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Cry Baby Beach: The Boulet Brothers’ Dragula S4 Ep 2 “Nosferatu Beach Party”

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Aloha, Uglies! We open this week’s episode at a far-out, fangs-out midnight beach party, Boulet style. Moon Screen and men galore, we even get to see the Boulet’s let loose atypical to their usual style, including a silly little dance moment by Swan that genuinely had me laughing out loud. But which unwelcome outsider lurks in the caverns of the Nosferatu Beach Party? Stay tuned to find out!

The Challenge: The Boulet’s announce the Beach Party to their creepy little crustaceans, in which they must serve a beachy vampiric lewk and perform a 60s-tailored lip-sync duet. The sinister fun continues when it’s announced that upon the death of one monster, another has arisen, and fierce Season 2 and Resurrection competitor Dahli is joining Season 4. Astrud, being their drag daughter, is overjoyed, while everyone else is thinking the same thing: “Fuck”. Zavaleta then claws her way back into the competition by winning a scrumptiously awful Fright Feat involving blood and garlic, and chooses the duet partners as her prize. Can Koco and Merrie overcome their differences and choreograph a groovy routine? Will Astrud and Sigourney make sacrifices to their drag to perform more cohesively? Stay tuned to find out!

The Drama: Merrie, leeching off Zavaleta’s personality before she has a chance to return to the boudoir, gets into it with both Astrud and Sigourney. The former, she says, is lucky the judges didn’t see her outfit falling apart, and the latter, well, she just doesn’t like. Astrud defends their DIY drag against Merrie while comically stripping her of her title as “The Drag Queen of Brooklyn,” downgrading her to simply a queen in Brooklyn. The jury is out on Sigourney, though, who seems to be playing the shade game par for the course – a sport they’re all proficient at. Maybe it’s her catchphrases. Respect and admiration don’t come “for free.”

Floor Show & Judgment: Following a Boulet entrance edit inspired by Instagram Layout and the introduction of guest judge Vannessa Hudgens, a very campy floor show ensues. It is pure chaos, but a few outstanding looks and flourishes by the queens turn it into a spoopy ol’ time at the beach. Merrie is singled out as the Boulet’s attempt to instill a sense of self that seems to have escaped her, but her life is spared for now. Zavaleta’s tenacity and her “Nosferatu-toenails” are praised, as is Hoso’s lifeguard outfit and its multi-layered reveals. The winner of the sandiest party you’ll ever die at is the high fashion latex bat with floaties, Saint. This leaves Betty, Koco, and Astrud (!) dropping into the bottom. Betty once again underwhelmed, and despite Koco’s fanged stripper lewk, she was upstaged by her partner, Merrie.

Now, remember when Astrud cut down her outfit’s gaggery galore for the sake of compromise? Yeah, that didn’t pan out, and what follows is a temper tantrum that rivals Maddelynn Hatter’s from Season 3. She follows in Formelda’s footsteps and commits a cardinal sin of the show: interrupting Drac during critiques. Backstage, she continues to rant, cry, insult, and protest in a simply embarrassing manner. From high highs to low lows, Aurelia has fallen, and Betty joins her for Extermination.

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Extermination: This week, the exterminees must submerge their limbs in leech-infested waters. The lack of general excitement is heightened with some intensely horrific close-ups of their bloodied bodies. In the end, we find that the winner of the first challenge, Astrud Aurelia, is the outsider lurking in the caverns of the Nosferatu Beach Party, and the Boulets smash her with a boulder like a pesky crab. A talent killed perhaps too soon and a missed opportunity for drag family drama, Astrud was crushed under the weight of her hubris.

Quote of the Episode: “I’m so into blood right now.” -Vanessa Hudgens

Honorable Mention: Dahli’s mating of Black Lagoon and a clown fit in wonderfully with the buffoonery of the floor show.

Rating: A campy good time is upended by an unhinged meltdown, and we love to see it. (8/10 Bottles of Moon Screen)

READ OUR EPISODE 3 RECAP HERE

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Alex Warrick is a film lover and gaymer living the Los Angeles fantasy by way of an East Coast attitude. Interested in all things curious and silly, he was fearless until a fateful viewing of Poltergeist at a young age changed everything. That encounter nurtured a morbid fascination with all things horror that continues today. When not engrossed in a movie, show or game he can usually be found on a rollercoaster, at a drag show, or texting his friends about smurfs.

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The Creep Tapes: “Brad” (S1E4)

If The Creep Tapes aren’t automatically greenlit for a second season, someone is making a mistake. These episodes have endless replayability. Each time you watch, you’ll find something new. You will see moments where something clicks in Josef’s head that you missed the first time; you will see when he makes split-second decisions you may have missed. The easiest way to put my thoughts into a phrase is that this franchise is lightning in a bottle.

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Josef (Mark Duplass) continues his reign of terror with the best episode in the entire series so far. We’ve seen Josef trap people in a snowy mountain cabin, bait a birdwatcher into an oxygen-deprived fate, and get a gotcha journalist. So what could he do next? How about trapping a true crime filmmaker into a nightmare out of his own films?

Brad (Josh Ruben) is a washed-up true-crime filmmaker who hasn’t had a hit in years. He is invited by Josef to a gorgeous house and offered to hear a pitch that’ll change everything. What is the pitch? Document true crime as it occurs. After some hemming and hawing, Brad agrees to participate in this odd experiment. Little does Brad know that he may end up more than a documentarian.

Why is this my favorite episode? To start, Josh Ruben. I love Josh Ruben. From his hysterical appearances on Game Changer to his harrowing performance in A Wounded Fawn, Ruben is one hell of a talented actor. But he’s more than just an actor; he’s also a great horror director. His written/directed hit horror comedy Scare Me delights with frights, while Werewolves Within was a more mature, albeit still funny, directorial feat. Simply put, whatever Josh Ruben touches turns to gold.

Secondly, the story. Episode 4, “Brad,” has one of the best stories of the series. Imagine you are a true-crime filmmaker who hits gold with your first project. Then, everything dries up. You can’t find the magic that made your first project so special to true-crime fanatics around the world. Suddenly, you’re allowed to change your fate. There’s something magical about that.

I want to go into more detail about this episode’s story, and we will break the spoiler barrier at this point. The big twist for this episode is that not only is Brad obviously being targeted by Josef, but in a way that’s more sinister than Josef has done before. Josef turns Brad into the killer. What Brad didn’t know is that Josef had cameras set up in specific locations and planned to make Brad appear as a killer. Once Brad realizes this, his whole world falls apart. He, on camera, has become what he wanted to film. What Josef has done here is gorgeously grotesque.

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Besides the great twist, Duplass and Ruben have brilliant chemistry. I feel like I’ve said this many times in my Creep Tapes coverage, but Duplass plays off everyone so well. That’s one of the charms of Duplass and the Creep franchise as a whole. Without an actor as incredible as Duplass, this franchise would not work. His boyish charm plays off his maniacal inner nature in ways that haven’t been captured before.

If The Creep Tapes aren’t automatically greenlit for a second season, someone is making a mistake. These episodes have endless replayability. Each time you watch, you’ll find something new. You will see moments where something clicks in Josef’s head that you missed the first time; you will see when he makes split-second decisions you may have missed. The easiest way to put my thoughts into a phrase is that this franchise is lightning in a bottle.

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The Creep Tapes: “Jeremy” (S1E3)

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Episodes 1 and 2 of The Creep Tapes set a terrifying precedent of murderous mayhem at the hands of Josef (Mark Duplass). We may or may not have learned anything new regarding the canon or lore behind Josef, but we’ve gotten to watch him ‘play with his food’. I still believe that Episode 2, “Elliot,” is the slowest of the episodes thus far, but I’ve slightly come around to the idea of it. One of my best friends told me, “If that’s the worst episode, then we’re in for a treat.” And honestly, that’s the best way I could describe my thoughts on it.

Episode 3, “Jeremy”, takes us out of the wetlands and returns us to a claustrophobic mountain house. “Jeremy” follows our newest victim, Jeremy (Josh Fadem), a ‘gotcha’  internet personality whose whole personality surrounds exposing those he deems needing to be exposed. After his Big Pharma expose, Jeremy finds his sights on Father Tom Durkin (Mark Duplass). Jeremy meets with Father Durkin under the guise of an interview. Little do both of them know…neither is there for what the other thinks.

This episode will probably be a diving episode for fans. I’m personally a big fan of Josh Fadem. His quirky awkwardness is appealing to me. But there’s a chance his schtick will get old quickly for some viewers. The way Fadem and Duplass play off each other is fascinating to watch, and it creates a very compelling dynamic.

Duplass has always given 110% when playing Josef, but he amps it up tenfold in this episode. We get one of the funniest bits in Creep history when Josef/Father Tom Durkin *literally* exercises his demons out. Besides that exercise bit, Father Tom Durkin is one of Josef’s greatest personalities.

If you haven’t seen the episode, I’m about to mention something that is a spoiler, BUT it needs to be discussed. Toward the latter half of the episode, Josef shows Jeremy one of his tapes and uses this to ease Jeremy. The goal of showing him this tape is to give Jeremy his Gotcha moment. See, “Father Tom Durkin” was supposedly possessed and was being exorcised by Father Dom Gurkin. The video we see is of Josef, in his Peachfuzz mask and underwear, cowering in the corner of a small shack while Father Dom Gurkin tries to exorcize the demon from him.

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From what we’ve seen so far, between the first two films and the first two episodes, this is the only evidence that Josef has shown something from his collection to one of his victims. Not only is this idea haunting from Jeremy’s perspective but as a viewer as well. Knowing what we know, this is beyond terrifying. I can only imagine what’s going through Josef’s head while Jeremy is watching this. Will we witness Josef showing other victims tapes at any point?

Episode 3 continues to strike fear into Creep fans and shows no signs of stopping. I still don’t enjoy the credits and think it ruins the immersion (this is a general complaint of opening credits in all found footage) but I’ve come to accept it at this point. I’m happy that Josh Fadem has a character that is canon in the Creep-iverse, and this episode does an excellent job of continuing the legend of Josef. My only real question is, in this age of cell phone pings, how hasn’t he been caught yet?! I’ll continue to suspend my disbelief on that front. With three episodes left in this season, what havoc will Josef wreak on the camera people of this town? Tune in next Friday to find out!

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