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Costumes, Candy, and Cruelty: Chucky Season 1 Episode 2 “Give Me Something Good to Eat” Recap

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A less gruesome episode than expected yields a stellar performance from a younger cast member while cultivating one truly “shocking” moment.

Razor blades in treats? Unchaperoned teenage parties? A child dressed in a Chucky costume, playing Chucky, who in turn is playing a child? Oh boy, it’s a Halloween episode! A very dialogue-heavy one.

Despite it only being the second episode, there aren’t a lot of introductions of note. We get a look at Lexy’s verbally abusive mother, Mayor Cross, played by the actresses’ real mother, Barbara Alyn Woods. We also meet Michael Therriault, playing her well-meaning father, Nathan. I didn’t realize until my rewatch that Therriault had previously played notorious sleazebag, Doctor Foley, whose head was turned into a fruit gusher by Nica-Chucky’s high-heeled stomps in Cult of Chucky. Nice callback! But I do have a slight suspicion his inevitable death in this won’t nearly be as cool as that one.

Where this episode lacks anything particularly new or wild, it supplements with some interesting dialogue. It’s comprised of a lot of quiet conversations, rather than complex kills or set pieces; more than you’d expect from a show about a killer doll. This effort achieves varying levels of effectiveness: Devon and Jake’s conversation about losing their fathers seemed clunky and rushed for where it’s placed and how it’s scripted. On the other hand, Devon’s conversation with his mother is great at showing her uncomfortable inability to draw the line between her job as a detective and her role as a mother. And the episode structure gives some standout moments, specifically through conversations involving Junior.

The talk between Logan and Bree about the unsureness of raising the boys is strong. It’s amplified even more when you get to see Teo Briones playing Junior’s unsure reactions as he eavesdrops on it. It’s Logan appreciating Junior’s costume, not for its inventiveness but because it’s mostly just his own track and field medals, that really speak volumes about the slowly souring relationship between a doting father and the son he’s living vicariously through. And his snide interactions with Lexy, whether it’s asking for her to show Jake some sympathy or her preying on his emotional and sexual insecurities, have a genuine quiet tragedy to them that surprised me.

And in between, there are moments of Chucky playing videogames or doling out razor apples to unsuspecting neighbors. His presence feels a bit sparse for me, given it’s an episode with the concept of “Chucky runs wild on Halloween.”

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However, his sidelining makes sense when you get to the real bombshell of the episode. Seeing Jake witness Lexy’s dead dad costume made my jaw drop the first time I saw it and still made me shrink back in my seat on a second viewing. It’s the exact kind of spur needed to make the audience eagerly anticipate Jake’s implied turn to Chucky’s homicidal call to action. And even if it is unlikely our protagonist will go mental and give in to the hate, this episode lends a believability that ups the ante for what’s to come in a way most shows don’t achieve.

PERFORMANCE HIGHLIGHTS: As I said, Teo Brione’s does so much with so few words of dialogue, it’s nutty. And I don’t think I’m ever going to confuse Alyvia Alyn Lind with her sisters again, given she’s seared herself in my brain as playing Lexy with such nastiness. The dialogue she’s given is cartoonishly evil at points, but she makes it work and creates a character you love to hate.

VISUAL HIGHLIGHTS: Annie’s death in this episode pales in comparison to Logan’s in the last, but it was still inventive and bloody enough to make me wince at her dishwasher demise. The episode’s set design of Hackensack at Halloween-time is also so perfectly autumnal.

QUOTE OF THE EPISODE:
“You know, I have a queer kid.”
“You have a kid?”
“Gender-fluid!”
“And you’re cool with it?”
“I’m not a monster, Jake.”

RATING: 7.5 (Instances of Apple Based Mouth Gore)/10. A drop off compared to the pilot, but I still like it quite a bit. The main plot is almost entirely a vehicle for its final few minutes, but that final quarter really is worth it. The character development moments are nice if not stilted at times, but I can accept the less thought-out ones since this is just an aperitif for seeing various characters growing bonds. Which is good because it absolutely succeeds at leaving you hooked and wanting more. It just may be its just a little too good at its job in that regard.

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You can stream Chucky on Peacock!

READ OUR EPISODE 3 RECAP HERE! 

Luis Pomales-Diaz is a freelance writer and lover of fantasy, sci-fi, and of course, horror. When he isn't working on a new article or short story, he can usually be found watching schlocky movies and forgotten television shows.

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The Creep Tapes: “Brad” (S1E4)

If The Creep Tapes aren’t automatically greenlit for a second season, someone is making a mistake. These episodes have endless replayability. Each time you watch, you’ll find something new. You will see moments where something clicks in Josef’s head that you missed the first time; you will see when he makes split-second decisions you may have missed. The easiest way to put my thoughts into a phrase is that this franchise is lightning in a bottle.

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Josef (Mark Duplass) continues his reign of terror with the best episode in the entire series so far. We’ve seen Josef trap people in a snowy mountain cabin, bait a birdwatcher into an oxygen-deprived fate, and get a gotcha journalist. So what could he do next? How about trapping a true crime filmmaker into a nightmare out of his own films?

Brad (Josh Ruben) is a washed-up true-crime filmmaker who hasn’t had a hit in years. He is invited by Josef to a gorgeous house and offered to hear a pitch that’ll change everything. What is the pitch? Document true crime as it occurs. After some hemming and hawing, Brad agrees to participate in this odd experiment. Little does Brad know that he may end up more than a documentarian.

Why is this my favorite episode? To start, Josh Ruben. I love Josh Ruben. From his hysterical appearances on Game Changer to his harrowing performance in A Wounded Fawn, Ruben is one hell of a talented actor. But he’s more than just an actor; he’s also a great horror director. His written/directed hit horror comedy Scare Me delights with frights, while Werewolves Within was a more mature, albeit still funny, directorial feat. Simply put, whatever Josh Ruben touches turns to gold.

Secondly, the story. Episode 4, “Brad,” has one of the best stories of the series. Imagine you are a true-crime filmmaker who hits gold with your first project. Then, everything dries up. You can’t find the magic that made your first project so special to true-crime fanatics around the world. Suddenly, you’re allowed to change your fate. There’s something magical about that.

I want to go into more detail about this episode’s story, and we will break the spoiler barrier at this point. The big twist for this episode is that not only is Brad obviously being targeted by Josef, but in a way that’s more sinister than Josef has done before. Josef turns Brad into the killer. What Brad didn’t know is that Josef had cameras set up in specific locations and planned to make Brad appear as a killer. Once Brad realizes this, his whole world falls apart. He, on camera, has become what he wanted to film. What Josef has done here is gorgeously grotesque.

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Besides the great twist, Duplass and Ruben have brilliant chemistry. I feel like I’ve said this many times in my Creep Tapes coverage, but Duplass plays off everyone so well. That’s one of the charms of Duplass and the Creep franchise as a whole. Without an actor as incredible as Duplass, this franchise would not work. His boyish charm plays off his maniacal inner nature in ways that haven’t been captured before.

If The Creep Tapes aren’t automatically greenlit for a second season, someone is making a mistake. These episodes have endless replayability. Each time you watch, you’ll find something new. You will see moments where something clicks in Josef’s head that you missed the first time; you will see when he makes split-second decisions you may have missed. The easiest way to put my thoughts into a phrase is that this franchise is lightning in a bottle.

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The Creep Tapes: “Jeremy” (S1E3)

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Episodes 1 and 2 of The Creep Tapes set a terrifying precedent of murderous mayhem at the hands of Josef (Mark Duplass). We may or may not have learned anything new regarding the canon or lore behind Josef, but we’ve gotten to watch him ‘play with his food’. I still believe that Episode 2, “Elliot,” is the slowest of the episodes thus far, but I’ve slightly come around to the idea of it. One of my best friends told me, “If that’s the worst episode, then we’re in for a treat.” And honestly, that’s the best way I could describe my thoughts on it.

Episode 3, “Jeremy”, takes us out of the wetlands and returns us to a claustrophobic mountain house. “Jeremy” follows our newest victim, Jeremy (Josh Fadem), a ‘gotcha’  internet personality whose whole personality surrounds exposing those he deems needing to be exposed. After his Big Pharma expose, Jeremy finds his sights on Father Tom Durkin (Mark Duplass). Jeremy meets with Father Durkin under the guise of an interview. Little do both of them know…neither is there for what the other thinks.

This episode will probably be a diving episode for fans. I’m personally a big fan of Josh Fadem. His quirky awkwardness is appealing to me. But there’s a chance his schtick will get old quickly for some viewers. The way Fadem and Duplass play off each other is fascinating to watch, and it creates a very compelling dynamic.

Duplass has always given 110% when playing Josef, but he amps it up tenfold in this episode. We get one of the funniest bits in Creep history when Josef/Father Tom Durkin *literally* exercises his demons out. Besides that exercise bit, Father Tom Durkin is one of Josef’s greatest personalities.

If you haven’t seen the episode, I’m about to mention something that is a spoiler, BUT it needs to be discussed. Toward the latter half of the episode, Josef shows Jeremy one of his tapes and uses this to ease Jeremy. The goal of showing him this tape is to give Jeremy his Gotcha moment. See, “Father Tom Durkin” was supposedly possessed and was being exorcised by Father Dom Gurkin. The video we see is of Josef, in his Peachfuzz mask and underwear, cowering in the corner of a small shack while Father Dom Gurkin tries to exorcize the demon from him.

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From what we’ve seen so far, between the first two films and the first two episodes, this is the only evidence that Josef has shown something from his collection to one of his victims. Not only is this idea haunting from Jeremy’s perspective but as a viewer as well. Knowing what we know, this is beyond terrifying. I can only imagine what’s going through Josef’s head while Jeremy is watching this. Will we witness Josef showing other victims tapes at any point?

Episode 3 continues to strike fear into Creep fans and shows no signs of stopping. I still don’t enjoy the credits and think it ruins the immersion (this is a general complaint of opening credits in all found footage) but I’ve come to accept it at this point. I’m happy that Josh Fadem has a character that is canon in the Creep-iverse, and this episode does an excellent job of continuing the legend of Josef. My only real question is, in this age of cell phone pings, how hasn’t he been caught yet?! I’ll continue to suspend my disbelief on that front. With three episodes left in this season, what havoc will Josef wreak on the camera people of this town? Tune in next Friday to find out!

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