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Give Her What She Wants: Chucky Season 1 Episode 4 “Just Let Go” Recap
Picking up where we left off in “I Like To Be Hugged”, this episode wastes no time in jumping in with Jake being forced to clean the mess he’s made, and it’s fantastic.
The walls closing in on Jake and his growing fear of Chucky’s influence are the heart of this episode, emotionally. I’m glad that time was taken for Jake to not only see but feel the aftermath of giving Chucky an inch and him turning it into a bloody mile. It would have been enough to show Jake’s relief that Devon wasn’t harmed, but having his guilt overwhelm him and confessing to Lexy in the wake of Caroline and Junior’s hospitalization took it even farther. With Detective Evans putting him in the hot seat later in the episode, we feel the sense of distrust in the adults around him and narrowing options he has for dealing with Chucky.
This episode is also the first truly humanizing glimpse we see of Lexy, who for the past few episodes has been mostly two-dimensional, even if Alyvia Alyn Lind’s portrayal is entertaining. It was satisfying to see her ruthless façade break down, showing she’s just a kid who feels as terrified and helpless as Jake, following Chucky’s attempt on her life. Watching her switch from frightened, to angry, to sad, before eventually becoming determined to stop Chucky, was compelling and sets her on an interesting path moving forward. All in all, Jake and Lexy’s choice to band together and the dialogue between them feels organic, and most importantly, exciting.
There are scenes in the episode where director Leslie Libman’s artistic choices can be slightly distracting, especially the conversation between Junior and Logan filmed almost entirely in poorly situated Dutch angles. Fortunately, this episode looks wonderful everywhere else. From the set design of Lexy’s house violently gutted by fire to the hospital’s ominously dark and sterile halls, all of it is brought to life by Colin Hoult’s cinematography and the lighting work done in the episode. Serious credit to the often forgotten but indispensable art and camera departments who make the dream a reality.
Libman’s directorial work also helps pull off that all-important balance between the grotesque and humorous. The image of the partially charred Chucky emerging from the shadows is genuinely freaky with Lexy’s life literally hanging in the balance. The under-lit silhouette of him in the darkness is unsettling when his sinister encouragement for Jake to let go mixes with Lexy’s whimpers for help. And when he is finally visible in the light, it is a lot of fun watching his feeble, tiny jumps to try and stab at her dangling legs. It’s gritty without taking itself too seriously.
Speaking of Chucky, all the flashbacks in this episode were exactly what I had wanted out of Episode 3. It’s nice to see Eddie Caputo’s backstory and the weird sociopathic bonding that motivates him to join back up with Charles later in life. More importantly, it’s a testament to Mancini’s love for the small details in all he’s written. And most importantly, who doesn’t love a shot of Chucky flipping somebody off to end the episode?
PERFORMANCE HIGHLIGHTS: Lind and Arthur give their characters’ new, dynamic relationship some gravity with their performances as they begin the slow turn from enemies to allies. Tyler Barish’s portrayal of 14-year-old Charles Lee Ray gave the character a creepy calmness that really made his scenes work, without being too over the top. Shoutout to Travis Milne for bringing some campiness to Detective Peyton’s grisly death by a barrage of syringes.
VISUAL HIGHLIGHTS: The sheer volume of enjoyable practical effects in this episode was delightful. The new, half-melted Chucky animatronic looks fantastic and gave some real Toxic Avenger vibes. The ridiculous ‘blood leaking out of the fingernails’ gag was a nice touch for Detective Peyton’s death. And as simple of an effect as it is, the maggots in the janitor’s wounds made me semi-nauseous. Impressive stuff!
QUOTE OF THE EPISODE: “Sorry asshole, but I just couldn’t take it for one more second! From the minute I first saw you, y’know? I couldn’t stand your fucking face…I don’t know. Maybe I’m just projecting.”
RATING: 9.5 (Hospital Cookies Stolen by A Doomed, Bumbling Cop)/10. Except for some minor directorial issues, this is a great episode that I can’t find many faults with. It is very close in ranking with the pilot for how engaging it was. At times it feels very cinematic and gives off the energy of the best parts of both Curse and Cult by utilizing the hospital and decrepit house settings to their fullest, without ever staying too long in one location.
TV
The Creep Tapes: “Brad” (S1E4)
If The Creep Tapes aren’t automatically greenlit for a second season, someone is making a mistake. These episodes have endless replayability. Each time you watch, you’ll find something new. You will see moments where something clicks in Josef’s head that you missed the first time; you will see when he makes split-second decisions you may have missed. The easiest way to put my thoughts into a phrase is that this franchise is lightning in a bottle.
Josef (Mark Duplass) continues his reign of terror with the best episode in the entire series so far. We’ve seen Josef trap people in a snowy mountain cabin, bait a birdwatcher into an oxygen-deprived fate, and get a gotcha journalist. So what could he do next? How about trapping a true crime filmmaker into a nightmare out of his own films?
Brad (Josh Ruben) is a washed-up true-crime filmmaker who hasn’t had a hit in years. He is invited by Josef to a gorgeous house and offered to hear a pitch that’ll change everything. What is the pitch? Document true crime as it occurs. After some hemming and hawing, Brad agrees to participate in this odd experiment. Little does Brad know that he may end up more than a documentarian.
Why is this my favorite episode? To start, Josh Ruben. I love Josh Ruben. From his hysterical appearances on Game Changer to his harrowing performance in A Wounded Fawn, Ruben is one hell of a talented actor. But he’s more than just an actor; he’s also a great horror director. His written/directed hit horror comedy Scare Me delights with frights, while Werewolves Within was a more mature, albeit still funny, directorial feat. Simply put, whatever Josh Ruben touches turns to gold.
Secondly, the story. Episode 4, “Brad,” has one of the best stories of the series. Imagine you are a true-crime filmmaker who hits gold with your first project. Then, everything dries up. You can’t find the magic that made your first project so special to true-crime fanatics around the world. Suddenly, you’re allowed to change your fate. There’s something magical about that.
I want to go into more detail about this episode’s story, and we will break the spoiler barrier at this point. The big twist for this episode is that not only is Brad obviously being targeted by Josef, but in a way that’s more sinister than Josef has done before. Josef turns Brad into the killer. What Brad didn’t know is that Josef had cameras set up in specific locations and planned to make Brad appear as a killer. Once Brad realizes this, his whole world falls apart. He, on camera, has become what he wanted to film. What Josef has done here is gorgeously grotesque.
Besides the great twist, Duplass and Ruben have brilliant chemistry. I feel like I’ve said this many times in my Creep Tapes coverage, but Duplass plays off everyone so well. That’s one of the charms of Duplass and the Creep franchise as a whole. Without an actor as incredible as Duplass, this franchise would not work. His boyish charm plays off his maniacal inner nature in ways that haven’t been captured before.
If The Creep Tapes aren’t automatically greenlit for a second season, someone is making a mistake. These episodes have endless replayability. Each time you watch, you’ll find something new. You will see moments where something clicks in Josef’s head that you missed the first time; you will see when he makes split-second decisions you may have missed. The easiest way to put my thoughts into a phrase is that this franchise is lightning in a bottle.
TV
The Creep Tapes: “Jeremy” (S1E3)
Episodes 1 and 2 of The Creep Tapes set a terrifying precedent of murderous mayhem at the hands of Josef (Mark Duplass). We may or may not have learned anything new regarding the canon or lore behind Josef, but we’ve gotten to watch him ‘play with his food’. I still believe that Episode 2, “Elliot,” is the slowest of the episodes thus far, but I’ve slightly come around to the idea of it. One of my best friends told me, “If that’s the worst episode, then we’re in for a treat.” And honestly, that’s the best way I could describe my thoughts on it.
Episode 3, “Jeremy”, takes us out of the wetlands and returns us to a claustrophobic mountain house. “Jeremy” follows our newest victim, Jeremy (Josh Fadem), a ‘gotcha’ internet personality whose whole personality surrounds exposing those he deems needing to be exposed. After his Big Pharma expose, Jeremy finds his sights on Father Tom Durkin (Mark Duplass). Jeremy meets with Father Durkin under the guise of an interview. Little do both of them know…neither is there for what the other thinks.
This episode will probably be a diving episode for fans. I’m personally a big fan of Josh Fadem. His quirky awkwardness is appealing to me. But there’s a chance his schtick will get old quickly for some viewers. The way Fadem and Duplass play off each other is fascinating to watch, and it creates a very compelling dynamic.
Duplass has always given 110% when playing Josef, but he amps it up tenfold in this episode. We get one of the funniest bits in Creep history when Josef/Father Tom Durkin *literally* exercises his demons out. Besides that exercise bit, Father Tom Durkin is one of Josef’s greatest personalities.
If you haven’t seen the episode, I’m about to mention something that is a spoiler, BUT it needs to be discussed. Toward the latter half of the episode, Josef shows Jeremy one of his tapes and uses this to ease Jeremy. The goal of showing him this tape is to give Jeremy his Gotcha moment. See, “Father Tom Durkin” was supposedly possessed and was being exorcised by Father Dom Gurkin. The video we see is of Josef, in his Peachfuzz mask and underwear, cowering in the corner of a small shack while Father Dom Gurkin tries to exorcize the demon from him.
From what we’ve seen so far, between the first two films and the first two episodes, this is the only evidence that Josef has shown something from his collection to one of his victims. Not only is this idea haunting from Jeremy’s perspective but as a viewer as well. Knowing what we know, this is beyond terrifying. I can only imagine what’s going through Josef’s head while Jeremy is watching this. Will we witness Josef showing other victims tapes at any point?
Episode 3 continues to strike fear into Creep fans and shows no signs of stopping. I still don’t enjoy the credits and think it ruins the immersion (this is a general complaint of opening credits in all found footage) but I’ve come to accept it at this point. I’m happy that Josh Fadem has a character that is canon in the Creep-iverse, and this episode does an excellent job of continuing the legend of Josef. My only real question is, in this age of cell phone pings, how hasn’t he been caught yet?! I’ll continue to suspend my disbelief on that front. With three episodes left in this season, what havoc will Josef wreak on the camera people of this town? Tune in next Friday to find out!