Connect with us

TV

The Right Moment Always Comes: Chucky Season 1 Episode 3 “I Like to be Hugged” Recap

Published

on

As Jake enters Chucky’s serial killer bootcamp, Lexy enters a ring of fire, and the season comes into its own with some slick directing and dark humor.

When I originally saw the promotional material labeling Chucky as “a classic coming of rage story,” I was doubtful, but this episode really sold me on that framing of the show. On a rewatch, the tension is still there, even knowing Jake won’t go berserk. That’s the mark of why this episode works so well, it’s got an enduring mood and tension.

Jake being taught the ways of the slasher by Chucky was executed perfectly. A large part of that success and the atmosphere of the episode, in general, is due to Joseph LoDuca’s compositions. Having provided the score for all the original Evil Dead movies and Ash vs. Evil Dead, he has perfected creepy woods music, which is put to great effect during Jake’s stalking sequence. Although seriously? Lending Junior your phone instead of just sending him a link to the playlist? Get with the times, Lexy.

Aside from all of Jake’s close calls and comically bad attempts at murder, this episode gives Devon a whole lot more to do. This is especially refreshing since all the other young cast members have had thorough introductions. The argument with his mother in defense of Jake had sincerity and believability, with Björgvin Arnarson and Rachelle Casseus working well off each other. Secretly recording Jake and editing the audio later is an interesting, if not ominous, detail that adds more life and suspicion to their connection. It begs the question of whether there are more sinister intentions there or if Devon just took his affection a bit too far.

While they are enjoyable, our flashbacks with a young Charles are too few and far between for me. I was hoping for more with him, as there are several moments where Chucky’s voiceover felt like it was placed for a transition that wasn’t there. When Chucky mentions hiding behind an innocent face as he hugs Lexy, I got momentarily excited to see child Chucky again but was left waiting for a flashback edit that never came. I enjoyed the cuts back and forth between Chucky’s father being killed in the past by the intruder and Oliver’s death in the present, but I just wished there was more of that temporal mayhem outside of the beginning and end of the episode.

Oliver’s death brings me to my favorite part of this chapter: the silent rave. This is the kind of set piece that was built around the horror-comedy this franchise has become known for. The camera moving between Oliver getting hacked to bits and the oblivious partygoers straight up vibing downstairs made me laugh. The shots of their weird, wavy, eyes-closed dancing as the house goes up in flames made me full-on cackle. We also get that wonderful prolonged wide shot of Lexy wrestling with Chucky in her room, which is a staple of the series at this point. Not to mention, a priceless reaction from her when she realizes who’s attacking her. It truly is a face of equal parts, “I’m going to die!” and, “Holy s**t, is that a doll?” The ending might leave some fans lamenting not seeing Lexy’s death, but all it did was get me hyped for the show finally cutting Chucky completely loose.

Advertisement

PERFORMANCE HIGHLIGHTS: Zackary Arthur gives a lot of range in this episode. The pure awkwardness of learning to be a killer meshes well with Jake’s reserved and tempered rage. Whether it’s his comedic fumbling to quickly put a knife behind his back or testing potential weapons in the garage, he’s got a good grasp of physical comedy, while still having the dramatic versatility for scenes like Jake visiting his parent’s graves.

VISUAL HIGHLIGHTS: Dermott Down’s second episode directing in the season is stellar, and the staging and blocking of a lot of these shots make everything look crisp without being overly sanitized. Highlights include the shot of sculpture Lexy bleeding beads, the lively silent rave, and the downright demonic final shot of Chucky reveling in the fiery chaos that he made as he attacks Lexy.

QUOTE OF THE EPISODE:
“I…want to…apologize for…the whole…dead dad Halloween costume thing. I guess I can sort of see why you’d take that the wrong way.”
“There was a right way?”

RATING: 9 (Unsuspecting Silent Rave Dances)/10. Aside from my disappointment with the flashback segments not being more interwoven throughout, this is a solid and fun episode. It really embodies the tongue-in-cheek humor of the series as a whole and doesn’t shy away from blending it with the ultraviolence Chucky is known for.

You can stream Chucky on Peacock!

Advertisement

READ OUR EPISODE 4 RECAP HERE! 

Luis Pomales-Diaz is a freelance writer and lover of fantasy, sci-fi, and of course, horror. When he isn't working on a new article or short story, he can usually be found watching schlocky movies and forgotten television shows.

Continue Reading
Advertisement

TV

The Creep Tapes: “Brad” (S1E4)

If The Creep Tapes aren’t automatically greenlit for a second season, someone is making a mistake. These episodes have endless replayability. Each time you watch, you’ll find something new. You will see moments where something clicks in Josef’s head that you missed the first time; you will see when he makes split-second decisions you may have missed. The easiest way to put my thoughts into a phrase is that this franchise is lightning in a bottle.

Published

on

Josef (Mark Duplass) continues his reign of terror with the best episode in the entire series so far. We’ve seen Josef trap people in a snowy mountain cabin, bait a birdwatcher into an oxygen-deprived fate, and get a gotcha journalist. So what could he do next? How about trapping a true crime filmmaker into a nightmare out of his own films?

Brad (Josh Ruben) is a washed-up true-crime filmmaker who hasn’t had a hit in years. He is invited by Josef to a gorgeous house and offered to hear a pitch that’ll change everything. What is the pitch? Document true crime as it occurs. After some hemming and hawing, Brad agrees to participate in this odd experiment. Little does Brad know that he may end up more than a documentarian.

Why is this my favorite episode? To start, Josh Ruben. I love Josh Ruben. From his hysterical appearances on Game Changer to his harrowing performance in A Wounded Fawn, Ruben is one hell of a talented actor. But he’s more than just an actor; he’s also a great horror director. His written/directed hit horror comedy Scare Me delights with frights, while Werewolves Within was a more mature, albeit still funny, directorial feat. Simply put, whatever Josh Ruben touches turns to gold.

Secondly, the story. Episode 4, “Brad,” has one of the best stories of the series. Imagine you are a true-crime filmmaker who hits gold with your first project. Then, everything dries up. You can’t find the magic that made your first project so special to true-crime fanatics around the world. Suddenly, you’re allowed to change your fate. There’s something magical about that.

I want to go into more detail about this episode’s story, and we will break the spoiler barrier at this point. The big twist for this episode is that not only is Brad obviously being targeted by Josef, but in a way that’s more sinister than Josef has done before. Josef turns Brad into the killer. What Brad didn’t know is that Josef had cameras set up in specific locations and planned to make Brad appear as a killer. Once Brad realizes this, his whole world falls apart. He, on camera, has become what he wanted to film. What Josef has done here is gorgeously grotesque.

Advertisement

Besides the great twist, Duplass and Ruben have brilliant chemistry. I feel like I’ve said this many times in my Creep Tapes coverage, but Duplass plays off everyone so well. That’s one of the charms of Duplass and the Creep franchise as a whole. Without an actor as incredible as Duplass, this franchise would not work. His boyish charm plays off his maniacal inner nature in ways that haven’t been captured before.

If The Creep Tapes aren’t automatically greenlit for a second season, someone is making a mistake. These episodes have endless replayability. Each time you watch, you’ll find something new. You will see moments where something clicks in Josef’s head that you missed the first time; you will see when he makes split-second decisions you may have missed. The easiest way to put my thoughts into a phrase is that this franchise is lightning in a bottle.

Continue Reading

TV

The Creep Tapes: “Jeremy” (S1E3)

Published

on

Episodes 1 and 2 of The Creep Tapes set a terrifying precedent of murderous mayhem at the hands of Josef (Mark Duplass). We may or may not have learned anything new regarding the canon or lore behind Josef, but we’ve gotten to watch him ‘play with his food’. I still believe that Episode 2, “Elliot,” is the slowest of the episodes thus far, but I’ve slightly come around to the idea of it. One of my best friends told me, “If that’s the worst episode, then we’re in for a treat.” And honestly, that’s the best way I could describe my thoughts on it.

Episode 3, “Jeremy”, takes us out of the wetlands and returns us to a claustrophobic mountain house. “Jeremy” follows our newest victim, Jeremy (Josh Fadem), a ‘gotcha’  internet personality whose whole personality surrounds exposing those he deems needing to be exposed. After his Big Pharma expose, Jeremy finds his sights on Father Tom Durkin (Mark Duplass). Jeremy meets with Father Durkin under the guise of an interview. Little do both of them know…neither is there for what the other thinks.

This episode will probably be a diving episode for fans. I’m personally a big fan of Josh Fadem. His quirky awkwardness is appealing to me. But there’s a chance his schtick will get old quickly for some viewers. The way Fadem and Duplass play off each other is fascinating to watch, and it creates a very compelling dynamic.

Duplass has always given 110% when playing Josef, but he amps it up tenfold in this episode. We get one of the funniest bits in Creep history when Josef/Father Tom Durkin *literally* exercises his demons out. Besides that exercise bit, Father Tom Durkin is one of Josef’s greatest personalities.

If you haven’t seen the episode, I’m about to mention something that is a spoiler, BUT it needs to be discussed. Toward the latter half of the episode, Josef shows Jeremy one of his tapes and uses this to ease Jeremy. The goal of showing him this tape is to give Jeremy his Gotcha moment. See, “Father Tom Durkin” was supposedly possessed and was being exorcised by Father Dom Gurkin. The video we see is of Josef, in his Peachfuzz mask and underwear, cowering in the corner of a small shack while Father Dom Gurkin tries to exorcize the demon from him.

Advertisement

From what we’ve seen so far, between the first two films and the first two episodes, this is the only evidence that Josef has shown something from his collection to one of his victims. Not only is this idea haunting from Jeremy’s perspective but as a viewer as well. Knowing what we know, this is beyond terrifying. I can only imagine what’s going through Josef’s head while Jeremy is watching this. Will we witness Josef showing other victims tapes at any point?

Episode 3 continues to strike fear into Creep fans and shows no signs of stopping. I still don’t enjoy the credits and think it ruins the immersion (this is a general complaint of opening credits in all found footage) but I’ve come to accept it at this point. I’m happy that Josh Fadem has a character that is canon in the Creep-iverse, and this episode does an excellent job of continuing the legend of Josef. My only real question is, in this age of cell phone pings, how hasn’t he been caught yet?! I’ll continue to suspend my disbelief on that front. With three episodes left in this season, what havoc will Josef wreak on the camera people of this town? Tune in next Friday to find out!

Continue Reading

Horror Press Mailing List

Fangoria
Advertisement
Advertisement