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Welcome Home, Uglies: Boulet Brothers’ Dragula S4 Ep1 “Horror Icons Reimagined”

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After two tumultuous years and a Resurrection special, The Boulet Brothers’ Dragula is back to feed our poor unfortunate souls its special brand of blood, guts, and chocolate cake. Reminiscent of a horror franchise balls deep in sequels, the cold open turns the page back a few hundred years and unveils to us the Witch Queens of Samhain presiding over a much earlier version of the competition. A sultry voice-over and slit throat later, we cut to the present wherein a handful of unsuspecting victims are ogling their very own special edition Boulet Brothers masks (can I have?). The classic behind-the-mask POV straight out of Halloween confirms that these masks turn the wearers into mindless Boulet thralls meant only to murder. Now, let’s meet the fresh meat.

Merrie Cherry: She’s “scared as fuck” and, girl, it shows.

Astrud Aurelia: The drag daughter of season 2 legend Dahli; she has some big heels to fill.

La Zavaleta: Brooklyn, by way of Mexico City, this mean girl of the season has a level of confidence that might bury her alive.

Koco Caine: An editor’s dream and the self-proclaimed Cardi B of drag, she is the narrator of the season.

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Bitter Betty: Slinking in wearing a lewd and nude version of those drawn-on muscle body tees, she’s “not as sweet as she used to be.”

Jade Jolie: An alumnus of The-Program-That-Must-Not-Be-Named, this 35-year-old twink has something to prove, mostly to herself.

Hoso Terra Toma: With a name that instantly brings to mind the iconic Malignant, this queen with an established fan base lays the intimidation on heavy.

Sigourney Beaver: A bio queen here to enter her “vag in the padge,” she resembles your friend’s cool older sister who used to give you a ride to shows as a teen.

 Formelda Hyde: The Masked Singer of Season 4.

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Saint: Returning from Season 3 and the winner of The Boulet Brothers’ Dragula: Resurrection, will experience lead her to victory?

The Challenge: After announcing the largest prize in The Boulet Brothers’ Dragula history of $100,000, the monsters are barreled through a Boulet-inspired house of horrors for the first Fright Feat of the season. Unfortunately, everyone survives, and the Boulets reveal the monsters’ first challenge: They must reimagine a classic horror icon from the ground up; not cosplay, but a fresh, inspired take that speaks to their drag. We are then taken to an updated boudoir that fittingly resembles Twin Peaks with its red color scheme and diner-like tabletops, and Season 4 truly begins!

The Drama: Mean girl Zavaleta is the first to create some classically nasty drama, as she ignites a rivalry with Astrud and reads Sigourney for immediately merchandising herself with a corny catchphrase (“For free!” is not it, sweetie). Everyone also proceeds to pile on Formelda for being a digital queen with no true live performance experience. And with the presence and intonation of Ben Stein, I can’t say their first impression is unwarranted.

Floor Show & Judgment: Astrud Aurelia wins the challenge as a post-human xenomorph draped in the BMX gear ripped off her latest victims. The look was so good that she even turned Swanthula on a little. Somehow Merrie is safe, despite her take on the Stay Puft marshmallow man looking like a deflated pool float wearing knockoff Versace. The bottoms are: Zavaleta and her messy presentation as The Pale Man from Pan’s Labyrinth; Betty with uninspired Elvira cosplay; and Formelda bringing small-scale Jigsaw meets American Doll. Ultimately, Zavaleta and Formelda are the unlucky duo that must endure a buried alive Extermination, but not before Zava pops off on everyone for good measure.

Extermination: Lit up like a scene from True Blood, the exterminees enter a graveyard and hesitantly climb down into their caskets. The lids are drilled shut, and bugs and liquid spray them in the face as the dirt piles up. After much cursing and crying, they escape! We’re then treated to the pair frantically running for their lives through the woods like a 1980’s slasher, set to the Boulet’s song “Time to Die”. Only one final girl is allowed to remain, however, and just like that…For-MEH-lda Hyde died.

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Quote of the Episode: “It is really brave of you to wear club kid boots on episode one of Dragula.” -Dracmorda to Formelda

Honorable Mention: Jade Jolie was serving rotten Snow White’s Scary Adventures from Disneyland. Not up to par, but a good effort.

Rating: A cast of macabre new competitors, the promise of raw interpersonal drama, and increasing production value usher in the next season of The Boulet Brothers’ Dragula. Melding reality with horror flicks, it is truly the shot of adrenaline that our cold, dead hearts need after a long few years. (10/10 Boulet Masks)

READ OUR EPISODE 2 RECAP HERE

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Alex Warrick is a film lover and gaymer living the Los Angeles fantasy by way of an East Coast attitude. Interested in all things curious and silly, he was fearless until a fateful viewing of Poltergeist at a young age changed everything. That encounter nurtured a morbid fascination with all things horror that continues today. When not engrossed in a movie, show or game he can usually be found on a rollercoaster, at a drag show, or texting his friends about smurfs.

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The Creep Tapes: “Brad” (S1E4)

If The Creep Tapes aren’t automatically greenlit for a second season, someone is making a mistake. These episodes have endless replayability. Each time you watch, you’ll find something new. You will see moments where something clicks in Josef’s head that you missed the first time; you will see when he makes split-second decisions you may have missed. The easiest way to put my thoughts into a phrase is that this franchise is lightning in a bottle.

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Josef (Mark Duplass) continues his reign of terror with the best episode in the entire series so far. We’ve seen Josef trap people in a snowy mountain cabin, bait a birdwatcher into an oxygen-deprived fate, and get a gotcha journalist. So what could he do next? How about trapping a true crime filmmaker into a nightmare out of his own films?

Brad (Josh Ruben) is a washed-up true-crime filmmaker who hasn’t had a hit in years. He is invited by Josef to a gorgeous house and offered to hear a pitch that’ll change everything. What is the pitch? Document true crime as it occurs. After some hemming and hawing, Brad agrees to participate in this odd experiment. Little does Brad know that he may end up more than a documentarian.

Why is this my favorite episode? To start, Josh Ruben. I love Josh Ruben. From his hysterical appearances on Game Changer to his harrowing performance in A Wounded Fawn, Ruben is one hell of a talented actor. But he’s more than just an actor; he’s also a great horror director. His written/directed hit horror comedy Scare Me delights with frights, while Werewolves Within was a more mature, albeit still funny, directorial feat. Simply put, whatever Josh Ruben touches turns to gold.

Secondly, the story. Episode 4, “Brad,” has one of the best stories of the series. Imagine you are a true-crime filmmaker who hits gold with your first project. Then, everything dries up. You can’t find the magic that made your first project so special to true-crime fanatics around the world. Suddenly, you’re allowed to change your fate. There’s something magical about that.

I want to go into more detail about this episode’s story, and we will break the spoiler barrier at this point. The big twist for this episode is that not only is Brad obviously being targeted by Josef, but in a way that’s more sinister than Josef has done before. Josef turns Brad into the killer. What Brad didn’t know is that Josef had cameras set up in specific locations and planned to make Brad appear as a killer. Once Brad realizes this, his whole world falls apart. He, on camera, has become what he wanted to film. What Josef has done here is gorgeously grotesque.

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Besides the great twist, Duplass and Ruben have brilliant chemistry. I feel like I’ve said this many times in my Creep Tapes coverage, but Duplass plays off everyone so well. That’s one of the charms of Duplass and the Creep franchise as a whole. Without an actor as incredible as Duplass, this franchise would not work. His boyish charm plays off his maniacal inner nature in ways that haven’t been captured before.

If The Creep Tapes aren’t automatically greenlit for a second season, someone is making a mistake. These episodes have endless replayability. Each time you watch, you’ll find something new. You will see moments where something clicks in Josef’s head that you missed the first time; you will see when he makes split-second decisions you may have missed. The easiest way to put my thoughts into a phrase is that this franchise is lightning in a bottle.

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The Creep Tapes: “Jeremy” (S1E3)

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Episodes 1 and 2 of The Creep Tapes set a terrifying precedent of murderous mayhem at the hands of Josef (Mark Duplass). We may or may not have learned anything new regarding the canon or lore behind Josef, but we’ve gotten to watch him ‘play with his food’. I still believe that Episode 2, “Elliot,” is the slowest of the episodes thus far, but I’ve slightly come around to the idea of it. One of my best friends told me, “If that’s the worst episode, then we’re in for a treat.” And honestly, that’s the best way I could describe my thoughts on it.

Episode 3, “Jeremy”, takes us out of the wetlands and returns us to a claustrophobic mountain house. “Jeremy” follows our newest victim, Jeremy (Josh Fadem), a ‘gotcha’  internet personality whose whole personality surrounds exposing those he deems needing to be exposed. After his Big Pharma expose, Jeremy finds his sights on Father Tom Durkin (Mark Duplass). Jeremy meets with Father Durkin under the guise of an interview. Little do both of them know…neither is there for what the other thinks.

This episode will probably be a diving episode for fans. I’m personally a big fan of Josh Fadem. His quirky awkwardness is appealing to me. But there’s a chance his schtick will get old quickly for some viewers. The way Fadem and Duplass play off each other is fascinating to watch, and it creates a very compelling dynamic.

Duplass has always given 110% when playing Josef, but he amps it up tenfold in this episode. We get one of the funniest bits in Creep history when Josef/Father Tom Durkin *literally* exercises his demons out. Besides that exercise bit, Father Tom Durkin is one of Josef’s greatest personalities.

If you haven’t seen the episode, I’m about to mention something that is a spoiler, BUT it needs to be discussed. Toward the latter half of the episode, Josef shows Jeremy one of his tapes and uses this to ease Jeremy. The goal of showing him this tape is to give Jeremy his Gotcha moment. See, “Father Tom Durkin” was supposedly possessed and was being exorcised by Father Dom Gurkin. The video we see is of Josef, in his Peachfuzz mask and underwear, cowering in the corner of a small shack while Father Dom Gurkin tries to exorcize the demon from him.

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From what we’ve seen so far, between the first two films and the first two episodes, this is the only evidence that Josef has shown something from his collection to one of his victims. Not only is this idea haunting from Jeremy’s perspective but as a viewer as well. Knowing what we know, this is beyond terrifying. I can only imagine what’s going through Josef’s head while Jeremy is watching this. Will we witness Josef showing other victims tapes at any point?

Episode 3 continues to strike fear into Creep fans and shows no signs of stopping. I still don’t enjoy the credits and think it ruins the immersion (this is a general complaint of opening credits in all found footage) but I’ve come to accept it at this point. I’m happy that Josh Fadem has a character that is canon in the Creep-iverse, and this episode does an excellent job of continuing the legend of Josef. My only real question is, in this age of cell phone pings, how hasn’t he been caught yet?! I’ll continue to suspend my disbelief on that front. With three episodes left in this season, what havoc will Josef wreak on the camera people of this town? Tune in next Friday to find out!

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