Movies
Fantasia International Film Festival 2024: 10 Films We Can’t Wait To See
Eli and Brendan are very excited about Fantasia International Film Festival’s lineup this year! The independent genre film festival has been haunting Montreal’s Concordia University halls for 28 years, and this year’s program includes over 125 feature films (and over 200 shorts). After much deliberation, we’ve highlighted ten feature films that we’re looking forward to seeing.
Eli’s Most Anticipated Films for Fantasia Fest
4PM
Opening night at Fantasia always has a unique kind of excitement, and I’m pumped to start the festival with an eerie, suspense-filled mystery. Writer Kim Hae-gon adapted Amélie Nothomb’s novel The Stranger Next Door into this South Korean thriller directed by Jay Song. The story focuses on a couple in a new home who become increasingly uncomfortable when a stranger insists on visiting their home every day from 4 to 6 pm. “The cast is incredible,” says Fantasia programmer Steven Lee, “especially the two lead actors Oh Dal-soo (OLDBOY) and Jang Young-nam (PROJECT WOLF HUNTING), who keep the audience invested in the unfortunate situation they’re dealing with.” I love going into thrillers blind, and I hope this one leaves me shaking!
Rita
Writer-director Jayro Bustamante’s follow-up film to his haunting 2019 La Llorona is a must-see on my list. Bustamante is very comfortable weaving Guatemalan history into his moody, supernatural tales, and in Rita, he focuses on a young girl in custody at an orphanage. While pulling from real life atrocities, the girls in Bustamante’s story rally together around a prophecy about a warrior angel. Bustamante himself plans to attend the festival for Rita’s world premiere on July 25th, which will make this screening extra special. I’m excited to see his dreamy, ominous aesthetic applied to this particular story about female anger, innocence, and community.
Hell Hole
Films by The Adams family (The Deeper You Dig, Hellbender, Where the Devil Roams) are always a fantastic experience at Fantasia, and so their latest film, Hell Hole, is a must-see on my list. Shot in Serbia, they weave a tale about an unfortunate fracking crew who awaken a dangerous creature. Fantasia programmer Mitch Davis promises this new feature will “rattle your womb” with its themes of “biological and environmental horror, alongside a potent addressing of gender and bodily autonomy”. The Adams family consistently turns out creative, micro-budget gems that truly push the limits of filmmaking and storytelling, and are essential viewing for any horror enthusiast.
VOÏVOD: We Are Connected
Metal, punk, and rock music are staples at Fantasia screenings, and so this new documentary about the legendary Québec metal band VOÏVOD is a perfect fit for this year’s program. The film promises to explore the band’s 40+ years as a part of the international metal scene, and includes interviews with many many musicians, including Tobias Forge (Ghost), Mikael Akerfeldt (Opeth), Jason Newsted (Metallica), Zach Blair (Rise Against, GWAR). Writer/Director Felipe Belalcazar promises to be in attendance at the world premiere on July 29th alongside several members of the band. Aside from the always fascinating oral history about a beloved music genre, I’m hoping that the documentary’s score melts my brain in the best possible way.
Oddity
I cannot resist a spooky movie about the occult, and so of course I will be going to see Oddity, the latest horror film from Irish writer/director Damian McCarthy (Caveat). Constructed like a puzzle, the story centers around the strange death of the protagonist’s twin sister. The protagonist, Darcy, is a blind medium who collects strange, antique items, and happenstance sets her on a path to untangle the mystery at the heart of her sister’s death. Oddity has earned a lot of praise while making the festival rounds across the US, and even picked up the Midnighter Audience Award at this year’s SXSW. Fantasia promises that the film “conjures a bona fide symphony of dread”, and honestly, who could ask for anything more!
Brendan’s Most Anticipated Films for Fantasia Fest
Shelby Oaks
A woman’s desperate search for her long-lost sister, a famous YouTuber who investigated paranormal happenings, falls into obsession upon realizing that the imaginary demon from their childhood may have been real. After a successful Kickstarter campaign that broke records across the platform, the highly anticipated debut feature from YouTube creator Chris Stuckmann is finally here and ready to scare the pants off the world. Shelby Oaks delivers in all departments. Starring Camille Sullivan (Hunter Hunter), Brendan Sexton III (Don’t Breathe 2), Sarah Durn (Renfield), Keith David (The Thing, Nope), and Michael Beach (Aquaman). Produced by Aaron B. Koontz, Cameron Burns, and Ashleigh Snead, and Executive Produced by Mike Flanagan and Trevor Macy, among others.
I’ve been following the production of this film for quite some time. As a fan of Chris Stuckman’s YouTube channel, I was just happy to support a genre creator. Stuckman has long exalted his love for all things horror, so Shelby Oaks seemed like the next best step for his career. With Paper Street Pictures and Mike Flanagan on board and a record-breaking Kickstarter campaign, Shelby Oaks looks to be a genre film for the ages.
The Soul Eater
Julien Maury and Alexandre Bustillo, the acclaimed filmmaking team behind Inside, Livid, and The Deep House, have adopted the popular French novel by Alexis Laipsker to create a fresh turn in their distinctive filmography. A morbid procedural thriller with extreme horror flashpoints, The Soul Eater turned heads when it premiered at the Rotterdam International Film Festival earlier this year. As violent and gruesome deaths plague a small mountain village, an old legend about a malevolent creature resurfaces. Two cops are compelled to join forces and uncover a sinister plot involving the disappearance of local children. Starring Virginie Ledoyen (8 Femmes), Paul Hamy (Despite the Night), and Sandrine Bonnaire (Vagabond).
Hearing that the team behind Inside, one of the most impressive and grotesque entries in New French Extremity, had a new film coming out AND was having its North American premiere at Fantasia Fest was a dream come true. Maury and Bustillo have had one hell of an impressive career. If you’re not sold on the creators of Inside coming out with a new film described as one with ‘extreme horror flashpoints’ then what would sell you on anything?
From My Cold Dead Hands
It’s no surprise that you can find all kinds of bizarre things on YouTube, from conspiracy nuts to pet videos and videos of people generally acting stupid. Still, gun videos seem to hold a very special place in the internet pantheon. Everything from stunt challenges, gun tutorials, and product reviews to second-amendment rants and lots and lots of enthusiasts showing off, so if you want to watch gun videos, you’ll be set for a long time. And let’s be honest with ourselves, you may never want to touch a gun in your life, but there’s definitely a bizarre fascination with this culture, and guns themselves have been a staple of cinema since the days of The Great Train Robbery. Hell, films with massive amounts of gun violence have screened throughout the history of Fantasia, so we’re just as fascinated with this stuff as most others are.
Gun culture is a weird thing, especially in a country where toddlers shoot adults every week for two years straight. Seemingly, From My Cold Dead Hands takes a documentary angle to make Americans take a cold hard look at our bizarre obsession. I usually avoid documentaries, but something about From My Cold Dead Hands resonates with this former Central Pennsylvania resident.
Rats!
“Did somebody say world-motherfucking-peace?” The year is 2007, and after being arrested for vandalizing Fresno’s finest public telephone, teenage delinquent in the making Raphael (Luke Wilcox) is let off the hook with only 50 days of community service. However, the catch is that he must move in with his drug-dealing cousin (Darius Autry), who is accused of selling WMDs to [name redacted] by Officer Williams (Danielle Evon Ploeger, Country Gold), a delusional, unhinged, low-level police officer with a grudge. Unfortunately for Raphael, who would much rather listen to screamo and spend time with the new cool emo girl (Khali Sykes), he finds himself entangled with an FBI sting operation, a suicide, Steve Irwin, and the kitchen sink!
Simply put, Rats! Sounds like a blast and a half. I don’t think I have been more down for a good time than I have until I read the description for Rats!.
Vulcanizadora
Vulcanizadora follows Derek (Joel Potrykus, director of Relaxer and The Alchemist Cookbook), a father who would rather take a bottle rocket to the face than confront his failures, and Marty (Joshua Burge, Relaxer, Ape), an arsonist who is leading the charge on the sprint toward hellfire and away from his juvenile transgressions. These best friends embark on a seemingly innocent camping trip through the Michigan woods, but their disturbing pact becomes increasingly clear as they approach the X on the map!
Joel Potrykus is one of the most interesting genre filmmakers of our time. Potrykus’s oddball approach to filmmaking and storytelling is unparalleled. Finding a filmmaker who constantly tops their own methods of madness is rare; a needle in a haystack. I appreciate fests like Fantasia for continually giving filmmakers like Potrykus a screen and an audience to shine their unique visions all over.
Tell us what we missed! What films are you excited for us to cover?
And most importantly, if you’re in Canada, get your tickets here!
Editorials
‘Ready or Not’ and the Cathartic Cigarette of a Relatable Final Girl
I was late to the Radio Silence party. However, I do not let that stop me from being one of the loudest people at the function now. I randomly decided to see Ready or Not in theaters one afternoon in 2019 and walked out a better person for it. The movie introduced me to the work of a team that would become some of my favorite current filmmakers. It also confirmed that getting married is the worst thing one can do. That felt very validating as someone who doesn’t buy into the needing to be married to be complete narrative.
Ready or Not is about a fucked up family with a fucked up tradition. The unassuming Grace (Samara Weaving) thinks her new in-laws are a bit weird. However, she’s blinded by love on her wedding day. She would never suspect that her groom, Alex (Mark O’Brien), would lead her into a deadly wedding night. So, she heads downstairs to play a game with the family, not knowing that they will be hunting her this evening. This is one of the many ways I am different from Grace. I watch enough of the news to know the husband should be the prime suspect, and I have been around long enough to know men are the worst. I also have a commitment phobia, so the idea of walking down the aisle gives me anxiety.
Grace Under Fire
Ready or Not is a horror comedy set on a wealthy family’s estate that got overshadowed by Knives Out. I have gone on record multiple times saying it’s the better movie. Sadly, because it has fewer actors who are household names, people are not ready to have that conversation. However, I’m taking up space this month to talk about catharsis, so let me get back on track. One of the many ways this movie is better than the latter is because of that sweet catharsis awaiting us at the end.
This movie puts Grace through it and then some. Weaving easily makes her one of the easiest final girls to root for over a decade too. From finding out the man she loves has betrayed her, to having to fight off the in-laws trying to kill her, as she is suddenly forced to fight to survive her wedding night. No one can say that Grace doesn’t earn that cigarette at the end of the film. As she sits on the stairs covered in the blood of what was supposed to be her new family, she is a relatable icon. As the unseen cop asks what happened to her, she simply says, “In-laws.” It’s a quick laugh before the credits roll, and “Love Me Tender” by Stereo Jane makes us dance and giggle in our seats.
Ready or Not Proves That Maybe She’s Better Off Alone
It is also a moment in which Grace is one of many women who survives marriage. She comes out of the other side beaten but not broken. Grace finally put herself, and her needs first, and can breathe again in a way she hasn’t since saying I do. She fought kids, her parents-in-law, and even her husband to escape with her life. She refused to be a victim, and with that cigarette, she is finally free and safe. Grace is back to being single, and that’s clearly for the best.
This Guy Busick and R. Christopher Murphy script is funny on the surface, even before you start digging into the subtext. The fact that Ready or Not is a movie where the happy ending is a woman being left alone is not wasted on me, though. While Grace thought being married would make her happy, she now has physical and emotional wounds to remind her that it’s okay to be alone.
One of the things I love about this current era of Radio Silence films is that the women in these projects are not the perfect victims. Whether it’s Ready or Not, Abigail, or Scream (2022), or Scream VI, the girls are fighting. They want to live, they are smart and resourceful, and they know that no one is coming to help them. That’s why I get excited whenever I see Matt Bettinelli-Olpin and Tyler Gillett’s names appear next to a Guy Busick co-written script. Those three have cracked the code to give us women protagonists that are badasses, and often more dangerous than their would-be killers when push comes to shove.
Ready or Not Proves That Commitment is Scarier Than Death
So, watching Grace run around this creepy family’s estate in her wedding dress is a vision. It’s also very much the opposite of what we expect when we see a bride. Wedding days are supposed to be champagne, friends, family, and trying to buy into the societal notion that being married is what we’re supposed to aspire to as AFABs. They start programming us pretty early that we have to learn to cook to feed future husbands and children.
The traditions of being given away by our fathers, and taking our husbands’ last name, are outdated patriarchal nonsense. Let’s not even get started on how some guys still ask for a woman’s father’s permission to propose. These practices tell us that we are not real people so much as pawns men pass off to each other. These are things that cause me to hyperventilate a little when people try to talk to me about settling down.
Marriage Ain’t For Everybody
I have a lot of beef with marriage propaganda. That’s why Ready or Not speaks to me on a bunch of levels that I find surprising and fresh. Most movies would have forced Grace and Alex to make up at the end to continue selling the idea that heterosexual romance is always the answer. Even in horror, the concept that “love will save the day” is shoved at us (glares at The Conjuring Universe). So, it’s cool to see a movie that understands women can be enough on their own. We don’t need a man to complete us, and most of the time, men do lead to more problems. While I am no longer a part-time smoker, I find myself inhaling and exhaling as Grace takes that puff at the end of the film. As a woman who loves being alone, it’s awesome to be seen this way.
The Cigarette of Singledom
We don’t need movies to validate our life choices. However, it’s nice to be acknowledged every so often. If for no other reason than to break up the routine. I’m so tired of seeing movies that feel like a guy and a girl making it work, no matter the odds, is admirable. Sometimes people are better when they separate, and sometimes divorce saves lives. So, I salute Grace and her cathartic cigarette at the end of her bloody ordeal.
I cannot wait to see what single shenanigans she gets into in Ready or Not 2: Here I Come. I personally hope she inherited that money from the dead in-laws who tried her. She deserves to live her best single girl life on a beach somewhere. Grace’s marriage was a short one, but she learned a lot. She survived it, came out the other side stronger, richer, and knowing that marriage isn’t for everybody.
Movies
The Best Horror You Can Stream on Shudder in January 2026
My New Year’s resolution is to spend more time watching my favorite app. Luckily, Shudder is not taking it easy on us this holiday season, so I may meet my quota this January. The streamer is bringing in the new year with quite a few bangers. We have classics from icons, a new title from the first family of indie horror, and a couple of lesser-known films that have finally found a home. So, I am obviously living for this month’s programming and think most of you will too. I have picked the five films that I believe deserve our collective attention the most. Get into each of them and start your 2026 off on the right foot.
The Best Movies to Stream on Shudder This Month
Carrie (1976)
A sheltered teen finally unleashes her telekinetic powers after being humiliated for the last time. Carrie is the reason I thought proms might be cool when I was a kid. This Brian De Palma adaptation is one of my favorite Stephen King adaptations. It is also an important title in the good-for-her subgenre. I cannot help rooting for Carrie White (Sissy Spacek) when I watch her snap at this prom and then head home to accidentally deal with her mom. The only tragedy of this evening is that Carrie had to die, too. I said what I said, and I will be hitting play again while it is on Shudder. This recommendation goes out to the other recovering sheltered girls who would be the problem if they had powers. I see you because I am you.
You can watch Carrie on January 1st.
Marshmallow (2025)
A shy 12-year-old gets sent to summer camp and finds himself in a living nightmare. While Marshmallow did not land for me, I know plenty of people who love it. Which makes this the perfect addition to the Shudder catalogue. I am actually excited to see more folks fall in love with this movie when it hits the streamer. If nothing else, it will help a few folks cross off another 2025 title if they are still playing catch-up with last year’s movies. It also gets cool points from me for not taking the easy route with the mystery it built. I hope you all dig it more than I did, and tell your friends about it. Perhaps you could even encourage them to sign up for the app.
You can watch Marshmallow on January 1st.
Chain Reactions (2024)
Tobe Hooper’s The Texas Chain Saw Massacre cemented his horror legacy over fifty years ago. So, it is long overdue for a documentary where horror royalty can discuss its impact on them and their careers. I have been waiting for a couple of years to hear Karyn Kusama and Takashi Miike talk about Hooper’s work and how he inspired them. So, I am super geeked that Shudder is finally giving me the chance to see this film. The streamer is also helping the nerds out by adding The Texas Chain Saw Massacre (1974) and The Texas Chain Saw Massacre 2 (1986) this month. If you are also an overachieving couch potato, I will see you at the finish line next week.
You can watch Chain Reactions on January 9th.
In the Mouth of Madness (1994)
An insurance investigator discovers the impact a horror writer’s books have on people. I love chaos, and John Carpenter chaos happens to be one of my favorite kinds of chaos. While we talk about The Thing and Halloween all the time, this maestro has given us plenty of horror to celebrate. In the Mouth of Madness is very much one of those titles vying for a top spot among the best of his filmography. To sweeten the batshit pot, this movie features Sam Neill. You know that he only shows up in our genre if the movie is going to be legendary. You cannot tell me this is not a Shudder priority this month.
You can watch In the Mouth of Madness on January 10th.
Mother of Flies (2025)
A terminally ill young woman and her dad head to the woods to seek out a recluse who claims she can cure her cancer. The Adams Family has been holding court on Shudder for years, so it feels right that Mother of Flies is a Shudder Original. More importantly, this fest favorite has one of the best performances of 2025. Which makes it a great time for people to finally get to see it and get in line to give Toby Poser her flowers. Whatever you think your favorite Poser role is, it is about to change when you see her as Solveig. I am being serious when I say that this movie might be the first family of indie horror at their best.
You can watch Mother of Flies on January 23rd.
New year, but same Shudder. I would not want to go into 2026 any other way, personally. I hope these horrific recommendations bring you the good kind of anxiety. Or at least distract you from the state of the world for a bit.



