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Cowgirls & Aliens: The Boulet Brothers’ Dragula S4 Ep3 “Weird, Wild West” Recap

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Yeehaw, Uglies! Grab your chaps and boot spurs because this week, we’re heading to the lawless West. The Boulet’s exit a horse-drawn carriage into a sepia-toned ghost town, and the dry heat has them famished. Someone needs to procure a meal, so the pair duke it out in an old-fashioned quick draw duel to see who must go through the trouble. Swan’s wayward aim lands poor Israel a bullet in the arm and thus a DQ. What, or who will she rustle up for dinner?

The Challenge: The monsters must conceptualize a comic book mash-up of sci-fi and the American frontier in this week’s Weird, Wild West theme. Wacky creativity will be celebrated, and the key to a win is dusting off any inhibitions and truly selling their pulpy characters. The “wig bandits” seem excited to let their freak flags fly, except for Koco, who has somehow never seen a sci-fi movie in her life. The West was known for its brothels, though, and Koco is sure she would have been hookin’ the house down boots back in the day. Meanwhile, Zavaleta is inspired by Mexican revolutionary (and alleged homosexual) Emiliano Zapata; Sigourney is bringing Mugler to the dustbowl; Betty is digging into her hill people roots; Dahli is foaming at the mouth for their bounty hunter concoction.

 The Drama: After last week’s Aurelian meltdown, everyone is certain that Betty will be returning, although lovestruck Hoso isn’t happy about it. Merrie eloquently tells Hoso to focus and avoid getting “dickmatized.” This time, Merrie takes the brunt of the boudoir’s criticism as most were baffled that she was safe. The jabs keep coming when she’s told her incessant rambling sucks the air out of the room. She does love to hear herself talk, and a shady montage of her doing just that proves the camera doesn’t lie. Sigourney also gets burned when her looks are questioned: She has the glamour, but where is the filth? After all, this is The Boulet Brothers’ Dragula, and I have to agree, despite her stunning fashion.

Floor Show & Judgment: The Boulet’s, entering the stage from a Westworld-inspired portal, are joined by starlets and guest judges Trixie Mattel and Orville Peck. Weird and wild, the floor show is a gamer’s delight as look after look seems taken from video games like Borderlands and Mortal Kombat. Granted safety, Jade seems to be suffering from “I am Not a Monster Syndrome,” and the Boulet’s are delighted that Merrie stepped up her performance; Hoso joins them as well. The rest face harsher judgment as the good, the bad, and the uglies of the week. Betty is given similar critiques to Merrie, but inviting the Terminator to The Best Little Whorehouse in Texas advances her to the top. Trixie is gagging for Sigourney’s American flag and glistening cowgirl haute couture, and Orville is similarly mesmerized by her handography – he must really love the Boulet’s! The duo fully embodying the comic book prompt for the challenge are La Zavaleta and Dahli; Zav goes full Baraka from Mortal Kombat, and Dahli is the necrotic, robotic bounty hunter of the West. Trixie smartly clocks Dahli’s take on masculinity in which using it as a costume pokes fun at how stupid the concept of masculinity is (it’s 2021, ya’ll). Of the pair, it’s Zavaleta who performs a Fatality on the competition and snags the win. Continuing the pattern, last week’s winner Saint and the hooker with a heart of gold, Koco Caine, are in the bottom. Saint unimpressed as a cow in kitten heels, and Koco didn’t venture far enough from her big-breasted go-to, simply adding pig prosthetics to her usual fare. However, before the Extermination can begin, a catfight between Zavaleta and Merrie erupts backstage. Despite encouraging her earlier, Zav decides to belittle her frenemy for wanting to elevate her makeup after being inspired by the other competitors; the Regina George of Season 4 strikes again!

 Extermination: The mechanical bull from Hell has arrived, and today all of the monsters must go for a ride. It’s do or die for Saint and Koco, while everyone else has fun with one of the show’s easier Exterminations. After a valiant effort, we return to the sepia ghost town to find the Boulet’s chomping down on some barbeque. The camera tracks outside to unveil the source of their meal: Piggy bottom Koco Caine has been spit-roasted.

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 Quote of the Episode: “So many horse girls.” -Sigourney Beaver

 Honorable Mention: Hoso’s outfit was like a Cactuar from Final Fantasy was walking fashion week.

Rating: This episode had it all: Petty drama, laughs, enjoyable guest judges, and a floor show downloaded from a PS5. (9/10 Anal Probes)

READ OUR EPISODE 4 RECAP HERE

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Alex Warrick is a film lover and gaymer living the Los Angeles fantasy by way of an East Coast attitude. Interested in all things curious and silly, he was fearless until a fateful viewing of Poltergeist at a young age changed everything. That encounter nurtured a morbid fascination with all things horror that continues today. When not engrossed in a movie, show or game he can usually be found on a rollercoaster, at a drag show, or texting his friends about smurfs.

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The Creep Tapes: “Brad” (S1E4)

If The Creep Tapes aren’t automatically greenlit for a second season, someone is making a mistake. These episodes have endless replayability. Each time you watch, you’ll find something new. You will see moments where something clicks in Josef’s head that you missed the first time; you will see when he makes split-second decisions you may have missed. The easiest way to put my thoughts into a phrase is that this franchise is lightning in a bottle.

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Josef (Mark Duplass) continues his reign of terror with the best episode in the entire series so far. We’ve seen Josef trap people in a snowy mountain cabin, bait a birdwatcher into an oxygen-deprived fate, and get a gotcha journalist. So what could he do next? How about trapping a true crime filmmaker into a nightmare out of his own films?

Brad (Josh Ruben) is a washed-up true-crime filmmaker who hasn’t had a hit in years. He is invited by Josef to a gorgeous house and offered to hear a pitch that’ll change everything. What is the pitch? Document true crime as it occurs. After some hemming and hawing, Brad agrees to participate in this odd experiment. Little does Brad know that he may end up more than a documentarian.

Why is this my favorite episode? To start, Josh Ruben. I love Josh Ruben. From his hysterical appearances on Game Changer to his harrowing performance in A Wounded Fawn, Ruben is one hell of a talented actor. But he’s more than just an actor; he’s also a great horror director. His written/directed hit horror comedy Scare Me delights with frights, while Werewolves Within was a more mature, albeit still funny, directorial feat. Simply put, whatever Josh Ruben touches turns to gold.

Secondly, the story. Episode 4, “Brad,” has one of the best stories of the series. Imagine you are a true-crime filmmaker who hits gold with your first project. Then, everything dries up. You can’t find the magic that made your first project so special to true-crime fanatics around the world. Suddenly, you’re allowed to change your fate. There’s something magical about that.

I want to go into more detail about this episode’s story, and we will break the spoiler barrier at this point. The big twist for this episode is that not only is Brad obviously being targeted by Josef, but in a way that’s more sinister than Josef has done before. Josef turns Brad into the killer. What Brad didn’t know is that Josef had cameras set up in specific locations and planned to make Brad appear as a killer. Once Brad realizes this, his whole world falls apart. He, on camera, has become what he wanted to film. What Josef has done here is gorgeously grotesque.

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Besides the great twist, Duplass and Ruben have brilliant chemistry. I feel like I’ve said this many times in my Creep Tapes coverage, but Duplass plays off everyone so well. That’s one of the charms of Duplass and the Creep franchise as a whole. Without an actor as incredible as Duplass, this franchise would not work. His boyish charm plays off his maniacal inner nature in ways that haven’t been captured before.

If The Creep Tapes aren’t automatically greenlit for a second season, someone is making a mistake. These episodes have endless replayability. Each time you watch, you’ll find something new. You will see moments where something clicks in Josef’s head that you missed the first time; you will see when he makes split-second decisions you may have missed. The easiest way to put my thoughts into a phrase is that this franchise is lightning in a bottle.

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The Creep Tapes: “Jeremy” (S1E3)

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Episodes 1 and 2 of The Creep Tapes set a terrifying precedent of murderous mayhem at the hands of Josef (Mark Duplass). We may or may not have learned anything new regarding the canon or lore behind Josef, but we’ve gotten to watch him ‘play with his food’. I still believe that Episode 2, “Elliot,” is the slowest of the episodes thus far, but I’ve slightly come around to the idea of it. One of my best friends told me, “If that’s the worst episode, then we’re in for a treat.” And honestly, that’s the best way I could describe my thoughts on it.

Episode 3, “Jeremy”, takes us out of the wetlands and returns us to a claustrophobic mountain house. “Jeremy” follows our newest victim, Jeremy (Josh Fadem), a ‘gotcha’  internet personality whose whole personality surrounds exposing those he deems needing to be exposed. After his Big Pharma expose, Jeremy finds his sights on Father Tom Durkin (Mark Duplass). Jeremy meets with Father Durkin under the guise of an interview. Little do both of them know…neither is there for what the other thinks.

This episode will probably be a diving episode for fans. I’m personally a big fan of Josh Fadem. His quirky awkwardness is appealing to me. But there’s a chance his schtick will get old quickly for some viewers. The way Fadem and Duplass play off each other is fascinating to watch, and it creates a very compelling dynamic.

Duplass has always given 110% when playing Josef, but he amps it up tenfold in this episode. We get one of the funniest bits in Creep history when Josef/Father Tom Durkin *literally* exercises his demons out. Besides that exercise bit, Father Tom Durkin is one of Josef’s greatest personalities.

If you haven’t seen the episode, I’m about to mention something that is a spoiler, BUT it needs to be discussed. Toward the latter half of the episode, Josef shows Jeremy one of his tapes and uses this to ease Jeremy. The goal of showing him this tape is to give Jeremy his Gotcha moment. See, “Father Tom Durkin” was supposedly possessed and was being exorcised by Father Dom Gurkin. The video we see is of Josef, in his Peachfuzz mask and underwear, cowering in the corner of a small shack while Father Dom Gurkin tries to exorcize the demon from him.

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From what we’ve seen so far, between the first two films and the first two episodes, this is the only evidence that Josef has shown something from his collection to one of his victims. Not only is this idea haunting from Jeremy’s perspective but as a viewer as well. Knowing what we know, this is beyond terrifying. I can only imagine what’s going through Josef’s head while Jeremy is watching this. Will we witness Josef showing other victims tapes at any point?

Episode 3 continues to strike fear into Creep fans and shows no signs of stopping. I still don’t enjoy the credits and think it ruins the immersion (this is a general complaint of opening credits in all found footage) but I’ve come to accept it at this point. I’m happy that Josh Fadem has a character that is canon in the Creep-iverse, and this episode does an excellent job of continuing the legend of Josef. My only real question is, in this age of cell phone pings, how hasn’t he been caught yet?! I’ll continue to suspend my disbelief on that front. With three episodes left in this season, what havoc will Josef wreak on the camera people of this town? Tune in next Friday to find out!

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