Movies
‘Clue’ is the Only Film Based on a Board Game That Works
The Clue 4K Blu-ray SteelBook is dropping on October 21st to commemorate the 40th anniversary of the movie I love. So, I took this as a sign to write a love letter to the film that is a huge part of why I am the way I am. I am also here to do what I do best and state the obvious. Clue is the only film based on a board game that is worth watching. Before some of you fight me, the Jumanji game was released after the book and the movie. More importantly, while it holds a special place in my heart and I miss Robin Williams more than I can ever say, I have loved Clue almost as long as I have been alive. I am clearly biased, but I also think it had a bigger impact on many of us. Here is my story, though.
Too Cool For School
This comedic murder mystery, written and directed by Jonathan Lynn, had no business being as great as it is. It is based on my favorite board game, Clue (originally Cluedo), created by Anthony E. Pratt. The film was also produced by the legendary Debra Hill (John Carpenter’s co-conspirator on Halloween, The Fog, and other bangers). As a small child, I didn’t know these names. I just knew there was a movie that made me happy no matter how many times I rewatched it.
As a ’90s kid, there was nothing better than finishing Saturday morning cartoons and catching Clue on TV. Those countless rewatches are probably why I know the value of a great ensemble, have had a lifelong crush on Tim Curry, and have an undying loyalty to the rest of the cast. The movie is probably also to blame for why I am such a theatrical little bitch, but I digress.
A mansion full of hot and funny people obviously had a pull for most of us. While we might have been too young to fully understand what was going on, we knew this was cinema. The all-star cast was a comedic dream team. Eileen Brennan, Madeline Kahn, Christopher Lloyd, Michael McKean, Martin Mull, Lesley Ann Warren, and Curry are the ensemble to beat. Their line readings, chemistry, and energy stood out to me as a youth. I spent countless years doing theatre, trying to find this feeling in the wings of random stages. I judged (too harshly) countless plays I was in the audience for that never gave me the same high. Clue is lightning in a bottle. It might be in the DNA of some of our favorite things, but it will never be duplicated.
Clue Changed Me
Clue is the reason I thought I wanted to be an actor for a couple of years as a kid. I literally wanted to be as funny as any of these ladies, and I wanted to live in a world this zany and cool. As a kid who was noting how few times women got to do cool stuff in the movies, I was all about it. I wanted to be Mrs. White, Miss Scarlett, and Mrs. Peacock. I even wanted to be Mrs. Ho, Yvette, and The Singing Telegram Girl because this script understands everyone should get a moment, so there are no small parts. This movie is probably one of the least traumatic reasons I have the uncontrollable urge to make people laugh. I no longer want to be an actor, but I do love being a character.
By the time all of the bodies have piled up, and the movie knows it needs to wrap it up, I feel like I am in it. No matter how many times I rewatch it, or that I know I am on the other side of a screen decades after it was released, I feel like I ran a marathon with these loveable and lethal characters. I also always want more time with the Clue crew because few things in life are as delightful as this film. I used to collect versions of the board game, and lucked into getting my hands on a copy of Clue: VCR Mystery Game by Parker Brothers in a thrift store when I was a kid. While I loved all of those things, nothing beat the cinematic experience that is this nearly perfect film that still lives rent-free in my heart.
Cinematic Magic All Around
I can hear composer John Morris’ music just thinking about certain scenes, and it makes me smile. My excitement (and shoulder work) as Mr. Body (Curry) explains his theories is embarrassing. However, this song is a banger. I listen to the score quite often because I’m a nerd and still want to live in this world as much as possible. I even shimmy to the credits as if it’s my first time watching the movie or hearing “Shake, Rattle and Roll” by Bill Haley & His Comets. Clue taught me to watch the credits for the maximum experience long before Marvel bribed the rest of you to do that.
This dinner party gone deadly wrong is fun, fascinating, and frenzied. I had the privilege of finally seeing Clue on the big screen a couple of years ago. Both my friend and I were left in awe of how one of our shared favorite films still holds up. It was the first time either of us had seen it in a theater and we were speechless. I almost cried as this all too familiar story unfolded in front of me. I like a lot of movies, but I only love a few. However, this one is part of my DNA at this point and I remain obsessed. I cannot help but see traces of it in some of my short plays. It’s what I think of first when I attempt to write a comedy, and it is the reason I know even murder can be funny.
Rewatch Clue Tonight
Clue will turn 40 this December, and the new steelbook will be released in a couple of weeks. However, this movie, which has been around longer than I have been alive, deserves so much more. I doubt I’m the only kid it turned into an aspiring cinephile. I cannot be the only genre nerd who owes it a huge debt of gratitude for making me a better film kid. More importantly, this funny, lovable, and hot cast showed us that some group projects can succeed. For all of these reasons, and probably hundreds more, I hope you make time for a rewatch this year. Your inner moppet deserves it for surviving this 2025. It’s also nice to know that something we loved as children still slaps in an age where most of our favorite movies are spoiling like the veggies in our fridges.
Editorials
‘Ready or Not’ and the Cathartic Cigarette of a Relatable Final Girl
I was late to the Radio Silence party. However, I do not let that stop me from being one of the loudest people at the function now. I randomly decided to see Ready or Not in theaters one afternoon in 2019 and walked out a better person for it. The movie introduced me to the work of a team that would become some of my favorite current filmmakers. It also confirmed that getting married is the worst thing one can do. That felt very validating as someone who doesn’t buy into the needing to be married to be complete narrative.
Ready or Not is about a fucked up family with a fucked up tradition. The unassuming Grace (Samara Weaving) thinks her new in-laws are a bit weird. However, she’s blinded by love on her wedding day. She would never suspect that her groom, Alex (Mark O’Brien), would lead her into a deadly wedding night. So, she heads downstairs to play a game with the family, not knowing that they will be hunting her this evening. This is one of the many ways I am different from Grace. I watch enough of the news to know the husband should be the prime suspect, and I have been around long enough to know men are the worst. I also have a commitment phobia, so the idea of walking down the aisle gives me anxiety.
Grace Under Fire
Ready or Not is a horror comedy set on a wealthy family’s estate that got overshadowed by Knives Out. I have gone on record multiple times saying it’s the better movie. Sadly, because it has fewer actors who are household names, people are not ready to have that conversation. However, I’m taking up space this month to talk about catharsis, so let me get back on track. One of the many ways this movie is better than the latter is because of that sweet catharsis awaiting us at the end.
This movie puts Grace through it and then some. Weaving easily makes her one of the easiest final girls to root for over a decade too. From finding out the man she loves has betrayed her, to having to fight off the in-laws trying to kill her, as she is suddenly forced to fight to survive her wedding night. No one can say that Grace doesn’t earn that cigarette at the end of the film. As she sits on the stairs covered in the blood of what was supposed to be her new family, she is a relatable icon. As the unseen cop asks what happened to her, she simply says, “In-laws.” It’s a quick laugh before the credits roll, and “Love Me Tender” by Stereo Jane makes us dance and giggle in our seats.
Ready or Not Proves That Maybe She’s Better Off Alone
It is also a moment in which Grace is one of many women who survives marriage. She comes out of the other side beaten but not broken. Grace finally put herself, and her needs first, and can breathe again in a way she hasn’t since saying I do. She fought kids, her parents-in-law, and even her husband to escape with her life. She refused to be a victim, and with that cigarette, she is finally free and safe. Grace is back to being single, and that’s clearly for the best.
This Guy Busick and R. Christopher Murphy script is funny on the surface, even before you start digging into the subtext. The fact that Ready or Not is a movie where the happy ending is a woman being left alone is not wasted on me, though. While Grace thought being married would make her happy, she now has physical and emotional wounds to remind her that it’s okay to be alone.
One of the things I love about this current era of Radio Silence films is that the women in these projects are not the perfect victims. Whether it’s Ready or Not, Abigail, or Scream (2022), or Scream VI, the girls are fighting. They want to live, they are smart and resourceful, and they know that no one is coming to help them. That’s why I get excited whenever I see Matt Bettinelli-Olpin and Tyler Gillett’s names appear next to a Guy Busick co-written script. Those three have cracked the code to give us women protagonists that are badasses, and often more dangerous than their would-be killers when push comes to shove.
Ready or Not Proves That Commitment is Scarier Than Death
So, watching Grace run around this creepy family’s estate in her wedding dress is a vision. It’s also very much the opposite of what we expect when we see a bride. Wedding days are supposed to be champagne, friends, family, and trying to buy into the societal notion that being married is what we’re supposed to aspire to as AFABs. They start programming us pretty early that we have to learn to cook to feed future husbands and children.
The traditions of being given away by our fathers, and taking our husbands’ last name, are outdated patriarchal nonsense. Let’s not even get started on how some guys still ask for a woman’s father’s permission to propose. These practices tell us that we are not real people so much as pawns men pass off to each other. These are things that cause me to hyperventilate a little when people try to talk to me about settling down.
Marriage Ain’t For Everybody
I have a lot of beef with marriage propaganda. That’s why Ready or Not speaks to me on a bunch of levels that I find surprising and fresh. Most movies would have forced Grace and Alex to make up at the end to continue selling the idea that heterosexual romance is always the answer. Even in horror, the concept that “love will save the day” is shoved at us (glares at The Conjuring Universe). So, it’s cool to see a movie that understands women can be enough on their own. We don’t need a man to complete us, and most of the time, men do lead to more problems. While I am no longer a part-time smoker, I find myself inhaling and exhaling as Grace takes that puff at the end of the film. As a woman who loves being alone, it’s awesome to be seen this way.
The Cigarette of Singledom
We don’t need movies to validate our life choices. However, it’s nice to be acknowledged every so often. If for no other reason than to break up the routine. I’m so tired of seeing movies that feel like a guy and a girl making it work, no matter the odds, is admirable. Sometimes people are better when they separate, and sometimes divorce saves lives. So, I salute Grace and her cathartic cigarette at the end of her bloody ordeal.
I cannot wait to see what single shenanigans she gets into in Ready or Not 2: Here I Come. I personally hope she inherited that money from the dead in-laws who tried her. She deserves to live her best single girl life on a beach somewhere. Grace’s marriage was a short one, but she learned a lot. She survived it, came out the other side stronger, richer, and knowing that marriage isn’t for everybody.
Movies
The Best Horror You Can Stream on Shudder in January 2026
My New Year’s resolution is to spend more time watching my favorite app. Luckily, Shudder is not taking it easy on us this holiday season, so I may meet my quota this January. The streamer is bringing in the new year with quite a few bangers. We have classics from icons, a new title from the first family of indie horror, and a couple of lesser-known films that have finally found a home. So, I am obviously living for this month’s programming and think most of you will too. I have picked the five films that I believe deserve our collective attention the most. Get into each of them and start your 2026 off on the right foot.
The Best Movies to Stream on Shudder This Month
Carrie (1976)
A sheltered teen finally unleashes her telekinetic powers after being humiliated for the last time. Carrie is the reason I thought proms might be cool when I was a kid. This Brian De Palma adaptation is one of my favorite Stephen King adaptations. It is also an important title in the good-for-her subgenre. I cannot help rooting for Carrie White (Sissy Spacek) when I watch her snap at this prom and then head home to accidentally deal with her mom. The only tragedy of this evening is that Carrie had to die, too. I said what I said, and I will be hitting play again while it is on Shudder. This recommendation goes out to the other recovering sheltered girls who would be the problem if they had powers. I see you because I am you.
You can watch Carrie on January 1st.
Marshmallow (2025)
A shy 12-year-old gets sent to summer camp and finds himself in a living nightmare. While Marshmallow did not land for me, I know plenty of people who love it. Which makes this the perfect addition to the Shudder catalogue. I am actually excited to see more folks fall in love with this movie when it hits the streamer. If nothing else, it will help a few folks cross off another 2025 title if they are still playing catch-up with last year’s movies. It also gets cool points from me for not taking the easy route with the mystery it built. I hope you all dig it more than I did, and tell your friends about it. Perhaps you could even encourage them to sign up for the app.
You can watch Marshmallow on January 1st.
Chain Reactions (2024)
Tobe Hooper’s The Texas Chain Saw Massacre cemented his horror legacy over fifty years ago. So, it is long overdue for a documentary where horror royalty can discuss its impact on them and their careers. I have been waiting for a couple of years to hear Karyn Kusama and Takashi Miike talk about Hooper’s work and how he inspired them. So, I am super geeked that Shudder is finally giving me the chance to see this film. The streamer is also helping the nerds out by adding The Texas Chain Saw Massacre (1974) and The Texas Chain Saw Massacre 2 (1986) this month. If you are also an overachieving couch potato, I will see you at the finish line next week.
You can watch Chain Reactions on January 9th.
In the Mouth of Madness (1994)
An insurance investigator discovers the impact a horror writer’s books have on people. I love chaos, and John Carpenter chaos happens to be one of my favorite kinds of chaos. While we talk about The Thing and Halloween all the time, this maestro has given us plenty of horror to celebrate. In the Mouth of Madness is very much one of those titles vying for a top spot among the best of his filmography. To sweeten the batshit pot, this movie features Sam Neill. You know that he only shows up in our genre if the movie is going to be legendary. You cannot tell me this is not a Shudder priority this month.
You can watch In the Mouth of Madness on January 10th.
Mother of Flies (2025)
A terminally ill young woman and her dad head to the woods to seek out a recluse who claims she can cure her cancer. The Adams Family has been holding court on Shudder for years, so it feels right that Mother of Flies is a Shudder Original. More importantly, this fest favorite has one of the best performances of 2025. Which makes it a great time for people to finally get to see it and get in line to give Toby Poser her flowers. Whatever you think your favorite Poser role is, it is about to change when you see her as Solveig. I am being serious when I say that this movie might be the first family of indie horror at their best.
You can watch Mother of Flies on January 23rd.
New year, but same Shudder. I would not want to go into 2026 any other way, personally. I hope these horrific recommendations bring you the good kind of anxiety. Or at least distract you from the state of the world for a bit.


