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A VERY HACKENSACK CHRISTMAS: Chucky Season 2 Episode 8 “Chucky Actually” Recap & Review

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He’ll be back. They always come back. And when this show comes back next year…man, I’m getting a serious case of déjà vu!

Jokes aside, I want to thank all my recap readers out there and hope you enjoy this last one until next October rolls around; if you like them, try out the other assorted horror morsels here on Horror Press. But in the meanwhile, let’s get this final festive R&R going!

Following Andy’s execution of the final Chucky, her life flashes before her eyes…yes, HER, because it’s Mixter who’s trapped in there. It’s revealed Charles knocked Dr. Mixter out while Glenda was taking care of Sister Ruth in the Chapel, and that’s when he got his Ade Due Damballa switch in. Chucky’s early Christmas present is a clean slate, with nobody’s knowledge of his continued survival.

Three days before Christmas, Lexy visits N.A. and drops the truth about her addiction to an audience, in which Jake is sitting as her sponsor. It’s revealed everyone ended up getting their 100 hours of community service in following the Incarnate Lord chaos that got the school closed permanently, and Jake is crashing at Chez Cross with Lexy and her family for the holidays (namely so the former Mayor Michelle Cross can exploit the good PR of taking in two orphans at Christmastime; I mean, come on, that’s publicity gold!). I also should have been more suspicious of getting the holiday gift of more Barbara Alyn-Lind in this episode because she is at her peak of playing a perfectly preened and focus test polished scumbag.

Elsewhere, Glenda keeps vigil over a comatose Glen in the hospital, reporting to Tiffany that their condition is only worsening. A desperate Glenda asks her to pull out her Jennifer Tilly persona one last time to smuggle in the Glen/da doll so they can save Glen with another soul transfer. A cop catches them red-handed and Tiff hulk smashes a vase over his head before Glenda gives into the intrusive thoughts and electrocutes the cop’s face into bursting into flames (a tribute to their first flaming kill in Seed of Chucky).

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Question: Is it still a yule log if it’s made of pork?

Unimportant.

What matters is that the transfer goes off without a hitch. Good news: Glen and Glenda are back into one doll, voiced once more by the beloved Billy Boyd! Bad news, both of Lachlan Watson’s physical incarnations in the series are now dead, so we probably won’t get them again unless it’s through flashback. Better news: the new Glen-Glenda composite, now going by G.G., looks so glam! G.G. tells Tiffany they plan to travel the world, mentioning a visit to England before mother and child part ways tearfully.

Jake gifts Devon some podcasting equipment (awkward gift choice), and Devon splashes the cold water on him when he reveals he hasn’t been into it for a while (awkward-er way to receive a gift). As everybody digs into Christmas dinner, the argument over the gift reignites, and they end up addressing their broken relationship. I love that Don Mancini took the season finale to effectively make the show a family drama where a killer doll is running around in the background.

Lexy apologizes to her mother for seeing her as the sole source of her problems, and the two have a surprisingly tender moment where they both admit they made mistakes. At night, the Hackensack Gang also reconcile for letting themselves get lost in the Chucky sauce and, do I even have to say Jake and Devon reconcile again? This is like the tenth time this season.

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Chucky, transferred into you-already-know-its-not-the-last Chucky doll, drops down the chimney with a Santa cap and the world’s quietest chainsaw. Riffing on “Twas the Night Before Christmas” inside as he munches on some cookies and milk as murder fuel, Tiffany arrives outside to get that Belle doll so she can finally transfer back into a plastic soul shell. When she breaks in, Mayor Cross catches a large Jennifer Tilly-shaped mouse stirring, and is enchanted by Tiffany long enough for Chucky to float down from the stairs like a Christmas fairy, bisecting Mayor Cross in the goriest kill of the season, and taking her off the naughty list permanently. Saving the best for last Mancini, I see you!

Tiffany and Chucky get into a verbal spat where he threatens G.G. for “misbehaving,” and Tiffany poises herself to protect the children upstairs. This leaves Chucky open for Lexy to jump down from the top rope—sorry, top of the stairs, and pin the doll. Fueled with rage, Lexy revs up the power tool and chops up seemingly the last Chucky with his chainsaw, while Tiffany runs upstairs and attempts a transfer into Belle. This only gets her a slash to the shoulder and back from Jake and Devon.

For a minute it seems like this is the end of Tiffany as the trio corners her, but if you noticed that I hadn’t mentioned Lexy’s little sister Caroline much in this episode, it’s because she only steps out here. Caroline then forces herself into a hostage situation with Tiffany holding a knife to her throat. She reveals that she’s been Chucky and Tiffany’s real daughter this whole time and has been stringing everyone along, a thought planted into her head by Chucky. Despite the trio’s protests, the sociopath in training flees with Tiffany and the Belle doll, leaving behind a heartbroken Lexy. The kids get taken into their former science teacher Ms. Fairchild’s care, which is good since she immediately believes them about Chucky. Time to get back to hunting Hackensack Gang!

In a 3-week flash forward, Tiffany hides in New York City wearing a very Selene Gallio outfit and being stared at by creepy Caroline. She gets a threatening call from Nica, who expresses her condolences but mentions that the hunt to torture her for everything she did is still on. Which doesn’t threaten Tiff much…until Nica mentions she can see her through a window. Panicking and trying to finalize the ritual to transfer her soul into the Belle doll, Voodoo for Dummies fails her. After all, we all know you can’t transfer your soul into a doll that already has one.

Standing up and wiping off his makeup, Chucky confirms that HE WAS IN THE BELLE DOLL THIS ENTIRE TIME, IN DISGUISE! He approaches Tiffany, ready for vengeance, as she screams. While we’re left to process our emotions, Chucky closes off with a song for the 22 deadly days of Christmas that confirms every kill in the season.

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We’ve been playing checkers.

Chucky has been playing chess.

And Don Mancini has been playing fifth-dimensional mind games with everyone since 1988.

VISUAL HIGHLIGHTS: I wasn’t kidding when I said the big boss saved the best for last with the death of Mayor Michelle Cross. This is potentially the gnarliest kill of the franchise, just for how it’s framed and the absurd levels of gore involved. The fact that it’s followed up with Lexy turning Chucky’s face into cubed cheese with the same chainsaw shows that no matter what threshold you have in mind for how nasty you think Chucky can be as a slasher, chances are it’s not high enough.

PERFORMANCE HIGHLIGHT: It’s not that I forgot to get everyone on the show presents this year, I just genuinely must give this to the whole ensemble of the Chucky cast. The tonal pivot of this episode and the way many of these characters’ storylines end up, both permanently and temporarily, just forced the whole cast to bring their A-game. From the sweet but not maudlin reunion of Jake and Devon to the parting of Tiffany and GG, down to even the simplest interactions between the entire gang, I don’t think there was an episode with better overall performances.

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QUOTE OF THE EPISODE.

“I feel like…if the public were just reminded of all my charitable endeavors, that, perhaps, they would just make that silly murder charge go away!”

– Tiffany Valentine, on making the most of your charity this holiday season

OVERALL RATING: 9 (Chainsaw Induced Christmas Cleanups)/10. I’d say this is the overall score for the season. Was I less critical of this season in general than my season 1 reviews? Yes, most likely. When you serve up nothing but good television, I just have less to complain about. Learning from all of the mistakes of its previous season, the pacing was tightened up to perfection, and all the intrigue we got was given satisfying payoffs; “Chucky Actually” is the embodiment of all those improvements and the promises of another great season, wrapped up and set under the tree just in time for the holidays.

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Luis Pomales-Diaz is a freelance writer and lover of fantasy, sci-fi, and of course, horror. When he isn't working on a new article or short story, he can usually be found watching schlocky movies and forgotten television shows.

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Brooklyn Horror Film Festival 2025: The Creep Tapes Season 2

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In 2014, Mark Duplass and Patrick Brice created magic with their mumblegore-adjacent found footage epic Creep. Three years later, this dreamy duo brought us the second installment of their creepy killer. Seven years would pass until Josef (Mark Duplass) would creep back into our daily lives with six truly terrifying episodes of The Creep Tapes. It would only be a short time until a second season of The Creep Tapes was announced…and even less time for a third season! The best experience I had at the Brooklyn Horror Film Festival was seeing the first three episodes of The Creep Tapes Season 2.

The Creep Tapes Season 2 Creeps Back Into the Spotlight

The Creep Tapes Season 1 was fairly straightforward throughout. It was a fantastic season (that I loved), but the majority of it was more of the same. Josef finds a victim (through various means), plays nice (and weird), goes after victim, and death. The season finale, “Mom (and Albert)”, was the first time we really got some (what seems to be) true background into Josef. From personal conversations, that episode was hit or miss. (I loved it, the dude hung dong!)

Upon hearing the news of Seasons 2 and 3, I was left wondering, will we get more background, OR will it just dive into Josef’s maniacal madness? While the first three episodes of Season 2 don’t do much to give us too much information about Josef’s background, it does up the ante considerably. Season 2 makes clear that Mark Duplass and Patrick Brice have grandiose ideas that they’re only scratching the surface of.

The Creep Tapes: S2 E1 “Joseph”

Imitation is the sincerest form of flattery, but what happens when the imitation is just… wrong? Josef finds himself in the sights of Joseph (David Dastmalchian), who is looking for a videographer to film a video for his unborn son, as Joseph has been diagnosed with cancer. Sound familiar?

How can someone possibly replicate the insane scenario Josef concocted in Creep? It can’t just be a coincidence—and it’s not. We come to learn that Josef has been doing something with his tapes (and films) that allows Joseph to view his work. Unfortunately for Joseph, the wrong man answered his ad.

This piece of information is crucial for understanding who (and what) Josef is. At points, he seems mentally ill, misguided, a man who just gets too damn lucky sometimes. The information gleaned reveals a much more careless, while still sophisticated, man who believes he’s creating art (of sorts). What’s the purpose of creating chaos in the modern age of technology if you can’t share it with other degenerates?

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The “flip of the script” in Season 2 Episode 1 “Joseph” is a heart-racing 20-ish minutes of anticipation. I didn’t separate my butt from the edge of my seat until the credits rolled. But it’s with the casting of Joseph that the true magic of the Season 2 premiere excels. Who else can outmaniac a maniac? Of course, it has to be David Dastmalchian.

The Creep Tapes: S2 E2 “Mark”

Mark (Robert Longstreet) wakes up in a concrete room, his leg chained to the ground. A TV sits atop a table. An empty tub sits across the room. Someone lies still underneath a blanket, with a chain coming out of the bottom. And Josef accompanies Mark, leg chains and all. What could go wrong?

One of the most interesting things about Josef as a character is his ability to showcase his flaws, something that is extremely apparent in Season 2, Episodes 2 and 3. Nearly everything that can go wrong for Josef goes wrong. The reason it goes wrong is because of a simple oversight on Josef’s part. And it’s kind of heartening to see. Nearly every time we see Josef in action, he has a general grasp of his overall plan. He knows, more or less, how his targets will react, and his incredible improv skills allow him to course correct when necessary.

“Mark” just goes off the rails in ways Josef could never imagine.

Season 2, Episode 2 is Duplass and Brice’s nod at the Saw franchise. And, if anything other than a few laughs, solidifies the intense planning and expertise that goes into a John Kramer game. One simple oversight can cause a highly crafted plan to fall apart at the seams. To boot, “Mark” is one of the funniest pieces of horror media I have ever seen. It begs the question, what if an absolute dufus was put in a Saw film?

And don’t worry, bloodhounds, there’s gore aplenty!

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The Creep Tapes: S2 E3 “Wes”

Wes (Diego Josef) finds himself taking a job to help Josef film a house-flipping show’s pilot episode. But night descends, and Wes realizes that they’re in the middle of nowhere. Wes’s attempted escape from Josef leads to an unfortunate run-in with law enforcement. Oh boy, how will he get out of this one?!

Even the greatest of franchises will bottom out at some point. Much of what we’ve seen Josef do involves a certain amount of suspension of disbelief. HOW is there not at least a Reddit thread about filmmakers/videographers who have gone missing after answering Craigslist ads? There is no way a 20/20 wouldn’t have been made about these killings if they were real. I mean, just look at how many tapes we see in the opening. Josef is talented at what he does, but everyone slips up eventually.

“Wes” brought me to a point where I was unable to suspend my disbelief. When AMERICAN police see someone moving a potentially dead body and don’t immediately cuff and detain them, you’re asking a bit too much. The crux of this episode revolves around a repeated word: “professionalism.” I get that it’s supposed to shine a light on how unprofessional the police are in this scenario, but it’s a step too far.

What I will say is that it’s a fun angle to take. We’re watching this killer that we’ve seen commit nearly 10 murders, and there are more we haven’t, interact face to face with the police. How will he get out of this sticky situation? I just don’t believe the way it is handled is grounded in a reality that would ever make sense. The chemistry between Wes and Josef, though, is some of the best in the entire franchise. They play off of each other incredibly well, and it makes you wish “Wes” were a feature-length film character instead of an episode character.

A Bold New Chapter for The Creep Tapes

Overall, the first three episodes of The Creep Tapes Season 2 were an overall blast. Even with the issues I had throughout “Wes”, I was entertained the entire time. “Joseph” and “Mark” are contenders for the best episodes of the entire series (and maybe even best entries in the entire franchise). I love seeing Mark Duplass and Patrick Brice spreading their wings to take Josef in different directions. They find ways to keep the product feeling original while still paying direct homage to horror properties beloved by the masses. If these are the first three episodes of Season 2, I think we’re in for a real treat with the final three.

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The Creep Tapes Season 2 premieres November 14 on Shudder and AMC+.

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Is ‘It: Welcome to Derry’ Worth the Watch?

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I loved It (2017) and politely refuse to talk about It Chapter Two. So, I have been impatiently waiting for It: Welcome to Derry to drop. I leaned in as soon as it was announced that Andy Muschietti, Barbara Muschietti, and Jason Fuchs were developing the prequel series for HBO Max. So, while I was denied screeners at the eleventh hour, I still tuned in Sunday night to see if it would live up to the hype. I found myself overall pleasantly surprised, despite having a couple of questions, comments, and concerns.

What’s Going On In Derry?

‘The Pilottakes place in 1962. We meet Matt Clements (Miles Ekhardt), a kid with a pacifier habit who loves to sneak into movies. He is caught in a showing of The Music Man and has to leave the venue. He makes the mistake of hitchhiking with a family that turns out to be the last time he is seen. The demonic car ride sets us up to know that kids are in danger in this series, and Matty is clearly not our lead.

Matty’s friends Teddy Uris (Mikkal Karim-Fidler) and Phil Malkin (Jack Molloy Legault) are still reeling from his disappearance. Teddy seems to be taking it the worst as everyone in town refuses to talk to him about it. Another kid taking this disappearance hard is Lilly Bainbridge (Clara Stack), who was on the brink of a possible friendship with Matt. She also has her own baggage, so when Matt’s voice and fingers make their way into her drain, she connects with his friends.

This leads them to form a kid gang to investigate, which includes Susie (Hunter Storm Baker) and Ronnie Grogan (Amanda Christie). As an audience, you assume this will be our core group. However, you know what they say about assuming and It: Welcome to Derry makes a bloody ass out of you and me. The ending is shocking, and the reason I will be tuning into the second episode.

Who’s Who?

While we know Bill Skarsgård will be reprising the role of Pennywise, we do not see him in the first episode. Which is smart because you have to leave the audience wanting more. However, we do meet Leroy Hanlon (Jovan Adepo), who is the grandfather of Mike Hanlon. So, that’s a huge connection to The Loser’s Club we all know from the book and films. He’s experiencing racism at a military base and is ambushed by a weird group that he and his friend fend off. His story was sort of sidelined, so I’m waiting to see how it fully intertwines with what the kids got into. It’s still early yet, and whatever we think we know might not be the gospel. However, his wife Charlotte Hanlon (Taylour Paige) will also be getting screen time. I’m happy to see this because most King adaptations become overwhelmingly white cast affairs. 

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Speaking of Black characters from the Stephen King Universe getting more to do, young Dick Hallorann (Chris Chalk) will be involved in the story in some way. Constant Readers will remember Dick from The Shining. He was the Black character who also hadthe shineand saved Danny and Wendy from the Overlook Hotel. In my least favorite adaptation, he is played by the late and great Scatman Crothers. Stanley Kubrick decided to axe the Black psychic character and perpetuate a trope with his version of King’s tale. A choice I still side-eye, and why I love to see this character in other iterations of the tale. So, I am very excited to see how he will fit into It: Welcome to Derry.

Am I Feeling It: Welcome to Derry?

As a former Constant Reader and a lover of horror television, I’m an easy target for this show. While I think the pilot had a couple of things that don’t quite make sense (yet), I’m still leaning in. I am here for the vicious way children are dispatched, the surprising deaths, and for the expansion of one Stephen King’s most iconic baddies. So, I have a date with It: Welcome to Derry this weekend. I want to see where it goes now that most of the cast we were introduced to is dead. I also want to see Pennywise on the small screen to see if Skarsgård can creep us out again. More importantly, it is a fun and intriguing story, and that goes a long way with me.

It’s too soon to say if It: Welcome to Derry will be one of the best shows of the year. However, I have hope that it’s ramping up to be a good time. If it avoids falling into fan service territory and tightens up some of the story, this could be a damn good time. There is so much potential in this pilot. I cannot help rooting for it to find its footing and surprise us all. Sadly, hope is a dangerous thing, so I am so nervous it could be another fumble down the line. All I know is I plan to show up for the next two episodes and see where this all goes.

Watch the ‘It: Welcome to Derry’ Trailer

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