TV
Happy Holidays, Uglies: The Boulet Brothers’ Dragula S4 Ep9 “The Last Supper” Recap
Even hellions celebrate the holidays, and the fallen monsters have been brought back from the beyond to join the final four and Boulet’s for a yuletide Last Super (aka wine and energy drinks). They’re here to sift through all the blood & gristle and get to the bottom of the most dramatic season yet – and hopefully give us a few laughs before the eggnog runs dry. Merry Christmas, ya filthy animals.
New Beginnings: After looking at some standout audition tapes, the Boulets ask why the monsters wanted to enter the competition. Astrud says winning Dragula World propelled her; Betty wanted to show that trans women in drag are more than just a pretty face, Merrie craved a challenge, and digital queen Formelda simply wanted to step foot on an actual stage. Everyone agrees the grueling process has made their drag stronger, and returnees Dahli and Saint confirm their prior experience enabled them to remain drama-free. Zavaleta also jokes that she initially disliked Hoso, but then she realized Hoso’s a bitch just like her, and friendship blossomed.
Merrie Cherry vs. Everyone: Dressed like Father Christmas, Merrie has a lot to discuss surrounding her time as the season’s biggest personality. A clip displays the worst of it, and Merrie starts with a spirited, “Geez Louise. Fuck all of you already”. Sigourney feels Merrie had a target on her back from Day 1, and Koco chimes in that Merrie was mad Sigourney wasn’t featuring her in her world, so she spat back. Some agree Sigourney was walled-off, but she feels she can include whomever she wants; that’s not good TV, according to Merrie. An iconic Merrie vs. Koco also plays out, in which Koco reads Merrie for filth regarding Merrie’s displeasure at being paired together during episode 2. In the end, they come to terms, and Koco drops the mic: “She reminds me of a relative that I probably wouldn’t sit next to for too long at the cookout cause she gonna read me, but we still cut up, have a good time, have a drink.”
Astrud’s Meltdown: Quickly addressing one of the season’s more extreme moments, Astrud said she’s never experienced such a breakdown; Dhali, having been a friend for years, backs her up. Was she cast for storyline reasons? Drac informs her that her audition tape was sickening and hopes to see more of her in the future.
Monsters of Rock: Behind-the-scenes footage reveals that Merrie did acquiesce to Sigourney’s leadership…eventually. Sigourney also notes that there was a group effort not shown in the edit, and her solo trip to the fabric store – which gave the others a bad look from an outsider’s perspective – didn’t need company. Merrie contends that as team leader Sigourney should have mentioned this during judgment. However, Dragula is not a benevolent god, and perhaps Sigourney felt Merrie stirred up too much trouble to warrant being pulled out from under that bus.
Jade vs. Betty: The tea has been spilled, and Jade might be more at fault than what initially appears due to some off-camera shenanigans. Long story short: A she said, she said regarding Sigourney and the Monsters of Rock challenge, in which Jade performed some backtracking, sabotage, and illusion, is what ultimately caused the rift between herself, Betty, and Merrie. Jade reveals some mental health issues that have plagued her past and possibly influenced her handling of the situation. Betty and Merrie are sympathetic, and the trio is friends, not frenemies, once more.
Q&A: A lightning round of questions sheds some light on the darkness. Astrud and Hoso may still have a love affair brewing; Formelda wore club kid boots because her other shoe broke – everyone insists she would have been better off barefoot (hell, Merrie’s done it); Saint is the only one who wouldn’t return for another Resurrection after having The Boulet Brothers’ Dragula consume the last three years of her life; an anonymously shady question asks if Merrie can spell delusional – she can and does!
Extermination: Let’s not forget that the last episode ended on a cliffhanger…who will make Top 3? The Boulets reveal the names: Dhali, Sigourney, and finally Saint. All are thrilled and relieved, except for poor Hoso, who almost breaks down in tears. The Boulets have one more trick up their sleeve: For one time only, due to the final four’s immense power and in the spirit of it being the fourth season, Hoso is also in the finale!
Quote of the Episode: “No one can make fan art of drama” -Drac
Reunion MVP: Koco Caine may have left the competition early, but as I mentioned during the premiere, she knows how to narrate. Her words are cutting and sometimes even loving. She’s America’s Mistress!
TV
The Creep Tapes: “Brad” (S1E4)
If The Creep Tapes aren’t automatically greenlit for a second season, someone is making a mistake. These episodes have endless replayability. Each time you watch, you’ll find something new. You will see moments where something clicks in Josef’s head that you missed the first time; you will see when he makes split-second decisions you may have missed. The easiest way to put my thoughts into a phrase is that this franchise is lightning in a bottle.
Josef (Mark Duplass) continues his reign of terror with the best episode in the entire series so far. We’ve seen Josef trap people in a snowy mountain cabin, bait a birdwatcher into an oxygen-deprived fate, and get a gotcha journalist. So what could he do next? How about trapping a true crime filmmaker into a nightmare out of his own films?
Brad (Josh Ruben) is a washed-up true-crime filmmaker who hasn’t had a hit in years. He is invited by Josef to a gorgeous house and offered to hear a pitch that’ll change everything. What is the pitch? Document true crime as it occurs. After some hemming and hawing, Brad agrees to participate in this odd experiment. Little does Brad know that he may end up more than a documentarian.
Why is this my favorite episode? To start, Josh Ruben. I love Josh Ruben. From his hysterical appearances on Game Changer to his harrowing performance in A Wounded Fawn, Ruben is one hell of a talented actor. But he’s more than just an actor; he’s also a great horror director. His written/directed hit horror comedy Scare Me delights with frights, while Werewolves Within was a more mature, albeit still funny, directorial feat. Simply put, whatever Josh Ruben touches turns to gold.
Secondly, the story. Episode 4, “Brad,” has one of the best stories of the series. Imagine you are a true-crime filmmaker who hits gold with your first project. Then, everything dries up. You can’t find the magic that made your first project so special to true-crime fanatics around the world. Suddenly, you’re allowed to change your fate. There’s something magical about that.
I want to go into more detail about this episode’s story, and we will break the spoiler barrier at this point. The big twist for this episode is that not only is Brad obviously being targeted by Josef, but in a way that’s more sinister than Josef has done before. Josef turns Brad into the killer. What Brad didn’t know is that Josef had cameras set up in specific locations and planned to make Brad appear as a killer. Once Brad realizes this, his whole world falls apart. He, on camera, has become what he wanted to film. What Josef has done here is gorgeously grotesque.
Besides the great twist, Duplass and Ruben have brilliant chemistry. I feel like I’ve said this many times in my Creep Tapes coverage, but Duplass plays off everyone so well. That’s one of the charms of Duplass and the Creep franchise as a whole. Without an actor as incredible as Duplass, this franchise would not work. His boyish charm plays off his maniacal inner nature in ways that haven’t been captured before.
If The Creep Tapes aren’t automatically greenlit for a second season, someone is making a mistake. These episodes have endless replayability. Each time you watch, you’ll find something new. You will see moments where something clicks in Josef’s head that you missed the first time; you will see when he makes split-second decisions you may have missed. The easiest way to put my thoughts into a phrase is that this franchise is lightning in a bottle.
TV
The Creep Tapes: “Jeremy” (S1E3)
Episodes 1 and 2 of The Creep Tapes set a terrifying precedent of murderous mayhem at the hands of Josef (Mark Duplass). We may or may not have learned anything new regarding the canon or lore behind Josef, but we’ve gotten to watch him ‘play with his food’. I still believe that Episode 2, “Elliot,” is the slowest of the episodes thus far, but I’ve slightly come around to the idea of it. One of my best friends told me, “If that’s the worst episode, then we’re in for a treat.” And honestly, that’s the best way I could describe my thoughts on it.
Episode 3, “Jeremy”, takes us out of the wetlands and returns us to a claustrophobic mountain house. “Jeremy” follows our newest victim, Jeremy (Josh Fadem), a ‘gotcha’ internet personality whose whole personality surrounds exposing those he deems needing to be exposed. After his Big Pharma expose, Jeremy finds his sights on Father Tom Durkin (Mark Duplass). Jeremy meets with Father Durkin under the guise of an interview. Little do both of them know…neither is there for what the other thinks.
This episode will probably be a diving episode for fans. I’m personally a big fan of Josh Fadem. His quirky awkwardness is appealing to me. But there’s a chance his schtick will get old quickly for some viewers. The way Fadem and Duplass play off each other is fascinating to watch, and it creates a very compelling dynamic.
Duplass has always given 110% when playing Josef, but he amps it up tenfold in this episode. We get one of the funniest bits in Creep history when Josef/Father Tom Durkin *literally* exercises his demons out. Besides that exercise bit, Father Tom Durkin is one of Josef’s greatest personalities.
If you haven’t seen the episode, I’m about to mention something that is a spoiler, BUT it needs to be discussed. Toward the latter half of the episode, Josef shows Jeremy one of his tapes and uses this to ease Jeremy. The goal of showing him this tape is to give Jeremy his Gotcha moment. See, “Father Tom Durkin” was supposedly possessed and was being exorcised by Father Dom Gurkin. The video we see is of Josef, in his Peachfuzz mask and underwear, cowering in the corner of a small shack while Father Dom Gurkin tries to exorcize the demon from him.
From what we’ve seen so far, between the first two films and the first two episodes, this is the only evidence that Josef has shown something from his collection to one of his victims. Not only is this idea haunting from Jeremy’s perspective but as a viewer as well. Knowing what we know, this is beyond terrifying. I can only imagine what’s going through Josef’s head while Jeremy is watching this. Will we witness Josef showing other victims tapes at any point?
Episode 3 continues to strike fear into Creep fans and shows no signs of stopping. I still don’t enjoy the credits and think it ruins the immersion (this is a general complaint of opening credits in all found footage) but I’ve come to accept it at this point. I’m happy that Josh Fadem has a character that is canon in the Creep-iverse, and this episode does an excellent job of continuing the legend of Josef. My only real question is, in this age of cell phone pings, how hasn’t he been caught yet?! I’ll continue to suspend my disbelief on that front. With three episodes left in this season, what havoc will Josef wreak on the camera people of this town? Tune in next Friday to find out!