Movies
The Tortured Rodents Department: Revisiting ‘Willard’ (2003)
This remake is meaner and darker than the original, and just as the film works to balance the absurdity of its premise with the psychological turmoil at its center, Glover likewise commits to the bit. It’s a testament to his abilities as an actor that he can convincingly have beef with an engorged rat and you often don’t know whether to laugh or cry during one of his multiple psyche-breaking meltdowns. You feel bad for giggling, but then Glover gets that borderline perverse look in his eyes reminiscent of his hair-sniffing assassin in the early aughts Charlie’s Angels movie, and you know it’s all good. Willard is still a wild late-night watch about a rat king gone mad, especially if you have a twisted sense of humor.
While on trial for impiety and corruption in 399 BC, the philosopher Socrates reportedly said, “The unexamined life is not worth living.” In 2003, while lamenting a miserable life in her dilapidated home with her son Willard, Henrietta Stiles proclaims, “All my life I could smell mice.” What is the correlation between ancient history and this iconic line delivery? By the end of our reexamination of writer/director Glen Morgan’s remake of the 1971 original, you’ll understand just how the Grecian sage and this dour tale meet – in a film where the enigma of existence pushes one man to the brink and the lines between human and rodent blur.
The Crispin Glover of It All
Today, it would be deemed heretical not to practice some form of introspection and examine one’s place in society (and tell everyone online about it), yet when we are introduced to the downtrodden Willard – uncannily embodied by the effortlessly creepy Crispin Glover – we find him at odds with Socrates’ teachings. Trapped in a dreary routine caring for his sickly mother and working a dead-end desk job at his late father’s company, Willard’s spirit is down bad. A peculiar fellow with pallid skin and a greasy middle part, he seems like a good guy despite appearances, but his overbearing mother and scumbag boss – who only keeps Willard around to honor his father’s dying wish – kick to the curb any growth this man approaching 40 might yet achieve. Things start looking up, however, when the failed extermination of a rodent infestation introduces Willard to an adorable white rat he names Socrates. With a new BFF and a growing hoard of long-tailed loyal subjects, man becomes mouse as he leaves civilized society behind with wild abandon toward a more vengeful path.
Morgan’s previous work on projects like The X-Files and Black Christmas (2006) comes into play here, as suspension of disbelief is critical when kicking back with Willard. It’s never explained how he attains an almost supernatural connection with his rat pals or why they seemingly make human-like choices and have rich internal lives, but much like AI, this sentience is something to be feared. If bestie Socrates symbolizes the philosopher’s moral guidance and positive influence over our antihero, the insidious rat Ben, whom Willard makes the commander of his rodent army, represents intrusive thoughts and lustful revenge. Villains like Willard’s detestable boss quickly become nuisances for his hordes to decimate, and soon Ben rises as the central antagonist in Willard’s battle for his humanity.
Crispin Glover in a Darker Willard Remake
This remake is meaner and darker than the original, and just as the film works to balance the absurdity of its premise with the psychological turmoil at its center, Glover likewise commits to the bit. It’s a testament to his abilities as an actor that he can convincingly have beef with an engorged rat and you often don’t know whether to laugh or cry during one of his multiple psyche-breaking meltdowns. You feel bad for giggling, but then Glover gets that borderline perverse look in his eyes reminiscent of his hair-sniffing assassin in the early aughts Charlie’s Angels movie, and you know it’s all good.
Grey Gardens
The film’s two central locations – Willard’s derelict family home and a barren, depressing office – immediately set the visual tone. The camera sits perched high like a rat in the rafters, causing the manor to appear quite spacious. Still, the set design gives more Resident Evil than Nancy Meyers, and likewise, his prison-like workspace serves sweatshop over white collar. Much like Willard’s inner life, his daily environment is bleak. That’s not to say there isn’t a light in all the melancholy haze, and in an unexpected twist, this comes in the form of a very familiar maternal bond.
Between the rundown palace and their parasitic relationship, Willard and his mother Henrietta (Jackie Burroughs) are warped versions of Big and Little Edie Beale of Grey Gardens infamy. Stuck in the rot of the past, it’s no wonder Willard can’t evolve, and their toxic relationship provides quite a few cringe-worthy laughs. Accusations of Willard using cooking oil as lube when, in reality, he was holed up in the bathroom to talk with Socrates and a desperate insistence on knowing the physical consistency of his #2 are just some examples of her inappropriate interference at his grown age. And speaking of Morgan’s Black Christmas, Burroughs’ performance is so similar to Karin Konoval’s equally icky turn as the killer’s alcoholic mother in the holiday horror that I initially thought the two were one and the same until IMDB proved otherwise.
Bubonic Armies and Inverted Cat-and-Mouse Thrills
And let’s not forget why we’re really here. While Socrates may provide the cute puppy vibes, Willard’s bubonic army will likely have you squirming in your seat and Googling plague symptoms by the time the credits roll. Morgan and cinematographer Robert McLachlan craft an ingenious inverse cat-and-mouse chase sequence from the perspective of an unlucky kitty, and their skill genuinely rivals some of the slasher genre’s best. Once the historic battle between Willard and Ben comes to blows, that haunted old house is finally full of life in all the wrong ways, and you have every reason to believe in the formidable power of the hoard. I’m sure Glover loved every foul minute of it.
Does It Hold Up Today?
Unfortunately, the cruelness of the world doesn’t go out of style. This dark cautionary tale about what happens when the human spirit is shattered is still relevant today, even when “human spirit” = “strange man who can commune with rats.” If not allowed to flourish, people left in the gutter might sometimes emerge as something less than human, and when we look the other way, we will enable it to happen. In this sense, perhaps we can all smell mice. And if you don’t want to think too deeply about it, Willard is still a wild late-night watch about a rat king gone mad, especially if you have a twisted sense of humor.
Editorials
‘Ready or Not’ and the Cathartic Cigarette of a Relatable Final Girl
I was late to the Radio Silence party. However, I do not let that stop me from being one of the loudest people at the function now. I randomly decided to see Ready or Not in theaters one afternoon in 2019 and walked out a better person for it. The movie introduced me to the work of a team that would become some of my favorite current filmmakers. It also confirmed that getting married is the worst thing one can do. That felt very validating as someone who doesn’t buy into the needing to be married to be complete narrative.
Ready or Not is about a fucked up family with a fucked up tradition. The unassuming Grace (Samara Weaving) thinks her new in-laws are a bit weird. However, she’s blinded by love on her wedding day. She would never suspect that her groom, Alex (Mark O’Brien), would lead her into a deadly wedding night. So, she heads downstairs to play a game with the family, not knowing that they will be hunting her this evening. This is one of the many ways I am different from Grace. I watch enough of the news to know the husband should be the prime suspect, and I have been around long enough to know men are the worst. I also have a commitment phobia, so the idea of walking down the aisle gives me anxiety.
Grace Under Fire
Ready or Not is a horror comedy set on a wealthy family’s estate that got overshadowed by Knives Out. I have gone on record multiple times saying it’s the better movie. Sadly, because it has fewer actors who are household names, people are not ready to have that conversation. However, I’m taking up space this month to talk about catharsis, so let me get back on track. One of the many ways this movie is better than the latter is because of that sweet catharsis awaiting us at the end.
This movie puts Grace through it and then some. Weaving easily makes her one of the easiest final girls to root for over a decade too. From finding out the man she loves has betrayed her, to having to fight off the in-laws trying to kill her, as she is suddenly forced to fight to survive her wedding night. No one can say that Grace doesn’t earn that cigarette at the end of the film. As she sits on the stairs covered in the blood of what was supposed to be her new family, she is a relatable icon. As the unseen cop asks what happened to her, she simply says, “In-laws.” It’s a quick laugh before the credits roll, and “Love Me Tender” by Stereo Jane makes us dance and giggle in our seats.
Ready or Not Proves That Maybe She’s Better Off Alone
It is also a moment in which Grace is one of many women who survives marriage. She comes out of the other side beaten but not broken. Grace finally put herself, and her needs first, and can breathe again in a way she hasn’t since saying I do. She fought kids, her parents-in-law, and even her husband to escape with her life. She refused to be a victim, and with that cigarette, she is finally free and safe. Grace is back to being single, and that’s clearly for the best.
This Guy Busick and R. Christopher Murphy script is funny on the surface, even before you start digging into the subtext. The fact that Ready or Not is a movie where the happy ending is a woman being left alone is not wasted on me, though. While Grace thought being married would make her happy, she now has physical and emotional wounds to remind her that it’s okay to be alone.
One of the things I love about this current era of Radio Silence films is that the women in these projects are not the perfect victims. Whether it’s Ready or Not, Abigail, or Scream (2022), or Scream VI, the girls are fighting. They want to live, they are smart and resourceful, and they know that no one is coming to help them. That’s why I get excited whenever I see Matt Bettinelli-Olpin and Tyler Gillett’s names appear next to a Guy Busick co-written script. Those three have cracked the code to give us women protagonists that are badasses, and often more dangerous than their would-be killers when push comes to shove.
Ready or Not Proves That Commitment is Scarier Than Death
So, watching Grace run around this creepy family’s estate in her wedding dress is a vision. It’s also very much the opposite of what we expect when we see a bride. Wedding days are supposed to be champagne, friends, family, and trying to buy into the societal notion that being married is what we’re supposed to aspire to as AFABs. They start programming us pretty early that we have to learn to cook to feed future husbands and children.
The traditions of being given away by our fathers, and taking our husbands’ last name, are outdated patriarchal nonsense. Let’s not even get started on how some guys still ask for a woman’s father’s permission to propose. These practices tell us that we are not real people so much as pawns men pass off to each other. These are things that cause me to hyperventilate a little when people try to talk to me about settling down.
Marriage Ain’t For Everybody
I have a lot of beef with marriage propaganda. That’s why Ready or Not speaks to me on a bunch of levels that I find surprising and fresh. Most movies would have forced Grace and Alex to make up at the end to continue selling the idea that heterosexual romance is always the answer. Even in horror, the concept that “love will save the day” is shoved at us (glares at The Conjuring Universe). So, it’s cool to see a movie that understands women can be enough on their own. We don’t need a man to complete us, and most of the time, men do lead to more problems. While I am no longer a part-time smoker, I find myself inhaling and exhaling as Grace takes that puff at the end of the film. As a woman who loves being alone, it’s awesome to be seen this way.
The Cigarette of Singledom
We don’t need movies to validate our life choices. However, it’s nice to be acknowledged every so often. If for no other reason than to break up the routine. I’m so tired of seeing movies that feel like a guy and a girl making it work, no matter the odds, is admirable. Sometimes people are better when they separate, and sometimes divorce saves lives. So, I salute Grace and her cathartic cigarette at the end of her bloody ordeal.
I cannot wait to see what single shenanigans she gets into in Ready or Not 2: Here I Come. I personally hope she inherited that money from the dead in-laws who tried her. She deserves to live her best single girl life on a beach somewhere. Grace’s marriage was a short one, but she learned a lot. She survived it, came out the other side stronger, richer, and knowing that marriage isn’t for everybody.
Movies
The Best Horror You Can Stream on Shudder in January 2026
My New Year’s resolution is to spend more time watching my favorite app. Luckily, Shudder is not taking it easy on us this holiday season, so I may meet my quota this January. The streamer is bringing in the new year with quite a few bangers. We have classics from icons, a new title from the first family of indie horror, and a couple of lesser-known films that have finally found a home. So, I am obviously living for this month’s programming and think most of you will too. I have picked the five films that I believe deserve our collective attention the most. Get into each of them and start your 2026 off on the right foot.
The Best Movies to Stream on Shudder This Month
Carrie (1976)
A sheltered teen finally unleashes her telekinetic powers after being humiliated for the last time. Carrie is the reason I thought proms might be cool when I was a kid. This Brian De Palma adaptation is one of my favorite Stephen King adaptations. It is also an important title in the good-for-her subgenre. I cannot help rooting for Carrie White (Sissy Spacek) when I watch her snap at this prom and then head home to accidentally deal with her mom. The only tragedy of this evening is that Carrie had to die, too. I said what I said, and I will be hitting play again while it is on Shudder. This recommendation goes out to the other recovering sheltered girls who would be the problem if they had powers. I see you because I am you.
You can watch Carrie on January 1st.
Marshmallow (2025)
A shy 12-year-old gets sent to summer camp and finds himself in a living nightmare. While Marshmallow did not land for me, I know plenty of people who love it. Which makes this the perfect addition to the Shudder catalogue. I am actually excited to see more folks fall in love with this movie when it hits the streamer. If nothing else, it will help a few folks cross off another 2025 title if they are still playing catch-up with last year’s movies. It also gets cool points from me for not taking the easy route with the mystery it built. I hope you all dig it more than I did, and tell your friends about it. Perhaps you could even encourage them to sign up for the app.
You can watch Marshmallow on January 1st.
Chain Reactions (2024)
Tobe Hooper’s The Texas Chain Saw Massacre cemented his horror legacy over fifty years ago. So, it is long overdue for a documentary where horror royalty can discuss its impact on them and their careers. I have been waiting for a couple of years to hear Karyn Kusama and Takashi Miike talk about Hooper’s work and how he inspired them. So, I am super geeked that Shudder is finally giving me the chance to see this film. The streamer is also helping the nerds out by adding The Texas Chain Saw Massacre (1974) and The Texas Chain Saw Massacre 2 (1986) this month. If you are also an overachieving couch potato, I will see you at the finish line next week.
You can watch Chain Reactions on January 9th.
In the Mouth of Madness (1994)
An insurance investigator discovers the impact a horror writer’s books have on people. I love chaos, and John Carpenter chaos happens to be one of my favorite kinds of chaos. While we talk about The Thing and Halloween all the time, this maestro has given us plenty of horror to celebrate. In the Mouth of Madness is very much one of those titles vying for a top spot among the best of his filmography. To sweeten the batshit pot, this movie features Sam Neill. You know that he only shows up in our genre if the movie is going to be legendary. You cannot tell me this is not a Shudder priority this month.
You can watch In the Mouth of Madness on January 10th.
Mother of Flies (2025)
A terminally ill young woman and her dad head to the woods to seek out a recluse who claims she can cure her cancer. The Adams Family has been holding court on Shudder for years, so it feels right that Mother of Flies is a Shudder Original. More importantly, this fest favorite has one of the best performances of 2025. Which makes it a great time for people to finally get to see it and get in line to give Toby Poser her flowers. Whatever you think your favorite Poser role is, it is about to change when you see her as Solveig. I am being serious when I say that this movie might be the first family of indie horror at their best.
You can watch Mother of Flies on January 23rd.
New year, but same Shudder. I would not want to go into 2026 any other way, personally. I hope these horrific recommendations bring you the good kind of anxiety. Or at least distract you from the state of the world for a bit.


