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It Came From Streaming: Camp HORROR PRESS Edition

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Rise and shine, goblins and ghoulies; it’s another horrendous day at Camp HORROR PRESS! Today, we figured you’d want a break from the daily struggle of enduring the summer heat while counting down until nightfall. Archery lessons with Counselor Voorhees – who so generously procured targets from the camp across the lake – and arts and crafts with Captain Spaulding and Baby Firefly are, unfortunately, canceled.

Instead, the day’s itinerary will have you padlocked inside the cool, damp walls of the estate for a horror movie marathon like no other. A selection of delicacies for you to munch, crunch, and guzzle will be suggested, and be sure to keep your wits about, as there are alternate routes along this macabre adventure. Strap in, campers, and when the credits roll, we hope to find that at least a few of you have taken a wrong turn or two – sorry, but we need some open spots for next week’s Out of Darkness retreat with Sidney Prescott.

*All streaming titles are as of this writing

Morning Smoothie

No matter the weather, it’s always Halloween at Camp Horror Press, and what better way to kick off the festivities than with a nutritious blended beverage? The Tropical “Candy Corn” Smoothie from Boulder Locavore will put some pep in your step after rising from the wrong side of the bed. Who knows, maybe it’ll even inject a sprig of life into some of the more dead-eyed delinquents around here. You’re all gonna need it!

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Death Proof (2007), 1h 53m – streaming free on Tubi

Quentin Tarantino’s back half of the double-billed feature, Grindhouse, an homage to 1970s exploitation flicks and the sticky theaters that screened them, is a slow burn of hot cars and fast women. You’ll reflect on whatever you were up to in the woods last night after lights out as tension ramps up around the jukebox at a roadside dive stalked by the devilish Stuntman Mike (Kurt Russel). Before long, you’ll be Googling Dave Dee, Dozy, Beaky, Mick & Tich and rooting for revenge as the action heads onto the open road and into the blinding sun. It’s the perfect film to start things off and get your blood pumping.

‘Gator Bait (1973), 1h 28m – streaming on Shudder

This literal exploitation flick from the 1970s takes a shallow dive into the swamps of Louisiana and makes you appreciate how much the world has changed for the better, no matter how dark things may sometimes seem. Cajun Queen Desiree Thibodeau (Claudia Jennings) is wrongfully accused of murder, but predators soon become prey as they seek Desiree out on her turf. It’s crude, lewd, and quite rude, yet while there are some uncomfortable depictions of non-consent as per the genre, that and the film’s violence remain surprisingly brief. Don’t worry about all those bayou boogers because soon we’ll be going for a refreshing swim.

Afternoon Grill

As they say in The Hills Have Eyes, it’s fun to play with your food. Monster Burgers from Belly Rumbles are easy and make deliciously cute #Summerween social media content. Remember to refrigerate your raw remains and leftovers for a special late-night treat we’ll get to later.

Choose Your Own Adventure: Infested Waters

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Anaconda (1997), 1h 29m – streaming free on Tubi

Please read in the voice of Don LaFontaine, the movie trailer guy:

If you’re feeling a classic 90s adventure movie starring JLo, Ice Cube, and Owen Wilson set in the Amazon rainforest. If you want to see some gutsy gore that somehow made it into a PG-13 movie. If you don’t mind hearing Jon Voight impersonate Scarface while saying “anacondas” approximately two dozen times. Choose Anaconda.

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The Shallows (2016), 1h 26m – streaming free on Tubi

While monster movie #1 has a man-eating snake, this path in the proverbial fork has Sully the Seagull! A taut shark attack thriller starring the chronically underrated Blake Lively, these waters are gorgeous, and the film’s emotional editing will hit you like a rogue wave. It’s undoubtedly one of the better single-location nail-biters out there, and we’d much rather spend 86 minutes on the beach than buried in a box (hi, Ryan!). 

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Choosing between JLo or Lively for your aquatic adventure may be challenging, but you’ll always have Sully by your side.

Choose Your Own Adventure: A Sweaty ’05 Afternoon

The Devil’s Rejects (2005), 1h 50m – streaming for free Tubi and Pluto

We’re leaping out of hot water and into the oven, so there’s no need to reach for disinfectant or a towel. This road trip movie from Hell is objectively one of director Rob Zombie’s better outings. It’s wickedly sadistic and downright sassy, and everything about its production screams summer filth. So, if you’re curious about our resident Fireflies’ run-ins with the law between fleeing their House of 1000 Corpses and setting up camp at the Horror Press estate, think about putting on your best Lynyrd Skynyrd tee and joining in on the fun.

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The Skeleton Key (2005), 1h 44m – streaming on Starz

True Blood has been absent from our lives for far too long, but if you’d rather its steamy Southern Gothic supernatural drama vibes over Zombie’s unrelenting gore, Kate Hudson and Gena Rowlands have you covered. Miss Hudson – another criminally underestimated actress whose talents measure far beyond romcoms – leads the charge as a hospice nurse working in an old plantation house who can’t help but ignore the age-old “don’t go in there!” adage. It may not have the deft touch of a filmmaker like Jordan Peele at its helm, but we can’t help but imagine its subversive ending inspired Get Out at least a little bit.

Choose Your Own Adventure: Summer Horror Classic

We could easily tie you to a chaise lounge, press play on a more traditional lineup, and head back underground as you enjoy what are – rightfully so – undisputed champs of the genre. And while we don’t do things by the book here at Camp Horror Press, that doesn’t mean we will entirely ignore the season’s forefathers and newly celebrated hits. 

Whether you’ve seen them a thousand times over, love the remake more, or missed out on a recent addition to the crew, now’s the time to get basic with a single summer horror classic to round out the middle of our marathon.

The Texas Chainsaw Massacre (1974 / 2003), 1h 23m / 1h 38m

Jaws (1975), 2h 4m

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The Hills Have Eyes (1977 / 2006), 1h 30m / 1h 47m

Piranha / 3D (1978 / 2010), 1h 33m / 1h 28m

Friday the 13th (1980), 1h 35m

The Burning (1981), 1h 31m

Sleepaway Camp (1983), 1h 24m

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I Know What You Did Last Summer (1997), 1h 40m

The Cabin in the Woods (2012), 1h 35m

The Final Girls (2015), 1h 31m

Midsommar (2019), 2h, 28m

Evening Libation

At this point in the day, a refreshing breeze has begun to waft over the estate as dusk’s bugs and boos stir. The grill should still be prepped and ready to go, so when it comes to dinner, that’s on you, but we suggest accompanying it with a crisp concoction to calm your nerves and loosen your inhibitions. The May Queen Lemonade from our friends at Geeks Who Eat is infused with chamomile to chill you out as you get your buzz going, and of course, it’s easy to make sans spirits for those who don’t imbibe.

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Influencer (2023), 1h 32m – streaming on Shudder

This Shudder exclusive has something to say about the “fauxotic” lives of the social media elite while setting itself in the truly exotic Thailand. Madison (Emily Tennant) learns the ropes of the lonely life of an influencer while vacationing in the lush locale and, as a result, is perhaps too willing to trust a friendly face that appears IRL. Shudder isn’t afraid to push out fresh concepts, and – like the duality of its subject matter – it’s the perfect transition from day to night in our lineup.

Summer of ’84 (2018), 1h 45m – streaming on Shudder

Another Shudder original is here to make us question what’s real, and this time it’s a throwback to a decade saturated with summer horror. A pleasant nostalgia trip about a group of friends who are convinced their neighbor is a serial killer, it’s very The Goonies by way of Stranger Things. Its young cast shines just as bright as those of the pop culture behemoths. We wouldn’t want you caught up in the happy-go-lucky feels for too long, so don’t be surprised if the third act gets dicey.

Choose Your Own Adventure: Favorite Friday

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Friday the 13th: Part 2 (1981), 1h 26m – streaming on Showtime

Moving on from hypothetical serial killers to the real deal, the original summer camp slasher from 1980 birthed this franchise and countless more copycats. Yet, after you wipe off the gore-tinted glasses, it becomes clear that a few of its sequels commit patricide. For starters, even though Pamela Voorhees is a horror icon in her own right, it’s Part 2 that introduces Jason as the ultimate baddie of midsummer stalking. The sequel does away with the Giallo-like mystery of the killer’s identity to show us Jason’s hulking form in all his glory, boasting gorier and more exciting kills. We’re also treated to a competent final girl to root for in Ginny (Amy Steel), who uses her brains to outwit Jason’s brawn. The final showdown between the pair will have you gagging at Ginny’s implementation of Pamela’s crusty blue sweater as a critical component in her escape plan.

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Friday the 13th: The Final Chapter (1984), 1h 31m – streaming on Showtime

What is arguably the best in the franchise due to its strong narrative (for a slasher, anyway) and a plethora of excellent kills, The Final Chapter is anything but the last nail in Jason’s coffin. It’s got decently fleshed-out characters, Crispin Glover dancing like only Crispin Glover can do, ties to its predecessors, and an ending that’ll leave you speechless. By all accounts, the infamous killer should have gone out on a high note after this outing. Still, if he did, we wouldn’t have been blessed with sequels that introduce telekinesis, an inexplicably long ferry ride into Manhattan, and a literal trip to Hell that has fans arguing online to this day. Whichever Friday you choose, the night is only getting darker.

Late Night Snack

This one’s an original creation of yours truly. Bring out that leftover Monster Burger meat and crack open some crunchy taco shells. Add lettuce, shredded cheese, and top it off with this recipe’s secret ingredient: ketchup. That’s right, your mind has just been blown at the revelation of Meatloaf Tacos. It tastes just like a bite-sized version of the home-cooked staple! And if there’s no more fresh meat to spare, grab some value tacos over at your Mexican fast-food joint of choice – no other toppings, though – and ask for a few packets of ketchup. Oh, the things we come up with when we run out of hot sauce…

Choose Your Own Adventure: Sleazy Slasher

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The Texas Chainsaw Massacre 2 (1986), 1h 40m – streaming on Max

Horror icon Tobe Hooper decided the follow-up to his legendary 1974 film would be as deranged as the cannibalistic Sawyer family at its center. A twelve-year wait for the sequel allowed him to take some liberties with the tone, and while it may be too weird for some, it’s absolutely our brand of freaky. Campy, unhinged line deliveries by final girl – and Sookie Stackhouse lookalike – Stretch (Caroline Williams) and Sawyer family reject Chop-Top (Bill Moseley) provide giggles and gif-able moments galore. It should come as no surprise that this mayhem served as inspiration for Rob Zombie’s filmography. Sprinkle in a second-act jump scare for the ages, and it’ll be a miracle if you can close your mouth long enough to swallow a Meatloaf Taco.

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(2022), 1h 46m – streaming on Showtime

The first film released in Ti West’s surprise slasher trilogy is the sexier option for your dose of summer sleaze dopamine. In 1970s rural Texas, a crew of hot-bodied youths are on a mission to make the ultimate in elevated pornography, but instead, sacrifice themselves to the horror movie gods and produce a modern classic. The story boasts an excellent cast – rounded out by two killer scream queens (Jenna Ortega and Mia Goth) and an unexpectedly cunning new villain. Horror isn’t typically family-friendly, but this one has certainly seen some pearls clutched. Take note, campers!

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The Lost Boys (1987), 1h 37m – available to rent on Amazon

The perfect late-night blaster, it’s all moody sand and fog in this beachside teen vampire smash hit. There’s a reason this one stands the test of time despite being so entrenched in its 80s roots; between its iconic cast, outstanding punk rock costume design, and entrancing synth-rock soundtrack – you can’t look away. And vampires, everyone loves those! If you’ve lasted this long, the witching hour draws nears, and there’s no better way to celebrate than with some creatures of the night.

Slumber Party Massacre (2021), 1h 26m – streaming on Shudder

A meta requel of the cult classic, it not only lampoons genre tropes but also finds a way to reverse engineer them. Nothing is what it seems, and it manages to juggle tone and terror with surprising agility until the bitter end. And for those who can’t help but cringe at the rampant over-sexualization of women while watching some of horror’s greatest hits, know that the inverse of that trend is also explored here – teehee.

Do you hear that humming noise? It’s the Driller Killer! Just kidding, it’s only Jennifer Love Hewitt sawing off the padlocks – every year, she volunteers here for a week as penance for I Still Know What You Did Last Summer. 

Anyway, the slumber party’s over! You’ve survived a full-day marathon of the season’s slimiest and zaniest films, and we hope you had a hell of a time doing it. Now scurry back to your cabin, and watch out for rogue machetes…Jason’s a little peeved that we canceled his mom’s archery lessons.

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Alex Warrick is a film lover and gaymer living the Los Angeles fantasy by way of an East Coast attitude. Interested in all things curious and silly, he was fearless until a fateful viewing of Poltergeist at a young age changed everything. That encounter nurtured a morbid fascination with all things horror that continues today. When not engrossed in a movie, show or game he can usually be found on a rollercoaster, at a drag show, or texting his friends about smurfs.

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‘Ready or Not’ and the Cathartic Cigarette of a Relatable Final Girl

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I was late to the Radio Silence party. However, I do not let that stop me from being one of the loudest people at the function now. I randomly decided to see Ready or Not in theaters one afternoon in 2019 and walked out a better person for it. The movie introduced me to the work of a team that would become some of my favorite current filmmakers. It also confirmed that getting married is the worst thing one can do. That felt very validating as someone who doesn’t buy into the needing to be married to be complete narrative.

Ready or Not is about a fucked up family with a fucked up tradition. The unassuming Grace (Samara Weaving) thinks her new in-laws are a bit weird. However, she’s blinded by love on her wedding day. She would never suspect that her groom, Alex (Mark O’Brien), would lead her into a deadly wedding night. So, she heads downstairs to play a game with the family, not knowing that they will be hunting her this evening. This is one of the many ways I am different from Grace. I watch enough of the news to know the husband should be the prime suspect, and I have been around long enough to know men are the worst. I also have a commitment phobia, so the idea of walking down the aisle gives me anxiety. 

Grace Under Fire

Ready or Not is a horror comedy set on a wealthy family’s estate that got overshadowed by Knives Out. I have gone on record multiple times saying it’s the better movie. Sadly, because it has fewer actors who are household names, people are not ready to have that conversation. However, I’m taking up space this month to talk about catharsis, so let me get back on track. One of the many ways this movie is better than the latter is because of that sweet catharsis awaiting us at the end.

This movie puts Grace through it and then some. Weaving easily makes her one of the easiest final girls to root for over a decade too. From finding out the man she loves has betrayed her, to having to fight off the in-laws trying to kill her, as she is suddenly forced to fight to survive her wedding night. No one can say that Grace doesn’t earn that cigarette at the end of the film. As she sits on the stairs covered in the blood of what was supposed to be her new family, she is a relatable icon. As the unseen cop asks what happened to her, she simply says,In-laws.It’s a quick laugh before the credits roll, andLove Me Tenderby Stereo Jane makes us dance and giggle in our seats. 

Ready or Not Proves That Maybe She’s Better Off Alone

It is also a moment in which Grace is one of many women who survives marriage. She comes out of the other side beaten but not broken. Grace finally put herself, and her needs first, and can breathe again in a way she hasn’t since saying I do. She fought kids, her parents-in-law, and even her husband to escape with her life. She refused to be a victim, and with that cigarette, she is finally free and safe. Grace is back to being single, and that’s clearly for the best.

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This Guy Busick and R. Christopher Murphy script is funny on the surface, even before you start digging into the subtext. The fact that Ready or Not is a movie where the happy ending is a woman being left alone is not wasted on me, though. While Grace thought being married would make her happy, she now has physical and emotional wounds to remind her that it’s okay to be alone. 

One of the things I love about this current era of Radio Silence films is that the women in these projects are not the perfect victims. Whether it’s Ready or Not, Abigail, or Scream (2022), or Scream VI, the girls are fighting. They want to live, they are smart and resourceful, and they know that no one is coming to help them. That’s why I get excited whenever I see Matt Bettinelli-Olpin and Tyler Gillett’s names appear next to a Guy Busick co-written script. Those three have cracked the code to give us women protagonists that are badasses, and often more dangerous than their would-be killers when push comes to shove. 

Ready or Not Proves That Commitment is Scarier Than Death

So, watching Grace run around this creepy family’s estate in her wedding dress is a vision. It’s also very much the opposite of what we expect when we see a bride. Wedding days are supposed to be champagne, friends, family, and trying to buy into the societal notion that being married is what we’re supposed to aspire to as AFABs. They start programming us pretty early that we have to learn to cook to feed future husbands and children.

The traditions of being given away by our fathers, and taking our husbands’ last name, are outdated patriarchal nonsense. Let’s not even get started on how some guys still ask for a woman’s father’s permission to propose. These practices tell us that we are not real people so much as pawns men pass off to each other. These are things that cause me to hyperventilate a little when people try to talk to me about settling down.

Marriage Ain’t For Everybody

I have a lot of beef with marriage propaganda. That’s why Ready or Not speaks to me on a bunch of levels that I find surprising and fresh. Most movies would have forced Grace and Alex to make up at the end to continue selling the idea that heterosexual romance is always the answer. Even in horror, the concept that “love will save the day” is shoved at us (glares at The Conjuring Universe). So, it’s cool to see a movie that understands women can be enough on their own. We don’t need a man to complete us, and most of the time, men do lead to more problems. While I am no longer a part-time smoker, I find myself inhaling and exhaling as Grace takes that puff at the end of the film. As a woman who loves being alone, it’s awesome to be seen this way. 

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Ready or Note cigarette

The Cigarette of Singledom

We don’t need movies to validate our life choices. However, it’s nice to be acknowledged every so often. If for no other reason than to break up the routine. I’m so tired of seeing movies that feel like a guy and a girl making it work, no matter the odds, is admirable. Sometimes people are better when they separate, and sometimes divorce saves lives. So, I salute Grace and her cathartic cigarette at the end of her bloody ordeal.

I cannot wait to see what single shenanigans she gets into in Ready or Not 2: Here I Come. I personally hope she inherited that money from the dead in-laws who tried her. She deserves to live her best single girl life on a beach somewhere. Grace’s marriage was a short one, but she learned a lot. She survived it, came out the other side stronger, richer, and knowing that marriage isn’t for everybody.

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Movies

The Best Horror You Can Stream on Shudder in January 2026

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My New Year’s resolution is to spend more time watching my favorite app. Luckily, Shudder is not taking it easy on us this holiday season, so I may meet my quota this January. The streamer is bringing in the new year with quite a few bangers. We have classics from icons, a new title from the first family of indie horror, and a couple of lesser-known films that have finally found a home. So, I am obviously living for this month’s programming and think most of you will too. I have picked the five films that I believe deserve our collective attention the most. Get into each of them and start your 2026 off on the right foot. 

The Best Movies to Stream on Shudder This Month

Carrie (1976)

A sheltered teen finally unleashes her telekinetic powers after being humiliated for the last time. Carrie is the reason I thought proms might be cool when I was a kid. This Brian De Palma adaptation is one of my favorite Stephen King adaptations. It is also an important title in the good-for-her subgenre. I cannot help rooting for Carrie White (Sissy Spacek) when I watch her snap at this prom and then head home to accidentally deal with her mom. The only tragedy of this evening is that Carrie had to die, too. I said what I said, and I will be hitting play again while it is on Shudder. This recommendation goes out to the other recovering sheltered girls who would be the problem if they had powers. I see you because I am you.

You can watch Carrie on January 1st.

Marshmallow (2025)

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A shy 12-year-old gets sent to summer camp and finds himself in a living nightmare. While Marshmallow did not land for me, I know plenty of people who love it. Which makes this the perfect addition to the Shudder catalogue. I am actually excited to see more folks fall in love with this movie when it hits the streamer. If nothing else, it will help a few folks cross off another 2025 title if they are still playing catch-up with last year’s movies. It also gets cool points from me for not taking the easy route with the mystery it built. I hope you all dig it more than I did, and tell your friends about it. Perhaps you could even encourage them to sign up for the app.

You can watch Marshmallow on January 1st.

Chain Reactions (2024)

Tobe Hooper’s The Texas Chain Saw Massacre cemented his horror legacy over fifty years ago. So, it is long overdue for a documentary where horror royalty can discuss its impact on them and their careers. I have been waiting for a couple of years to hear Karyn Kusama and Takashi Miike talk about Hooper’s work and how he inspired them. So, I am super geeked that Shudder is finally giving me the chance to see this film. The streamer is also helping the nerds out by adding The Texas Chain Saw Massacre (1974) and The Texas Chain Saw Massacre 2 (1986) this month. If you are also an overachieving couch potato, I will see you at the finish line next week.

You can watch Chain Reactions on January 9th.

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In the Mouth of Madness (1994)

An insurance investigator discovers the impact a horror writer’s books have on people. I love chaos, and John Carpenter chaos happens to be one of my favorite kinds of chaos. While we talk about The Thing and Halloween all the time, this maestro has given us plenty of horror to celebrate. In the Mouth of Madness is very much one of those titles vying for a top spot among the best of his filmography. To sweeten the batshit pot, this movie features Sam Neill. You know that he only shows up in our genre if the movie is going to be legendary. You cannot tell me this is not a Shudder priority this month.

You can watch In the Mouth of Madness on January 10th.

Mother of Flies (2025)

A terminally ill young woman and her dad head to the woods to seek out a recluse who claims she can cure her cancer. The Adams Family has been holding court on Shudder for years, so it feels right that Mother of Flies is a Shudder Original. More importantly, this fest favorite has one of the best performances of 2025. Which makes it a great time for people to finally get to see it and get in line to give Toby Poser her flowers. Whatever you think your favorite Poser role is, it is about to change when you see her as Solveig. I am being serious when I say that this movie might be the first family of indie horror at their best.

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You can watch Mother of Flies on January 23rd.

New year, but same Shudder. I would not want to go into 2026 any other way, personally. I hope these horrific recommendations bring you the good kind of anxiety.  Or at least distract you from the state of the world for a bit.

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