Connect with us

TV

Hide the Soul (And Hide the Filler): Chucky Season 1 Episode 5 “Little Little Lies” Recap

Published

on

An episode that crawls where the others ran, the results of Chucky’s scheming in the present day falls flat in comparison to the rest of the episode’s contents.

Not going to lie; this was a rough one for me, especially after having so much fun with “Just Let Go.”

Don’t get me wrong, there are things to like in this episode. The kiss between Jake and Devon was sweet, and hearing during the behind-the scenes that it was modeled after what Don Mancini wished his first kiss had been like was heartwarming. I love the flashbacks to the 80s as we see how the star-crossed, bloodstained lovers Chucky and Tiffany met. And my god, do I love Fiona Dourif’s portrayal of human Chucky! It was so good I admittedly didn’t realize it was her until the following episode and just assumed it was a freakishly close lookalike actor in makeup.

Of course, who can complain about Tiffany? Every time she inhabits the role, Jennifer Tilly brings the same magic she had in Bride and adds a little something extra. Seeing her tumultuous love life and dysfunctional domestic woes with Nica-Chucky is a great change of pace. Not to mention Fiona pulling double duty and having to switch between the two souls inhabiting her body, which had to have taken a tremendous effort, performance-wise.

But overall, the fatal flaw of this episode is that much like Chucky’s soul, it’s too divided (what are we up to, like six soul divisions by now?). My ideal version of this episode would have been only Tiffany and Chucky, jumping back and forth between the past and the present of their relationship. You’d get more hilarious bickering, more flashbacks, and more trouble in paradise with Nica-Chucky’s soul tug of war. But this isn’t my ideal version, so I must accept that more than half of the episode spends too much time focusing on the Hackensack gang, without many plot developments or new depths of character for the trio. This is a shame since episode four ended on such a high note for those characters banding together, but I’m not getting anything radically new on that front this time around. I feel more emphasis could have been put on the distrust between Junior and Jake, but that doesn’t happen outside of a throwaway gag.

I understand that Chucky’s abilities in-universe have to be revealed to the characters gradually, but there are smoother and less time-consuming ways to do so than what we get. It all culminates in a twist that simply isn’t a twist for fans of the series, and I can’t imagine is too shocking for people who aren’t as well versed in Child’s Play lore either.

Advertisement

I audibly groaned when “Heads Will Roll” started to play after the principal’s decapitation because in any other circumstance, it would have been cheesy enough to be enjoyable. But sadly, not in this case. This episode is probably going to be a skip on future rewatches for me.

PERFORMANCE HIGHLIGHTS: Fiona Dourif and Blaise Crocker look great as the young versions of Chucky and Tiffany. Special props to Fiona for playing the role so perfectly with sleaze and ease. I’m grateful that she refused to subdue her performance while impersonating her father’s iconic voice. Being able to switch on a dime to a terrified and guilt-ridden Nica was also impressive.

VISUAL HIGHLIGHTS: As much as I dislike the final kill of the episode in context, out of context, the head prosthetic for the principal and the matching decapitated body were amazing. I also like the timelapse hallway shot of Jake and Devon holding hands, as goofy as the logistics of it are if you think about it too hard.

QUOTE OF THE EPISODE:
“You know I’d say you’re turning into your mother, but that would be an improvement!”
“You know, my mother always told me ‘Never let a man cockblock you from what really makes you happy’! AND EATING MAKES ME HAPPY!”

RATING: 5.5, maybe 6 (Kinky Hotel Room Foreplay Murders)/10. The saving grace of this episode is all the Tiff and Chucky scenes, which is a bit of a shock since I had been primarily excited about Jake, Devon, and Lexy. It didn’t commit the cardinal sin for me of being completely boring, so I can’t rate this one lower than a 5, but it’s still markedly less enjoyable than all the episodes before and after it. It made me feel like I was at the movies and occasionally a projector with a much more interesting movie would get swapped in to replace what we were watching. Lots of mixed feelings, but I’ll have to keep it roughly in the middle of the scale since I only enjoyed so much of it.

Advertisement

READ OUR EPISODE 6 RECAP HERE!

Luis Pomales-Diaz is a freelance writer and lover of fantasy, sci-fi, and of course, horror. When he isn't working on a new article or short story, he can usually be found watching schlocky movies and forgotten television shows.

Continue Reading
Advertisement

TV

The Creep Tapes: “Brad” (S1E4)

If The Creep Tapes aren’t automatically greenlit for a second season, someone is making a mistake. These episodes have endless replayability. Each time you watch, you’ll find something new. You will see moments where something clicks in Josef’s head that you missed the first time; you will see when he makes split-second decisions you may have missed. The easiest way to put my thoughts into a phrase is that this franchise is lightning in a bottle.

Published

on

Josef (Mark Duplass) continues his reign of terror with the best episode in the entire series so far. We’ve seen Josef trap people in a snowy mountain cabin, bait a birdwatcher into an oxygen-deprived fate, and get a gotcha journalist. So what could he do next? How about trapping a true crime filmmaker into a nightmare out of his own films?

Brad (Josh Ruben) is a washed-up true-crime filmmaker who hasn’t had a hit in years. He is invited by Josef to a gorgeous house and offered to hear a pitch that’ll change everything. What is the pitch? Document true crime as it occurs. After some hemming and hawing, Brad agrees to participate in this odd experiment. Little does Brad know that he may end up more than a documentarian.

Why is this my favorite episode? To start, Josh Ruben. I love Josh Ruben. From his hysterical appearances on Game Changer to his harrowing performance in A Wounded Fawn, Ruben is one hell of a talented actor. But he’s more than just an actor; he’s also a great horror director. His written/directed hit horror comedy Scare Me delights with frights, while Werewolves Within was a more mature, albeit still funny, directorial feat. Simply put, whatever Josh Ruben touches turns to gold.

Secondly, the story. Episode 4, “Brad,” has one of the best stories of the series. Imagine you are a true-crime filmmaker who hits gold with your first project. Then, everything dries up. You can’t find the magic that made your first project so special to true-crime fanatics around the world. Suddenly, you’re allowed to change your fate. There’s something magical about that.

I want to go into more detail about this episode’s story, and we will break the spoiler barrier at this point. The big twist for this episode is that not only is Brad obviously being targeted by Josef, but in a way that’s more sinister than Josef has done before. Josef turns Brad into the killer. What Brad didn’t know is that Josef had cameras set up in specific locations and planned to make Brad appear as a killer. Once Brad realizes this, his whole world falls apart. He, on camera, has become what he wanted to film. What Josef has done here is gorgeously grotesque.

Advertisement

Besides the great twist, Duplass and Ruben have brilliant chemistry. I feel like I’ve said this many times in my Creep Tapes coverage, but Duplass plays off everyone so well. That’s one of the charms of Duplass and the Creep franchise as a whole. Without an actor as incredible as Duplass, this franchise would not work. His boyish charm plays off his maniacal inner nature in ways that haven’t been captured before.

If The Creep Tapes aren’t automatically greenlit for a second season, someone is making a mistake. These episodes have endless replayability. Each time you watch, you’ll find something new. You will see moments where something clicks in Josef’s head that you missed the first time; you will see when he makes split-second decisions you may have missed. The easiest way to put my thoughts into a phrase is that this franchise is lightning in a bottle.

Continue Reading

TV

The Creep Tapes: “Jeremy” (S1E3)

Published

on

Episodes 1 and 2 of The Creep Tapes set a terrifying precedent of murderous mayhem at the hands of Josef (Mark Duplass). We may or may not have learned anything new regarding the canon or lore behind Josef, but we’ve gotten to watch him ‘play with his food’. I still believe that Episode 2, “Elliot,” is the slowest of the episodes thus far, but I’ve slightly come around to the idea of it. One of my best friends told me, “If that’s the worst episode, then we’re in for a treat.” And honestly, that’s the best way I could describe my thoughts on it.

Episode 3, “Jeremy”, takes us out of the wetlands and returns us to a claustrophobic mountain house. “Jeremy” follows our newest victim, Jeremy (Josh Fadem), a ‘gotcha’  internet personality whose whole personality surrounds exposing those he deems needing to be exposed. After his Big Pharma expose, Jeremy finds his sights on Father Tom Durkin (Mark Duplass). Jeremy meets with Father Durkin under the guise of an interview. Little do both of them know…neither is there for what the other thinks.

This episode will probably be a diving episode for fans. I’m personally a big fan of Josh Fadem. His quirky awkwardness is appealing to me. But there’s a chance his schtick will get old quickly for some viewers. The way Fadem and Duplass play off each other is fascinating to watch, and it creates a very compelling dynamic.

Duplass has always given 110% when playing Josef, but he amps it up tenfold in this episode. We get one of the funniest bits in Creep history when Josef/Father Tom Durkin *literally* exercises his demons out. Besides that exercise bit, Father Tom Durkin is one of Josef’s greatest personalities.

If you haven’t seen the episode, I’m about to mention something that is a spoiler, BUT it needs to be discussed. Toward the latter half of the episode, Josef shows Jeremy one of his tapes and uses this to ease Jeremy. The goal of showing him this tape is to give Jeremy his Gotcha moment. See, “Father Tom Durkin” was supposedly possessed and was being exorcised by Father Dom Gurkin. The video we see is of Josef, in his Peachfuzz mask and underwear, cowering in the corner of a small shack while Father Dom Gurkin tries to exorcize the demon from him.

Advertisement

From what we’ve seen so far, between the first two films and the first two episodes, this is the only evidence that Josef has shown something from his collection to one of his victims. Not only is this idea haunting from Jeremy’s perspective but as a viewer as well. Knowing what we know, this is beyond terrifying. I can only imagine what’s going through Josef’s head while Jeremy is watching this. Will we witness Josef showing other victims tapes at any point?

Episode 3 continues to strike fear into Creep fans and shows no signs of stopping. I still don’t enjoy the credits and think it ruins the immersion (this is a general complaint of opening credits in all found footage) but I’ve come to accept it at this point. I’m happy that Josh Fadem has a character that is canon in the Creep-iverse, and this episode does an excellent job of continuing the legend of Josef. My only real question is, in this age of cell phone pings, how hasn’t he been caught yet?! I’ll continue to suspend my disbelief on that front. With three episodes left in this season, what havoc will Josef wreak on the camera people of this town? Tune in next Friday to find out!

Continue Reading

Horror Press Mailing List

Fangoria
Advertisement
Advertisement