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It Came From Shudder: December Edition

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It’s the first Friday of December! You know what that means, it’s time to share a small selection of movies that we’ve watched, or are looking forward to watching on Shudder. Look, we get it, Shudder serves up tons of content and it’s constantly adding new stuff to its catalog. So we’re here to help you with a handful of recommendations.

What to watch on Shudder this Month

A Wounded Fawn

This trailer caught my eye from the start. From what I gather, it’s about a woman who goes on a weekend getaway with a man she’s been seeing who happens to be a serial killer. Starring Sarah Lind and Josh Ruben, this movie looks very suspenseful… and weird? I can’t wait to watch this and get to the bottom of all the weird visuals sprinkled into the trailer.

Christmas Bloody Christmas

Directed by Joe Begos, this movie takes place on Christmas Eve and pits a record store owner against a violent homicidal robot Santa Claus. Yes, I know how that sounds, and yes, I’m sure it’s going to be awesome. The trailer looks so colorful, and it immediately transported me to my second most favorite time of the year, Christmas. Robo-Santa Plus looks brutal and over the top, two things I love in my horror.

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Christmas Bloody Christmas is available to stream on Shudder starting December 9th.

Scare Package 2: Rad Chad’s Revenge

If you’re a fan of horror anthologies like we, then you’re going to love Scare Package 2: Rad Chad’s Revenge. The highly anticipated sequel to fan favorite Scare Package follows Rad Chad’s funeral, where attendees must survive death traps based on Chad’s favorite movies.

A Nightmare on Elm Street

Shudder outdid themselves this time. Bringing us not just A Nightmare on Elm Street, but the entire collection! Do yourself a favor and rewatch these movies immediately, because I can guarantee you it’s been too long since the last time you did. As a bonus make sure to give Scream, Queen! My Nightmare on Elm Street a watch. Seeing Nightmare on Elm Street 2 actor Mark Patton’s perspective and experience as a gay actor makes for some of the most touching, compelling TV in recent memory.

Joe Bob’s Goultide Get-Together

Live streaming Friday, December 16th at 9 PM Eastern on Shudder TV. This holiday-themed episode will surely be filled with fun facts, awesome interviews, and a double feature that will have us all tweeting in excitement. As of now, we have no idea which movies will play and that’s half the fun! The other half? Guessing Darcy’s cosplays for the night. If you have never participated in a Joe Bob live stream, make sure you tune in on time and have Twitter ready to engage! It’s a good time. If you happen to miss the live stream, no worries! The episode will be available to stream later on in the weekend.

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Next time you’re looking for something to watch on Shudder, make sure to stream these titles!

Founder, and Editor-in-Chief of Horror Press. James-Michael is a New Jersey native who quickly grew obsessed with horror movies at a young age. His first love was Evil Dead, and his second love was X-Men: The Animated Series. Unlike the mutants on TV, the only superpower he developed was the ability to consume massive amounts of media. His passion for horror and the belief that it is a universal genre anyone can enjoy would eventually lead to the creation of Horror Press. Aside from horror, James-Michael's interests include anime, collecting tarot decks, and snackology.

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‘Clue’ is the Only Film Based on a Board Game That Works

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The Clue 4K Blu-ray SteelBook is dropping on October 21st to commemorate the 40th anniversary of the movie I love. So, I took this as a sign to write a love letter to the film that is a huge part of why I am the way I am. I am also here to do what I do best and state the obvious. Clue is the only film based on a board game that is worth watching. Before some of you fight me, the Jumanji game was released after the book and the movie. More importantly, while it holds a special place in my heart and I miss Robin Williams more than I can ever say, I have loved Clue almost as long as I have been alive. I am clearly biased, but I also think it had a bigger impact on many of us. Here is my story, though.

Too Cool For School

This comedic murder mystery, written and directed by Jonathan Lynn, had no business being as great as it is. It is based on my favorite board game, Clue (originally Cluedo), created by Anthony E. Pratt. The film was also produced by the legendary Debra Hill (John Carpenter’s co-conspirator on Halloween, The Fog, and other bangers). As a small child, I didn’t know these names. I just knew there was a movie that made me happy no matter how many times I rewatched it.

As a ’90s kid, there was nothing better than finishing Saturday morning cartoons and catching Clue on TV. Those countless rewatches are probably why I know the value of a great ensemble, have had a lifelong crush on Tim Curry, and have an undying loyalty to the rest of the cast. The movie is probably also to blame for why I am such a theatrical little bitch, but I digress.

A mansion full of hot and funny people obviously had a pull for most of us. While we might have been too young to fully understand what was going on, we knew this was cinema. The all-star cast was a comedic dream team. Eileen Brennan, Madeline Kahn, Christopher Lloyd, Michael McKean, Martin Mull, Lesley Ann Warren, and Curry are the ensemble to beat. Their line readings, chemistry, and energy stood out to me as a youth. I spent countless years doing theatre, trying to find this feeling in the wings of random stages. I judged (too harshly) countless plays I was in the audience for that never gave me the same high. Clue is lightning in a bottle. It might be in the DNA of some of our favorite things, but it will never be duplicated.

Clue Changed Me

Clue is the reason I thought I wanted to be an actor for a couple of years as a kid. I literally wanted to be as funny as any of these ladies, and I wanted to live in a world this zany and cool. As a kid who was noting how few times women got to do cool stuff in the movies, I was all about it. I wanted to be Mrs. White, Miss Scarlett, and Mrs. Peacock. I even wanted to be Mrs. Ho, Yvette, and The Singing Telegram Girl because this script understands everyone should get a moment, so there are no small parts. This movie is probably one of the least traumatic reasons I have the uncontrollable urge to make people laugh. I no longer want to be an actor, but I do love being a character.

By the time all of the bodies have piled up, and the movie knows it needs to wrap it up, I feel like I am in it. No matter how many times I rewatch it, or that I know I am on the other side of a screen decades after it was released, I feel like I ran a marathon with these loveable and lethal characters. I also always want more time with the Clue crew because few things in life are as delightful as this film. I used to collect versions of the board game, and lucked into getting my hands on a copy of Clue: VCR Mystery Game by Parker Brothers in a thrift store when I was a kid. While I loved all of those things, nothing beat the cinematic experience that is this nearly perfect film that still lives rent-free in my heart.

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Cinematic Magic All Around

I can hear composer John Morris’ music just thinking about certain scenes, and it makes me smile. My excitement (and shoulder work) as Mr. Body (Curry) explains his theories is embarrassing. However, this song is a banger. I listen to the score quite often because I’m a nerd and still want to live in this world as much as possible. I even shimmy to the credits as if it’s my first time watching the movie or hearingShake, Rattle and Rollby Bill Haley & His Comets. Clue taught me to watch the credits for the maximum experience long before Marvel bribed the rest of you to do that.

This dinner party gone deadly wrong is fun, fascinating, and frenzied. I had the privilege of finally seeing Clue on the big screen a couple of years ago. Both my friend and I were left in awe of how one of our shared favorite films still holds up. It was the first time either of us had seen it in a theater and we were speechless. I almost cried as this all too familiar story unfolded in front of me. I like a lot of movies, but I only love a few. However, this one is part of my DNA at this point and I remain obsessed. I cannot help but see traces of it in some of my short plays. It’s what I think of first when I attempt to write a comedy, and it is the reason I know even murder can be funny.

Rewatch Clue Tonight

Clue will turn 40 this December, and the new steelbook will be released in a couple of weeks. However, this movie, which has been around longer than I have been alive, deserves so much more. I doubt I’m the only kid it turned into an aspiring cinephile. I cannot be the only genre nerd who owes it a huge debt of gratitude for making me a better film kid. More importantly, this funny, lovable, and hot cast showed us that some group projects can succeed. For all of these reasons, and probably hundreds more, I hope you make time for a rewatch this year. Your inner moppet deserves it for surviving this 2025. It’s also nice to know that something we loved as children still slaps in an age where most of our favorite movies are spoiling like the veggies in our fridges.

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‘Silver Bullet’ Should Be Just As Popular As ‘The Lost Boys’

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When you hear the phrase “Corey Haim horror movie,” your mind, it’s safe to assume, jumps to The Lost Boys. That’s only natural. Hell, that’s probably the title that comes to mind when you hear the phrase “Corey Haim movie” in general. Unless you’re a die-hard fan of License to Drive, that is. There are a lot of completely valid reasons for the love that The Lost Boys receives. It’s a great movie. Certainly one of the best vampire movies of the 1980s. But Corey Haim was also in one of the best werewolf movies of the 1980s. That would be the 1985 Stephen King adaptation Silver Bullet, which deserves to have the same level of voracious fandom.

Why Silver Bullet Deserves More Love Than The Lost Boys

I can guess why Silver Bullet hasn’t had the same impact as The Lost Boys. Corey Haim wasn’t as big of a star in 1985. Silver Bullet director Dan Attias went on to a long television career, while Schumacher went on to direct Batman movies. Any 1980s werewolf movie has to exist in the shadow of the masterpiece, An American Werewolf in London. Silver Bullet doesn’t have Kiefer Sutherland psychosexually manipulating Jason Patric. I get it. But Silver Bullet’s stats are lagging.

The Lost Boys is Corey Haim’s #1 most popular movie and his #1 highest-rated on Letterboxd. Silver Bullet is #4 and #12. The Lost Boys is his #1 movie on the Rotten Tomatoes Tomatometer and #2 on the Popcornmeter. Silver Bullet is #5 and #9. Silver Bullet is Corey Haim’s fifth highest-rated movie on IMDb and The Lost Boys is – you guessed it – #1. Silver Bullet also lagged behind at the box office, earning $12.4 million compared to The Lost Boys’ $32.5 million.

October 2025 marks the 40th anniversary of the release of Silver Bullet. It’s high time to raise the profile of this damn movie, even if I have to build the winch myself.

Silver Bullet is a Blast and a Half

Silver Bullet, which was written by Stephen King, adapting his own novella Cycle of the Werewolf, is a doozy. It’s set in a small town that is being besieged by regular werewolf attacks, and nobody can identify the culprit. But never fear, an absolute weirdo is in town!

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That would be Gary Busey as Uncle Red, a deeply unsettling fireball of charisma. His nephew is Marty (Corey Haim), who has paraplegia. Naturally, Red builds him a tricked-out motorcycle wheelchair that he can go rocketing through town in. Gary Busey is something of a punchline these days. But let’s never forget that the man became famous in the first place because he was a goddamn movie star. He makes nonstop strange choices that are electromagnetically compelling. Corey Haim was perhaps the only 1980s child actor who could hold his own against that cinematic force of nature. Thankfully, he was cast, and the characters’ relationship is as rich as it is strange. That’s the sweet spot for any King adaptation.

A Stellar Cast of 1980s Character Actors

That dynamic alone could have been enough to sustain a movie. However, Silver Bullet has also assembled a murderer’s row of 1980s character actors around Busey and Haim. This includes Lawrence Tierney, Terry O’Quinn, and perhaps never better Everett McGill. Not to mention the fact that the story is randomly narrated by Broadway legend Tovah Feldshuh.

Thanks to the talented cast, the movie survives the fact that it features a somewhat goofy-looking werewolf. They bring a sense of grit and reality to their small-town characters. What results is an explosion of intensity that plays startlingly well against the uncut 1980s goofiness of its genre elements. This movie’s confident enough to contain both a thrillingly tense covered bridge setpiece and a werewolf swiping off somebody’s head. And if that’s not the vibe you desperately want from an ‘80s shocker, I don’t know what to tell you.

Silver Bullet Lacks Some of The Lost Boys’ More Obvious Flaws

I am certainly not trying to use this article to cast The Lost Boys into the muck. I think both movies can stand together on the Mount Rushmore of Corey Haim’s career. Nevertheless, it is true that Silver Bullet lacks the two biggest flaws of The Lost Boys. It’s got its own flaws, sure, but none quite so glaring as Lost Boys hugely losing steam in Act 3. Once the identity of the werewolf has become known in Silver Bullet, the story actually gets even more tense. That’s because the danger still stems from children being at the mercy of adults, rather than the werewolf mystery itself.

The Lost Boys is also somewhat scattershot, juggling too many characters, storylines, and tones simultaneously. While Silver Bullet does have a deep bench of characters, its storytelling is much more focused. It’s primarily centered on the relationship between a young boy and his family, and how it’s complicated by werewolf attacks. Standard stuff!

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Silver Bullet Deserves a Spot Next to The Lost Boys

Look, here’s the bottom line. The Lost Boys is a fun, great movie. Silver Bullet is a fun, great movie. This town (Hollywood) is definitely big enough for the two of them. That’s all I’m saying. It’s simply unfair that Silver Bullet has taken up B-tier status behind The Lost Boys. Watchers has more than enough B-movie energy to take up that slot all by itself, thank you very much.

PS: I look forward to Horror Press hosting somebody’s impassioned defense of Watchers, but it ain’t gonna be mine.

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