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Falling Down: Chucky Season 1 Episode 6 “Cape Queer” Recap

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Back from the depths of a series low, this chapter treats us to an episode full of references, returns, and really messed up deaths.

And just like that, the show I love is back! The quality of this episode feels like an apology for five, and that’s the last disparaging comment I’ll make regarding that, promise.

We get a fast-paced, four-minute opener that feels like it could have been the intro to a Chucky movie of its own, and my gut tells me that at some point this probably was, but you won’t find me complaining about it. It’s incredibly satisfying to see the on-screen return of Andy, and more importantly Kyle who we only got the slightest glimpse of in Cult. It’s also damn enjoyable seeing the first of many shots in this episode that pay homage to iconic films like Pulp Fiction, Cape Fear, and Christine; it was cathartic seeing Andy and Kyle unloading their clips on Melty Hand Chucky from the previous film like they’re Jules and Vincent. Now all I need to know is just where is that darned, one-armed, drill wielding Chucky who we last saw sitting in the asylum patiently? Eh, that’s a problem for next season, I guess.

Alex Vincent’s acting is not great, I’m not going to pretend that it is. But his portrayal of Andy’s obsession with Chucky, which has clearly spun out of control since the last film’s events, is equal parts just cheesy enough and just weird enough to work. This kind of performance makes for a good balance when he interacts with the much more strait-laced Kyle, who is very clearly serving as a counterbalance for her traumatized foster brother and his doll induced instabilities.

A performance I can wholly praise however is Lexa Doig’s, playing Junior’s mother Bree. Doig’s last big name horror role was Rowan in Jason X (I knew she looked familiar!), but she fits right at home in this series. Both her and Sawa’s performance as they psyche themselves up, trying to muster an explanation for Junior regarding Bree’s cancer diagnosis, is not only compelling but genuinely saddening. The way she recomposes herself to comfort Junior, her explaining to him what exactly she talks about in therapy, and her bold refusal of treatment while facing her illness just makes her death even more harrowing in the end. I really hope that Doig gets a second role in the franchise the same way Michael Therriault and Adam Hurtig have before her just because of how enjoyable she was to watch.

After Bree’s death I was sure the second half of the episode wouldn’t be able to keep up, but the tension in this episode stays at a fever pitch to the very final frame. I enjoyed the slow crawl through the Wheeler mansion hunting for Chucky as the crew attempts to corner the doll strategically. Samir Rehem’s steady directing complements the scene’s mood. The showdown between them and Chucky isn’t as long I would have liked, but at this point I’m just being greedy asking for more, especially when the sequence ends with such a potent shock. Detective Evan’s death at the hands of Chucky’s second fatal push of the episode was even more of a sucker punch and left me totally stunned the first time I saw it. I’m glad to say the end of this episode still hits hard.

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PERFORMANCE HIGHLIGHTS: This may seem like a cop out, but I legitimately think this is the first episode where I can say everyone was just downright fantastic. All the major players got a heart-to-heart moment or piece of dialogue that showcased their talent. One performance I will always note is from Fiona Dourif, who is forced to do her stellar Chucky impression worse than it actually is to play Nica pretending to be Chucky. Meta.

VISUAL HIGHLIGHTS: The plunge Bree takes is a cut above most of kills in the franchise. It’s shocking, creative, insane looking, and all in all a brutal end. I’m not going to be forgetting the pan to Bree’s face through the broken windshield anytime soon. This episode’s title card with Chucky’s reflection in the glass shards is also my favorite out of all the episodes.

QUOTE OF THE EPISODE:
“Oh shit. That never happened in Cape Fear.”
“Of course not. DeNiro could have never fit down the chimney.”
“No dude. He was totally ripped in that.”

RATING: 10 (Maternal Murders by Falling)/10. The first perfect score since the pilot, and the last one for the season. It’s the one I’ve enjoyed rewatching the most, just for all the emotional highs and lows you’re subjected to as a viewer and all the instant classic moments we get. It’s also unrelenting emotionally, which feels like it should be a rarity for a show about a redhead killer doll.

READ OUR EPISODE 7 RECAP HERE

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Luis Pomales-Diaz is a freelance writer and lover of fantasy, sci-fi, and of course, horror. When he isn't working on a new article or short story, he can usually be found watching schlocky movies and forgotten television shows.

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The Creep Tapes: “Brad” (S1E4)

If The Creep Tapes aren’t automatically greenlit for a second season, someone is making a mistake. These episodes have endless replayability. Each time you watch, you’ll find something new. You will see moments where something clicks in Josef’s head that you missed the first time; you will see when he makes split-second decisions you may have missed. The easiest way to put my thoughts into a phrase is that this franchise is lightning in a bottle.

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Josef (Mark Duplass) continues his reign of terror with the best episode in the entire series so far. We’ve seen Josef trap people in a snowy mountain cabin, bait a birdwatcher into an oxygen-deprived fate, and get a gotcha journalist. So what could he do next? How about trapping a true crime filmmaker into a nightmare out of his own films?

Brad (Josh Ruben) is a washed-up true-crime filmmaker who hasn’t had a hit in years. He is invited by Josef to a gorgeous house and offered to hear a pitch that’ll change everything. What is the pitch? Document true crime as it occurs. After some hemming and hawing, Brad agrees to participate in this odd experiment. Little does Brad know that he may end up more than a documentarian.

Why is this my favorite episode? To start, Josh Ruben. I love Josh Ruben. From his hysterical appearances on Game Changer to his harrowing performance in A Wounded Fawn, Ruben is one hell of a talented actor. But he’s more than just an actor; he’s also a great horror director. His written/directed hit horror comedy Scare Me delights with frights, while Werewolves Within was a more mature, albeit still funny, directorial feat. Simply put, whatever Josh Ruben touches turns to gold.

Secondly, the story. Episode 4, “Brad,” has one of the best stories of the series. Imagine you are a true-crime filmmaker who hits gold with your first project. Then, everything dries up. You can’t find the magic that made your first project so special to true-crime fanatics around the world. Suddenly, you’re allowed to change your fate. There’s something magical about that.

I want to go into more detail about this episode’s story, and we will break the spoiler barrier at this point. The big twist for this episode is that not only is Brad obviously being targeted by Josef, but in a way that’s more sinister than Josef has done before. Josef turns Brad into the killer. What Brad didn’t know is that Josef had cameras set up in specific locations and planned to make Brad appear as a killer. Once Brad realizes this, his whole world falls apart. He, on camera, has become what he wanted to film. What Josef has done here is gorgeously grotesque.

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Besides the great twist, Duplass and Ruben have brilliant chemistry. I feel like I’ve said this many times in my Creep Tapes coverage, but Duplass plays off everyone so well. That’s one of the charms of Duplass and the Creep franchise as a whole. Without an actor as incredible as Duplass, this franchise would not work. His boyish charm plays off his maniacal inner nature in ways that haven’t been captured before.

If The Creep Tapes aren’t automatically greenlit for a second season, someone is making a mistake. These episodes have endless replayability. Each time you watch, you’ll find something new. You will see moments where something clicks in Josef’s head that you missed the first time; you will see when he makes split-second decisions you may have missed. The easiest way to put my thoughts into a phrase is that this franchise is lightning in a bottle.

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The Creep Tapes: “Jeremy” (S1E3)

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Episodes 1 and 2 of The Creep Tapes set a terrifying precedent of murderous mayhem at the hands of Josef (Mark Duplass). We may or may not have learned anything new regarding the canon or lore behind Josef, but we’ve gotten to watch him ‘play with his food’. I still believe that Episode 2, “Elliot,” is the slowest of the episodes thus far, but I’ve slightly come around to the idea of it. One of my best friends told me, “If that’s the worst episode, then we’re in for a treat.” And honestly, that’s the best way I could describe my thoughts on it.

Episode 3, “Jeremy”, takes us out of the wetlands and returns us to a claustrophobic mountain house. “Jeremy” follows our newest victim, Jeremy (Josh Fadem), a ‘gotcha’  internet personality whose whole personality surrounds exposing those he deems needing to be exposed. After his Big Pharma expose, Jeremy finds his sights on Father Tom Durkin (Mark Duplass). Jeremy meets with Father Durkin under the guise of an interview. Little do both of them know…neither is there for what the other thinks.

This episode will probably be a diving episode for fans. I’m personally a big fan of Josh Fadem. His quirky awkwardness is appealing to me. But there’s a chance his schtick will get old quickly for some viewers. The way Fadem and Duplass play off each other is fascinating to watch, and it creates a very compelling dynamic.

Duplass has always given 110% when playing Josef, but he amps it up tenfold in this episode. We get one of the funniest bits in Creep history when Josef/Father Tom Durkin *literally* exercises his demons out. Besides that exercise bit, Father Tom Durkin is one of Josef’s greatest personalities.

If you haven’t seen the episode, I’m about to mention something that is a spoiler, BUT it needs to be discussed. Toward the latter half of the episode, Josef shows Jeremy one of his tapes and uses this to ease Jeremy. The goal of showing him this tape is to give Jeremy his Gotcha moment. See, “Father Tom Durkin” was supposedly possessed and was being exorcised by Father Dom Gurkin. The video we see is of Josef, in his Peachfuzz mask and underwear, cowering in the corner of a small shack while Father Dom Gurkin tries to exorcize the demon from him.

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From what we’ve seen so far, between the first two films and the first two episodes, this is the only evidence that Josef has shown something from his collection to one of his victims. Not only is this idea haunting from Jeremy’s perspective but as a viewer as well. Knowing what we know, this is beyond terrifying. I can only imagine what’s going through Josef’s head while Jeremy is watching this. Will we witness Josef showing other victims tapes at any point?

Episode 3 continues to strike fear into Creep fans and shows no signs of stopping. I still don’t enjoy the credits and think it ruins the immersion (this is a general complaint of opening credits in all found footage) but I’ve come to accept it at this point. I’m happy that Josh Fadem has a character that is canon in the Creep-iverse, and this episode does an excellent job of continuing the legend of Josef. My only real question is, in this age of cell phone pings, how hasn’t he been caught yet?! I’ll continue to suspend my disbelief on that front. With three episodes left in this season, what havoc will Josef wreak on the camera people of this town? Tune in next Friday to find out!

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