TV
Big Tops: The Boulet Brothers’ Dragula S4 Ep8 “Killer Clowns” Recap
Calling all Uglies, misfits, and miscreants! The Circus of Clowns has come to town, and a pair of Puppet Master-inspired Boulet marionettes introduce us to a deadly show. If you’re not careful, you’ll laugh so hard you’ll die during this one-night journey into madness. Join a cast of macabre clowns as they help your release from this mortal coil and turn your frown upside-down…forever!
The Challenge: The remaining drag bozos must conceptualize a monstrous Killer Clown floor show and participate in a clown cart death race from hell to decide who will make the Top 3. Not only does surviving this week bring the crown within reach, but the Top 3 are automatically cast in the Season 4 World Tour for 2022. Furthermore, all clown carts are not created equal, and the winner of what is presumably the final Fright Feat of the season will decide who gets which dilapidated cart. The monsters head out back to a dunk tank: Season 4’s resident clown, Merrie, is there to throw shade while the monsters throw balls to soak their competition. Her reads land flat, almost comically so, and it is Dhali who lands the most bullseyes and assigns the carts.
The Drama: These drama sections are harder to fill in when all the villains have been sent home, eh? There’s always the reunion! Sigourney and Dhali discuss the suffocating Extermination at the Chapel of Calamity (seriously, how did they not actually die?), and Dhali breaks down in tears realizing they could have left the show for the third time – they’ve had unfinished business since Season 2 and succeeding here is the only thing that will make them realize their self-worth. Hopefully, Dahli knows they’ve already made it.
Floor Show & Judgment: Our ringleaders leave the polka dots for the clowns and arrive at the floor show in classic Boulet style; they’re also joined by guest judges Bob the Drag Queen and Harvey Guillén of What We Do in the Shadows. The curtain rises, and each monster certainly brings their brand of horrific clownery to the stage. Hoso terrorizes in a mashup of 16th-century Korean shamans (Mudangs) and western clowns. This three-headed look showcases Hosos’s now-iconic face, but the judges worry the message gets lost in the complicated imagery. As twisted and beautiful as ever, Sigourney massacres a bundle of red balloons so large it would make Pennywise jealous. Was it horror enough? I had a similar thought as Harvey in wondering why none of the balloons she popped were filled with blood – this is DRAGULA! Saint showcases her high-fashion mime lewk, and, as mimes do, gives her most physical performance yet. However, her mime was more tragic than Killer. And finally, Dhali, as Sweet Tooth, served Ronald McDonald freakshow candy corn realness as only they could do. With “crotch candy,” great use of props, and a toothless mouth, they understood the assignment and ultimately won the challenge. The Boulet’s are considering the overall package for who should continue: Floor shows and performance, of course, but also how they behave backstage and with the crew, their professionalism, etc. In the Cauldron, Hoso continues the monsters’ trend of discrediting Sigourney and says the other three deserve it over her because they have nowhere else to turn. Offended, Sigourney retorts that as a woman in this field, she has to force herself into every situation to succeed: “Nothing is more punk than that. I’m a fucking hardcore bitch.” She also quips that Hoso is chaotic and unprofessional, perhaps too young for the crown. The drama ends there, and all four head to the starting line to begin the clown cart race. Some genuinely frightful clowns rise from the grave to torment the racers with pies to the face, and the big-breasted grand marshal, Koco Caine, steals the show – give her a spot on Season 5! Dahli wins, as they have the fastest cart, and the others’ fates are up in the air.
Extermination: We return to the marionettes under the big top, and this time all four monsters are in puppet form, too. They’re scared, and the Boulets hover over Hoso and Saint, knives ready to strike. Blood and gore splatter the curtains, but we do not see who has been filleted. TO BE CONTINUED…
Quote of the Episode: “That’s my favorite part of Sweet Tooth, honestly, just…gum jobs.” -Dahli
Honorable Mention: The judges didn’t follow Hoso’s inspirations, but it was explained to us in the boudoir, and I found it her most sinister look yet.
Rating: It’s down to the wire, and the tension is high. Anyone with coulrophobia would hate this episode, so that’s a success in my book. (8/10 Crotch Candies)
TV
Brooklyn Horror Film Festival 2025: The Creep Tapes Season 2
In 2014, Mark Duplass and Patrick Brice created magic with their mumblegore-adjacent found footage epic Creep. Three years later, this dreamy duo brought us the second installment of their creepy killer. Seven years would pass until Josef (Mark Duplass) would creep back into our daily lives with six truly terrifying episodes of The Creep Tapes. It would only be a short time until a second season of The Creep Tapes was announced…and even less time for a third season! The best experience I had at the Brooklyn Horror Film Festival was seeing the first three episodes of The Creep Tapes Season 2.
The Creep Tapes Season 2 Creeps Back Into the Spotlight
The Creep Tapes Season 1 was fairly straightforward throughout. It was a fantastic season (that I loved), but the majority of it was more of the same. Josef finds a victim (through various means), plays nice (and weird), goes after victim, and death. The season finale, “Mom (and Albert)”, was the first time we really got some (what seems to be) true background into Josef. From personal conversations, that episode was hit or miss. (I loved it, the dude hung dong!)
Upon hearing the news of Seasons 2 and 3, I was left wondering, will we get more background, OR will it just dive into Josef’s maniacal madness? While the first three episodes of Season 2 don’t do much to give us too much information about Josef’s background, it does up the ante considerably. Season 2 makes clear that Mark Duplass and Patrick Brice have grandiose ideas that they’re only scratching the surface of.
The Creep Tapes: S2 E1 “Joseph”
Imitation is the sincerest form of flattery, but what happens when the imitation is just… wrong? Josef finds himself in the sights of Joseph (David Dastmalchian), who is looking for a videographer to film a video for his unborn son, as Joseph has been diagnosed with cancer. Sound familiar?
How can someone possibly replicate the insane scenario Josef concocted in Creep? It can’t just be a coincidence—and it’s not. We come to learn that Josef has been doing something with his tapes (and films) that allows Joseph to view his work. Unfortunately for Joseph, the wrong man answered his ad.
This piece of information is crucial for understanding who (and what) Josef is. At points, he seems mentally ill, misguided, a man who just gets too damn lucky sometimes. The information gleaned reveals a much more careless, while still sophisticated, man who believes he’s creating art (of sorts). What’s the purpose of creating chaos in the modern age of technology if you can’t share it with other degenerates?
The “flip of the script” in Season 2 Episode 1 “Joseph” is a heart-racing 20-ish minutes of anticipation. I didn’t separate my butt from the edge of my seat until the credits rolled. But it’s with the casting of Joseph that the true magic of the Season 2 premiere excels. Who else can outmaniac a maniac? Of course, it has to be David Dastmalchian.
The Creep Tapes: S2 E2 “Mark”
Mark (Robert Longstreet) wakes up in a concrete room, his leg chained to the ground. A TV sits atop a table. An empty tub sits across the room. Someone lies still underneath a blanket, with a chain coming out of the bottom. And Josef accompanies Mark, leg chains and all. What could go wrong?
One of the most interesting things about Josef as a character is his ability to showcase his flaws, something that is extremely apparent in Season 2, Episodes 2 and 3. Nearly everything that can go wrong for Josef goes wrong. The reason it goes wrong is because of a simple oversight on Josef’s part. And it’s kind of heartening to see. Nearly every time we see Josef in action, he has a general grasp of his overall plan. He knows, more or less, how his targets will react, and his incredible improv skills allow him to course correct when necessary.
“Mark” just goes off the rails in ways Josef could never imagine.
Season 2, Episode 2 is Duplass and Brice’s nod at the Saw franchise. And, if anything other than a few laughs, solidifies the intense planning and expertise that goes into a John Kramer game. One simple oversight can cause a highly crafted plan to fall apart at the seams. To boot, “Mark” is one of the funniest pieces of horror media I have ever seen. It begs the question, what if an absolute dufus was put in a Saw film?
And don’t worry, bloodhounds, there’s gore aplenty!
The Creep Tapes: S2 E3 “Wes”
Wes (Diego Josef) finds himself taking a job to help Josef film a house-flipping show’s pilot episode. But night descends, and Wes realizes that they’re in the middle of nowhere. Wes’s attempted escape from Josef leads to an unfortunate run-in with law enforcement. Oh boy, how will he get out of this one?!
Even the greatest of franchises will bottom out at some point. Much of what we’ve seen Josef do involves a certain amount of suspension of disbelief. HOW is there not at least a Reddit thread about filmmakers/videographers who have gone missing after answering Craigslist ads? There is no way a 20/20 wouldn’t have been made about these killings if they were real. I mean, just look at how many tapes we see in the opening. Josef is talented at what he does, but everyone slips up eventually.
“Wes” brought me to a point where I was unable to suspend my disbelief. When AMERICAN police see someone moving a potentially dead body and don’t immediately cuff and detain them, you’re asking a bit too much. The crux of this episode revolves around a repeated word: “professionalism.” I get that it’s supposed to shine a light on how unprofessional the police are in this scenario, but it’s a step too far.
What I will say is that it’s a fun angle to take. We’re watching this killer that we’ve seen commit nearly 10 murders, and there are more we haven’t, interact face to face with the police. How will he get out of this sticky situation? I just don’t believe the way it is handled is grounded in a reality that would ever make sense. The chemistry between Wes and Josef, though, is some of the best in the entire franchise. They play off of each other incredibly well, and it makes you wish “Wes” were a feature-length film character instead of an episode character.
A Bold New Chapter for The Creep Tapes
Overall, the first three episodes of The Creep Tapes Season 2 were an overall blast. Even with the issues I had throughout “Wes”, I was entertained the entire time. “Joseph” and “Mark” are contenders for the best episodes of the entire series (and maybe even best entries in the entire franchise). I love seeing Mark Duplass and Patrick Brice spreading their wings to take Josef in different directions. They find ways to keep the product feeling original while still paying direct homage to horror properties beloved by the masses. If these are the first three episodes of Season 2, I think we’re in for a real treat with the final three.
The Creep Tapes Season 2 premieres November 14 on Shudder and AMC+.
TV
Is ‘It: Welcome to Derry’ Worth the Watch?
I loved It (2017) and politely refuse to talk about It Chapter Two. So, I have been impatiently waiting for It: Welcome to Derry to drop. I leaned in as soon as it was announced that Andy Muschietti, Barbara Muschietti, and Jason Fuchs were developing the prequel series for HBO Max. So, while I was denied screeners at the eleventh hour, I still tuned in Sunday night to see if it would live up to the hype. I found myself overall pleasantly surprised, despite having a couple of questions, comments, and concerns.
What’s Going On In Derry?
‘The Pilot’ takes place in 1962. We meet Matt Clements (Miles Ekhardt), a kid with a pacifier habit who loves to sneak into movies. He is caught in a showing of The Music Man and has to leave the venue. He makes the mistake of hitchhiking with a family that turns out to be the last time he is seen. The demonic car ride sets us up to know that kids are in danger in this series, and Matty is clearly not our lead.
Matty’s friends Teddy Uris (Mikkal Karim-Fidler) and Phil Malkin (Jack Molloy Legault) are still reeling from his disappearance. Teddy seems to be taking it the worst as everyone in town refuses to talk to him about it. Another kid taking this disappearance hard is Lilly Bainbridge (Clara Stack), who was on the brink of a possible friendship with Matt. She also has her own baggage, so when Matt’s voice and fingers make their way into her drain, she connects with his friends.
This leads them to form a kid gang to investigate, which includes Susie (Hunter Storm Baker) and Ronnie Grogan (Amanda Christie). As an audience, you assume this will be our core group. However, you know what they say about assuming and It: Welcome to Derry makes a bloody ass out of you and me. The ending is shocking, and the reason I will be tuning into the second episode.
Who’s Who?
While we know Bill Skarsgård will be reprising the role of Pennywise, we do not see him in the first episode. Which is smart because you have to leave the audience wanting more. However, we do meet Leroy Hanlon (Jovan Adepo), who is the grandfather of Mike Hanlon. So, that’s a huge connection to The Loser’s Club we all know from the book and films. He’s experiencing racism at a military base and is ambushed by a weird group that he and his friend fend off. His story was sort of sidelined, so I’m waiting to see how it fully intertwines with what the kids got into. It’s still early yet, and whatever we think we know might not be the gospel. However, his wife Charlotte Hanlon (Taylour Paige) will also be getting screen time. I’m happy to see this because most King adaptations become overwhelmingly white cast affairs.
Speaking of Black characters from the Stephen King Universe getting more to do, young Dick Hallorann (Chris Chalk) will be involved in the story in some way. Constant Readers will remember Dick from The Shining. He was the Black character who also had “the shine’ and saved Danny and Wendy from the Overlook Hotel. In my least favorite adaptation, he is played by the late and great Scatman Crothers. Stanley Kubrick decided to axe the Black psychic character and perpetuate a trope with his version of King’s tale. A choice I still side-eye, and why I love to see this character in other iterations of the tale. So, I am very excited to see how he will fit into It: Welcome to Derry.
Am I Feeling It: Welcome to Derry?
As a former Constant Reader and a lover of horror television, I’m an easy target for this show. While I think the pilot had a couple of things that don’t quite make sense (yet), I’m still leaning in. I am here for the vicious way children are dispatched, the surprising deaths, and for the expansion of one Stephen King’s most iconic baddies. So, I have a date with It: Welcome to Derry this weekend. I want to see where it goes now that most of the cast we were introduced to is dead. I also want to see Pennywise on the small screen to see if Skarsgård can creep us out again. More importantly, it is a fun and intriguing story, and that goes a long way with me.
It’s too soon to say if It: Welcome to Derry will be one of the best shows of the year. However, I have hope that it’s ramping up to be a good time. If it avoids falling into fan service territory and tightens up some of the story, this could be a damn good time. There is so much potential in this pilot. I cannot help rooting for it to find its footing and surprise us all. Sadly, hope is a dangerous thing, so I am so nervous it could be another fumble down the line. All I know is I plan to show up for the next two episodes and see where this all goes.
Watch the ‘It: Welcome to Derry’ Trailer




