Movies
Exploring the Forgotten 1980s Thanksgiving Slashers
Eli Roth’s new movie Thanksgiving (which is an expansion of the parody trailer “Thanksgiving” that was created for the 2007 throwback double feature Grindhouse) is set to premiere on November 17, which means the discourse around “Thanksgiving” is being taken out of tin foil and re-heated once more. This annoys me because I thought I’d never have to read about the idea behind the trailer again.
The Origins of Holiday Slasher Films
The story goes like this: In the 1970s and 1980s, the slasher genre was obsessed with movies centered around holidays or special occasions. Silent Night, Deadly Night. Black Christmas. Halloween. My Bloody Valentine, New Year’s Evil, Mother’s Day, April Fool’s Day, Happy Birthday to Me, Prom Night, Friday the 13th, and so on. You get the picture. Roth came up with the idea to create a trailer for a fake early ‘80s slasher based around Thanksgiving because when he was a kid, “every November we were waiting for the Thanksgiving slasher movie.”
But here’s the thing. There were actually two 1980s slashers set on Thanksgiving. To be fair to the young Roth, these Thanksgiving movies were not huge releases, nor were they actually released around the Thanksgiving holiday, so he can be forgiven for not being aware of them at the time. But they existed, dammit, and there was plenty of time between 1989 and 2007 to look into this. “Thanksgiving” is thus not really filling a void at all. He shoulda done Columbus Day, just saying.
Exploring Forgotten Thanksgiving Horror Films
The moral of the story is that I’m an insufferable pedant. Don’t be like me. But do come with me on a journey through the pair of movies that prove Eli Roth wrong. We’ll take a look at what they have to offer and rate them on how Thanksgiving-y they actually are, on a scale from one to five turkeys.
Home Sweet Home (1981)
Home Sweet Home isn’t a terribly memorable slasher movie, unfortunately. However, it does have the distinction of being the first of just a scant few 1980s slashers to be directed by a woman (documentarian Nettie Peña).
The movie is entirely watchable, though, because it is so thoroughly weird and random. Even its opening scene is disorienting: A man who seems to be hanging out in the L.A. riverbed proffers beer directly to the camera before the killer leaps into frame on the reverse shot and strangles him to death. Who is this man? And who is he offering the beer to? Is it us? We’ll never know. RIP Beer Man.
This is also a movie where a teenage boy named Mistake runs around with an electric guitar amp strapped to his back while slathered in faux KISS makeup, making him look less “Starchild” and more “mime on laundry day.” Once the escaped mental patient descends on the ranch and the slashing heats up, things get a bit dull and bloodless, but it never stops offering up unpredictable and strange encounters with a vast ensemble of characters who seem to have learned about human behavior via correspondence course.
This off-kilter vibe extends to the cast, which randomly includes then-five-year-old Hocus Pocus star Vinessa Shaw. Also, as the killer, we have Jake “Uncle of Hailee” Steinfeld, the Body by Jake workout mogul who was known for being a personal trainer for celebrities, including Harrison Ford.
How Thanksgiving-y Is It? You’d be forgiven for forgetting Home Sweet Home is set on Thanksgiving in the first place. The only real indications that this is the case are the fact that the group is gathered for a turkey dinner and several mentions of Thanksgiving in the copy on the VHS box.
1 out of 5 turkeys
Blood Rage (1987)
Hoo boy. If you thought Home Sweet Home was weird, get ready for Blood Rage. So this movie is about a young man breaking out of a mental institution and coming home, at which point a bunch of killings happen. Seems straightforward, right? Wrong. The killings are actually perpetrated by his twin brother, who framed him in the first place and is mostly just mad that his mother (Mary Hartman, Mary Hartman’s Louise Lasser) is getting engaged. It’s all very Oedipal.
Blood Rage is a family drama potboiler that keeps crashing headlong into a 1980s slasher movie, complete with ooey gooey gore from future Terminator 2 effects guru Ed French. It’s all very heady and exciting, even if the third act could probably have used some tightening up. Also, it’s the only slasher movie I can recall where the killer stops to take a pee break, which is well worth the price of admission.
This movie probably still rests in the “bad-good” camp, but it’s weighted so much toward the good that it’s hard even to tell the difference. In addition to Lasser and French consistently bringing the house down, Mark Soper gives a surprisingly complex performance as both twins.
How Thanksgiving-y Is It? Solidly Thanksgiving-y. The kills and many individual scenes aren’t specifically themed after the holiday, alas. But it does take place explicitly on Thanksgiving night. There’s a football game complete with tiny short shorts, Terry can’t stop pointing at his bloody blade and remarking “It’s not cranberry sauce,” and Louise Lasser has a sublime freakout scene where she sits on the floor in front of the fridge and desperately chows down on leftovers. Plus, what’s more Thanksgiving-y than a movie about what happens when a relative you can’t stand comes to town?
3 out of 5 turkeys
Can Eli Roth’s Thanksgiving Outshine the Classics?
This does in fact leave some wiggle room for Eli Roth’s Thanksgiving to out-festive both of these titles put together. That remains to be seen, but hopefully the new movie is a true cornucopia of Thanksgiving-ified fun.
Then maybe I’ll stop complaining. Probably not. But maybe.
Editorials
‘Ready or Not’ and the Cathartic Cigarette of a Relatable Final Girl
I was late to the Radio Silence party. However, I do not let that stop me from being one of the loudest people at the function now. I randomly decided to see Ready or Not in theaters one afternoon in 2019 and walked out a better person for it. The movie introduced me to the work of a team that would become some of my favorite current filmmakers. It also confirmed that getting married is the worst thing one can do. That felt very validating as someone who doesn’t buy into the needing to be married to be complete narrative.
Ready or Not is about a fucked up family with a fucked up tradition. The unassuming Grace (Samara Weaving) thinks her new in-laws are a bit weird. However, she’s blinded by love on her wedding day. She would never suspect that her groom, Alex (Mark O’Brien), would lead her into a deadly wedding night. So, she heads downstairs to play a game with the family, not knowing that they will be hunting her this evening. This is one of the many ways I am different from Grace. I watch enough of the news to know the husband should be the prime suspect, and I have been around long enough to know men are the worst. I also have a commitment phobia, so the idea of walking down the aisle gives me anxiety.
Grace Under Fire
Ready or Not is a horror comedy set on a wealthy family’s estate that got overshadowed by Knives Out. I have gone on record multiple times saying it’s the better movie. Sadly, because it has fewer actors who are household names, people are not ready to have that conversation. However, I’m taking up space this month to talk about catharsis, so let me get back on track. One of the many ways this movie is better than the latter is because of that sweet catharsis awaiting us at the end.
This movie puts Grace through it and then some. Weaving easily makes her one of the easiest final girls to root for over a decade too. From finding out the man she loves has betrayed her, to having to fight off the in-laws trying to kill her, as she is suddenly forced to fight to survive her wedding night. No one can say that Grace doesn’t earn that cigarette at the end of the film. As she sits on the stairs covered in the blood of what was supposed to be her new family, she is a relatable icon. As the unseen cop asks what happened to her, she simply says, “In-laws.” It’s a quick laugh before the credits roll, and “Love Me Tender” by Stereo Jane makes us dance and giggle in our seats.
Ready or Not Proves That Maybe She’s Better Off Alone
It is also a moment in which Grace is one of many women who survives marriage. She comes out of the other side beaten but not broken. Grace finally put herself, and her needs first, and can breathe again in a way she hasn’t since saying I do. She fought kids, her parents-in-law, and even her husband to escape with her life. She refused to be a victim, and with that cigarette, she is finally free and safe. Grace is back to being single, and that’s clearly for the best.
This Guy Busick and R. Christopher Murphy script is funny on the surface, even before you start digging into the subtext. The fact that Ready or Not is a movie where the happy ending is a woman being left alone is not wasted on me, though. While Grace thought being married would make her happy, she now has physical and emotional wounds to remind her that it’s okay to be alone.
One of the things I love about this current era of Radio Silence films is that the women in these projects are not the perfect victims. Whether it’s Ready or Not, Abigail, or Scream (2022), or Scream VI, the girls are fighting. They want to live, they are smart and resourceful, and they know that no one is coming to help them. That’s why I get excited whenever I see Matt Bettinelli-Olpin and Tyler Gillett’s names appear next to a Guy Busick co-written script. Those three have cracked the code to give us women protagonists that are badasses, and often more dangerous than their would-be killers when push comes to shove.
Ready or Not Proves That Commitment is Scarier Than Death
So, watching Grace run around this creepy family’s estate in her wedding dress is a vision. It’s also very much the opposite of what we expect when we see a bride. Wedding days are supposed to be champagne, friends, family, and trying to buy into the societal notion that being married is what we’re supposed to aspire to as AFABs. They start programming us pretty early that we have to learn to cook to feed future husbands and children.
The traditions of being given away by our fathers, and taking our husbands’ last name, are outdated patriarchal nonsense. Let’s not even get started on how some guys still ask for a woman’s father’s permission to propose. These practices tell us that we are not real people so much as pawns men pass off to each other. These are things that cause me to hyperventilate a little when people try to talk to me about settling down.
Marriage Ain’t For Everybody
I have a lot of beef with marriage propaganda. That’s why Ready or Not speaks to me on a bunch of levels that I find surprising and fresh. Most movies would have forced Grace and Alex to make up at the end to continue selling the idea that heterosexual romance is always the answer. Even in horror, the concept that “love will save the day” is shoved at us (glares at The Conjuring Universe). So, it’s cool to see a movie that understands women can be enough on their own. We don’t need a man to complete us, and most of the time, men do lead to more problems. While I am no longer a part-time smoker, I find myself inhaling and exhaling as Grace takes that puff at the end of the film. As a woman who loves being alone, it’s awesome to be seen this way.
The Cigarette of Singledom
We don’t need movies to validate our life choices. However, it’s nice to be acknowledged every so often. If for no other reason than to break up the routine. I’m so tired of seeing movies that feel like a guy and a girl making it work, no matter the odds, is admirable. Sometimes people are better when they separate, and sometimes divorce saves lives. So, I salute Grace and her cathartic cigarette at the end of her bloody ordeal.
I cannot wait to see what single shenanigans she gets into in Ready or Not 2: Here I Come. I personally hope she inherited that money from the dead in-laws who tried her. She deserves to live her best single girl life on a beach somewhere. Grace’s marriage was a short one, but she learned a lot. She survived it, came out the other side stronger, richer, and knowing that marriage isn’t for everybody.
Movies
The Best Horror You Can Stream on Shudder in January 2026
My New Year’s resolution is to spend more time watching my favorite app. Luckily, Shudder is not taking it easy on us this holiday season, so I may meet my quota this January. The streamer is bringing in the new year with quite a few bangers. We have classics from icons, a new title from the first family of indie horror, and a couple of lesser-known films that have finally found a home. So, I am obviously living for this month’s programming and think most of you will too. I have picked the five films that I believe deserve our collective attention the most. Get into each of them and start your 2026 off on the right foot.
The Best Movies to Stream on Shudder This Month
Carrie (1976)
A sheltered teen finally unleashes her telekinetic powers after being humiliated for the last time. Carrie is the reason I thought proms might be cool when I was a kid. This Brian De Palma adaptation is one of my favorite Stephen King adaptations. It is also an important title in the good-for-her subgenre. I cannot help rooting for Carrie White (Sissy Spacek) when I watch her snap at this prom and then head home to accidentally deal with her mom. The only tragedy of this evening is that Carrie had to die, too. I said what I said, and I will be hitting play again while it is on Shudder. This recommendation goes out to the other recovering sheltered girls who would be the problem if they had powers. I see you because I am you.
You can watch Carrie on January 1st.
Marshmallow (2025)
A shy 12-year-old gets sent to summer camp and finds himself in a living nightmare. While Marshmallow did not land for me, I know plenty of people who love it. Which makes this the perfect addition to the Shudder catalogue. I am actually excited to see more folks fall in love with this movie when it hits the streamer. If nothing else, it will help a few folks cross off another 2025 title if they are still playing catch-up with last year’s movies. It also gets cool points from me for not taking the easy route with the mystery it built. I hope you all dig it more than I did, and tell your friends about it. Perhaps you could even encourage them to sign up for the app.
You can watch Marshmallow on January 1st.
Chain Reactions (2024)
Tobe Hooper’s The Texas Chain Saw Massacre cemented his horror legacy over fifty years ago. So, it is long overdue for a documentary where horror royalty can discuss its impact on them and their careers. I have been waiting for a couple of years to hear Karyn Kusama and Takashi Miike talk about Hooper’s work and how he inspired them. So, I am super geeked that Shudder is finally giving me the chance to see this film. The streamer is also helping the nerds out by adding The Texas Chain Saw Massacre (1974) and The Texas Chain Saw Massacre 2 (1986) this month. If you are also an overachieving couch potato, I will see you at the finish line next week.
You can watch Chain Reactions on January 9th.
In the Mouth of Madness (1994)
An insurance investigator discovers the impact a horror writer’s books have on people. I love chaos, and John Carpenter chaos happens to be one of my favorite kinds of chaos. While we talk about The Thing and Halloween all the time, this maestro has given us plenty of horror to celebrate. In the Mouth of Madness is very much one of those titles vying for a top spot among the best of his filmography. To sweeten the batshit pot, this movie features Sam Neill. You know that he only shows up in our genre if the movie is going to be legendary. You cannot tell me this is not a Shudder priority this month.
You can watch In the Mouth of Madness on January 10th.
Mother of Flies (2025)
A terminally ill young woman and her dad head to the woods to seek out a recluse who claims she can cure her cancer. The Adams Family has been holding court on Shudder for years, so it feels right that Mother of Flies is a Shudder Original. More importantly, this fest favorite has one of the best performances of 2025. Which makes it a great time for people to finally get to see it and get in line to give Toby Poser her flowers. Whatever you think your favorite Poser role is, it is about to change when you see her as Solveig. I am being serious when I say that this movie might be the first family of indie horror at their best.
You can watch Mother of Flies on January 23rd.
New year, but same Shudder. I would not want to go into 2026 any other way, personally. I hope these horrific recommendations bring you the good kind of anxiety. Or at least distract you from the state of the world for a bit.


