth. Trading in sentimental horror on trains for pulse-pounding action sequences in zombie-filled car chases, director Yeong Sang-ho weaves a wild action-horror film that’s got a high rewatch value. It is an easy-to-enjoy thrill ride through post-apocalyptic South Korea.
ONE CUT OF THE DEAD (2017)
If there’s any country that knows how to do zombie movies better than America, it’s Japan. An independent horror film in a sea of Japan’s bigger budget splatter films, One Cut of the Dead made waves not just for its 37-minute one-shot that opens the movie and gives the film its title, but for the sincerely heartwarming message it has to send about the struggles of making horror movies. I’ve kind of mentally dissociated One Cut of the Dead as a zombie movie because it’s just one of, if not the most, perfect pieces of meta-horror that I’ve had the pleasure of watching. I can’t guide you through this one without spoiling a whole bunch, but I can guarantee that you will leave this movie glad you watched it.
Also, a small sidenote: Harumi Shuhama’s performance in this makes me smile every time I watch it. She’s deeply talented, we need her in more horror movies.
(POM!)
MADS (2024)
Saving the best for last, last year’s MadS is maybe the film I was least excited to watch and the one I was most impressed with the result of.
For a very long time, I would have stopped being impressed with one-take movies a while back (I know it sounds odd because I just sang One Cut of the Dead so much praise, but stick with me). Because when you watch enough one-takes you can see the clear points where they cut. If the simulation breaks, the gimmick kind of just dies. But MadS is not only a true blue one-take (if it is spliced together takes, it’s unbelievably skilled at hiding it), it uses that one shot to build a kind of tension that made my spine start to tie around itself tight. It’s composed in uncomfortable closeups for most of the runtime, but even when the shots go wide, its composition, its lighting, its sound design, and the way director David Moreau makes the camera move makes you feel like you can’t get far enough away.
It made me unironically feel like I had pressure building on my neck as the film makes you watch the infection spread. MadS above all else serves up one of the most harrowing depictions of a zombie outbreak ever, and its tactile effectiveness is a testament to its cinematography; a cinematography that doesn’t let up until that final shot, and sticks to you like superglue with you after it’s wrapped up.
Editorials
‘Ready or Not’ and the Cathartic Cigarette of a Relatable Final Girl
I was late to the Radio Silence party. However, I do not let that stop me from being one of the loudest people at the function now. I randomly decided to see Ready or Not in theaters one afternoon in 2019 and walked out a better person for it. The movie introduced me to the work of a team that would become some of my favorite current filmmakers. It also confirmed that getting married is the worst thing one can do. That felt very validating as someone who doesn’t buy into the needing to be married to be complete narrative.
Ready or Not is about a fucked up family with a fucked up tradition. The unassuming Grace (Samara Weaving) thinks her new in-laws are a bit weird. However, she’s blinded by love on her wedding day. She would never suspect that her groom, Alex (Mark O’Brien), would lead her into a deadly wedding night. So, she heads downstairs to play a game with the family, not knowing that they will be hunting her this evening. This is one of the many ways I am different from Grace. I watch enough of the news to know the husband should be the prime suspect, and I have been around long enough to know men are the worst. I also have a commitment phobia, so the idea of walking down the aisle gives me anxiety.
Grace Under Fire
Ready or Not is a horror comedy set on a wealthy family’s estate that got overshadowed by Knives Out. I have gone on record multiple times saying it’s the better movie. Sadly, because it has fewer actors who are household names, people are not ready to have that conversation. However, I’m taking up space this month to talk about catharsis, so let me get back on track. One of the many ways this movie is better than the latter is because of that sweet catharsis awaiting us at the end.
This movie puts Grace through it and then some. Weaving easily makes her one of the easiest final girls to root for over a decade too. From finding out the man she loves has betrayed her, to having to fight off the in-laws trying to kill her, as she is suddenly forced to fight to survive her wedding night. No one can say that Grace doesn’t earn that cigarette at the end of the film. As she sits on the stairs covered in the blood of what was supposed to be her new family, she is a relatable icon. As the unseen cop asks what happened to her, she simply says, “In-laws.” It’s a quick laugh before the credits roll, and “Love Me Tender” by Stereo Jane makes us dance and giggle in our seats.
Ready or Not Proves That Maybe She’s Better Off Alone
It is also a moment in which Grace is one of many women who survives marriage. She comes out of the other side beaten but not broken. Grace finally put herself, and her needs first, and can breathe again in a way she hasn’t since saying I do. She fought kids, her parents-in-law, and even her husband to escape with her life. She refused to be a victim, and with that cigarette, she is finally free and safe. Grace is back to being single, and that’s clearly for the best.
This Guy Busick and R. Christopher Murphy script is funny on the surface, even before you start digging into the subtext. The fact that Ready or Not is a movie where the happy ending is a woman being left alone is not wasted on me, though. While Grace thought being married would make her happy, she now has physical and emotional wounds to remind her that it’s okay to be alone.
One of the things I love about this current era of Radio Silence films is that the women in these projects are not the perfect victims. Whether it’s Ready or Not, Abigail, or Scream (2022), or Scream VI, the girls are fighting. They want to live, they are smart and resourceful, and they know that no one is coming to help them. That’s why I get excited whenever I see Matt Bettinelli-Olpin and Tyler Gillett’s names appear next to a Guy Busick co-written script. Those three have cracked the code to give us women protagonists that are badasses, and often more dangerous than their would-be killers when push comes to shove.
Ready or Not Proves That Commitment is Scarier Than Death
So, watching Grace run around this creepy family’s estate in her wedding dress is a vision. It’s also very much the opposite of what we expect when we see a bride. Wedding days are supposed to be champagne, friends, family, and trying to buy into the societal notion that being married is what we’re supposed to aspire to as AFABs. They start programming us pretty early that we have to learn to cook to feed future husbands and children.
The traditions of being given away by our fathers, and taking our husbands’ last name, are outdated patriarchal nonsense. Let’s not even get started on how some guys still ask for a woman’s father’s permission to propose. These practices tell us that we are not real people so much as pawns men pass off to each other. These are things that cause me to hyperventilate a little when people try to talk to me about settling down.
Marriage Ain’t For Everybody
I have a lot of beef with marriage propaganda. That’s why Ready or Not speaks to me on a bunch of levels that I find surprising and fresh. Most movies would have forced Grace and Alex to make up at the end to continue selling the idea that heterosexual romance is always the answer. Even in horror, the concept that “love will save the day” is shoved at us (glares at The Conjuring Universe). So, it’s cool to see a movie that understands women can be enough on their own. We don’t need a man to complete us, and most of the time, men do lead to more problems. While I am no longer a part-time smoker, I find myself inhaling and exhaling as Grace takes that puff at the end of the film. As a woman who loves being alone, it’s awesome to be seen this way.
The Cigarette of Singledom
We don’t need movies to validate our life choices. However, it’s nice to be acknowledged every so often. If for no other reason than to break up the routine. I’m so tired of seeing movies that feel like a guy and a girl making it work, no matter the odds, is admirable. Sometimes people are better when they separate, and sometimes divorce saves lives. So, I salute Grace and her cathartic cigarette at the end of her bloody ordeal.
I cannot wait to see what single shenanigans she gets into in Ready or Not 2: Here I Come. I personally hope she inherited that money from the dead in-laws who tried her. She deserves to live her best single girl life on a beach somewhere. Grace’s marriage was a short one, but she learned a lot. She survived it, came out the other side stronger, richer, and knowing that marriage isn’t for everybody.
Movies
The Best Horror You Can Stream on Shudder in January 2026
My New Year’s resolution is to spend more time watching my favorite app. Luckily, Shudder is not taking it easy on us this holiday season, so I may meet my quota this January. The streamer is bringing in the new year with quite a few bangers. We have classics from icons, a new title from the first family of indie horror, and a couple of lesser-known films that have finally found a home. So, I am obviously living for this month’s programming and think most of you will too. I have picked the five films that I believe deserve our collective attention the most. Get into each of them and start your 2026 off on the right foot.
The Best Movies to Stream on Shudder This Month
Carrie (1976)
A sheltered teen finally unleashes her telekinetic powers after being humiliated for the last time. Carrie is the reason I thought proms might be cool when I was a kid. This Brian De Palma adaptation is one of my favorite Stephen King adaptations. It is also an important title in the good-for-her subgenre. I cannot help rooting for Carrie White (Sissy Spacek) when I watch her snap at this prom and then head home to accidentally deal with her mom. The only tragedy of this evening is that Carrie had to die, too. I said what I said, and I will be hitting play again while it is on Shudder. This recommendation goes out to the other recovering sheltered girls who would be the problem if they had powers. I see you because I am you.
You can watch Carrie on January 1st.
Marshmallow (2025)
A shy 12-year-old gets sent to summer camp and finds himself in a living nightmare. While Marshmallow did not land for me, I know plenty of people who love it. Which makes this the perfect addition to the Shudder catalogue. I am actually excited to see more folks fall in love with this movie when it hits the streamer. If nothing else, it will help a few folks cross off another 2025 title if they are still playing catch-up with last year’s movies. It also gets cool points from me for not taking the easy route with the mystery it built. I hope you all dig it more than I did, and tell your friends about it. Perhaps you could even encourage them to sign up for the app.
You can watch Marshmallow on January 1st.
Chain Reactions (2024)
Tobe Hooper’s The Texas Chain Saw Massacre cemented his horror legacy over fifty years ago. So, it is long overdue for a documentary where horror royalty can discuss its impact on them and their careers. I have been waiting for a couple of years to hear Karyn Kusama and Takashi Miike talk about Hooper’s work and how he inspired them. So, I am super geeked that Shudder is finally giving me the chance to see this film. The streamer is also helping the nerds out by adding The Texas Chain Saw Massacre (1974) and The Texas Chain Saw Massacre 2 (1986) this month. If you are also an overachieving couch potato, I will see you at the finish line next week.
You can watch Chain Reactions on January 9th.
In the Mouth of Madness (1994)
An insurance investigator discovers the impact a horror writer’s books have on people. I love chaos, and John Carpenter chaos happens to be one of my favorite kinds of chaos. While we talk about The Thing and Halloween all the time, this maestro has given us plenty of horror to celebrate. In the Mouth of Madness is very much one of those titles vying for a top spot among the best of his filmography. To sweeten the batshit pot, this movie features Sam Neill. You know that he only shows up in our genre if the movie is going to be legendary. You cannot tell me this is not a Shudder priority this month.
You can watch In the Mouth of Madness on January 10th.
Mother of Flies (2025)
A terminally ill young woman and her dad head to the woods to seek out a recluse who claims she can cure her cancer. The Adams Family has been holding court on Shudder for years, so it feels right that Mother of Flies is a Shudder Original. More importantly, this fest favorite has one of the best performances of 2025. Which makes it a great time for people to finally get to see it and get in line to give Toby Poser her flowers. Whatever you think your favorite Poser role is, it is about to change when you see her as Solveig. I am being serious when I say that this movie might be the first family of indie horror at their best.
You can watch Mother of Flies on January 23rd.
New year, but same Shudder. I would not want to go into 2026 any other way, personally. I hope these horrific recommendations bring you the good kind of anxiety. Or at least distract you from the state of the world for a bit.


