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What Your Favorite ‘Halloween’ Movie Says About You

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It’s October. The wind is blowing, and the leaves are changing.* As the weather begins to cool and the veil between the living and the dead stretches thin, you know in your bones that Halloween is approaching. If you’re a horror fan, this almost definitely means that you’ll be throwing on a Halloween movie or two before the season is over. But the question is, which movie is your go-to? And what does that say about you? Well, I’m here to answer that question in this handy-dandy guide!

*This doesn’t apply if you live in the Southern Hemisphere, anywhere remotely equatorial, or – like me – Southern California, but a Pasadena Halloween is actually more authentic to the first movie anyway, so we all win.

What Your Favorite Halloween Says About You

Halloween (1978)

Now, here’s where the distinction between “favorite” and “best” comes into play. Every Halloween fan secretly knows that John Carpenter’s original is the best Halloween movie by pretty much any qualitative yardstick one can use to measure it. However, there are likely only two major reasons it would be your favorite. The first reason would be that you are new to the franchise and have been freshly bowled over by its eerie iconography. Fans who are more hardcore and long-term have likely overindulged in the original’s charms and moved their attention elsewhere in the franchise for a fresher fix. 

The second reason would be that you’re a purist, a cineaste unwilling to overlook the movie’s aesthetic, atmosphere, and contributions to cinema history. Power to you, and may you forever be entitled to one good scare.

Halloween II (1981)

Congratulations, you are a true slasher fiend. Several of the original creatives are still around (Debra Hill, Dean Cundey, John Carpenter as co-writer and co-composer) to maintain consistency with the original. Still, Halloween II is steeped in early ‘80s slasherdom like no other Halloween movie. The subgenre that Halloween helped birth has now fully dictated the formula that its sequel follows, and that inimitable feeling of seeing a beloved formula executed by people who know what they’re doing can be addictive.

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Halloween III: Season of the Witch (1982)

You’re a champion of the underdog. The Myers-less entry in the franchise has had a cultural reappraisal in recent years, but it still generally has a reputation for being a disappointing break from the series norm, so the sad puppy quality of this movie makes it even more endearing to you. You’re also probably less of a slasher person but definitely have a soft spot in your heart for the gooey grotesquerie that 1980s supernatural horror had to offer.

Halloween 4: The Return of Michael Myers (1988)

You just love Fall. You’re probably in line for a pumpkin spice latte as you’re reading this. You really dig when something leans in on that autumnal Halloween-y vibe, capturing the nostalgic childhood feeling of trick-or-treating down leaf-lined streets (which Halloween 4 delivers in spades thanks to finally moving production out of the season-free California and centering a kid protagonist).

Halloween 5: The Revenge of Michael Myers (1989)

You come to the slasher genre for the time capsule aspect of it all. You want to bask in those 1980s signifiers, from the clothing to the hairstyles to the dialogue. You’re mad Becca’s “Romeo, Romeo” isn’t on Spotify.

Halloween: The Curse of Michael Myers (1995)

You have a crush on Paul Rudd. Barring that, you relish conflict. You can’t resist the siren call of the “*NSYNC vs. Backstreet Boys”-style debate over whether the theatrical cut or the producer’s cut is better, and you have a strong opinion either way.

Halloween H20: Twenty Years Later (1998)

You love having Jamie Lee Curtis around as Laurie Strode, but you also want to have a little fun while you’re spending time with her. Plus, Scream is probably why you got into horror movies in the first place, and this one lights up those same pleasure centers.

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Halloween: Resurrection (2002)

I say this as someone with a soft spot for this movie but frankly, you’re a dyed-in-the-wool contrarian. You probably also hate pizza.

Halloween (2007)

Most likely, this is the first Halloween movie you saw, so this is what feels like “your” Halloween. But if that’s not the case, then you’re probably someone who prefers backstory and lore to the more fable-esque “good vs. evil” approach from the 1978 Halloween.

Halloween II (2009)

Did somebody say lore? Either you’re a die-hard Rob Zombie stan for loving this one, or you want your horror movies to be confrontational. You like your genre fare to have more of an art film flavor on top of feeling genuinely dangerous and brutal.

Halloween (2018)

You love franchise movies and legacy sequels and whatnot, but you also want a story with some meat on its bones. You like to leave the theater with something to chat about, whether it’s parsing the themes of generational trauma or untangling the complicated continuity of how this fits into the timeline of the rest of the franchise. You probably own or know somebody who owns a piece of A24 merchandise.

Halloween Kills (2021)

You’re a straight-up gorehound. Forget the story, if Michael is delivering gleefully bloody kills while eerie synths play, you’re there.

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Halloween Ends (2022)

You’re a completist. You like the sense of accomplishment you get after seeing a project through. Even though this will almost definitely not prove to be the final Halloween movie in the long run, it still feels like the end of an era. While your marathon may have had some bumps in the road, at least you got to end it accompanied by Laurie, Michael, and a John Carpenter soundtrack.

Brennan Klein is a millennial who knows way more about 80's slasher movies than he has any right to. He's a former host of the  Attack of the Queerwolf podcast and a current senior movie/TV news writer at Screen Rant. You can also find his full-length movie reviews on Alternate Ending and his personal blog Popcorn Culture. Follow him on Twitter or Letterboxd, if you feel like it.

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‘Silver Bullet’ Should Be Just As Popular As ‘The Lost Boys’

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When you hear the phrase “Corey Haim horror movie,” your mind, it’s safe to assume, jumps to The Lost Boys. That’s only natural. Hell, that’s probably the title that comes to mind when you hear the phrase “Corey Haim movie” in general. Unless you’re a die-hard fan of License to Drive, that is. There are a lot of completely valid reasons for the love that The Lost Boys receives. It’s a great movie. Certainly one of the best vampire movies of the 1980s. But Corey Haim was also in one of the best werewolf movies of the 1980s. That would be the 1985 Stephen King adaptation Silver Bullet, which deserves to have the same level of voracious fandom.

Why Silver Bullet Deserves More Love Than The Lost Boys

I can guess why Silver Bullet hasn’t had the same impact as The Lost Boys. Corey Haim wasn’t as big of a star in 1985. Silver Bullet director Dan Attias went on to a long television career, while Schumacher went on to direct Batman movies. Any 1980s werewolf movie has to exist in the shadow of the masterpiece, An American Werewolf in London. Silver Bullet doesn’t have Kiefer Sutherland psychosexually manipulating Jason Patric. I get it. But Silver Bullet’s stats are lagging.

The Lost Boys is Corey Haim’s #1 most popular movie and his #1 highest-rated on Letterboxd. Silver Bullet is #4 and #12. The Lost Boys is his #1 movie on the Rotten Tomatoes Tomatometer and #2 on the Popcornmeter. Silver Bullet is #5 and #9. Silver Bullet is Corey Haim’s fifth highest-rated movie on IMDb and The Lost Boys is – you guessed it – #1. Silver Bullet also lagged behind at the box office, earning $12.4 million compared to The Lost Boys’ $32.5 million.

October 2025 marks the 40th anniversary of the release of Silver Bullet. It’s high time to raise the profile of this damn movie, even if I have to build the winch myself.

Silver Bullet is a Blast and a Half

Silver Bullet, which was written by Stephen King, adapting his own novella Cycle of the Werewolf, is a doozy. It’s set in a small town that is being besieged by regular werewolf attacks, and nobody can identify the culprit. But never fear, an absolute weirdo is in town!

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That would be Gary Busey as Uncle Red, a deeply unsettling fireball of charisma. His nephew is Marty (Corey Haim), who has paraplegia. Naturally, Red builds him a tricked-out motorcycle wheelchair that he can go rocketing through town in. Gary Busey is something of a punchline these days. But let’s never forget that the man became famous in the first place because he was a goddamn movie star. He makes nonstop strange choices that are electromagnetically compelling. Corey Haim was perhaps the only 1980s child actor who could hold his own against that cinematic force of nature. Thankfully, he was cast, and the characters’ relationship is as rich as it is strange. That’s the sweet spot for any King adaptation.

A Stellar Cast of 1980s Character Actors

That dynamic alone could have been enough to sustain a movie. However, Silver Bullet has also assembled a murderer’s row of 1980s character actors around Busey and Haim. This includes Lawrence Tierney, Terry O’Quinn, and perhaps never better Everett McGill. Not to mention the fact that the story is randomly narrated by Broadway legend Tovah Feldshuh.

Thanks to the talented cast, the movie survives the fact that it features a somewhat goofy-looking werewolf. They bring a sense of grit and reality to their small-town characters. What results is an explosion of intensity that plays startlingly well against the uncut 1980s goofiness of its genre elements. This movie’s confident enough to contain both a thrillingly tense covered bridge setpiece and a werewolf swiping off somebody’s head. And if that’s not the vibe you desperately want from an ‘80s shocker, I don’t know what to tell you.

Silver Bullet Lacks Some of The Lost Boys’ More Obvious Flaws

I am certainly not trying to use this article to cast The Lost Boys into the muck. I think both movies can stand together on the Mount Rushmore of Corey Haim’s career. Nevertheless, it is true that Silver Bullet lacks the two biggest flaws of The Lost Boys. It’s got its own flaws, sure, but none quite so glaring as Lost Boys hugely losing steam in Act 3. Once the identity of the werewolf has become known in Silver Bullet, the story actually gets even more tense. That’s because the danger still stems from children being at the mercy of adults, rather than the werewolf mystery itself.

The Lost Boys is also somewhat scattershot, juggling too many characters, storylines, and tones simultaneously. While Silver Bullet does have a deep bench of characters, its storytelling is much more focused. It’s primarily centered on the relationship between a young boy and his family, and how it’s complicated by werewolf attacks. Standard stuff!

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Silver Bullet Deserves a Spot Next to The Lost Boys

Look, here’s the bottom line. The Lost Boys is a fun, great movie. Silver Bullet is a fun, great movie. This town (Hollywood) is definitely big enough for the two of them. That’s all I’m saying. It’s simply unfair that Silver Bullet has taken up B-tier status behind The Lost Boys. Watchers has more than enough B-movie energy to take up that slot all by itself, thank you very much.

PS: I look forward to Horror Press hosting somebody’s impassioned defense of Watchers, but it ain’t gonna be mine.

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The Best Horror You Can Stream on Shudder in October 2025

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Shudder has officially entered the Halloween chat this year, so the other streamers can hang it up. The app is adding the entire Rec franchise and a nice chunk of Alfred Hitchcock’s work. Fans can watch Psycho, The Birds, Vertigo, and Rear Window on the same streamer this Halloween season. However, my eye is on this year’s Fangoria Chainsaw Awards. It is always a night that brings all my favorite horror people together because most of us watch it live and post about it in real-time. It is what I assume people do at other award shows, where horror is often overlooked. I do not care enough to prove that theory by watching awards where people don’t win chainsaws, though. Anyways, here are five movies I’m excited to get cozy with this October.

The Best Movies to Stream on Shudder This Month

V/H/S/Halloween (2025)

The popular franchise is unleashing a collection of Halloween-themed wicked tales this time. No matter how you feel about found footage or this series, it’s hard to not get excited every time a new installment drops. Who among us can resist the pull of six frightening stories shoved into an unsettling anthology? It also gives us the chance to speed date a handful of filmmakers who want to terrify us. So, it makes sense that it is becoming a yearly tradition. This Shudder Original is also coming hot and fresh from Fantastic Fest. So, if you missed the festival, you can still partake in some of the nightmare fuel at home.

You can watch V/H/S/Halloween on October 3rd.

When A Stranger Calls (1979)

A man terrorizes a babysitter and decides to further traumatize her seven years later. I watched a lot of horror movies as a kid, but this was the one that made me realize scary movies are supposed to be scary. The first act of this film is stressful. It is also probably the reason my phone is always on do not disturb. Carol Kane is an amazing final girl who becomes the final woman in this unsettling story. It also has amazing performances from the late Charles Durning and Tony Beckley, who tragically died way too young. I dare you to watch the first act while you’re alone with the lights off.

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You can watch When A Stranger Calls on October 6th.

Invader (2024)

A woman suspects foul play when her cousin goes missing in Chicago. However, her investigation leads to something beyond her wildest imagination. I need answers to all the questions this movie’s premise is throwing at me. Because it’s about 70 minutes long, I cannot be too mad at whatever this turns out to be. I would have given up way more time to see why what looks like a home invasion seems so mysterious. So, if you are trying to watch a bunch of horror movies this season, this is a quick one coming to an app near you. Everybody, tell Shudder thank you!

You can watch Invader on October 6th.

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OTHER (2025)

A woman returns to her childhood home after her mother’s death to find the house has extensive surveillance and an evil presence. I want to know how the sinister vibes and technology are connected because I am nosy. I also love horror movies that promise family secrets are getting uncovered. After all, nothing is scarier than families. More importantly, this movie got past me, so I did not hear anything about it until making this streaming guide. So, I need to fix that the second it lands on Shudder. It also looks good, so I’m stepping into this movie feeling like it’s going to be a great time.

You can watch Other on October 17th.

Hell House LLC: Lineage (2025)

Vanessa Shepard finds herself haunted after surviving unspeakable horrors at the Abaddon Hotel years earlier. She soon realizes that her nightmares and visions are trying to tell her something she could have never imagined. When this franchise is good, it’s very, very good. Which is why it earned five movies and is one of the franchises we think about when we think of Shudder. While I do not like this fifth and final film, I am sad it was not in theaters long enough to give Hell House LLC fans closure and to allow them to finally see a chapter on the big screen. So, I’m happy this Shudder Original is arriving on Halloween Eve. I also look forward to the discourse once it has more eyes on it because I’m messy.

You can watch Hell House LLC: Lineage on October 30th.

So, that’s why my TV will be parked on Shudder this month. There are plenty of titles that give me an excuse to stay home and mind my own business. Y’all have fun out there because I don’t need to go outside with a lineup like this. 

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Let us know what scary shenanigans you are planning to get into on the app this October. Also, Happy Halloween from the alleged lady always telling you what to watch!

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