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Drag Them to Hell: The Boulet Brothers’ Dragula: Titans Ep 1 “Halloween House Party” Recap

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There’s something different in the air this Halloween season. Take a deep breath. Elevate your olfactory palate beyond the musty odor of your local haunt. A whiff of perfume? Excellent. And now…poppers? Yes, you’re getting closer! The stench of rotten corpses and toilet bowl cleaner? You’ve got it! The world’s lost all color, and this putrid mixture of scents intrigues us as we spot a grim manor in the distance. We’ve now borne witness to four seasons of murder and mayhem, and it’s about that time of year for another gauntlet of chaos. So, we venture inside in anticipation, our curiosity getting the better of us.

A familiar cackle guides the way, and before long, we’re face to face with our favorite undead goddesses: The Boulet Brothers. The filthy and fabulous duo informs us that we purchased a one-way ticket to the Underworld upon crossing the threshold. Fortunately, not all is lost because we’re just in time for a new game that’ll rattle heaven and hell. Ten of the most devilish Titans to ever disgrace their stage are about to be unearthed, dragged out of oblivion to compete for the ultimate title of the first-ever Dragula Titan and earn a spot once more among the living. Have these ten ghouls evolved enough during their time in infinite darkness to slit the throats of their competitors once more? Let’s strap in for what is sure to be the most epic season of The Boulet Brothers’ Dragula and find out.

Koco Caine: The shadiest titty-shaking icon is back in heart-shaped glasses. Easily the most charismatic Monster of the franchise, Koco’s time was cut short in Season 4, and now she’s ready to prove she’s both easier to work with and more sickening than ever.

Melissa BeFierce: The only OG from Season 1, Melissa is the self-proclaimed queen of the drama and is the longest missing from this earthly realm. With a lot to prove, she’s showing up to read her competition for filth and stomp on their necks. And, of course, she’ll be dripping in all this glamour, hunty.

Evah Destruction: The cuddliest werewolf you’ll ever meet, Evah was a frontrunner on Season 3 who let her inner demons get the upper hand. Done with the tears, this self-assured wolf has shed her skin and is ready to go for the jugular.

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Erika Klash: Digital diva and Season 2 extermination queen, Erika is back to show us what’s between her coding. Has she digivolved into the fully formed Titan she claims to be?

Yovska: The shadiest costumed sniper from the side, Yovska has returned with more shade, more creep factor, and more rhinestones. Perhaps we’ll discover what happens when you leave a cursed teddy bear in the Underworld for too long.

Astrud Aurelia: Gone too soon after an infamous Season 4 meltdown, Astrud has matured into a reptilian creature from the gayer side of the black lagoon. One look at their Instagram, and it’s clear we missed out on some exquisite looks last season, so here’s hoping they can bite their forked tongue this go around.

HoSo Terra Toma: A top-four Titan from Season 4 and fresh off the world tour, some question whether HoSo has had enough time for shut-eye between seasons. Drawing from a seemingly endless well of creativity, HoSo insists they now have the necessary experience to match what their horrific mind brings to life on stage.

Abhora: Like a polarizing requel to a beloved franchise, the rewritten Abhora is here, and they’re still a creep! As the only competitor to have ever been simultaneously at the top and bottom of a challenge, Abhora is undoubtedly here to shake up the competition while they claw their way to the crown.

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Kendra Onixxx: Having felt like an outsider during her time on Season 2, Kendra has mined her soul and cracked open what is at the heart of her being. She’s back from oblivion and will not take anyone’s BS.

Victoria Black: The formidable queen of prosthetics has returned to annihilate her competition. Having fallen just short of winning Season 2 and Resurrection, Victoria is more willing to express who she is under all that ooze. Could that be all she needs to complete her journey to the throne?

The Challenge: Our ten tremendous Titans have enough time to light the dramatic fuse by questioning whether specific competitors even deserve to be there before being called to the main stage. It’s here that the Titans finally meet their maker – and murderer –  and the competition truly begins. The Boulets appear on screen and spill the tea: As ten of the strongest Monsters to ever be featured on The Boulet Brothers’ Dragula, they will compete for a $100,000 grand prize and a headlining spot on the next world tour. The catch – and you knew there’d be one –  is that there will be none of the usual Exterminations each week; what this means is TBD, but we love a good surprise. Adding to the agony, the Titans must all participate in each week’s Fright Feat before attempting to defend their spot in the competition. They’ll be immediately cast back into oblivion should they fail or refuse the Feat entirely, and the last soul eliminated will return to the competition. The Boulets didn’t refer to this season as “Gagula” on social media for nothin’.

With formalities out of the way, the season’s first challenge is announced. Our ultimate Uglies must create a terrifying, reinvented drag lewk based on a classic American Halloween costume. They must then execute a choreographed lip sync performance on location at a Spooktacular Halloween House Party. The poor soul who serves more Disney than disaster will find out how exactly a Titan dies. Now, let’s see what these new and improved Fright Feats are.

Per the episode’s Halloween theme, the Titans must bob for apples for their first Fright Feat. And if you think forcing ten queens in big hair and full beat is tragic enough, it gets worse. These apples are submerged in buckets of blood and various animal parts. After watching a grotesque display of gagging ghouls with slicked and bloodied hair, it seems Astrud has won and must assign her fellow Titans their roles for the House Party. The drama doesn’t stop, however, as a crew member enters to inform the cast that a footage recap has revealed Melissa BeFierce as the true winner of the Feat. So, in fierce Melissa style, she immediately undoes all of Astrud’s decisions and casts the roles her way.

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The Drama: Baby Gorgeous, this is TITANS, and everyone in the Underworld is seated for the drama. First impressions are over, and these Uglies know each other inside and out – some even know each other’s insides a little too well, it seems. As mentioned earlier, the drama kicks off almost immediately. Evah questions if HoSo has had any time to recoup since the world tour; Yovska wonders if Kendra has what it takes; Abhora reveals they’ve been holding on to years of contempt toward Erika; pretty much everyone agrees that Erika should be sent packing first. The shade and one-liners keep coming, none more so than Kendra’s read of Yovska’s entrance lewk. In a sure-to-be viral moment of absolute ferocity, Kendra compares Yovska to a “Teletubby toilet bowl” and drops the mic. The children are shooketh, and screams have been scrumpt!

Abhora – chaos incarnate – is at the center of much of the episode’s drama. In an interesting choice, they have fully committed to their character and, throughout the entirety of the episode, prove to be an absolute menace. They’re also beak-over-claws in love with HoSo – who may or may not reciprocate the feeling despite idolizing Abhora’s drag – and are at odds with Astrud, who is similarly infatuated with HoSo. Love triangles on day one – isn’t Titans great? Evah also has an issue with her friend Abhora because mere months before starting the show, Abhora intimated that they were quite possibly done with the world of The Boulet Brothers’ Dragula altogether. Yet, here they are, unfazed and very crazed. None of this may bode well for Abhora’s time on the show, but as a viewer, it is pure TV gold.

Competition-wise, the drama is immediately ignited as well. Melissa instantly begins a quest to create an alliance between herself, Kendra, and Koco, which they name the Nightmare Girls (I also personally like Komeldra). Their power quickly materializes when Melissa, the true winner of the Fright Feat, sabotages Astrud’s challenge picks to spite Erika. Koco, realizing the potential of having the legendary Victoria on their side, pushes Melissa to make amends with her (yeah, they’re fighting, too). Abhora and Erika :ahem: clash when they’re chosen to work together as a pair, but the other groups seem to be having a good time creating their floor show performances.

Floor Show & Judgment: The Boulets, sporting chic antennae, enter the stage in person for the first time this season. They introduce guest judges Justin Simien, director of the upcoming Haunted Mansion movie, and Elvira herself, Cassandra Peterson. The floor show begins, and we’re regaled with a campy good time as the cast wiggles and waves to the music in a classic American house party setting. It’s essentially the Spooky Season version of the Nosferatu Beach Party from Season 4, which the Boulets say is one of their favorite challenges from the series.

Astrud (the Creature) hosts the party and bounces from scene to scene with her fellow Titans. Her look is polished, and she does a great job becoming part of each group without feeling forced. Melissa (the Vampire), Koco (the Mummy), and Kendra (Frankenstein) are hit-and-miss while they dance in the living room as the Nightmare Girls. Melissa proves to be the best of the group, while Koco flounders with a messy and basic costume despite making us crack the hell up with her titty-shaking performance, and Kendra has a few cute moments without doing enough to stand out. The trio escapes performing the worst of the evening, though, because Abhora (as ???) and Erika (the Bat) have arrived. Erika does an okay job of camping it up and dancing in her fur lewk but doesn’t necessarily wow. Unfortunately, she bares the weight of their group performance because Abhora is absolutely atrocious. Her costume, which she later explains is meant to be an alien, is entirely indiscernible, and she doesn’t remember the lip sync words half the time. Eek, indeed.

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Evah (the Devil) looks stunning in her scenes with HoSo (the Pirate). The duo owns their power over a Ouija board in the bedroom, and Evah especially lets her inner sexpot shine. Yovska (Pumpkinhead) and Victoria (Pumpkinhead II) kill it in the kitchen as two freakish pumpkin queens. Each of their looks is unique and true to themselves. Yovska does excellent work showing off her cartoonish pumpkin breasts and highlighting her facial features despite being in full costume, and Victoria, quite simply, slays the competition. From head to toe, she is high pumpkin couture and her mouth, which genuinely looks like that of a sinister old witch, is nightmare fuel. To top it off, she literally removes the upper crust of her head and displays the icky, gooey guts of a pumpkin. Iconic!

Astrud and Victoria are neck and neck to be the week’s winner, but as Pumpkinhead II, Victoria receives the win. Astrud clearly has a lot to show us, and if she had won this challenge, her Season 4 curse might have reared its ugly head, so perhaps it’s for the best. Unsurprisingly, Abhora and Erika receive the worst critiques, and Koco is not far behind due to her bare-bones toilet paper mummy.

Deliberation: They called it “Gagula” and, ghoulie, they weren’t kidding. Remember when they said there wouldn’t be any typical Exterminations this season? Well, that’s because the Titans must vote on who the bottom two of the week are. Anyone is up for grabs, not simply those with the worst critiques. Alliances, alliances…clearly Melissa was on to something. Abhora is visibly distraught about her placement and pulls an Astrud, self-destructing and making enemies with almost everyone in the room. The voting begins, and the Titans decide their fate. A special shout-out goes to Koco for leaving us in stitches once again as she attempts to write Abhora’s name down with her comically large nails.

The votes are finalized, and Abhora and Erika are the unlucky chosen two. Some would argue that Koco deserved to take Erika’s spot, but it would be blasphemy to send such an entertaining powerhouse home so soon. The duo is made to ascent the Staircase of Souls to the Ghostly Gallery, where they await their fate. With one word, “ABHORA,” Swanthula banishes them back to whence they came, and Abhora falls through a trap door. The ghouls are gagged at the surprising form of elimination, and the camera pans as we see Abhora’s portrait apparate on the wall beside them.

Quote of the Episode: “What do you look like, girl? A moon. A moon with a toilet. Toilet bowl. Toilet bowl. It’s giving me Teletubbies on a toilet bowl. Flush the toilet. Bloopbloopbloopbloop. Done.” – Kendra Onixxx destroying Yovska’s soul.

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Honorable Mention: Yovska showed up this week with her tri-pumpkinhead lewk. One critique they’ve had in the past is our inability to see beyond the costume, but her facial work really shone through this week. Overall, a win for the shady Titan.

Rating: The Boulet Brothers’ Dragula Titans is back with a vengeance. Now with an innate appreciation for all the contestants, it’s a joy to watch them return for our viewing pleasure. The heightened drama is there from the jump, fun new segues are peppered throughout the episode, twists and turns await around every corner, and the show introduces even more proper nouns to add to the series’ wiki page. (10/10 Teletubby toilet bowl meme retweets)

 

 

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Alex Warrick is a film lover and gaymer living the Los Angeles fantasy by way of an East Coast attitude. Interested in all things curious and silly, he was fearless until a fateful viewing of Poltergeist at a young age changed everything. That encounter nurtured a morbid fascination with all things horror that continues today. When not engrossed in a movie, show or game he can usually be found on a rollercoaster, at a drag show, or texting his friends about smurfs.

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Is Night Flight Plus Your Next Favorite Streamer?

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As genre fans, we see a lot of streamers vying for our dollars and promising to give us the gory goods. In addition to the usual suspects, we usually get a handful, geared specifically towards genre fans, that pop up every once in a while. While some deliver and stick around, like Shudder, others end up leaving us nothing but fond memories, like Chiller. With streamers like Arrow Video, Midnight Pulp, Screambox, Scream TV, etc., it’s hard to know which apps are worth the time and money anymore. Which is why, after learning about Night Flight Plus at Brooklyn Horror Film Fest, I decided to take this streamer for a test drive. I ran through the library and took notes to help you figure out if this site deserves a slot in your streaming app lineup. Let us dive in.

What Even Is Night Flight Plus?

First things first, Night Flight Plus is not just a horror app. It launched in 2016 and is built around the 1980s USA Network series Night Flight. So, they have episodes of that show and walk a fine line between genre and music documentaries. The site celebrates counterculture. Meaning there is a ton of cool stuff for film and music nerds alike. While a lot of their horror movies can be found on other apps (look right at Shudder and Kanopy), they have a robust animated film section and a ridiculous amount of short films. So, it is setting itself apart from most other streamers simply by having a decent-sized smorgasbord of random cool stuff. I personally have my eye on New York Dolls – Lookin’ Fine On Television if I have time to step outside of the horror space while playing on the app.

What Movies Are Streaming This Month?

This month’s categories of note include: Black Phone 2: Curated by Director Scott Derrickson. Derrickson proves he has a taste and has assembled a lineup which includes Tetsuo: The Iron Man, Opera, a 1988 video profile of John Carpenter, and a handful of documentaries about film and music.  

In keeping with the Black Phone 2 theme, Night Flight Plus also has:  Black Phone 2: Late-Nite Faves 1980-82. This section includes The Boogeyman (1980), Fade to Black, Butcher, Baker, Nightmare Maker, and Dark Night of the Scarecrow. It also has the movie that introduced me to the world of Frank Henenlotter, Basket Case.

However, it’s the Japanese Horror section that pulled me in. Evil Dead Trap, Evil Dead Trap 2: Hideki, Bloody Muscle Body Builder In Hell, Dead Sushi, and Madame O. While some can be found in other corners of the internet, a few are movies that have eluded me for years. So, I will definitely be making time to cross these off my list while I have access to this app.

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But Wait! There’s More!

Night Flight Plus also offers label showcases for companies like Yellow Veil, Severin Films, Blue Underground, and Arrow Video. The eclectic categories also include sections of work directed by Lucio Fulci, Dario Argento, and Antonio Margheriti. I also appreciate the thought to addBlaxploitation, Mob Action and Rough Street Justiceand include Black films off the beaten path. Action fans might want to check out the Bruceploitation Collection, featuring 11 Bruce Lee films at the moment. Overall, the streamer feels like one of those restaurants that dabbles in various kinds of cuisine, and you have to figure out where it excels. 

Because memberships are as low as $6.99 per month (or $59.99 for an annual unlimited access), I think it is worth checking out for a month or two. If things get serious, you can definitely think about making a long-term commitment. To sweeten the deal, Night Flight Plus is available on Roku, Apple TV, iPhone, Android, Amazon Fire TV, Samsung Smart TV, Chromecast, Google Play, and Sony. You can also view their library on a web browser if none of those options work for you.

Night Flight Plus is currently offering seven-day trials for people who want to try it before they buy it. They also allow you to have the service on as many devices as you please, unlike Netflix. So, if you’re looking to get into some fringe, cult, and punk cinema, you might want to give it a whirl. However, if none of these deep cuts and nearly forgotten gems get you excited, then this isn’t the streamer for you.

You can check out Night Flight Plus here.

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Everything We Learned About HBO Max’s ‘It: Welcome to Derry’ at NYCC 2025

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Do you know what time it is? It’s time to float, baby—because Stephen King’s It is returning to our screens! Developed by Andy Muschietti, Barbara Muschietti, and Jason Fuchs, the latter of whom also serves as co-showrunner alongside Brad Caleb Kane, It: Welcome to Derry is a prequel series to 2017’s It and 2019’s It Chapter Two and is set in 1962, 27 years before the events of the first film. Pennywise (played once again by Bill Skarsgård) is back for another child-eating cycle, so you’d better stay out of the sewers, even if you see a shiny red balloon down there. 

Ahead of the series’ HBO and HBO Max premiere on October 26, the cast and creatives behind It: Welcome to Derry took to the Empire Stage at New York Comic Con to tease the horrors in store. If you couldn’t make it, never fear (well, maybe fear a little—you taste so much better when you’re afraid) because we’ve rounded up the highlights right here. 

It: Welcome to Derry Is Based on Mike Hanlon’s Interludes from Stephen King’s Original Novel

If you’re a Constant Reader of Stephen King, you might remember that the 1986 novel It includes a series of five first-person “interludes” documented by Mike Hanlon (played in the films by Chosen Jacobs and Isaiah Mustafa), Derry’s town librarian and unofficial historian. These serve to flesh out the sinister world of Derry, which is a character in and of itself, and to help the reader appreciate just how far back Pennywise’s dark influence over the town goes. As Andy Muschietti put it during the panel, the interludes are “a puzzle that was intentionally unfinished in the book,” one that sparked an idea in the minds of the series’ creators. 

“For me,” he says, “those interludes were kind of a blueprint for a different story, a hidden story, a story that is not told forward but a story that is told backward and has, as a final conclusion, the events in which It became Pennywise.” Why is the story being told backward? You’ll have to see the show to find out. 

Photo taken by Samantha McLaren.

The Story Centers on Mike Hanlon’s Grandfather and His Family

We caught a glimpse of Leroy Hanlon, Mike Hanlon’s grandfather, in 2017’s It, where he was teaching the young boy how to use a bolt pistol to kill sheep. In It: Welcome to Derry, we’ll meet a young Leroy, played by Jovan Adepo, just as he’s moving to Derry with his wife, Charlotte (Taylour Paige), and their son—right in time for a kid to disappear in town. 

Leroy is a “flyboy” in the U.S. Air Force, which was especially meaningful to Adepo, whose own father was a military man. “Getting a chance to play, in some form, a version of who I thought my father was as a child was really exciting for me,” he says. 

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Adepo notes that Leroy is in search of a better life for his family, which he’s probably not going to find in the clown murder capital of America, and teases that the man has a “very unique relationship with fear.” As for his wife, Paige says that Charlotte “has a sacral sense that something is just not right in Derry. 

“It’s frightening to think that you’re losing your mind,” she says. “It’s frightening to feel hysterical, and everyone around you being like ‘oh, we’re good.’”

The 1960s Setting Creates New Opportunities for Anxiety and Fear

Stephen King’s It is split between the late 1950s (for the child portion) and the mid-1980s (for the adult portion). The film adaptations shifted these time periods up to 1989 and 2016, respectively. Since Pennywise’s murderous cycle occurs every 27 years, this means the prequel series is set in 1962, which allowed the creative team to tap into some of the themes and ideas present in King’s 50s setting. 

“What we couldn’t do in the movie in terms of era… we’re doing now,” Andy Muschietti explains. “It’s closer in spirit and also in textures and feel to what the book was.”

“I love doing complex, interconnected, very character-rich shows,” says co-showrunner Brad Caleb Kane. “Setting it in 1962… that was very interesting to me, particularly when you’re dealing with a monster, an interdimensional creature, who uses fear and hatred to divide, and you’re talking about 1962 in America. Well, that’s a very rich and specific area to mine.”

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This period of intense social anxiety and political instability in America would be nothing short of a buffet for Pennywise, for whom fear is flavoring. As King writes, “adults had their own terrors, and their glands could be tapped, opened so that all the chemicals of fear flooded the body and salted the meat.” In that case, our favorite Dancing Clown might want to monitor Its sodium levels. 

“Derry is a microcosm for America,” Kane adds. 

Indigenous Characters Will Play a Major Role in It: Welcome to Derry

It Chapter Two caught some heat in 2019 for its inauthentic inclusion of Native American spiritualism as a plot device. It: Welcome to Derry seems to be making strides to correct that mistake through the character of Rose, played in the series by Kimberly Guerrero. (That’s the same Rose, by the way, who owns Second Hand Rose, the pawn shop glimpsed in It Chapter Two and staffed by King himself in a cameo appearance.)

“The Stephen King universe is a family, but it’s a family that we’ve been left out of,” Guerrero says. “The native story has been there, but we were never able to join you all at the table. We have stories, too—and boy, what a story!”

Guerrero notes that the story of Derry, where something evil lurks in the sewers just out of sight, is one that will feel familiar to Indigenous audiences, saying, “I have never been to a reservation or a Native American community that did not have a place where you do not go. You do not go because you do not know.” But Rose does know, and she’s doing her darndest to protect against It. Her greatest fear is something happening on her watch. 

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“It was such a gift to get to play this Indigenous character that has had all this ancestral knowledge that’s been passed down from generation to generation to generation,” Guerrero enthuses. “Rose knows—my community in this story knows—everything that happened before Derry was Derry. There was a first Loser’s Club, and that Loser’s Club was a group of Indigenous kids.” 

Photo taken by Samantha McLaren.

James Remar Was Thinking about Retirement before Getting the Call

Rose’s story in It: Welcome to Derry is closely connected to that of General Francis Shaw, played by James Remar. The actor, who recently reprised the role of Harry Morgan in Dexter: Resurrection, says he was considering retirement when the opportunity to join the Stephen King universe fell into his lap. 

“I was in the parking lot of a Pavilions grocery store and I was thinking to myself, well, it doesn’t really matter if I don’t work anymore,” Remar recalls. “I got into the car and I got a phone call from my agent, and they said ‘Andy and Barbara Muschietti want to meet you for this undisclosed project, and they’re only meeting one actor.”

“I admired this man since I was a child,” Andy Muschietti explains. “When he said yes, I couldn’t believe it.”

Remar, who brought his own experiences growing up in the 1960s to the table, says his character was saved from Pennywise by Rose when they were kids. They fell in love and had a whirlwind romance as only 9-year-olds who have been terrorized by an ancient evil entity can, though Shaw’s psyche was “shattered” by his encounter with It. Now in charge of strategic air command for the northeastern United States, General Shaw returns to Derry on assignment and reunites with his old flame just as the cycle begins again.

“I feel that my character is drawn back to Derry,” Remar says. “It’s out of my control… I’ve forgotten it in large part, but it’s in the fabric of my being, and I go to Rose.”

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We’ll See a Different Side of the Shining’s Dick Hallorann

Audiences will meet plenty of new characters in It: Welcome to Derry. But one character who is likely very familiar to Stephen King fans is Dick Hallorann, the man who would go on to become head chef at the Overlook Hotel and who would use his “shine” to help save Danny Torrance from the terrifying forces lurking within its halls. Hallorann is a central character in The Shining (played by Scatman Crothers in Stanley Kubrick’s film adaptation, and by Melvin Van Peebles in Mick Garris’ 1977 miniseries) and a tertiary one in Doctor Sleep (portrayed by Carl Lumbly in Mike Flannagan’s adaptation). However, Constant Readers will know that Hallorann also has ties to Derry, where he founded The Black Spot bar, the site of a racially-motivated attack. According to Chris Chalk, the actor bringing this iconic character back to the screen in It: Welcome to Derry, the version of Hallorann we meet in the series is quite different to the older, gentler version we know and love. 

“Dick is in Derry because Dick fucked up,” says Chalk. “Dick thinks all of these people are corny, he doesn’t respect a single one of them, and that’s the journey of Dick. The Dick you know is super nice. Good luck with this Dick!” 

In an exclusive clip played for the NYCC audience, Hallorann—who was a mess cook in the military during his younger years—has a terrifying vision of Pennywise while flying high overhead in a U.S. Air Force plane, seeing the ruin’s of Bob Gray’s circus wagon and dead children suspended in the air in the sewer. 

“You’re going to meet him at a stage where he has a different relationship with his internal self, with his spiritual world,” Chalk adds of Hallorann, “and his biggest fear is himself and losing control.” 

Photo taken by Samantha McLaren.

Pennywise Is Here, but You Won’t See the Iconic Clown Right Away

We’ve been dancing around the Dancing Clown a lot in this article without looking directly at It. Don’t worry, Pennywise stans, It’s definitely part of the series—but you might not see It in Its clown form right away.

“He’s our shark,” says Barbara Muschietti, referencing Jaws’ tactic of teasing viewers with sightings before a sudden and shocking reveal. “We believe wholeheartedly that we can’t allow the audience to get comfortable with It. We had to hide the ball.” 

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“Part of the unpredictability is, ‘When is the clown going to show up?’” adds Andy Muschietti. “I can’t tell you when! But he will… He’s present in other incarnations for a while and then, when you least expect it, there he is.”

It: Welcome to Derry will premiere on HBO and HBO Max October 26th, 2025.

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