TV
Sore Throats, High Hopes: The Boulet Brothers’ Dragula S4 Ep4 “Monsters of Rock” Recap
It’s the Boulet’s favorite episode of the season, and what better way to celebrate than a trip to the strip club? We enter the bordello in a pool of blood that’s being mopped by our favorite stomach-churning janitor, the Queen of Filth and Season 2 winner Biqtch Puddin. The Boulets arrive from behind the velvet curtain in looks taken straight outta 1980’s New Jersey; you know what they say…the higher the hair, the closer to hell. One unlucky stripper gets a little too excited to perform and spills Swan’s drink. This will not stand, and with the snap of a finger, the poor hunk is choked out between the meaty thighs of his colleague. Punk isn’t dead; he is.
The Challenge: The annual Monsters of Rock show has arrived, and the Boulet’s are pumped. As usual, the cast will be split into two bands that must burn the house down to a performance by YouTube sensation Poppy’s nu-metal track “Bite Your Teeth.” The winner will be illustrated into a comic for “Heavy Metal Magazine” – legendary! The bands are: Zenith, with lead singer Dahli and members Hoso, Saint, and Zavaleta; and Glam Rot, with lead singer Sigourney and members Merrie, Jade, and Betty. Zenith immediately has their act together, and leader Dhali provides a perfect environment for healthy communication. Lucky for us, though, Glam Rot is a raging dumpster fire.
The Drama: At the start of the episode, everyone jumps up and down, jiggling their chests, in a touching and humorous tribute to the slain Koco. But the fun ends there, and nonstop drama consumes Glam Rot. Instantly there is dissonance within, and most of it is rooted in Ms. Merrie Cherry’s dislike for Sigourney Beaver. It’s pretty obvious she has never liked Ms. Beaver, and with her nemesis being named lead singer (and yes, Merrie, that means team leader, too), she takes every opportunity to make this challenge a living hell. For example, Sigourney thinks their looks should go the dark beauty route, while Merrie feels the “pretty girls” should subvert expectations. Disagreement is expected in a group scenario, but Merrie goes hard and relentless. Ms.Cherry also does not have an outfit prepared for the group performance. Sigourney offers to handmake one herself, a topic which comes up later when Betty suggests Sigourney wanted to take everything on, martyr-style. Things even get heated between pals Betty and Jade, resulting in Jade’s disenchantment with Betty and Merrie, whom she had felt closest to. Watching Glam Rot suffer makes for good TV, but as Dhali remarks, the secondhand embarrassment is real.
Floor Show & Judgment: In an appropriately epic entrance, the Boulet’s light up the stage draped in enormous capes and showered by fireworks. The runway portion of the floor show serves: Dahli, a nu metal goddess; Betty in tiger print bulge; Zavaleta resurrects punk glamour and shows off her ass-et; Sigourney, an amalgamation of Juggalos, Kiss, and Marie Antoinette; Hoso, a sinister Avril Lavigne; and someone finally breaks a guitar on stage thanks to Jade. Merrie was there too, looking like an orange Yoda. The band performances were messy – wigs snatched off, Merrie in slippers, people falling, and general incoherence. Personally, this isn’t my favorite challenge; they’re playing Rock Band, but I think their mistakes may have added a certain charm to watching a faux rock show. As expected, Zenith easily takes the battle of the bands, and Dahli wins the whole shebang. All of Glam Rot is up for elimination, and every monster throws Merrie under the bus when asked who should be exterminated. Whether or not Sigourney stepped up as a good leader, Merrie attempted mutiny far too many times.
Extermination: Glam Rot is strapped into the Dreadnought Electrocutioner, and over three rounds, they can select who will be shocked– it’s almost as if the Boulet’s knew they’d want to slit each other’s throats. It’s Merrie who’s in for the biggest shock of her life as we leave the Dreadnought and see her wandering through the deserted strip club. She’s not alone, however, and the club’s hunks close in and introduce her to their killer thighs.
Quote of the Episode: “Now, we’ve taken the liberty of choosing your teams based off of what we thought would piss you off the most, and also, what we felt would create the most drama.” – Swan
Honorable Mention: The Boulets mention that Sigourney would have won if her band prevailed, and I agree. She casually dominated that stage as a Kissified Marie Antoinette.
Rating: Entertaining as the floor show was, the drama with Merrie wore thin, and thankfully it was her time to go. (6/10 Poppy Seeds)
TV
The Creep Tapes: “Brad” (S1E4)
If The Creep Tapes aren’t automatically greenlit for a second season, someone is making a mistake. These episodes have endless replayability. Each time you watch, you’ll find something new. You will see moments where something clicks in Josef’s head that you missed the first time; you will see when he makes split-second decisions you may have missed. The easiest way to put my thoughts into a phrase is that this franchise is lightning in a bottle.
Josef (Mark Duplass) continues his reign of terror with the best episode in the entire series so far. We’ve seen Josef trap people in a snowy mountain cabin, bait a birdwatcher into an oxygen-deprived fate, and get a gotcha journalist. So what could he do next? How about trapping a true crime filmmaker into a nightmare out of his own films?
Brad (Josh Ruben) is a washed-up true-crime filmmaker who hasn’t had a hit in years. He is invited by Josef to a gorgeous house and offered to hear a pitch that’ll change everything. What is the pitch? Document true crime as it occurs. After some hemming and hawing, Brad agrees to participate in this odd experiment. Little does Brad know that he may end up more than a documentarian.
Why is this my favorite episode? To start, Josh Ruben. I love Josh Ruben. From his hysterical appearances on Game Changer to his harrowing performance in A Wounded Fawn, Ruben is one hell of a talented actor. But he’s more than just an actor; he’s also a great horror director. His written/directed hit horror comedy Scare Me delights with frights, while Werewolves Within was a more mature, albeit still funny, directorial feat. Simply put, whatever Josh Ruben touches turns to gold.
Secondly, the story. Episode 4, “Brad,” has one of the best stories of the series. Imagine you are a true-crime filmmaker who hits gold with your first project. Then, everything dries up. You can’t find the magic that made your first project so special to true-crime fanatics around the world. Suddenly, you’re allowed to change your fate. There’s something magical about that.
I want to go into more detail about this episode’s story, and we will break the spoiler barrier at this point. The big twist for this episode is that not only is Brad obviously being targeted by Josef, but in a way that’s more sinister than Josef has done before. Josef turns Brad into the killer. What Brad didn’t know is that Josef had cameras set up in specific locations and planned to make Brad appear as a killer. Once Brad realizes this, his whole world falls apart. He, on camera, has become what he wanted to film. What Josef has done here is gorgeously grotesque.
Besides the great twist, Duplass and Ruben have brilliant chemistry. I feel like I’ve said this many times in my Creep Tapes coverage, but Duplass plays off everyone so well. That’s one of the charms of Duplass and the Creep franchise as a whole. Without an actor as incredible as Duplass, this franchise would not work. His boyish charm plays off his maniacal inner nature in ways that haven’t been captured before.
If The Creep Tapes aren’t automatically greenlit for a second season, someone is making a mistake. These episodes have endless replayability. Each time you watch, you’ll find something new. You will see moments where something clicks in Josef’s head that you missed the first time; you will see when he makes split-second decisions you may have missed. The easiest way to put my thoughts into a phrase is that this franchise is lightning in a bottle.
TV
The Creep Tapes: “Jeremy” (S1E3)
Episodes 1 and 2 of The Creep Tapes set a terrifying precedent of murderous mayhem at the hands of Josef (Mark Duplass). We may or may not have learned anything new regarding the canon or lore behind Josef, but we’ve gotten to watch him ‘play with his food’. I still believe that Episode 2, “Elliot,” is the slowest of the episodes thus far, but I’ve slightly come around to the idea of it. One of my best friends told me, “If that’s the worst episode, then we’re in for a treat.” And honestly, that’s the best way I could describe my thoughts on it.
Episode 3, “Jeremy”, takes us out of the wetlands and returns us to a claustrophobic mountain house. “Jeremy” follows our newest victim, Jeremy (Josh Fadem), a ‘gotcha’ internet personality whose whole personality surrounds exposing those he deems needing to be exposed. After his Big Pharma expose, Jeremy finds his sights on Father Tom Durkin (Mark Duplass). Jeremy meets with Father Durkin under the guise of an interview. Little do both of them know…neither is there for what the other thinks.
This episode will probably be a diving episode for fans. I’m personally a big fan of Josh Fadem. His quirky awkwardness is appealing to me. But there’s a chance his schtick will get old quickly for some viewers. The way Fadem and Duplass play off each other is fascinating to watch, and it creates a very compelling dynamic.
Duplass has always given 110% when playing Josef, but he amps it up tenfold in this episode. We get one of the funniest bits in Creep history when Josef/Father Tom Durkin *literally* exercises his demons out. Besides that exercise bit, Father Tom Durkin is one of Josef’s greatest personalities.
If you haven’t seen the episode, I’m about to mention something that is a spoiler, BUT it needs to be discussed. Toward the latter half of the episode, Josef shows Jeremy one of his tapes and uses this to ease Jeremy. The goal of showing him this tape is to give Jeremy his Gotcha moment. See, “Father Tom Durkin” was supposedly possessed and was being exorcised by Father Dom Gurkin. The video we see is of Josef, in his Peachfuzz mask and underwear, cowering in the corner of a small shack while Father Dom Gurkin tries to exorcize the demon from him.
From what we’ve seen so far, between the first two films and the first two episodes, this is the only evidence that Josef has shown something from his collection to one of his victims. Not only is this idea haunting from Jeremy’s perspective but as a viewer as well. Knowing what we know, this is beyond terrifying. I can only imagine what’s going through Josef’s head while Jeremy is watching this. Will we witness Josef showing other victims tapes at any point?
Episode 3 continues to strike fear into Creep fans and shows no signs of stopping. I still don’t enjoy the credits and think it ruins the immersion (this is a general complaint of opening credits in all found footage) but I’ve come to accept it at this point. I’m happy that Josh Fadem has a character that is canon in the Creep-iverse, and this episode does an excellent job of continuing the legend of Josef. My only real question is, in this age of cell phone pings, how hasn’t he been caught yet?! I’ll continue to suspend my disbelief on that front. With three episodes left in this season, what havoc will Josef wreak on the camera people of this town? Tune in next Friday to find out!